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 The head seems to be glued to the upper screen
edge.
 You need to leave some headroom to
counteract the magnetic pull of the upper of the
upper screen edge.
 You can learn more about the pull of the top
edge of a frame by studying a painting of old
masters
Without headroom
the attraction of
the upper screen
edge pulls the
head firmly
against it.
To counteract the
pull of the upper
screen edge, you
must leave enough
headroom.
 Upper left to lower-right because the way the
picture is tilted draws the eye in the direction
its going. The downhill vector makes the eye
perceive the object to be in motion.
1. Overlapping planes
2. Relative size
3. Height in plane
4. Linear perspective
5. Aerial perspective
Team Lighting
Team Lighting
Team Lighting
Team Lighting
Team Lighting

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Team Lighting

  • 1.
  • 2.  The head seems to be glued to the upper screen edge.  You need to leave some headroom to counteract the magnetic pull of the upper of the upper screen edge.  You can learn more about the pull of the top edge of a frame by studying a painting of old masters
  • 3. Without headroom the attraction of the upper screen edge pulls the head firmly against it.
  • 4. To counteract the pull of the upper screen edge, you must leave enough headroom.
  • 5.
  • 6.
  • 7.  Upper left to lower-right because the way the picture is tilted draws the eye in the direction its going. The downhill vector makes the eye perceive the object to be in motion.
  • 8. 1. Overlapping planes 2. Relative size 3. Height in plane 4. Linear perspective 5. Aerial perspective