SlideShare a Scribd company logo
M1 SINGAPORE FRINGE FESTIVAL 2012
                            15 – 26 FEBRUARY 2012


CALL FOR APPLICATIONS

The M1 Singapore Fringe Festival is an annual festival of theatre, dance, music, visual arts
and mixed media created and presented by Singaporean and international artists. Themed
differently each year, the Festival aims to bring the best of contemporary, cutting-edge and
socially-engaged works to the Singapore audience.

The M1 Singapore Fringe Festival is set to be a creative centre, with a twin-purpose of
innovation and discussion; a platform for meaningful and provocative art to engage our
increasingly connected and complex world.

The theme for M1 Singapore Fringe Festival 2012 is Art and Religion. We are looking for
works in all disciplines that will fall within that theme. A write-up of our curatorial statement,
rationale for the theme as well as more information about what the Fringe Festival can offer
you is attached at Annex 1.

We accept applications from professional Singapore and international artists / companies.
The programme for 2011 is listed on our website ( www.singaporefringe.com). It will
provide you with some insight into the programmes, venues and workings of the festival.

Attached is an application form for M1 Singapore Fringe Festival 2012 and a brief on the
application process.

Please include the following items in your proposal:

   o   Application Form
   o   Artistic description of the work
   o   Description of how the work is related to the theme of Art and Religion
   o   Reason for wanting to participate in M1 Singapore Fringe Festival
   o   Biographies of the artists involved
   o   Technical specifications, design ideas, stage & lighting plans sketches
   o   Copy of the script (if applicable)
   o   DVD/VCD/Video/CD of performance (If it is a new work, please submit
       DVD/VCD/Video/CD of previous work)
   o   Images (in high resolution if electronic copies are submitted)
   o   Reviews, press cuttings and critiques (with translations in English if applicable)
   o   Company background and work
   o   Performances previously staged (both in your home country and abroad)
   o   Any other supporting documentation

Please note that late or incomplete applications will not be entertained. Please also note that
all submitted materials are non-returnable.

More Related Content

Similar to test

Sydney Fringe Festival - Social Media Strategy 2010
Sydney Fringe Festival - Social Media Strategy 2010Sydney Fringe Festival - Social Media Strategy 2010
Sydney Fringe Festival - Social Media Strategy 2010Danielle Warby
 
T&T Conference
T&T ConferenceT&T Conference
T&T Conference
nmladenoska
 
Anzac r330 awm high_res
Anzac r330 awm high_resAnzac r330 awm high_res
Anzac r330 awm high_res
Lyndon Hale
 
the Chaos Asia 2013, 66 presenters out of 88!
the Chaos Asia 2013, 66 presenters out of 88!the Chaos Asia 2013, 66 presenters out of 88!
the Chaos Asia 2013, 66 presenters out of 88!
Noritaka Kobayashi, Ph.D
 
VAI and PhotoFestival -
VAI and PhotoFestival - VAI and PhotoFestival -
VAI and PhotoFestival - Sarah Searson
 
Universal Design 2014 Call for Papers
Universal Design 2014 Call for PapersUniversal Design 2014 Call for Papers
Universal Design 2014 Call for PapersScott Rains
 
The Torch Theatre Communication Program
The Torch Theatre Communication ProgramThe Torch Theatre Communication Program
The Torch Theatre Communication ProgramNina Miller
 
Arts, culture & tourism, vehicles for wealth creation
Arts, culture & tourism, vehicles for wealth creationArts, culture & tourism, vehicles for wealth creation
Arts, culture & tourism, vehicles for wealth creation
Labi Francis Onuformi
 
GCC China Summit Proposal
GCC China Summit ProposalGCC China Summit Proposal
GCC China Summit ProposalYajing Li
 
Main Ideas for a Festival
Main Ideas for a FestivalMain Ideas for a Festival
Main Ideas for a FestivalZahra06
 
SydArchFest 2015 Dashboard ReportPRINT
SydArchFest 2015 Dashboard ReportPRINTSydArchFest 2015 Dashboard ReportPRINT
SydArchFest 2015 Dashboard ReportPRINTTimothy Horton
 
Statement of purpose
Statement of purposeStatement of purpose
Statement of purpose
Stephen Hinton
 
The internationalisation of universities promotes global employability for st...
The internationalisation of universities promotes global employability for st...The internationalisation of universities promotes global employability for st...
The internationalisation of universities promotes global employability for st...
University of Limerick
 
Geeks in-residence recruitment guide 2013 v1
Geeks in-residence recruitment guide 2013 v1Geeks in-residence recruitment guide 2013 v1
Geeks in-residence recruitment guide 2013 v1Sync
 
The Torch Theatre Communication Program
The Torch Theatre Communication ProgramThe Torch Theatre Communication Program
The Torch Theatre Communication ProgramNina Miller
 
Week 1 Lecture Slides
Week 1 Lecture SlidesWeek 1 Lecture Slides
Week 1 Lecture Slides
RMIT University
 
Non-Profit Communication Strategy (Neelum Sharma)
Non-Profit Communication Strategy (Neelum Sharma)Non-Profit Communication Strategy (Neelum Sharma)
Non-Profit Communication Strategy (Neelum Sharma)
NeelumSharma
 
PW PI 1SC2 2012 Grp 5
PW PI 1SC2 2012 Grp 5PW PI 1SC2 2012 Grp 5
PW PI 1SC2 2012 Grp 5
Rachel Tay
 
Sydney PACFest 2014- Partnership Proposal
Sydney PACFest 2014- Partnership ProposalSydney PACFest 2014- Partnership Proposal
Sydney PACFest 2014- Partnership Proposal
Helena Taulalo
 

Similar to test (20)

Sydney Fringe Festival - Social Media Strategy 2010
Sydney Fringe Festival - Social Media Strategy 2010Sydney Fringe Festival - Social Media Strategy 2010
Sydney Fringe Festival - Social Media Strategy 2010
 
T&T Conference
T&T ConferenceT&T Conference
T&T Conference
 
Anzac r330 awm high_res
Anzac r330 awm high_resAnzac r330 awm high_res
Anzac r330 awm high_res
 
the Chaos Asia 2013, 66 presenters out of 88!
the Chaos Asia 2013, 66 presenters out of 88!the Chaos Asia 2013, 66 presenters out of 88!
the Chaos Asia 2013, 66 presenters out of 88!
 
VAI and PhotoFestival -
VAI and PhotoFestival - VAI and PhotoFestival -
VAI and PhotoFestival -
 
Universal Design 2014 Call for Papers
Universal Design 2014 Call for PapersUniversal Design 2014 Call for Papers
Universal Design 2014 Call for Papers
 
The Torch Theatre Communication Program
The Torch Theatre Communication ProgramThe Torch Theatre Communication Program
The Torch Theatre Communication Program
 
Arts, culture & tourism, vehicles for wealth creation
Arts, culture & tourism, vehicles for wealth creationArts, culture & tourism, vehicles for wealth creation
Arts, culture & tourism, vehicles for wealth creation
 
GCC China Summit Proposal
GCC China Summit ProposalGCC China Summit Proposal
GCC China Summit Proposal
 
Main Ideas for a Festival
Main Ideas for a FestivalMain Ideas for a Festival
Main Ideas for a Festival
 
SydArchFest 2015 Dashboard ReportPRINT
SydArchFest 2015 Dashboard ReportPRINTSydArchFest 2015 Dashboard ReportPRINT
SydArchFest 2015 Dashboard ReportPRINT
 
Executive summary
Executive summaryExecutive summary
Executive summary
 
Statement of purpose
Statement of purposeStatement of purpose
Statement of purpose
 
The internationalisation of universities promotes global employability for st...
The internationalisation of universities promotes global employability for st...The internationalisation of universities promotes global employability for st...
The internationalisation of universities promotes global employability for st...
 
Geeks in-residence recruitment guide 2013 v1
Geeks in-residence recruitment guide 2013 v1Geeks in-residence recruitment guide 2013 v1
Geeks in-residence recruitment guide 2013 v1
 
The Torch Theatre Communication Program
The Torch Theatre Communication ProgramThe Torch Theatre Communication Program
The Torch Theatre Communication Program
 
Week 1 Lecture Slides
Week 1 Lecture SlidesWeek 1 Lecture Slides
Week 1 Lecture Slides
 
Non-Profit Communication Strategy (Neelum Sharma)
Non-Profit Communication Strategy (Neelum Sharma)Non-Profit Communication Strategy (Neelum Sharma)
Non-Profit Communication Strategy (Neelum Sharma)
 
PW PI 1SC2 2012 Grp 5
PW PI 1SC2 2012 Grp 5PW PI 1SC2 2012 Grp 5
PW PI 1SC2 2012 Grp 5
 
Sydney PACFest 2014- Partnership Proposal
Sydney PACFest 2014- Partnership ProposalSydney PACFest 2014- Partnership Proposal
Sydney PACFest 2014- Partnership Proposal
 

Recently uploaded

Overview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with MechanismOverview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with Mechanism
DeeptiGupta154
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
Thiyagu K
 
Digital Artifact 2 - Investigating Pavilion Designs
Digital Artifact 2 - Investigating Pavilion DesignsDigital Artifact 2 - Investigating Pavilion Designs
Digital Artifact 2 - Investigating Pavilion Designs
chanes7
 
Thesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.pptThesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.ppt
EverAndrsGuerraGuerr
 
The basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptxThe basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptx
heathfieldcps1
 
Normal Labour/ Stages of Labour/ Mechanism of Labour
Normal Labour/ Stages of Labour/ Mechanism of LabourNormal Labour/ Stages of Labour/ Mechanism of Labour
Normal Labour/ Stages of Labour/ Mechanism of Labour
Wasim Ak
 
special B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdfspecial B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdf
Special education needs
 
Multithreading_in_C++ - std::thread, race condition
Multithreading_in_C++ - std::thread, race conditionMultithreading_in_C++ - std::thread, race condition
Multithreading_in_C++ - std::thread, race condition
Mohammed Sikander
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
Jisc
 
The Accursed House by Émile Gaboriau.pptx
The Accursed House by Émile Gaboriau.pptxThe Accursed House by Émile Gaboriau.pptx
The Accursed House by Émile Gaboriau.pptx
DhatriParmar
 
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdfUnit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Thiyagu K
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
 
How libraries can support authors with open access requirements for UKRI fund...
How libraries can support authors with open access requirements for UKRI fund...How libraries can support authors with open access requirements for UKRI fund...
How libraries can support authors with open access requirements for UKRI fund...
Jisc
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
Jisc
 
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup   New Member Orientation and Q&A (May 2024).pdfWelcome to TechSoup   New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
TechSoup
 
Group Presentation 2 Economics.Ariana Buscigliopptx
Group Presentation 2 Economics.Ariana BuscigliopptxGroup Presentation 2 Economics.Ariana Buscigliopptx
Group Presentation 2 Economics.Ariana Buscigliopptx
ArianaBusciglio
 
Honest Reviews of Tim Han LMA Course Program.pptx
Honest Reviews of Tim Han LMA Course Program.pptxHonest Reviews of Tim Han LMA Course Program.pptx
Honest Reviews of Tim Han LMA Course Program.pptx
timhan337
 
2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...
Sandy Millin
 
Operation Blue Star - Saka Neela Tara
Operation Blue Star   -  Saka Neela TaraOperation Blue Star   -  Saka Neela Tara
Operation Blue Star - Saka Neela Tara
Balvir Singh
 
S1-Introduction-Biopesticides in ICM.pptx
S1-Introduction-Biopesticides in ICM.pptxS1-Introduction-Biopesticides in ICM.pptx
S1-Introduction-Biopesticides in ICM.pptx
tarandeep35
 

Recently uploaded (20)

Overview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with MechanismOverview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with Mechanism
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
 
Digital Artifact 2 - Investigating Pavilion Designs
Digital Artifact 2 - Investigating Pavilion DesignsDigital Artifact 2 - Investigating Pavilion Designs
Digital Artifact 2 - Investigating Pavilion Designs
 
Thesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.pptThesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.ppt
 
The basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptxThe basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptx
 
Normal Labour/ Stages of Labour/ Mechanism of Labour
Normal Labour/ Stages of Labour/ Mechanism of LabourNormal Labour/ Stages of Labour/ Mechanism of Labour
Normal Labour/ Stages of Labour/ Mechanism of Labour
 
special B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdfspecial B.ed 2nd year old paper_20240531.pdf
special B.ed 2nd year old paper_20240531.pdf
 
Multithreading_in_C++ - std::thread, race condition
Multithreading_in_C++ - std::thread, race conditionMultithreading_in_C++ - std::thread, race condition
Multithreading_in_C++ - std::thread, race condition
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
 
The Accursed House by Émile Gaboriau.pptx
The Accursed House by Émile Gaboriau.pptxThe Accursed House by Émile Gaboriau.pptx
The Accursed House by Émile Gaboriau.pptx
 
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdfUnit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdf
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
 
How libraries can support authors with open access requirements for UKRI fund...
How libraries can support authors with open access requirements for UKRI fund...How libraries can support authors with open access requirements for UKRI fund...
How libraries can support authors with open access requirements for UKRI fund...
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
 
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup   New Member Orientation and Q&A (May 2024).pdfWelcome to TechSoup   New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
 
Group Presentation 2 Economics.Ariana Buscigliopptx
Group Presentation 2 Economics.Ariana BuscigliopptxGroup Presentation 2 Economics.Ariana Buscigliopptx
Group Presentation 2 Economics.Ariana Buscigliopptx
 
Honest Reviews of Tim Han LMA Course Program.pptx
Honest Reviews of Tim Han LMA Course Program.pptxHonest Reviews of Tim Han LMA Course Program.pptx
Honest Reviews of Tim Han LMA Course Program.pptx
 
2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...
 
Operation Blue Star - Saka Neela Tara
Operation Blue Star   -  Saka Neela TaraOperation Blue Star   -  Saka Neela Tara
Operation Blue Star - Saka Neela Tara
 
S1-Introduction-Biopesticides in ICM.pptx
S1-Introduction-Biopesticides in ICM.pptxS1-Introduction-Biopesticides in ICM.pptx
S1-Introduction-Biopesticides in ICM.pptx
 

test

  • 1. M1 SINGAPORE FRINGE FESTIVAL 2012 15 – 26 FEBRUARY 2012 CALL FOR APPLICATIONS The M1 Singapore Fringe Festival is an annual festival of theatre, dance, music, visual arts and mixed media created and presented by Singaporean and international artists. Themed differently each year, the Festival aims to bring the best of contemporary, cutting-edge and socially-engaged works to the Singapore audience. The M1 Singapore Fringe Festival is set to be a creative centre, with a twin-purpose of innovation and discussion; a platform for meaningful and provocative art to engage our increasingly connected and complex world. The theme for M1 Singapore Fringe Festival 2012 is Art and Religion. We are looking for works in all disciplines that will fall within that theme. A write-up of our curatorial statement, rationale for the theme as well as more information about what the Fringe Festival can offer you is attached at Annex 1. We accept applications from professional Singapore and international artists / companies. The programme for 2011 is listed on our website ( www.singaporefringe.com). It will provide you with some insight into the programmes, venues and workings of the festival. Attached is an application form for M1 Singapore Fringe Festival 2012 and a brief on the application process. Please include the following items in your proposal: o Application Form o Artistic description of the work o Description of how the work is related to the theme of Art and Religion o Reason for wanting to participate in M1 Singapore Fringe Festival o Biographies of the artists involved o Technical specifications, design ideas, stage & lighting plans sketches o Copy of the script (if applicable) o DVD/VCD/Video/CD of performance (If it is a new work, please submit DVD/VCD/Video/CD of previous work) o Images (in high resolution if electronic copies are submitted) o Reviews, press cuttings and critiques (with translations in English if applicable) o Company background and work o Performances previously staged (both in your home country and abroad) o Any other supporting documentation Please note that late or incomplete applications will not be entertained. Please also note that all submitted materials are non-returnable.
  • 2. You are required to submit a hard copy and a soft copy of your proposal Please send : 1. A hard copy of your proposal to M1 Singapore Fringe Festival Marine Parade Community Building 278 Marine Parade Road #B1-02 Singapore 449282 2. A soft copy (in editable word document format) to info@singaporefringe.com , uploaded via www.mediafire.com, www.yousendit.com, www.sendthisfile.com or www.filedropper.com All applications should reach the organisers by Friday 11th March 2011. If you have any queries, please contact us at info@singaporefringe.com Please read the information attached carefully before submitting your application, and ensure that all questions have been answered. Applications must be completed in English. The closing deadline for applications is Friday 11th March 2011. Successful applicants of the first round of shortlisting will be informed of the programming decision by 30th June 2011. Address: M1 Singapore Fringe Festival 278 Marine Parade Road, #B1-02 Marine Parade Community Building Singapore 449282 Tel: +65 6440 8115 Fax: +65 6440 9002 Email: info@singaporefringe.com Website: www.singaporefringe.com
  • 3. ANNEX 1 M1 SINGAPORE FRINGE FESTIVAL 2012: ART AND RELIGION Religion is defined as "the belief in and worship of a god or gods, or a set of beliefs concerning the origin and purpose of the universe." While there is a common tendency to associate the notion of religion to religious faiths, institutions and practices, religion can - and should - go beyond these definitions, to include the wider notion of faith and beliefs. In short, our firm and fervent belief in anything - from a religious order, to our culture, to our dietary preferences, to our favourite brand of clothing - could well be religion to us, depending on the sphere of pertinence these have (religious, cultural, social, personal). How we define religion - and how our religions/faiths define us - is part of how we would construct our world view and react on them. The symbols, rites and rituals we develop based on our religion affects the external world, and are themselves define/constrained/morphed according to the limits of this same world. The Art of Religion We often consume and approach religion as an institution. And when one consumes religion, one has the tendency to use it for one's own purpose, which includes worshipping power. Such an empowered position can lead to arrogance and the justification to be judgmental. Whilst we live as human beings, we should also transcend the limitations of the human condition to engage spirituality (which is also part of being human), to connect with one another (from different faiths) focusing on compassion and inclusion. What is the role of art in facilitating a credible inter-faith platform where human beings can conduct one another in the spirit of compassion and inclusion rather than end up predictably polarised? Can Art bridge the gaps of religious difference and/or indifference? Can Art provide that hope so in need in our contemporary times? How can Art remain relevant and heal burning contemporary concerns? The Religion of Art Artists have, for centuries, defended the freedom to question and critique, immunizing art and advocating its integrity. Yet the notion of respecting differences, the notion of recognising the "other", may conflict with this freedom of expression. Is there a way then to question and/or critique without disrespect or does Art (at its fundamental core) own the right to comment in whatever way it wishes? Is there such a thing as a fundamentalist approach to the religion of Art? Art shares many aspects with religion in terms of providing meaning, asking questions about life, providing opportunities to reflect, connecting people from different socio-cultural backgrounds, enhancing our spiritual lives. As such, can Art save? Can Art substitute religion? If so, how?
  • 4. Art & Religion Religion is not, and should not, be viewed as a staid set of rules and dictates. Rather, in realising how malleable religion can be - in opening up to various definitions of religion - perhaps it will engender tolerance, acceptance and promote negotiation. Art in a similar way strives for this same sort of interaction and negotiation, to create new worlds, grounds, faiths and understanding. The M1 Singapore Fringe Festival invites one and all to participate in another exciting installment as we interrogate and reflect on the explosive relationships between art and religion. 15 – 23 February 2012. Get involved. Find out more about the application process and download the application form at www.singaporefringe.com
  • 5. BASIC INFORMATION Works Featured At the Fringe Festival The M1 Singapore Fringe Festival is a curated event stretching over 12 days, and showcasing cutting-edge, innovative and contemporary works across all genres. Most of the works that we present are completed productions by artists from all around the world, most of whom have had experiences staging their shows or exhibitions in their own countries or in other festivals. Occasionally we may commission artists to develop new works to be presented at the Festival. We are interested in works-in-progress, particularly because we see the Fringe Festival as offering a wonderful platform for artists to hone and present developmental creations, and that they will continue building on their work even after the presentation at the Fringe Festival. Selection Process Each year, there is a stipulated deadline for applications for participation in the Fringe Festival. Each application is then carefully assessed before we make our final selections for suitable works for the event. We may consider your proposal for a future year if we are interested in your work but are not able to programme it for the year you have applied for. Responsibilities of the M1 Singapore Fringe Festival We are responsible for: o Your venue, which is selected based on our understanding of your technical requirements (i.e. light, sound); o Your technician(s) for set-up and strike; o Your scheduling (you will usually be allocated between one to four full-length performances, with an average of four hours set aside from bumping in and technical rehearsals prior to the first performance1); o All promotional and marketing collaterals (i.e. posters, promotional booklets, programme booklets, website, electronic and print mailers, etc.) o Accommodation for the period of your performance; o A token per diem (or meal coupons) during the period of your stay in Singapore; o An honorarium for your participation. You are responsible for: o a well-presented and exciting performance or exhibition; o your return air tickets to Singapore2; o any return freight costs incurred for your works to be transported to Singapore; o any visas or work permits for entry into Singapore; o any royalties that need to be paid for your performance or exhibition; o the provision of detailed technical information, which need to be submitted to us within a month from the date of our acceptance of your proposal; o the provision of additional media and publicity materials (if required) within a month from the date of our acceptance of your proposal. 1 Please note that there will be variations to scheduling (i.e. frequency of performances, time for technical set-up and rehearsal), depending on the length and venue of your performances, genre/form, and availability of space. 2 Exceptions may be made if we are able to obtain funding support from your respective embassies or cultural institutions. We usually encourage artists to apply to funding bodies such as arts and regional councils in their home country for traveling grants to festivals.
  • 6. M1 SINGAPORE FRINGE FESTIVAL 2012: ART AND RELIGION 15 – 26 FEBRUARY 2012 Closing deadline for applications is Friday 11 March 2011 APPLICATION FORM I ARTIST / COMPANY DETAILS Name of Artist / Company: ____________________________________________________ Company Status (if applicable): ________________________________________________ Address: __________________________________________________________________ _________________________________________________________________________ Zip/Postal Code: _______________________ Country: ____________________________ Phone: ___________________ Fax: _________________ Mobile: ____________________ Email: _____________________________ Website: _______________________________ Contact Person: ____________________________________________________________ Role/Position: ______________________________________________________________ PERFORMANCE / EXHIBITION DETAILS Performance / Exhibition Title: _________________________________________________ (As it would appear in the M1 Singapore Fringe Festival programme and promotional materials) Primary discipline: ___________ Author/Playwright (if applicable): ____________________ Language used (if applicable): _______________________________________________
  • 7. Duration of work (in minutes): ___________________ Is there an intermission : Y/N Has this work been performed/exhibited previously? Y/N If so, where and when? ___________________________________________________ (Please attach an additional sheet if required.) Do you have production rights for this work? Y/N (Please note that we will not knowingly produce a show unless it has the written permission of the playwright/originator/author. You are required to obtain this written permission from the playwright/originator/author and pay any obligatory fees for these rights, prior to performance at the Festival. It is your responsibility to obtain and clear any rights to works under copyright in advance, and be ready to provide written proof of these rights upon request. Failure to do so will result in disqualification from participation at the Festival.) Minimum set-up time required: ____________________________________________ Minimum strike time required: _____________________________________________ Proposed venue/type of venue: ____________________________________________ Can you share a venue? Y/N Preferred dates of the Festival: ____________________________________________ Size of required acting area (if applicable): ____________________________________ Total number of people required to tour the work (if applicable): _________________ Does your work contain explicit material? If so, please provide a detailed description: _______________________________________________________________________ _______________________________________________________________________ (Please elaborate. Works containing explicit materials will not be discriminated against. This information will solely be used for the application for licenses.)
  • 8. The following items have been included in the proposal.  Application Form  Artistic description of the work  Description of how the work is related to the theme of Art and Education  Reason for wanting to participate in M1 Singapore Fringe Festival  Biographies of artists involved  Technical specifications, design ideas, stage & lighting plans sketches  Copy of the script (if applicable)  DVD/VCD/Video/CD of performance (If it is a new work, please submit DVD/VCD/Video/CD of previous work)  Images (in high resolution if electronic copies are submitted)  Reviews, press cuttings and critiques (with translations in English if applicable)  Company background and work  Performances previously staged (both in your home country and abroad)  Any other supporting documentation Only applications that are sent by mail will be considered. Please note that all submitted materials are non-returnable. Please send your proposal to M1 Singapore Fringe Festival Marine Parade Community Building 278 Marine Parade Road, #B1-02 Singapore 449282 All applications should reach the organisers by Friday 11 March 2011 Signed: _______________________ Date: ______________________ Name: ________________________