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THE 1940’S

MOST FAMOUS FILMS AND THEIR
REPRESENTATION OF FEMALES

M O L LY B I N G H A M A N D L A U R A P Y E
BAMBI- 1942
A simple animated film telling the tale of a young deer growing up in the forest after his mother
is shot by hunters. The death of the female deer, proves to be motherly figure, showing
maternal instincts (reflecting the common mother’s role within society), by giving herself up
and saving her son, Bambi, from the hunters. However, the plot synopsis states that
eventually, after finding love, Bambi finds the Hunters return to the Forest. The intended
meaning of their return, is to show how this young male takes on a mature persona, like
his father before him, and leads the other deer to safety. His authoritative figure within the
forest was perhaps done to portray the dominant ideology, of Males being the supposed
gender to take control and become the leader- like the Hunter gatherer ideology. Overall,
the female representation within this film is very little; perhaps insinuating the female,
although maternal, is weaker.
PINOCCHIO- 1940
The Blue Fairy/Fairy Godmother in this film is seen to be delegating orders, this seems an
authoritative role for a female within the 1940’s. Women were typically seen to be in the
spotlight if they were ‘beautiful’; much like Monroe’s figure within society. Perhaps in the film,
the Male characters take the delivered orders from the Godmother because of her ‘beauty’. If
this is so, I believe this is adhering to the stereotypical female. Getting their own way by
utilising their sexual identity, is maybe something this film was trying to portray. However, like
the mother in Bambi, the Godmother acts almost maternal towards Pinocchio, offering him
advice and granting him a wish; appearing gentle and kind.
FANTASIA- 1940
The omission of female figures in this animated interpretation of great works of Western
Classical music.
MOM AND DAD- 1945
The refusal of a sex education discussion with her parents, causes the female protagonist to
run ‘off the rails’ and results in her becoming pregnant. I feel here, the lack of maternal
instincts from both her parents, is a negative representation upon both genders. However,
the teenage girl is also a negative representation upon females because it shows her to be
reckless, vulnerable and easily lead on.
FOREVER AMBER- 1947
From a poor background, the female protagonist, Amber St.Clair proves to raise herself from
her low and unsatisfied background, to a girl of nobility. This film demonstrates female
empowerment and a strong willed attitude. Her actions reflect a positive representation of
females, as she is seen to do everything for herself. Her drive and determination then wipes out
her one love, as she is seen to shoot to power as a female; perhaps this was intimidation?

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The 1940s female representation

  • 1. THE 1940’S MOST FAMOUS FILMS AND THEIR REPRESENTATION OF FEMALES M O L LY B I N G H A M A N D L A U R A P Y E
  • 2. BAMBI- 1942 A simple animated film telling the tale of a young deer growing up in the forest after his mother is shot by hunters. The death of the female deer, proves to be motherly figure, showing maternal instincts (reflecting the common mother’s role within society), by giving herself up and saving her son, Bambi, from the hunters. However, the plot synopsis states that eventually, after finding love, Bambi finds the Hunters return to the Forest. The intended meaning of their return, is to show how this young male takes on a mature persona, like his father before him, and leads the other deer to safety. His authoritative figure within the forest was perhaps done to portray the dominant ideology, of Males being the supposed gender to take control and become the leader- like the Hunter gatherer ideology. Overall, the female representation within this film is very little; perhaps insinuating the female, although maternal, is weaker.
  • 3. PINOCCHIO- 1940 The Blue Fairy/Fairy Godmother in this film is seen to be delegating orders, this seems an authoritative role for a female within the 1940’s. Women were typically seen to be in the spotlight if they were ‘beautiful’; much like Monroe’s figure within society. Perhaps in the film, the Male characters take the delivered orders from the Godmother because of her ‘beauty’. If this is so, I believe this is adhering to the stereotypical female. Getting their own way by utilising their sexual identity, is maybe something this film was trying to portray. However, like the mother in Bambi, the Godmother acts almost maternal towards Pinocchio, offering him advice and granting him a wish; appearing gentle and kind.
  • 4. FANTASIA- 1940 The omission of female figures in this animated interpretation of great works of Western Classical music.
  • 5. MOM AND DAD- 1945 The refusal of a sex education discussion with her parents, causes the female protagonist to run ‘off the rails’ and results in her becoming pregnant. I feel here, the lack of maternal instincts from both her parents, is a negative representation upon both genders. However, the teenage girl is also a negative representation upon females because it shows her to be reckless, vulnerable and easily lead on.
  • 6. FOREVER AMBER- 1947 From a poor background, the female protagonist, Amber St.Clair proves to raise herself from her low and unsatisfied background, to a girl of nobility. This film demonstrates female empowerment and a strong willed attitude. Her actions reflect a positive representation of females, as she is seen to do everything for herself. Her drive and determination then wipes out her one love, as she is seen to shoot to power as a female; perhaps this was intimidation?