The document summarizes the radio market in Vilnius, Lithuania. It finds that the market is dominated by three stations - the state radio channel LR1 and two commercial pop music stations, M-1 and Radiocentras. The ratings data is limited as it only provides reach figures and not time spent listening. When examining the Vilnius market specifically, two additional stations, M-1 Plus and Znad Wilii, perform respectably. The programming of the stations is analyzed, finding that Ultravires and Radiocentras play the most dance music, appealing to younger audiences, while LR1 and LR2 skew older. Znad Wilii, broadcasting in Polish, attracts non-Lithuanian listeners
'KISS FM: From Radical Radio To Big Business: The Inside Story Of A London Pi...Grant Goddard
The document provides an excerpt from a book about the history of pirate radio station KISS FM in London. It describes how KISS FM was launched in 1985 by Gordon McNamee, formerly of JFM, to fill the void left by other soul stations that had closed. However, KISS FM struggled immensely with frequent raids by the DTI that disrupted their broadcasts and equipment. By December 1985, a major raid had forced KISS FM off the air completely after only two months. The document also discusses several other London pirate stations that emerged such as TKO and K-Jazz during this period, as well as ongoing legal issues and raids targeting pirate radio across the UK.
'UK Commercial Radio Sector: Five-Year Forecasts: November 2007' by Grant God...Grant Goddard
Presentation outlining topline five-year revenue and audience forecasts for the UK commercial radio broadcasting sector, written by Grant Goddard in November 2007 for Guardian Media Group plc.
'An Independent Review Of The Rules Governing Local Content On Commercial Rad...Grant Goddard
A report by John Myers 'An Independent Review Of The Rules Governing Local Content On Commercial Radio' commissioned by the United Kingdom government's Digital Britain consultation, 'ghosted' by Grant Goddard in 2009.
'UK Commercial Radio Sector: Current Indicators & Forecasts: January 2008' by...Grant Goddard
This document provides an overview of the current state of the UK commercial radio sector and forecasts for its future. It summarizes key indicators such as declining commercial radio revenues since 2005, uneven profitability among stations, and falling revenue yields. It also reviews listening trends, noting that commercial radio is losing share of listening to the BBC in important demographics like 25-34 year olds. The document aims to analyze the commercial radio sector and provide forecasts for revenues and listening in the coming years.
'An Application To Ofcom For The FM Independent Local Radio Licence For Hull ...Grant Goddard
Application to Ofcom for a local commercial FM radio broadcast licence for Hull by Hull Local Radio, written by Grant Goddard in March 2006 for Laser Broadcasting Limited.
'An Application To Ofcom For The FM Independent Local Radio Licence For North...Grant Goddard
Application to Ofcom for a local commercial FM radio broadcast licence for Northallerton by Hambleton Radio, written by Grant Goddard in August 2005 for Laser Broadcasting Limited.
'KISS FM: From Radical Radio To Big Business: The Inside Story Of A London Pi...Grant Goddard
The document provides an excerpt from a book about the history of pirate radio station KISS FM in London. It describes how KISS FM was launched in 1985 by Gordon McNamee, formerly of JFM, to fill the void left by other soul stations that had closed. However, KISS FM struggled immensely with frequent raids by the DTI that disrupted their broadcasts and equipment. By December 1985, a major raid had forced KISS FM off the air completely after only two months. The document also discusses several other London pirate stations that emerged such as TKO and K-Jazz during this period, as well as ongoing legal issues and raids targeting pirate radio across the UK.
'UK Commercial Radio Sector: Five-Year Forecasts: November 2007' by Grant God...Grant Goddard
Presentation outlining topline five-year revenue and audience forecasts for the UK commercial radio broadcasting sector, written by Grant Goddard in November 2007 for Guardian Media Group plc.
'An Independent Review Of The Rules Governing Local Content On Commercial Rad...Grant Goddard
A report by John Myers 'An Independent Review Of The Rules Governing Local Content On Commercial Radio' commissioned by the United Kingdom government's Digital Britain consultation, 'ghosted' by Grant Goddard in 2009.
'UK Commercial Radio Sector: Current Indicators & Forecasts: January 2008' by...Grant Goddard
This document provides an overview of the current state of the UK commercial radio sector and forecasts for its future. It summarizes key indicators such as declining commercial radio revenues since 2005, uneven profitability among stations, and falling revenue yields. It also reviews listening trends, noting that commercial radio is losing share of listening to the BBC in important demographics like 25-34 year olds. The document aims to analyze the commercial radio sector and provide forecasts for revenues and listening in the coming years.
'An Application To Ofcom For The FM Independent Local Radio Licence For Hull ...Grant Goddard
Application to Ofcom for a local commercial FM radio broadcast licence for Hull by Hull Local Radio, written by Grant Goddard in March 2006 for Laser Broadcasting Limited.
'An Application To Ofcom For The FM Independent Local Radio Licence For North...Grant Goddard
Application to Ofcom for a local commercial FM radio broadcast licence for Northallerton by Hambleton Radio, written by Grant Goddard in August 2005 for Laser Broadcasting Limited.
'The Tallinn, Estonia Radio Market: September 1997' by Grant GoddardGrant Goddard
An analysis of the radio broadcasting market in Tallinn, Estonia and recommendations to create a successful commercial music radio station, written by Grant Goddard in September 1997 for Wodlinger International.
The document evaluates three BBC radio stations - Radio 1, Radio 1Xtra, and Radio 2 - as potential options to broadcast the author's documentary. Radio 1 reaches the most listeners but targets an older average age than the author's target audience. Radio 1Xtra specializes in urban music and successfully reaches a younger audience between 15-30 years old. Although Radio 1Xtra has fewer total listeners, it is concluded that it will allow the author to best reach their intended younger viewers.
The document evaluates three BBC radio stations - Radio 1, Radio 1Xtra, and Radio 2 - as potential options to broadcast the author's documentary. Radio 1 reaches the most listeners but targets an older average age than the author's target audience. Radio 1Xtra specializes in urban music and successfully reaches a younger audience between 15-30 years old. Although Radio 1Xtra has fewer total listeners, it would allow the author to better appeal to and reach their intended younger viewers. Therefore, the author decides to broadcast their documentary on Radio 1Xtra.
This document summarizes Polish mass media outlets in Lithuania, including 1 radio station, 2 news websites, 3 newspapers, 2 magazines, and TV and radio shows broadcast by the national broadcaster. It provides details on several of the main outlets, such as the newspaper Kurier Wileński, which publishes daily and has about 36,000 readers, and the radio station "Znad Willi", which has been a leading Polish media outlet in Lithuania for over 20 years. It also notes that while there is a variety of Polish-language audiovisual content, the offerings remain limited and national broadcasters do not dedicate much attention to them.
The document provides an overview of listenership trends for radio stations in South Africa between October 2009 and July 2011. It finds that overall radio listenership has remained relatively stable, with average listening hours decreasing less than 1.5 minutes. While some stations like Metro FM and Lesedi FM lost listeners, others such as Cape Talk and Radiokansel/Radio Pulpit gained listeners. The document concludes that changes in listenership have generally been small and insignificant, and radio overall remains a stable and top performing medium.
The summary of the document is:
1) The document provides an overview of three radio stations - Heart, Forest FM, and BBC Radio 2 - based on 10 minutes of listening to each station. It analyzes the target audiences, types of content, and differences between the stations.
2) It then summarizes a podcast by Kermode and Mayo reviewing films. It notes that the podcast allows for more in-depth discussion compared to live radio by referencing other reviews and opinions.
3) The targeted audience for the podcast would be regular listeners of BBC Radio 5 interested in film reviews and discussions rather than music.
The document discusses different types of radio stations in the UK, including BBC national radio stations, BBC regional and local stations, national commercial stations, local commercial stations, and community radio stations. It provides details on popular presenters and target audiences for BBC Radio 1 and Radio X. Key details include that BBC Radio 1 targets 15-29 year olds and Radio X targets 25-44 year olds. Popular Radio 1 presenters are Nick Grimshaw and Greg James, while Johnny Vaughan is more popular than Jack Wood on Radio X.
The document summarizes listening to different radio stations and a film review program. It notes the types of music, ads, and content heard on a national commercial station, local commercial station, and national non-commercial station. The ads focused on apps, competitions, new music releases, and upcoming TV shows. It also compares a live film review program to live radio, noting the review program lacks music, news, and has longer conversations between two presenters about movies. The film review's target audience is suggested to be people interested in movies with spare time to listen to lengthy discussions.
Commercial radio stations in the UK provide an average of 10 hours and 21 minutes of public service content per week, despite being funded through advertising revenue rather than a license fee. This public service content includes an average of 323 minutes of news, 19 minutes of content about charities, 25 minutes about local events, and 68 minutes each of weather and sports coverage. Commercial radio stations invest heavily in local journalism, employing around 300 full-time journalists and spending £27 million per year on news programming. Local commercial radio serves an important role in communities by keeping listeners informed about news, travel, and weather issues.
This document provides information about Czech Radio, the national public radio broadcaster of the Czech Republic. It has 11 regional stations that serve the country's 13 regions and capital. The regional stations aim to provide locally relevant content while sharing some programming nationally, and they produce regional news for their own stations as well as Czech Radio's national stations. The regional stations seek to position themselves as the radio of their local county and strive to build an image of being close partners to local listeners.
'DAB Radio Switchover In The United Kingdom' by Grant GoddardGrant Goddard
76-page presentation addressing issues concerning the United Kingdom government's proposed switchover from analogue to DAB digital radio broadcasting, written by Grant Goddard for Bauer Radio in January 2012.
'Response By UKRD Group Limited To Ofcom Consultation On Proposed Format Chan...Grant Goddard
Response by UKRD Group Limited to United Kingdom media regulator Ofcom consultation on proposed Format change of ‘Heart Cornwall’ local commercial radio station, written by Grant Goddard for UKRD Group Ltd in August 2012.
'Response By UKRD Group Limited To United Kingdom Government Department For C...Grant Goddard
Response by UKRD Group Limited to United Kingdom government Department For Culture Media & Sport's Communications Review of Radio Regulation, written by Grant Goddard for UKRD Group Limited in September 2012.
'Complaint By 'Pirate FM' To Ofcom That The Broadcast Output Of 'Heart Cornwa...Grant Goddard
Formal complaint by Cornwall local commercial radio station 'Pirate FM' submitted to United Kingdom broadcast regulator Ofcom arguing that the broadcast output of competitor 'Heart Cornwall' had not complied with the requirements of its licensed Format, written by Grant Goddard for UKRD Group Ltd in June 2013.
'The Route To Secure Local Radio's Digital Future' by Grant GoddardGrant Goddard
Proposal for the UK government and media regulator Ofcom to adopt a multi-platform approach to the 'Digital Britain' future of local radio, in order to reflect the reality that many local radio stations will never broadcast on the DAB platform, written by Grant Goddard in March 2011 for UKRD Group.
'DAB Radio: UK Receiver Market Is Dead In The Water' by Grant GoddardGrant Goddard
Analysis of data demonstrating the slowing DAB radio receiver consumer market in the UK and statements by industry stakeholders that appear to contradict this evidence, written by Grant Goddard in January 2009.
'DAB Digital Radio Switchover In The UK: Q&A' by Grant GoddardGrant Goddard
The document discusses the digital radio switchover in the UK and provides answers to common questions on the topic. It makes the following key points:
1) There will be no switchover to DAB as the dominant radio platform, as the government has abandoned plans for a DAB radio switchover.
2) The push for DAB radio was never consumer-led and ignored consumer behaviors and preferences.
3) Investment in DAB radio has significantly harmed the UK radio industry by diverting funds away from content production.
'United Kingdom Commercial Radio In Numbers: Q4 2008' by Grant GoddardGrant Goddard
39-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q4 2008 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in March 2009.
'United Kingdom Commercial Radio In Numbers: Q3 2009' by Grant GoddardGrant Goddard
80-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q3 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in December 2009.
'United Kingdom Commercial Radio In Numbers: Q2 2009' by Grant GoddardGrant Goddard
53-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q2 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in October 2009.
'United Kingdom Commercial Radio In Numbers: Q1 2009' by Grant GoddardGrant Goddard
43-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q1 2009 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard in Jun 2009.
'United Kingdom Commercial Radio: Q2 2008' by Grant GoddardGrant Goddard
34-page presentation of historical numerical data for the United Kingdom commercial radio industry in Q2 2008 including revenues, advertisers, listening, radio receiver sales and household penetration, written by Grant Goddard for Enders Analysis in September 2008.
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An analysis of the radio broadcasting market in Tallinn, Estonia and recommendations to create a successful commercial music radio station, written by Grant Goddard in September 1997 for Wodlinger International.
The document evaluates three BBC radio stations - Radio 1, Radio 1Xtra, and Radio 2 - as potential options to broadcast the author's documentary. Radio 1 reaches the most listeners but targets an older average age than the author's target audience. Radio 1Xtra specializes in urban music and successfully reaches a younger audience between 15-30 years old. Although Radio 1Xtra has fewer total listeners, it is concluded that it will allow the author to best reach their intended younger viewers.
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This document summarizes Polish mass media outlets in Lithuania, including 1 radio station, 2 news websites, 3 newspapers, 2 magazines, and TV and radio shows broadcast by the national broadcaster. It provides details on several of the main outlets, such as the newspaper Kurier Wileński, which publishes daily and has about 36,000 readers, and the radio station "Znad Willi", which has been a leading Polish media outlet in Lithuania for over 20 years. It also notes that while there is a variety of Polish-language audiovisual content, the offerings remain limited and national broadcasters do not dedicate much attention to them.
The document provides an overview of listenership trends for radio stations in South Africa between October 2009 and July 2011. It finds that overall radio listenership has remained relatively stable, with average listening hours decreasing less than 1.5 minutes. While some stations like Metro FM and Lesedi FM lost listeners, others such as Cape Talk and Radiokansel/Radio Pulpit gained listeners. The document concludes that changes in listenership have generally been small and insignificant, and radio overall remains a stable and top performing medium.
The summary of the document is:
1) The document provides an overview of three radio stations - Heart, Forest FM, and BBC Radio 2 - based on 10 minutes of listening to each station. It analyzes the target audiences, types of content, and differences between the stations.
2) It then summarizes a podcast by Kermode and Mayo reviewing films. It notes that the podcast allows for more in-depth discussion compared to live radio by referencing other reviews and opinions.
3) The targeted audience for the podcast would be regular listeners of BBC Radio 5 interested in film reviews and discussions rather than music.
The document discusses different types of radio stations in the UK, including BBC national radio stations, BBC regional and local stations, national commercial stations, local commercial stations, and community radio stations. It provides details on popular presenters and target audiences for BBC Radio 1 and Radio X. Key details include that BBC Radio 1 targets 15-29 year olds and Radio X targets 25-44 year olds. Popular Radio 1 presenters are Nick Grimshaw and Greg James, while Johnny Vaughan is more popular than Jack Wood on Radio X.
The document summarizes listening to different radio stations and a film review program. It notes the types of music, ads, and content heard on a national commercial station, local commercial station, and national non-commercial station. The ads focused on apps, competitions, new music releases, and upcoming TV shows. It also compares a live film review program to live radio, noting the review program lacks music, news, and has longer conversations between two presenters about movies. The film review's target audience is suggested to be people interested in movies with spare time to listen to lengthy discussions.
Commercial radio stations in the UK provide an average of 10 hours and 21 minutes of public service content per week, despite being funded through advertising revenue rather than a license fee. This public service content includes an average of 323 minutes of news, 19 minutes of content about charities, 25 minutes about local events, and 68 minutes each of weather and sports coverage. Commercial radio stations invest heavily in local journalism, employing around 300 full-time journalists and spending £27 million per year on news programming. Local commercial radio serves an important role in communities by keeping listeners informed about news, travel, and weather issues.
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