The Hand of Fate number 8. Oh what a dime once bought. From the silver age of comic books. Some old fashioned vintage entertainment. Good news is this one is free. Gloucester, Virginia Links and News, GVLN, website. Visit us for more.
The Hand of Fate number 8. Oh what a dime once bought. From the silver age of comic books. Some old fashioned vintage entertainment. Good news is this one is free. Gloucester, Virginia Links and News, GVLN, website. Visit us for more.
DIRECTIONS1. Read the short story.2. SummarizeExplain DaliaCulbertson719
DIRECTIONS:
1. Read the short story.
2. Summarize/Explain what happened in the story.
3. Describe (in 1-2 paragraphs) why you think it is the narrator "broke" and told the truth/confessed.
4. Explain why you do or do not believe people inherently WANT to be honest. (Use this story as the main reasoning for your argument.)
The story can also be read here: xroads.virginia.edu/~hyper/poe/telltale.html
THE TELL-TALE HEART
by Edgar Allan Poe
1843
TRUE! --nervous --very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses --not destroyed --not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how healthily --how calmly I can tell you the whole story.
It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees --very gradually --I made up my mind to take the life of the old man, and thus rid myself of the eye forever.
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded --with what caution --with what foresight --with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night, about midnight, I turned the latch of his door and opened it --oh so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed, that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this, And then, when my head was well in the room, I undid the lantern cautiously-oh, so cautiously --cautiously (for the hinges creaked) --I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights --every night just at midnight --but I found the eye always closed; and so it was impossible to do the work; for it was not the old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him w ...
Essay InstructionsEssay #1 is a Subjective Literary Analysis o.docxbridgelandying
Essay Instructions
Essay #1 is a Subjective Literary Analysis of Edgar Allan Poe's short story, "The Tell-Tale Heart". This short story belongs to the horror/mystery genre of fiction. It was written in 1843, and it tells of a man's obsession with an old man, in particular, the old man's eye.
It is a short story filled with symbolism and psychological drama, so after you have read the text, you will compose a 5-8 paragraph essay (Introduction-Body-Conclusion) analyzing and explaining if, in fact, the narrator's actions are those of a madman or a sane man who knows how to play a madman. You decide.
Your essay is NOT a summary; in fact, none of your writing for this course is a summary. I do not expect you to re-tell the story (plot).
Your essays are designed to present your opinion(s) on the literature and encourage the reader (me) to understand your opinions, criticisms, observations, and analyses.
Your essays will involve "explication" which is essentially the "taking apart" of the reading selection and referencing specific lines/sentences and paragraphs to support your stance/thesis.
The Tell-Tale Heart
Poe, Edgar Allan
About Poe:
Edgar Allan Poe was an American poet, short story writer, playwright, editor, critic, essayist and one of the leaders of the American Romantic Movement. Best known for his tales of the macabre and mystery, Poe was one of the early American practitioners of the short story and a pro- genitor of detective fiction and crime fiction. He is also credited with contributing to the emergent science fiction genre. Poe died at the age of 40. The cause of his death is undetermined and has been attributed to al- cohol, drugs, cholera, rabies, suicide (although likely to be mistaken with his suicide attempt in the previous year), tuberculosis, heart disease, brain congestion and other agents. Source: Wikipedia
TRUE! – nervous – very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses – not destroyed – not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! and observe how health- ily – how calmly I can tell you the whole story.
It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture –a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees – very gradually –I made up my mind to take the life of the old man, and thus rid myself of the eye forever.
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded –with what caution –with what foresight –with ...
1 Poe, Edgar Allan. The Cask of Amontillado.” The Proj.docxjeremylockett77
1
Poe, Edgar Allan. “The Cask of Amontillado.” The Project Gutenberg EBook.
6 Jun 2010. Web. 1 Jan 2013.
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult,
I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that
I gave utterance to a threat. At length I would be avenged; this was a point definitely settled—but
the very definitiveness with which it was resolved, precluded the idea of risk. I must not only
punish, but punish with impunity. A wrong is unredressed when retribution overtakes its
redresser. It is equally unredressed when the avenger fails to make himself felt as such to him
who has done the wrong.
It must be understood that neither by word nor deed had I given Fortunato cause to doubt
my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my
smile now was at the thought of his immolation.
He had a weak point—this Fortunato—although in other regards he was a man to be
respected and even feared. He prided himself on his connoisseurship in wine. Few Italians have
the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and
opportunity—to practise imposture upon the British and Austrian millionaires. In painting and
gemmary, Fortunato, like his countrymen, was a quack—but in the matter of old wines he was
sincere. In this respect I did not differ from him materially: I was skillful in the Italian vintages
myself, and bought largely whenever I could.
It was about dusk, one evening during the supreme madness of the carnival season, that I
encountered my friend. He accosted me with excessive warmth, for he had been drinking much.
The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted
by the conical cap and bells. I was so pleased to see him, that I thought I should never have done
wringing his hand.
I said to him—"My dear Fortunato, you are luckily met. How remarkably well you are
looking to-day! But I have received a pipe of what passes for Amontillado, and I have my
doubts."
"How?" said he. "Amontillado? A pipe? Impossible! And in the middle of the carnival!"
"I have my doubts," I replied; "and I was silly enough to pay the full Amontillado price
without consulting you in the matter. You were not to be found, and I was fearful of losing a
bargain."
"Amontillado!"
"I have my doubts."
"Amontillado!"
"And I must satisfy them."
2
"Amontillado!"
"As you are engaged, I am on my way to Luchesi. If any one has a critical turn, it is he. He
will tell me—"
"Luchesi cannot tell Amontillado from Sherry."
"And yet some fools will have it that his taste is a match for your own."
"Come, let us go."
"Whither?"
"To your vaults."
"My friend, no; I will not impose upon your good nature. I perceive you have an
engagement. Luchesi—"
"I have no engagemen ...
1. THE TELL-TALE HEART
by Edgar Allan Poe
1843
TRUE! --nervous --very, very dreadfully nervous I had been and am; but why will you say that I am mad?
The disease had sharpened my senses --not destroyed --not dulled them. Above all was the sense of
hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am
I mad? Hearken! and observe how healthily --how calmly I can tell you the whole story.
It is impossible to say how first the idea entered my brain; but once conceived, it haunted me day and
night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He
had never given me insult. For his gold I had no desire. I think it was his eye! yes, it was this! He had the
eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so
by degrees --very gradually --I made up my mind to take the life of the old man, and thus rid myself of
the eye forever.
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You
should have seen how wisely I proceeded --with what caution --with what foresight --with what
dissimulation I went to work! I was never kinder to the old man than during the whole week before I
killed him. And every night, about midnight, I turned the latch of his door and opened it --oh so gently!
And then, when I had made an opening sufficient for my head, I put in a dark lantern, all closed, closed,
that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I
thrust it in! I moved it slowly --very, very slowly, so that I might not disturb the old man's sleep. It took
me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed.
Ha! would a madman have been so wise as this, And then, when my head was well in the room, I undid
the lantern cautiously-oh, so cautiously --cautiously (for the hinges creaked) --I undid it just so much that
a single thin ray fell upon the vulture eye. And this I did for seven long nights --every night just at
midnight --but I found the eye always closed; and so it was impossible to do the work; for it was not the
old man who vexed me, but his Evil Eye. And every morning, when the day broke, I went boldly into the
chamber, and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he has
passed the night. So you see he would have been a very profound old man, indeed, to suspect that every
night, just at twelve, I looked in upon him while he slept.
Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand
moves more quickly than did mine. Never before that night had I felt the extent of my own powers --of
my sagacity. I could scarcely contain my feelings of triumph. To think that there I was, opening the door,
little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea; and
perhaps he heard me; for he moved on the bed suddenly, as if startled. Now you may think that I drew
back --but no. His room was as black as pitch with the thick darkness, (for the shutters were close
fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept
pushing it on steadily, steadily.
I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and
the old man sprang up in bed, crying out --"Who's there?"
I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did
not hear him lie down. He was still sitting up in the bed listening; --just as I have done, night after night,
hearkening to the death watches in the wall.
2. Presently I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or
of grief --oh, no! --it was the low stifled sound that arises from the bottom of the soul when overcharged
with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up
from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well.
I knew what the old man felt, and pitied him, although I chuckled at heart. I knew that he had been lying
awake ever since the first slight noise, when he had turned in the bed. His fears had been ever since
growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to
himself --"It is nothing but the wind in the chimney --it is only a mouse crossing the floor," or "It is
merely a cricket which has made a single chirp." Yes, he had been trying to comfort himself with these
suppositions: but he had found all in vain. All in vain; because Death, in approaching him had stalked
with his black shadow before him, and enveloped the victim. And it was the mournful influence of the
unperceived shadow that caused him to feel --although he neither saw nor heard --to feel the presence of
my head within the room.
When I had waited a long time, very patiently, without hearing him lie down, I resolved to open a little --a
very, very little crevice in the lantern. So I opened it --you cannot imagine how stealthily, stealthily --
until, at length a simple dim ray, like the thread of the spider, shot from out the crevice and fell full upon
the vulture eye.
It was open --wide, wide open --and I grew furious as I gazed upon it. I saw it with perfect distinctness --
all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see
nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the
damned spot.
And have I not told you that what you mistake for madness is but over-acuteness of the sense? --now, I
say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I
knew that sound well, too. It was the beating of the old man's heart. It increased my fury, as the beating of
a drum stimulates the soldier into courage.
But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how
steadily I could maintain the ray upon the eve. Meantime the hellish tattoo of the heart increased. It grew
quicker and quicker, and louder and louder every instant. The old man's terror must have been extreme! It
grew louder, I say, louder every moment! --do you mark me well I have told you that I am nervous: so I
am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise
as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But
the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me --the
sound would be heard by a neighbor! The old man's hour had come! With a loud yell, I threw open the
lantern and leaped into the room. He shrieked once --once only. In an instant I dragged him to the floor,
and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But, for many
minutes, the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard
through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse.
Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was
no pulsation. He was stone dead. His eve would trouble me no more.
If still you think me mad, you will think so no longer when I describe the wise precautions I took for the
concealment of the body. The night waned, and I worked hastily, but in silence. First of all I dismembered
the corpse. I cut off the head and the arms and the legs.
I then took up three planks from the flooring of the chamber, and deposited all between the scantlings. I
then replaced the boards so cleverly, so cunningly, that no human eye --not even his --could have detected
3. anything wrong. There was nothing to wash out --no stain of any kind --no blood-spot whatever. I had
been too wary for that. A tub had caught all --ha! ha!
When I had made an end of these labors, it was four o'clock --still dark as midnight. As the bell sounded
the hour, there came a knocking at the street door. I went down to open it with a light heart, --for what
had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers
of the police. A shriek had been heard by a neighbor during the night; suspicion of foul play had been
aroused; information had been lodged at the police office, and they (the officers) had been deputed to
search the premises.
I smiled, --for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a
dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade
them search --search well. I led them, at length, to his chamber. I showed them his treasures, secure,
undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to
rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat
upon the very spot beneath which reposed the corpse of the victim.
The officers were satisfied. My manner had convinced them. I was singularly at ease. They sat, and while
I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished
them gone. My head ached, and I fancied a ringing in my ears: but still they sat and still chatted. The
ringing became more distinct: --It continued and became more distinct: I talked more freely to get rid of
the feeling: but it continued and gained definiteness --until, at length, I found that the noise was not
within my ears.
No doubt I now grew very pale; --but I talked more fluently, and with a heightened voice. Yet the sound
increased --and what could I do? It was a low, dull, quick sound --much such a sound as a watch makes
when enveloped in cotton. I gasped for breath --and yet the officers heard it not. I talked more quickly --
more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with
violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to
and fro with heavy strides, as if excited to fury by the observations of the men --but the noise steadily
increased. Oh God! What could I do? I foamed --I raved --I swore! I swung the chair upon which I had
been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew
louder --louder --louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not?
Almighty God! --no, no! They heard! --they suspected! --they knew! --they were making a mockery of
my horror!-this I thought, and this I think. But anything was better than this agony! Anything was more
tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or
die! and now --again! --hark! louder! louder! louder! louder!
"Villains!" I shrieked, "dissemble no more! I admit the deed! --tear up the planks! here, here! --It is the
beating of his hideous heart!"
-THE END-