ANALYSIS OF A
TRAILER (2)
By Ivana, Ramarna and Georgia
The Unborn; Iconography
 The Unborn uses the stereotypical iconography, some of these are:
• Setting- isolated house (trees are partly covering it) perception of a
  normal and affluent house, but in fact the audience would be aware it
  is not how it seems. (Structuralism) woods also show how alone
  these people are. Around lockers, doctors, shower, graveyard; all
  paradigms of a horror film
• Props- Baby monitor; whispers imply the child is mentally unstable
  (possession- devil, supernatural) torches as everything is in darkness;
  audience are able to see less, creates more fear of the unknown.
  Exorcism equipment emphasizes religion and fear of evil. (again
  paradigms often used in horror)
• Characters- Propp’s eight characters. Female protagonist (Hero/
  victim); embodies her determination to overcome being ‘born or
  possessed’ with the devils child (Feminist theory), on the other hand
  she is quite sexualized in the shower scene; male gaze theory, omen
  child/devil or spirit (villain), The vicar is the helper.
• Other- There is also an intertextual reference of ‘The Exorcist’ when a
  male twists his head in an awkward position; this shows a
  postmodernist approach to the film.
The Unborn; Structure
 The Unborn uses editing, sound, camera shots to create the scary atmosphere
 needed in a horror film.
• Editing- fade to black is done in quick succession to build the pace of
  the trailer, correlates with image and sounds evoking tension within
  the audience. Jump cuts create jarring affect, which puts the audience
  on edge.
• Sound-High pitched non-diegetic sound that is uncomfortable for the
  audience. Distorted voices, hide identity and play on audience’s fear
  of the unknown. Moments of silence connotes eerie atmosphere,
  changes pace creating unstable feeling.
• Camera Shots; establishing shot of the setting (shows as much of the
  isolated scenery as possible) Over the shoulder shot; the audience is
  positioned with the protagonist, as if they are entering the room with
  her. Extreme close ups of the protagonist’s eye, integral to the plot
  that her pupil changes colour, symbolic. Canted angle; shows
  instability, alarm and frantic atmosphere. Point of view shot- viewers
  are placed in her position to empathize with her.

The Unborn Trailer Analysis

  • 1.
    ANALYSIS OF A TRAILER(2) By Ivana, Ramarna and Georgia
  • 2.
    The Unborn; Iconography The Unborn uses the stereotypical iconography, some of these are: • Setting- isolated house (trees are partly covering it) perception of a normal and affluent house, but in fact the audience would be aware it is not how it seems. (Structuralism) woods also show how alone these people are. Around lockers, doctors, shower, graveyard; all paradigms of a horror film • Props- Baby monitor; whispers imply the child is mentally unstable (possession- devil, supernatural) torches as everything is in darkness; audience are able to see less, creates more fear of the unknown. Exorcism equipment emphasizes religion and fear of evil. (again paradigms often used in horror) • Characters- Propp’s eight characters. Female protagonist (Hero/ victim); embodies her determination to overcome being ‘born or possessed’ with the devils child (Feminist theory), on the other hand she is quite sexualized in the shower scene; male gaze theory, omen child/devil or spirit (villain), The vicar is the helper. • Other- There is also an intertextual reference of ‘The Exorcist’ when a male twists his head in an awkward position; this shows a postmodernist approach to the film.
  • 3.
    The Unborn; Structure The Unborn uses editing, sound, camera shots to create the scary atmosphere needed in a horror film. • Editing- fade to black is done in quick succession to build the pace of the trailer, correlates with image and sounds evoking tension within the audience. Jump cuts create jarring affect, which puts the audience on edge. • Sound-High pitched non-diegetic sound that is uncomfortable for the audience. Distorted voices, hide identity and play on audience’s fear of the unknown. Moments of silence connotes eerie atmosphere, changes pace creating unstable feeling. • Camera Shots; establishing shot of the setting (shows as much of the isolated scenery as possible) Over the shoulder shot; the audience is positioned with the protagonist, as if they are entering the room with her. Extreme close ups of the protagonist’s eye, integral to the plot that her pupil changes colour, symbolic. Canted angle; shows instability, alarm and frantic atmosphere. Point of view shot- viewers are placed in her position to empathize with her.