This document provides a detailed analysis of shots from the teaser trailer and poster for the film Get Out, summarizing the mise-en-scene, editing, camerawork, and sound used in various scenes. Key shots analyzed include an early shot showing the main character smiling in a car with his white girlfriend that contrasts with the film's exploration of racism. Later shots build tension through fast edits, dark lighting, and unexplained scary events like a man running at the main character. The trailer aims to intrigue audiences and build a sense of unease through the use of jarring sounds, shifts in tone, and unexplained occurrences.
The poster depicts six armed characters standing together on a city street that bends upwards, questioning reality. Leonardo DiCaprio is prominently featured at the front, suggesting he plays the leader. The tagline and DiCaprio's prominent placement imply a psychological thriller focused on his character's mind. Guns and formal attire also suggest an action film involving a wealthy organized group. The director is advertised through their previous work to draw in audiences familiar with it.
The document analyzes posters for three psychological thriller films - Black Swan, Inception, and Side Effects. It identifies several key themes in poster design that are common across the films. These include the use of intriguing main images, memorable slogans, credits in a standard font and size, and release dates to generate audience interest. The document concludes by outlining how these poster conventions can be applied to the design of a psychological thriller film poster.
The opening sequence of Kill Bill features a bloody bride breathing heavily while her face is obscured. A man, implied to be Bill, wipes her face and calms her before loading a gun. When the bride reveals she is pregnant, Bill shoots her. The single title card that follows is simple and in black and white to not distract from the shocking violence. This gripping opening immediately engages viewers through disturbing imagery and sound.
The document discusses the target audience of psychological thriller films. It states that these films often contain disturbing characters and themes of violence and psychological issues, which may scare or cause nightmares in younger viewers. As a result, the thriller genre is generally aimed at more adult audiences aged 18+ years old. Common target demographics for thrillers are between 30-50 years old. Statistics show that thrillers are very popular due to their suspenseful stories, mystery, and ability to keep audiences curious to watch entire films and sequels regardless of gender. Many of the most successful films in cinematic history have been thrillers.
Codes & Conventions of Horror Film Trailersmootje2009
The document discusses conventions used in horror film trailers. It analyzes the trailers for the films Annabelle, Scream 4, and The Woman in Black. For Annabelle, it examines the title design and how it uses motion, lighting, and font to set a ominous tone. It also applies Vladimir Propp's character archetypes to the trailer. For Scream 4, it analyzes the title treatment and how camera angles are used to portray vulnerability. Finally, for The Woman in Black, it notes the producers and describes how the title appears out of smoke to hint that something will be revealed.
This document contains analyses of symbols and imagery from a film's trailer and poster. Several shots from the trailer are examined for their potential symbolic meanings, such as a crack across an eye representing mental weakness or hypnosis. Font choices and color contrasts in the poster are also analyzed for what they suggest about the film's themes. Marketing strategies, like the film's release date corresponding with school holidays, are briefly discussed.
Camera shots and angles for a horror and thriller filmbilliewilson_
This document discusses various camera shot techniques used in horror and thriller films to build suspense and tension. It describes how high angle shots make characters seem powerless, while close-ups show emotion and detail. Tracking shots establish movement and build suspense as the audience doesn't know what will be shown next. Tilt shots can simplify supernatural elements or portray the camera as a victim. Low angle shots emphasize how intimidating villains are, while point-of-view shots make the audience feel emotionally invested. Zooming and shots involving mirrors and reflections also heighten tension.
1) The opening scene of the film Scream establishes the horror genre through non-diegetic screaming sounds and a red title card implying blood and death.
2) A woman receives mysterious phone calls from a man who apologizes at first but then threatens her, saying he wants to see what's inside of her. She becomes frightened and locks her doors.
3) When the doorbell rings, the woman answers in terror, crying and asking who is there. Tension and suspense are built through the woman's fear, threatening dialogue, and ominous music throughout the phone calls.
The poster depicts six armed characters standing together on a city street that bends upwards, questioning reality. Leonardo DiCaprio is prominently featured at the front, suggesting he plays the leader. The tagline and DiCaprio's prominent placement imply a psychological thriller focused on his character's mind. Guns and formal attire also suggest an action film involving a wealthy organized group. The director is advertised through their previous work to draw in audiences familiar with it.
The document analyzes posters for three psychological thriller films - Black Swan, Inception, and Side Effects. It identifies several key themes in poster design that are common across the films. These include the use of intriguing main images, memorable slogans, credits in a standard font and size, and release dates to generate audience interest. The document concludes by outlining how these poster conventions can be applied to the design of a psychological thriller film poster.
The opening sequence of Kill Bill features a bloody bride breathing heavily while her face is obscured. A man, implied to be Bill, wipes her face and calms her before loading a gun. When the bride reveals she is pregnant, Bill shoots her. The single title card that follows is simple and in black and white to not distract from the shocking violence. This gripping opening immediately engages viewers through disturbing imagery and sound.
The document discusses the target audience of psychological thriller films. It states that these films often contain disturbing characters and themes of violence and psychological issues, which may scare or cause nightmares in younger viewers. As a result, the thriller genre is generally aimed at more adult audiences aged 18+ years old. Common target demographics for thrillers are between 30-50 years old. Statistics show that thrillers are very popular due to their suspenseful stories, mystery, and ability to keep audiences curious to watch entire films and sequels regardless of gender. Many of the most successful films in cinematic history have been thrillers.
Codes & Conventions of Horror Film Trailersmootje2009
The document discusses conventions used in horror film trailers. It analyzes the trailers for the films Annabelle, Scream 4, and The Woman in Black. For Annabelle, it examines the title design and how it uses motion, lighting, and font to set a ominous tone. It also applies Vladimir Propp's character archetypes to the trailer. For Scream 4, it analyzes the title treatment and how camera angles are used to portray vulnerability. Finally, for The Woman in Black, it notes the producers and describes how the title appears out of smoke to hint that something will be revealed.
This document contains analyses of symbols and imagery from a film's trailer and poster. Several shots from the trailer are examined for their potential symbolic meanings, such as a crack across an eye representing mental weakness or hypnosis. Font choices and color contrasts in the poster are also analyzed for what they suggest about the film's themes. Marketing strategies, like the film's release date corresponding with school holidays, are briefly discussed.
Camera shots and angles for a horror and thriller filmbilliewilson_
This document discusses various camera shot techniques used in horror and thriller films to build suspense and tension. It describes how high angle shots make characters seem powerless, while close-ups show emotion and detail. Tracking shots establish movement and build suspense as the audience doesn't know what will be shown next. Tilt shots can simplify supernatural elements or portray the camera as a victim. Low angle shots emphasize how intimidating villains are, while point-of-view shots make the audience feel emotionally invested. Zooming and shots involving mirrors and reflections also heighten tension.
1) The opening scene of the film Scream establishes the horror genre through non-diegetic screaming sounds and a red title card implying blood and death.
2) A woman receives mysterious phone calls from a man who apologizes at first but then threatens her, saying he wants to see what's inside of her. She becomes frightened and locks her doors.
3) When the doorbell rings, the woman answers in terror, crying and asking who is there. Tension and suspense are built through the woman's fear, threatening dialogue, and ominous music throughout the phone calls.
The document discusses themes in the film City of God, including poverty, wealth, gangs, conflict, hope, hopelessness, loyalty, and family/friendship. It asks how the director communicates ideological messages about these themes through narrative events and film techniques. An example is given about how hopelessness is portrayed through the lack of structure and role models in the lives of the young characters, trapping them in a cycle of violence with no hope of escape. Theme statements from the board are also presented without choosing any specifically.
The document analyzes and compares two horror movie posters - Annabelle and Oculus. Both posters use dark colors like black and red to set a scary, ominous tone and imply danger. They also leave some aspects of the films' plots mysterious to intrigue viewers. Common horror poster conventions discussed include using scary facial images and low-key lighting to create an unsettling atmosphere that draws in audiences. Analyzing these posters provided lessons on effective horror poster design, such as emphasizing striking imagery over text and hinting at a film's hidden story without revealing too much.
This document analyzes film poster conventions such as written language, typography, photographs, lighting, camera angles, and color schemes. It provides examples of how each convention is used symbolically in different posters to convey information about the genre and themes of the films being advertised. Key details like character icons, quotes, actor names, and lighting/photographic choices are deliberately selected to entice audiences and communicate what the films are about.
The trailer for the film The Woman in Black uses various film techniques to build mystery, tension and unease for the audience. It introduces the main character and ominous setting through point of view shots and long shots. Unusual close ups of toys and a child's voiceover narration contrast innocence with darker themes. Fast editing, minimal sound and unanswered questions create a mysterious atmosphere and leave the audience wanting more information to be revealed in the film.
The opening scene of Pulp Fiction sets up expectations through its dialogue and visuals before subverting them. A couple has a calm conversation in a diner about robbing it, with the woman playing a passive role, but she suddenly becomes aggressive and threatening during the robbery. Throughout, the scene plays with conventions through its use of lighting, music, character behaviors and dialogue about violence and crime that seem out of place. It ends by solidifying the film's style and tone through its credits and music.
The Dark Knight opening sequence establishes mystery and intrigue through its use of parallel action and editing. Masked antagonists rob a bank, betraying each other, while the manager emerges as an unexpected hero. Though details are unclear, themes of betrayal and an enigmatic "Joker" character are introduced. The sequence builds tension through its shifting perspectives and musical cues before culminating in a shocking bus crash, leaving the mysterious Joker in control.
The document discusses conventions of film trailers. It states that teaser trailers typically include titles with production details at the beginning and actor names at the end. Sound commonly includes voiceovers or mood music. Editing uses quick cuts between clips or fades between shots. Camerawork focuses on close-ups, long shots, and extreme long shots. Teaser trailers aim to entice audiences and manipulate them into seeing the film by injecting information, though audiences can interpret the information differently.
The openings of Lock, Stock and Two Smoking Barrels, Rocknrolla, and Layer Cake establish traditional gangster film conventions through settings, costumes, props, and music. Snatch and 44 Inch Chest also utilize these conventions to introduce the gangster characters and criminal plots. Evaluation of the openings provides context clues that tie the films to the gangster genre through rundown urban areas, suits, guns, drugs, money, and voiceovers.
Murder mysteries follow common codes and conventions - the storyline involves an unsolved crime that is unravelled through clues, circumstances, and interviews by a detective or civilian who works to catch the villain and solve the killing. Typical characters include the solver of the crime, the murderer, those with information, and victims. Settings usually involve the office where the crime is investigated and the scene of the murder, often a house or workplace.
The Inception movie poster is analyzed in the document. The poster uses a dark blue color scheme to convey a surreal, dream-like quality, as blue is often associated with dreams. While the cracked red title text is meant to stand out, it is difficult to read. The maze-like title font reflects mazes featured in the film. Very little other text is included, though the phrase "your mind is the scene of the crime" provides insight into the film's plot. The poster image depicts a stormy, flooded Tokyo scene from the film's climax and features Leonardo DiCaprio holding a gun in a dark suit.
Opening Sequence Analysis - The Godfather Part 1AStamatiou
The opening sequence of The Godfather Part I begins with the title framed in a bold white font against a black background, symbolizing the control and authority of the Godfather character. It then fades to black before cutting to a voiceover by a man talking about violence against his daughter, setting the scene in America and hinting at themes of crime and corruption. Shots of the characters in a wooden-paneled office show them in suits, symbolizing wealth and authority, with a red flower on one character's suit perhaps representing hidden danger. The sequence ends by freezing on the third character as the soundtrack becomes more intense, raising expectations for what is to come in the film.
The seven key elements of an effective film poster are attention, iconography, interest, appeal, style, lasting appeal, and recognizability. To grab attention, a poster needs to stand out from other materials viewers may encounter. Iconography uses visuals to represent a film's themes without needing text. Interest is created by incorporating tension-building scenes that incentivize viewers to see the film. Appeal aims to generate desire in both fans and casual viewers. Style should be consistent within a film's marketing materials and distinctive to its genre. Lasting appeal means the poster still effectively represents the film even at smaller sizes. Recognizability is important for sequels to clearly associate with their franchises.
Codes and Conventions of Coming of Age FilmsXinnia Ejaz
This document outlines the common codes and conventions of coming-of-age genre films. It discusses character archetypes like jocks, rebels, and outcasts. Typical settings include high schools, homes, and cafes. Soundtracks often include pop, indie, and rock music. Icons seen are phones, books, and branded clothing. Narrative themes revolve around identity, peer pressure, and social issues teenagers face.
Conventions of a psychological thrillerKatieDring123
Psychological thrillers commonly use certain conventions in their mise-en-scene, sound, and camera work/editing to build tension and suspense. Settings are often in cities or confined indoor spaces like houses or offices to limit characters. Costuming typically features the antagonist in dark, smart clothes while the protagonist wears brighter colors. Low lighting, mirrors as props, and non-diegetic high tension music or silence are employed. Quick editing, mid shots and close ups are used to show characters' emotions and relate tension. Flashbacks provide backstory while fast pacing keeps audiences on edge.
The hunger games opening sequence analysis - Lauren Morhsmediastudies
The document analyzes the opening sequence of The Hunger Games film. It summarizes that the opening introduces the production companies Lionsgate and Color Force. It establishes the dystopian setting and segregation between the wealthy and poor districts. Through shots of Katniss caring for her sister, the audience understands she will be the heroine. The use of settings, costumes, and shots establish the genres of action, adventure and mystery by showing the struggles of Katniss's world and building tension around where she is headed.
The poster uses dark colors and imagery of a stormy sea and isolated island to set a gloomy, foreboding atmosphere that suggests something bad will happen. It features a close-up of Leonardo DiCaprio with a puzzled expression surrounded by darkness to create intrigue and mystery. Releasing the film in October also implies horror elements. The text "Someone is missing" raises questions without revealing details, drawing the audience into the mystery. Overall, the poster uses its visual design and context clues to effectively advertise the film as a psychological thriller.
The opening sequence of Pulp Fiction uses an unexpected technique to introduce the audience to the main characters. It begins with a still shot of a dictionary definition of "pulp" to set expectations for the gangster genre film. However, the following scenes depict the main characters, a male and female, casually talking in a coffee shop in a peaceful setting. Their conversation then takes a turn as the male proposes robbing the shop, surprising the audience. As tension builds, the female unexpectedly pulls out a gun, subverting expectations of her character. This establishes Tarantino's style of challenging conventions to keep the audience engaged in guessing what will happen next.
Codes and conventions in the horror genreamberloo20
Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
The opening scene of City of God establishes the setting of a poor slum in Brazil and introduces the central characters. Cross-cutting is used to show a gang preparing a chicken for dinner and a young man discussing becoming a photographer. The chicken escapes, prompting the gang leader to threaten locals with his gun. The photographer gets caught between the gang and arriving police, realizing he is in danger from both sides. This enigmatic opening leaves the audience wanting to understand the gang violence and photographer's situation.
This trailer for The Silent House uses minimal dialogue and focuses on visual storytelling and sound design to create tension and mystery. Shots are shown out of order and provide glimpses of the complicating action through fast-paced editing and changing camera angles. Locations are dark and empty at night to set a scary atmosphere. Costumes are realistic and enhance the horror of everyday situations. Sound and music cues signal shifts between calm and distressing moments. Sudden drops in sound are particularly unsettling for viewers.
This trailer provides an overview of a horror/thriller film about two brothers. Through analysis of the mise-en-scène, editing, sound, and camerawork, the trailer effectively establishes the dark and ominous tone of the genre. Key events shown include one brother making a paper boat for the other, the boat getting lost down a drain, and the younger brother encountering a frightening clown face in the dark. Intense non-diegetic music and sounds build tension throughout. While much of the clown's appearance is obscured, creating mystery, the trailer leaves the audience with questions about what will happen to the brothers.
The document discusses themes in the film City of God, including poverty, wealth, gangs, conflict, hope, hopelessness, loyalty, and family/friendship. It asks how the director communicates ideological messages about these themes through narrative events and film techniques. An example is given about how hopelessness is portrayed through the lack of structure and role models in the lives of the young characters, trapping them in a cycle of violence with no hope of escape. Theme statements from the board are also presented without choosing any specifically.
The document analyzes and compares two horror movie posters - Annabelle and Oculus. Both posters use dark colors like black and red to set a scary, ominous tone and imply danger. They also leave some aspects of the films' plots mysterious to intrigue viewers. Common horror poster conventions discussed include using scary facial images and low-key lighting to create an unsettling atmosphere that draws in audiences. Analyzing these posters provided lessons on effective horror poster design, such as emphasizing striking imagery over text and hinting at a film's hidden story without revealing too much.
This document analyzes film poster conventions such as written language, typography, photographs, lighting, camera angles, and color schemes. It provides examples of how each convention is used symbolically in different posters to convey information about the genre and themes of the films being advertised. Key details like character icons, quotes, actor names, and lighting/photographic choices are deliberately selected to entice audiences and communicate what the films are about.
The trailer for the film The Woman in Black uses various film techniques to build mystery, tension and unease for the audience. It introduces the main character and ominous setting through point of view shots and long shots. Unusual close ups of toys and a child's voiceover narration contrast innocence with darker themes. Fast editing, minimal sound and unanswered questions create a mysterious atmosphere and leave the audience wanting more information to be revealed in the film.
The opening scene of Pulp Fiction sets up expectations through its dialogue and visuals before subverting them. A couple has a calm conversation in a diner about robbing it, with the woman playing a passive role, but she suddenly becomes aggressive and threatening during the robbery. Throughout, the scene plays with conventions through its use of lighting, music, character behaviors and dialogue about violence and crime that seem out of place. It ends by solidifying the film's style and tone through its credits and music.
The Dark Knight opening sequence establishes mystery and intrigue through its use of parallel action and editing. Masked antagonists rob a bank, betraying each other, while the manager emerges as an unexpected hero. Though details are unclear, themes of betrayal and an enigmatic "Joker" character are introduced. The sequence builds tension through its shifting perspectives and musical cues before culminating in a shocking bus crash, leaving the mysterious Joker in control.
The document discusses conventions of film trailers. It states that teaser trailers typically include titles with production details at the beginning and actor names at the end. Sound commonly includes voiceovers or mood music. Editing uses quick cuts between clips or fades between shots. Camerawork focuses on close-ups, long shots, and extreme long shots. Teaser trailers aim to entice audiences and manipulate them into seeing the film by injecting information, though audiences can interpret the information differently.
The openings of Lock, Stock and Two Smoking Barrels, Rocknrolla, and Layer Cake establish traditional gangster film conventions through settings, costumes, props, and music. Snatch and 44 Inch Chest also utilize these conventions to introduce the gangster characters and criminal plots. Evaluation of the openings provides context clues that tie the films to the gangster genre through rundown urban areas, suits, guns, drugs, money, and voiceovers.
Murder mysteries follow common codes and conventions - the storyline involves an unsolved crime that is unravelled through clues, circumstances, and interviews by a detective or civilian who works to catch the villain and solve the killing. Typical characters include the solver of the crime, the murderer, those with information, and victims. Settings usually involve the office where the crime is investigated and the scene of the murder, often a house or workplace.
The Inception movie poster is analyzed in the document. The poster uses a dark blue color scheme to convey a surreal, dream-like quality, as blue is often associated with dreams. While the cracked red title text is meant to stand out, it is difficult to read. The maze-like title font reflects mazes featured in the film. Very little other text is included, though the phrase "your mind is the scene of the crime" provides insight into the film's plot. The poster image depicts a stormy, flooded Tokyo scene from the film's climax and features Leonardo DiCaprio holding a gun in a dark suit.
Opening Sequence Analysis - The Godfather Part 1AStamatiou
The opening sequence of The Godfather Part I begins with the title framed in a bold white font against a black background, symbolizing the control and authority of the Godfather character. It then fades to black before cutting to a voiceover by a man talking about violence against his daughter, setting the scene in America and hinting at themes of crime and corruption. Shots of the characters in a wooden-paneled office show them in suits, symbolizing wealth and authority, with a red flower on one character's suit perhaps representing hidden danger. The sequence ends by freezing on the third character as the soundtrack becomes more intense, raising expectations for what is to come in the film.
The seven key elements of an effective film poster are attention, iconography, interest, appeal, style, lasting appeal, and recognizability. To grab attention, a poster needs to stand out from other materials viewers may encounter. Iconography uses visuals to represent a film's themes without needing text. Interest is created by incorporating tension-building scenes that incentivize viewers to see the film. Appeal aims to generate desire in both fans and casual viewers. Style should be consistent within a film's marketing materials and distinctive to its genre. Lasting appeal means the poster still effectively represents the film even at smaller sizes. Recognizability is important for sequels to clearly associate with their franchises.
Codes and Conventions of Coming of Age FilmsXinnia Ejaz
This document outlines the common codes and conventions of coming-of-age genre films. It discusses character archetypes like jocks, rebels, and outcasts. Typical settings include high schools, homes, and cafes. Soundtracks often include pop, indie, and rock music. Icons seen are phones, books, and branded clothing. Narrative themes revolve around identity, peer pressure, and social issues teenagers face.
Conventions of a psychological thrillerKatieDring123
Psychological thrillers commonly use certain conventions in their mise-en-scene, sound, and camera work/editing to build tension and suspense. Settings are often in cities or confined indoor spaces like houses or offices to limit characters. Costuming typically features the antagonist in dark, smart clothes while the protagonist wears brighter colors. Low lighting, mirrors as props, and non-diegetic high tension music or silence are employed. Quick editing, mid shots and close ups are used to show characters' emotions and relate tension. Flashbacks provide backstory while fast pacing keeps audiences on edge.
The hunger games opening sequence analysis - Lauren Morhsmediastudies
The document analyzes the opening sequence of The Hunger Games film. It summarizes that the opening introduces the production companies Lionsgate and Color Force. It establishes the dystopian setting and segregation between the wealthy and poor districts. Through shots of Katniss caring for her sister, the audience understands she will be the heroine. The use of settings, costumes, and shots establish the genres of action, adventure and mystery by showing the struggles of Katniss's world and building tension around where she is headed.
The poster uses dark colors and imagery of a stormy sea and isolated island to set a gloomy, foreboding atmosphere that suggests something bad will happen. It features a close-up of Leonardo DiCaprio with a puzzled expression surrounded by darkness to create intrigue and mystery. Releasing the film in October also implies horror elements. The text "Someone is missing" raises questions without revealing details, drawing the audience into the mystery. Overall, the poster uses its visual design and context clues to effectively advertise the film as a psychological thriller.
The opening sequence of Pulp Fiction uses an unexpected technique to introduce the audience to the main characters. It begins with a still shot of a dictionary definition of "pulp" to set expectations for the gangster genre film. However, the following scenes depict the main characters, a male and female, casually talking in a coffee shop in a peaceful setting. Their conversation then takes a turn as the male proposes robbing the shop, surprising the audience. As tension builds, the female unexpectedly pulls out a gun, subverting expectations of her character. This establishes Tarantino's style of challenging conventions to keep the audience engaged in guessing what will happen next.
Codes and conventions in the horror genreamberloo20
Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
The opening scene of City of God establishes the setting of a poor slum in Brazil and introduces the central characters. Cross-cutting is used to show a gang preparing a chicken for dinner and a young man discussing becoming a photographer. The chicken escapes, prompting the gang leader to threaten locals with his gun. The photographer gets caught between the gang and arriving police, realizing he is in danger from both sides. This enigmatic opening leaves the audience wanting to understand the gang violence and photographer's situation.
This trailer for The Silent House uses minimal dialogue and focuses on visual storytelling and sound design to create tension and mystery. Shots are shown out of order and provide glimpses of the complicating action through fast-paced editing and changing camera angles. Locations are dark and empty at night to set a scary atmosphere. Costumes are realistic and enhance the horror of everyday situations. Sound and music cues signal shifts between calm and distressing moments. Sudden drops in sound are particularly unsettling for viewers.
This trailer provides an overview of a horror/thriller film about two brothers. Through analysis of the mise-en-scène, editing, sound, and camerawork, the trailer effectively establishes the dark and ominous tone of the genre. Key events shown include one brother making a paper boat for the other, the boat getting lost down a drain, and the younger brother encountering a frightening clown face in the dark. Intense non-diegetic music and sounds build tension throughout. While much of the clown's appearance is obscured, creating mystery, the trailer leaves the audience with questions about what will happen to the brothers.
This document summarizes and analyzes the filmmaking techniques used in the short film "Nobody". It discusses how several scenes employ conventions of establishing shots, jump cuts, and over-the-shoulder shots to develop characters and tension. Flashbacks and transitions between scenes also advance the plot in stylistically conventional ways while challenging expectations through experimental music and cinematography choices. The document examines how the film's distinctive aesthetic subverts some conventions to better suit its depressive psychological thriller genre.
The document analyzes the trailers for three horror films - The Woman in Black, Paranormal Activity, and Fright Night - across four categories: cinematography, editing, sound, and mise-en-scene. For each trailer and category, the analysis identifies conventions and techniques used that are common in horror genres, such as close-ups, fast editing, ominous music, dark lighting, and isolated settings. The analysis shows how visual and audio elements in the trailers build tension, fear, and a sense of impending danger to effectively promote the films as horror stories.
The document provides an analysis of the camera and sound techniques, conventions, and mise-en-scene of several thriller films, including Psycho, Secret Window, Inception, The Dark Knight, Se7en, and Panic Room. It examines the effective use of camera angles, shots, music, and sound design in key scenes to build tension and portray violence or unease. It also analyzes how the films establish conventions like isolation, mystery, and mental instability through the settings, costumes, and performances.
The document analyzes three horror movie trailers across four categories: cinematography, sound, mise-en-scene, and editing. For each trailer, the analysis identifies conventions used in that category to create tension and establish the horror genre. Close-ups, establishing shots, and changes in camera movement are discussed for cinematography. Elements of sound design like non-diegetic music and ambient noise are examined. Settings, costumes, and props are considered for mise-en-scene. Editing techniques like fast pacing and fades are identified. Overall, the document analyzes how these filmmaking elements come together in movie trailers to effectively convey horror and build suspense for the audience.
This document analyzes elements of film trailers for horror movies. It discusses the use of cinematography, editing, sound, and mise-en-scene in the trailers for The Purge, The Strangers, and Paranormal Activity 3. Close-ups, lighting, music, and masks are some of the techniques described that set the tone for horror and build tension in viewers.
The document provides analysis of trailers for three films: Split, Dream House, and The Limehouse Golem. For each film, key shots, editing techniques, lighting, costumes, and music used in the trailers are described. These elements are analyzed for how they build tension, establish characters and time periods, and tell the story without revealing too much about the plot. The document examines how close-ups, jump cuts, changes in lighting, costumes, and sound design are employed in the trailers to immerse and unnerve viewers.
The document provides analysis of trailers for the films Split and Dream House. For Split, it examines how the trailer uses shots, lighting, costumes and music to build tension without revealing the plot. For Dream House, it analyzes how the trailer employs conventions like changes in music, lighting and shots to suggest something is amiss with the new family's home and hint at a disturbing past crime. Overall, the document discusses the filmmaking techniques used in both trailers to engage audiences and tease the thriller/horror elements without fully disclosing the stories.
This is a presentation on me and my group's storyboard for our film opening that we will be filming in a few weeks time. In this presentation we have addressed the techniques used and why they are used and how they will affect our target audiences.
The document analyzes the trailer for the horror film The Conjuring. It discusses the use of sound, camerawork, mise-en-scene, editing, and conventions of the horror genre employed in the trailer. Regarding sound, it notes the use of dialogue, noises, and music to create tension and scare audiences. The camerawork uses handheld footage to imply real events, with short and long takes building tension. Mise-en-scene features old, isolated settings and props that establish the creepy atmosphere. Editing employs transitions, montages, and eyeline matches to gradually increase intrigue and pace. Overall, the analysis describes how the trailer utilizes various film techniques common to the horror genre to attract
The document discusses film trailers and analyzes the trailer for the horror film Insidious Chapter 2. It examines how the trailer uses various techniques to represent the horror genre and promote the film. These include fast-paced editing, eerie music, dark lighting, and close-ups to build tension. The trailer also creates mystery by not fully revealing the threat to the family.
The document provides an in-depth analysis of the trailer for the 2009 horror film "Paranormal Activity". It examines various elements of the trailer including its genre, targeted audience, camera work, mise-en-scene, editing, sound, use of text, and how it follows Todorov's narrative structure of introducing equilibrium that is disrupted by a supernatural force, which the main characters then try to diffuse or repair. The analysis finds that techniques like handheld camera work, minimal music, fast editing, and showing real audience reactions make the trailer more intense and relatable.
The document discusses the cinematography, costumes, editing, sound design, and narrative elements of a short film. It notes that long shots are used to set the lonely location. Costumes portray the main character as possibly violent based on blood shown. Fast cuts and reverse shots build tension as the character notices a raven. Screaming and a blood-stained cloth add to the dark and horror themes, while a cawing raven sound adds eeriness. However, the end contradicts horror conventions by changing to a happier atmosphere with a baby bringing warmth, signifying how babies can positively impact adults.
The document discusses the cinematography, costumes, editing, sound design, and narrative elements of a short film. It notes that long shots are used to set the location and establish a lonely, deserted atmosphere. Costumes portray the main character as possibly violent based on blood shown. Fast editing and reverse shots build suspense around the character noticing a raven. Diegetic screams and a blood-soaked cloth add to the dark, horror genre tone, while a cawing raven sound creates an unsettling mood. However, the ending subverts expectations by introducing a baby and changing the lighting to a happier atmosphere, demonstrating how babies can bring warmth to adults' lives.
The document analyzes the opening scene of the film Saw II through various film techniques used by the director. It discusses how the dark lighting, background, and trap worn by the character establish the horror genre. Extreme close-ups on the character's eye and knife suggest danger and vulnerability. Medium shots provide context of the dark background and trap worn. Tilted shots create a sense of inferiority while zooms emphasize facial expressions. The pacing increases as the character panics. Diegetic sounds include a TV and doll speaking; non-diegetic sounds build atmosphere and relate to the character's feelings and increasing heart rate.
The opening scene of the movie Memento uses various cinematography and editing techniques to create suspense and mystery. Close-up shots are used throughout to avoid showing the surroundings and build tension. The narrative becomes clear that a murder has occurred through a reverse editing technique showing the murder being committed. Sound is also used to build suspense, from the slow opening music to ambient noises and a final scream.
The trailer uses various editing techniques to build tension and mystery. It employs short, fast-cut clips to avoid revealing too many spoilers while still showing glimpses of scary moments. Transitions between scenes are often only 1 second to continually ramp up a feeling of unease. Jump scares, dark cinematography, and unsettling sounds and music further frighten the audience. The plot involves characters exploring a mysterious cave and encountering unexplained phenomena that seem linked to their pasts. As they delve deeper, more secrets and horrors are revealed. The trailer ultimately leaves viewers wanting to know more about the film's full story.
The trailer uses conventions from both the horror and comedy genres to advertise its hybrid nature. It begins with everyday, relatable characters in a school setting accompanied by upbeat music, establishing it as a comedy. However, as the protagonist learns of his strange new neighbor, the trailer takes on darker lighting, sinister music, and frightening imagery typical of horror films. By combining elements of both genres, the film aims to appeal to a wide audience of fans of comedy and horror.
The document analyzes the cinematography, editing, sound design, and mise-en-scene techniques used in the trailer for the horror film The Conjuring. It discusses how these elements appeal to audiences and relate to conventions of the horror genre, such as using low-key lighting, isolated settings, ominous music, and visuals of harm or injury to create atmosphere and tension. Short takes, montages, and changes in camera movement are used to build shock and scare the audience. Mise-en-scene elements like old props and costumes further set the time period and creepy tone. The trailer employs editing techniques like eyeline matches and title screens to draw viewers in and make them want to watch the full
Similar to Textual analysis of a teaser trailer - Get Out (20)
Capstone Project: Luxury Handloom Saree Brand
As part of my college project, I applied my learning in brand strategy to create a comprehensive project for a luxury handloom saree brand. Key aspects of this project included:
- *Competitor Analysis:* Conducted in-depth competitor analysis to identify market position and differentiation opportunities.
- *Target Audience:* Defined and segmented the target audience to tailor brand messages effectively.
- *Brand Strategy:* Developed a detailed brand strategy to enhance market presence and appeal.
- *Brand Perception:* Analyzed and shaped the brand perception to align with luxury and heritage values.
- *Brand Ladder:* Created a brand ladder to outline the brand's core values, benefits, and attributes.
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This project helped me gain practical experience in brand strategy, from research and analysis to strategic planning and implementation.
The Strategic Impact of Storytelling in the Age of AI
In the grand tapestry of marketing, where algorithms analyze data and artificial intelligence predicts trends, one essential thread remains constant — the timeless art of storytelling. As we stand on the precipice of a new era driven by AI, join me in unraveling the narrative alchemy that transforms brands from mere entities into captivating tales that resonate across the digital landscape. In this exploration, we will discover how, in the face of advancing technology, the human touch of a well-crafted story becomes not just a marketing tool but the very essence that breathes life into brands and forges lasting connections with our audience.
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Current consumer landscape; Steps to mapping an effective consumer journey; Understanding the value of personalization; Integrating mapping and personalization for success; Brands that are getting It right!; Best Practices; Future Trends
In the face of the news of Google beginning to remove cookies from Chrome (30m users at the time of writing), there’s no longer time for marketers to throw their hands up and say “I didn’t know” or “They won’t go through with it”. Reality check - it has already begun - the time to take action is now. The good news is that there are solutions available and ready for adoption… but for many the race to catch up to the modern internet risks being a messy, confusing scramble to get back to "normal"
Did you know that while 50% of content on the internet is in English, English only makes up 26% of the world’s spoken language? And yet 87% of customers won’t buy from an English only website.
Uncover the immense potential of communicating with customers in their own language and learn how translation holds the key to unlocking global growth. Join Smartling CEO, Bryan Murphy, as he reveals how translation software can streamline the translation process and seamlessly integrate into your martech stack for optimal efficiency. And that's not all – he’ll also share some inspiring success stories and practical tips that will turbocharge your multilingual marketing efforts!
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In this humorous and data-heavy Master Class, join us in a joyous celebration of life honoring the long list of SEO tactics and concepts we lost this year. Remember fondly the beautiful time you shared with defunct ideas like link building, keyword cannibalization, search volume as a value indicator, and even our most cherished of friends: the funnel. Make peace with their loss as you embrace a new paradigm for organic content: Pillar-Based Marketing. Along the way, discover that the results that old SEO and all its trappings brought you weren’t really very good at all, actually.
In this respectful and life-affirming service—erm, session—join Ryan Brock (Chief Solution Officer at DemandJump and author of Pillar-Based Marketing: A Data-Driven Methodology for SEO and Content that Actually Works) and leave with:
• Clear and compelling evidence that most legacy SEO metrics and tactics have slim to no impact on SEO outcomes
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I themed this deck using Baldur's Gate 3 characters: Gale as Search and Astarion as Social
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Key Takeaways:
Integration of Email and Social Media: Understanding how to seamlessly integrate email marketing with social media efforts to expand reach and reinforce brand presence. Building a Robust Email List: Strategies for developing a strong email list that provides a direct line of communication to your audience, independent of social media algorithms. Data Integration for Targeted Campaigns: Leveraging combined data from email and social media to create personalized, targeted marketing campaigns that resonate with the audience. Utilization of AI Tools: Implementing AI and automation tools to enhance efficiency and effectiveness across marketing channels. Consistent Brand Voice Across Platforms: Maintaining a unified brand voice and message across all digital platforms to strengthen brand identity and user trust. Proactive Adaptation to Platform Changes: Staying ahead of social media platform changes and algorithm updates to keep engagement high and interactions meaningful. Conversion of Social Followers to Email Subscribers: Techniques to encourage social media followers to subscribe to email, ensuring a direct and consistent connection. Sustainable Growth and Minimized Platform Dependence: Strategies to diversify digital presence and reduce reliance on any single social media platform, thereby mitigating risks associated with platform volatility.
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Email has the best ROI of any digital tactic
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-Recognize the critical role of strategy in marketing
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Primary Learning Objective
1: Grasp when artificial general intelligence (""AGI"") will arrive, and how your brand can navigate the consequences. Primary Learning Objective
2: Gain an accurate analysis of the continuously developing customer journey and business intelligence. Primary Learning Objective
3: Grow revenue at lower costs with more efficient marketing and business operations.
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Learn how to optimize website projects, leverage SEO tactics effectively, and implement product-led marketing approaches for enhanced digital presence and ROI.
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3. Mise en scene
The audience get a happy
and peaceful feel from this
shot as the two characters are
both smiling and look happy.
The shot is also visually
bright in terms of the outside
lighting and the car interior
being a light cream colour. I
believe this shot contrasts
with the films plot about
racism.
Editing
The shots before and after this
are very short and fast and there
is a slight jump scare as a deer
hits the windscreen just after this
shot. The scene goes from being
happy and light, to the audience
getting a shock. This is achieved
through the fast edits. This is a
catalyst shot for the trailer
because the shot after will bring
the audience into wanting to find
out more due to the sudden
change in the overall mood.
Continuity editing is used.
Camerawork
The type of shot used would be a two shot. This
shot shows the contrast of white and black people
being happy together. Black and white people
together is another social topic that the film
explores.
Sound
The non diegetic sound in this scene is calming
romantic music which would suggest that the film
would be a rom com or a romantic. There is also
diegetic laughter from the characters which makes
the audience believe that the film is going to be
focused on the relationship between the two
characters in the shot due to the non diegetic music
along with it.
4. Mise en scene
This shot shows the father
of the main characters
girlfriend hugging the main
character. There is still a
joyful mood created in this
scene but by this point the
audience get the feeling
that something isn't right.
The interaction between the
father and the main
character again shows that
white and black people
united with each other.
Editing
The scene of the trailer
starts with an
establishing shot of the
house and it then sharply
cuts into this shot.
Theses sharp, short cuts
again gives the audience
an edgy feel by this point
due to the sharp cuts
with the contrast of
bright lighting and the
short cuts.
Camerawork
All the characters In the
shot are framed in the
middle. The establishing
shot initially gives us a
feel for where everything
will take place. This is so
that the audience know
the surroundings.
Sound
The eerie electronic sound
before and after each scene is
what tells the audience that
something bad is going to
happen, despite all the
friendliness in the shot. All of
the brightness and happiness in
the shot mixed with the creepy
music gives the audience a
sense of tension building up in
the trailer.
5. Mise en scene
The lighting is very dark
compared to the other shots so
far. It is also shot at night which
makes the shot seem more scary.
This scene is where tension starts
to build and the audience realise
that something isn't right as
another black man sprints at the
main character. This makes the
audience want to discover more
as this scene is completely
random to the audience at this
point. Intrigue is created from
shot.
Editing
This shot is sharply cut
from the main characters
face to the man running
at him which makes the
audience jump. The
director has proved to
use fast, sharp cuts a lot
so far in the trailer.
Tension also builds as a
result of this.
Camerawork
The shot starts as an extreme long shot but due to
the fact that he character shown in the shot is
essentially sprinting at the camera, it becomes a mid
shot/close up. The camera also retracts slightly to
develop more of a tracking shot of the character.
The movement of the camera during this shot gives
the audience a very unique feel to the trailer
because a variety of different camera techniques are
used.
Sound
The typical tense build up non
diegetic sound for a thriller is used
in this scene. It is very loud and is
striking to the audience because
there was no non diegetic sound
or sound at all prior to this.
6. Mise en scene
The shot shows middle class
people pointing and looking at
something. They are all smiling
at something and as they are all
well dressed, the fact the father
in the middle is pointing at
something suggests that
everyone else is inferior to them.
The group come across as rude
and invasive in this shot.
Editing
This shot is one of many clips
during this part of the trailer. It is
shown briefly with some dialogue
over the top of it. In this section it
is more of a montage because
many shots from the particular
seen of the film are being shown.
Camerawork
This shot exclusively has more of
a handheld feel as the camera
shakes when it is filming the
group of people. They are
essentially looking straight at the
camera and as it is a handheld
shot, it is being shown as a POV.
This is fairly surprising and
unusual in films as often this can
be seen as braking the fourth
wall. It gives the audience the
impression that the group are
Sound
There is the same non diegetic sound
previously played throughout and it is
still being played every shot. A piece
of dialogue of the couple talking is
also being played over the top and as
this shot is played the main character
says "how bad can it be". This is
contrasting with the visuals of this
shot because the group are shown to
be patronising and intimidating as he
is saying this over the top.
7. Mise en scene
The main character appears to
"fist bump" another black man
but he in turn offers a
handshake. This shows a
difference between the two men
despite the fact that they have
the same skin colour. The other
character is wearing a suit jacket
while the main character is
wearing a casual denim jacket
which further differentiates the
two characters.
Sound
Creepy violin noises start to be
heard from this as a non
diegetic sound. Along with the
original sound played
throughout the trailer. The
overall creepy ambience of
noise builds up the tension of
the shot even further.
Camerawork
This shot is a close up and I believe
the director has focused on this
because he is trying to get across
the fact that everyone is different
regardless of appearances or
background. It also creates
confusion with the audience as the
other character offers him a
handshake instead of his fist. The
close up is intended focus on this
aspect.
Editing
In this section of the trailer the
shots have kept their pace and
have stayed at a fast and tense
pace. The two differences of the
men work well with the pace of the
cuts because one is very friendly
and the other seems more cold and
hostile therefore the audience do
not know wheat will happen next.
8. Sound
There is no sound at all in this part
apart from the man saying "get
out". The fact that there is no
sound or ambience makes the shot
more intriguing as you don’t know
what is going to happen next and
what type of sound is going to
come in. More non diegetic sound
only comes in as this character
becomes more tense and angry.
Camerawork
The camera is again set at a POV
for this shot. I believe that this is
more frightening for the
audience as it makes them feel
part of the film itself. He is also
looking directly down the
camera, making the audience feel
like he is looking at you.
Editing
A shot reverse shot is used and
the shots keeps getting faster and
faster as it switches from the main
character and the character in the
shot. The more it switches from
either character, the more intense
the character shown gets. This
allows for the tension to build up
until the end of the scene.
Mise en scene
During this shot, this part of the
trailer reaches its climax. The
mood becomes much darker as
the mans nose starts bleeding and
he starts to look unhappy, which
contrasts with his light clothing.
This part of the trailer is very
shocking to the audience as he
starts screaming "get out" to the
main character which adds to the
darker tone of the trailer.
9. Sound
The violins become slightly faster
and more aggressive which is
creepier for the audience. At this
point the violin noise has created a
tense and scary ambience as the
woman says "sink into the floor".
Camerawork
This is an extreme close up and it is also
very shocking for the viewer as no one is
expecting to see the main character cry
out of nowhere. This is effective because
this will make the audience go and watch
the film to find out more reasoning behind
why he is crying. They have made this an
iconic shot.
Editing
The short and fast cuts continue
with it now reversing between the
main character and the woman. At
this point the trailer is very
captivating as many unexplainable
things happen. A boy is shown
sinking into a bed and it then cuts
to him in another room. All of this
makes the audience carry on
watching because they wont know
what is going on.
Mise en scene
We see the main character crying
in this scene which would take
the audience by surprise because
the character had not shown that
much emotion by this point in
the trailer. His surrounding are
more dim than in previous shots
which reflects the pure emotion
he is showing.
10. Camerawork
This again an extreme close up,
this time of the cup and saucer.
This is used to show the
significance of the spoon and
tea cup so that the audience
get some idea of what is
occurring. It is also taken at a
slightly high angle shot can be
made fully aware that this is a
significant item.
Sound
It is eerily silent during this shot but
what follows Is the aggressive
electronic sound after she says
"sink". This would be quite scary for
the audience as they would not
have been expecting the scary, loud
ambience, non diegetic sound that
comes after this shot.
Editing
It is just after this shot that it
transitions into him sinking
into the ground and this is
don’t in a very sharply cut
way. As there is so much
going on at this moment in
the trailer, the audience will
not be able to look away
from the screen.
Mise en scene
The shot shows a china tea cup
being held with a spoon in it. This
is very creepy and unusual
because we don’t know why it is
significant or how it is being used.
It seems to show the woman have
powers by stirring what's inside
the cup.
11. Sound
Emphatic banging sounds are
used when the bingo card gets
lifted up and when the father
makes hand movements on the
stage. This type of non diegetic
sound is used to show how
shocking it is that something like
this Is in effect. It also realigns
with what the audience are
thinking at this moment in time.
Camerawork
This shot is almost an establishing
shot as it shows all the middle class
people together in what appears to
be an auction for the main
character. The camera also pans
out to give a full view of the
auction. The establishing shot
allows the audience to see that
white people are bidding to try
and buy/win the main character.
Editing
As the shots move fast, it takes a
look at a bingo card at a close up,
possibly to emphasize the plot of the
film. The transition between the man
and the bingo card may be crucial
for the audience as this scene is the
only way they can have an idea of
the plot from the trailer in my
opinion.
Mise en scene
This is perhaps the most interesting
shot because this shot finally gives us
an idea of the motive of the family.
The picture is of the main character
with all of the middle class people
seen before. Slightly after people are
shown to be holding up bidding
cards suggesting a racism aspect to
the film. I believe it gives the
audience a general plot idea of the
film.
12. How long is the sequence? - The trailer is 2 minutes and 32 seconds long.
What information is the audience given in terms of genre and narrative? What does this lead you to expect from the film?
- We learn very quickly that this film is going to be a thriller/psychological thriller. However at the beginning this is not the
case. The audience get the sense that this film is going to be a romance or rom-com due to the happy couple and the non
diegetic music playing over the top. However after a deer hits their car, that music stops and the non diegetic music turns
more creepy and sinister. This give the audience the impression that this will be a thriller/horror film. The fact that the
view of what genre the film is changes so quickly shows that the film is going to have very dramatic changes and twists.
What questions does it leave the audience with? Enigma? - The audience will have so many questions by the end of the
trailer. They will be of the opinion that the film is based around racism but the hypnosis and the seemingly split
personalities in the black people will leave the audience very intrigued. All of the strange behavior and occurrences in the
trailer will definitely make the audience want to go an watch the film as there I never any real plot shown in the trailer as
it becomes more of a montage by the end of it.
What is the USP (unique selling point) or key selling points? - I would say the unique selling point of the trailer is that
everything that is shown in the trailer leaves the audience intrigued as many different things happen that seem to be
supernatural and strange. This leaves the audience wanting more so I would say the way they have made the trailer is
their USP.
13. · What type of audience is being addressed? You might like to think in terms of age, gender, background, cultural
experience and interests. It is useful to consider mode of address, what is represented and how characters are
represented in the trailer as part of this – The trailer is most likely aimed at late teens or young adults as it a
thriller/ horror film and all of these types of films are this type of age rating. However the film is possibly aimed
at black people specifically because they may be able to relate to some of the situations in the film of feeling
singled out or isolated. As well as this the films core focus is around racism and the social aspects of how black
people are conveyed in social situations, therefore it may be relatable. I think that the film is also aimed at a
wider audience and not just thriller or horror fans because the concept behind the film seems to be very
interesting. It doesn’t seem to be a typical horror film either because there aren't many jump scares so I think the
director has focused more on the story.
I believe that this trailer analysis has helped me to decide on how to make a captivating and interesting trailer
that leaves the audience wanting to see more. This has allowed me to see the techniques used in order to make a
successful trailer as I believe that this trailer is very well made, even if the film doesn’t live up to expectations. I
liked the way they used creepy music between each title and scene/shot shown as this builds tension and it
would be useful for my group to use for our psychological thriller.
15. The dark rough
background represents
how the film is a
thriller/horror, due to
black representing
darkness. However it
contrasts with the white
to show that there is a
split side in in the film,
hence the split down the
middle of the character.
The same black and
white element is used in
the title to show the
contrast and
representation between
the white and black
people in the film.
The characters facial
expression also
represents the film as a
horror/thriller because
his face is emotional and
he looks extremely
terrified.
The character is also
wearing a contrast of
light and dark clothing
which fits in with the
black and white colour
scheme.
The fact that the black and
white is split down the
middle may show that it is
black people against white
people in the film. The
50/50 split may represent
a fight against each other.
16. How the marketing team are trying to attract
the audience.
This poster may be useful to look at when we are creating our one. I like the simplistic yet effective
design and I think sometimes this is better than a more colourful and detailed poster because it can
be more hard hitting to the audience. We can relate to the split design of the poster because we
may do something like this ourselves as our main character lives in two separate realities so we may
well do a split design of a poster like this one. I also like the way each word of the title contrasts with
the opposite colour (black on white, white on black).
The poster is very easy on the eye therefore it will attract a wide audience due to its simplicity yet
eye catching and powerful. The USP is how different the film and trailer is to other thriller films.
They also say "from the mind of Jordan Peele" which is intriguing to the audience because it
suggests that the director actually has a connection with what he has created which I would also
say is the USP for the poster.