The Two Worldviews of Macbeth
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The following is a brief introduction to Shakespeare's ontological understanding of the world. It focuses upon the concepts of linear and cyclical existence present in the Tragedy of Macbeth.
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The Two Worldviews of Macbeth
- 1. The Great Chain of Being and the Wheel of Fortune
- 3. The “Chain” is an ancient idea, but popular in medieval Christianity. It supports the notion that there is a “hierarchy”, or natural inequality, in God’s universe. In Shakespeare’s time, it was still popularly believed that people had to “know their place”. Moving above your “station”, or marrying below your social status, was an insult to God.
- 4. Hecate says this about Macbeth: “He shall spurn fate, scorn death and bear/ His hopes ‘bove wisdom, grace and fear.” 3.5.30-31
- 7. A competing ontological notion was the Wheel of Fortune. It was cyclical rather than linear. The “Wheel” was a relatively pagan concept, popular in ancient Greece and Rome. The goddess Fortunae (or Fate) was fickle and unreliable; good fortune would rarely last. What went up had to come down! J.D. Duffy: “Once on the wheel, no one gets off until the descent has been made…”
- 9. Scholars have linked the two concepts in the following way: Those who ignored the Chain of Being, such as Macbeth and his wife, were throwing themselves onto the Wheel of Fortune. J.D. Duffy: “A wise man would follow God’s law, and not surrender himself to fortune”. This moral choice helps explain Macbeth’s tragic nature: he’s a noble man whose “tragic flaw” (A.C. Bradley) is ambition.
- 10. If Macbeth has chosen to forsake his place on the Chain of Being in favour of the Wheel, is this an act of free will? Look to the emissaries of fate and fortune, like the Weird Sisters. Are they determining Macbeth’s path? Are they messengers or agents? Or is Macbeth choosing his own path? “Men at some time are masters of their fates; The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings.” (Julius Caesar: I.I.139-141)
- 11. Duffy, J.D. “Introduction to Macbeth." The Tragedy of Macbeth. New York: Airmont, 1965. xix-xxix. Print. Bradley, A. C. Shakespearean Tragedy. Greenwich, Conn.: Fawcett, 1904. Print.