This document provides an overview of the Theatre of the Absurd genre and analyzes Samuel Beckett's play Waiting for Godot through this lens. Some key points:
- The genre originated in the 1950s-60s and was coined by Martin Esslin to describe plays presenting an absurdist view of human existence as meaningless.
- Absurdist plays like Waiting for Godot lack traditional plot structures and have nonsensical, repetitive dialogue and cyclical actions without resolution. They reflect the absurdity and alienation of post-WWII society.
- Godot in particular examines themes of meaningless, nothingness, isolation, and the futility of human existence through Vladimir and Estragon's endless waiting for