http://socratesarchitects.com
Proposal for a new Tate Art Gallery in Bristol, on the harbourside on Spike Island, adjacent to the M-Shed on the Whapping Wharf site.
Tate Bristol proposes to house the expanding Tate collection as well as a permanent Digital Art. collection.
14. 14 VIEW FROM THE 4TH FLOOR LOOKING DOWN ON THE MAIN ATRIUM SPACE
15. 15
North facing galleries on the 2nd, 3rd and 4th floors.
Internal gallery standard climate maintained through
mechanical ventilation & heating. The highest
performance Low-E glass is used to maintain a steady
temperature reducing the amount of mechanical
heating and cooling / energy used.
Top floor gallery with double height
ceiling for large works and installations.
North-East & North-West facing gallery.
Internal gallery standard climate
is maintained through mechanical
ventilation & heating. The highest
performance Low-E glass is used
to maintain a steady temperature
reducing the amount of mechanical
heating and cooling / energy used.
The yellow travellator takes visitors on a journey
from a main ‘light’ gallery space, through the atrium,
and arrives them immediately into the darkness of
a main digital gallery. Effortlessly contrasting the
visitors experience; keeping them awake, alert and
excited. The public spaces and functions on the left
and back of house operations, workshops, and artist
studios on the right. Artists can be seen working if
their internal blinds are open. On certain studio
open days the entire gallery expands in size.
Walking up the main public circulation
ramp; parallel and adjacent to the externally
surrounding ephemeral skin. Taking visitors
on a journey; wrapping them around the
extents of the building. For this ramp; it draws
visitors through a main learning space and
directly into the gallery. The circulation of
the building is only clear one floor at a time
to enhance the experience and discovery of
the building.
Tate Bristol has two levels, on the Eastern side,
dedicated to Learning. These Learning Spaces
have an abundance of public computers,
which have installed the latest graphic and
video software. Instead of having "hot desks"
to rent office space in an isolated room, here
we have communal spaces which are open,
public and for all.
Throughout the building experience there will
be numerous informal installations. In almost
seemingly random places, installations, sculptures,
projections and performances will take place.
The building's flexibility due to its openness and
organisation of the permanant functions allows
for this.
After travelling through the building; taken on a
journey through its galleries, the visitors finally arrive
on the roof. On the roof exists the sculpture garden,
where numerous installations and large works live.
The roof is South facing and views of the harbour and
the new city park are possible.
'The Cave' is a large circular space situated below the upper-ground
level. This is a flexible industrial space which is used for digital art
installations and non-commercial performances. A public space
almost independent and hidden from the rest of the gallery.
Tate Bristol’s main digital art space is on a colossal scale. This space
houses a selection of Tate Bristol’s permanent digital collection. This
particular room has a special emphasis on the artist Ryoji Ikeda. Ryoji
Ikeda’s work quivers somewhere between electronic music, digital
art, installation and performance. He uses raw materials both visual
and sonic: using giant screens and huge speaker systems, Ikeda
gives these hidden elements something approaching the scale and
monumentality of industrial manufacturing processes.
This balcony space acts as platform to view the
main, double height, digital space below from a
different perspective. Along this balcony various
other digital installations exist. The sound
elements overlap inherent in most digital art
pieces, unlike ‘still’ works, functions more as an
attractive and moody underscore. The total effect
is often surprisingly emotional.
The main atrium connects the Harbour to
Cumberland Road. It is seen as a public street
(and is surfaced in this way). In this space large
scale installations and sculptures exist. From here
the visitor has an immediate understanding of
the building. The different coloured floors help
orientate the visitor to understand which gallery
and public function exist on which floor.
The site of Tate Bristol on Spike Island will create a flow of visitors
and provide an open anchor, an interior public space and a
meeting place for pedestrians and they will become the city’s new
icon, whilst addressing deficiencies in accessibility, adaptability
and lack of space for creative enterprise. Tate Bristol will become
a creative and cultural centre for the city. Tate Bristol will be the
social and creative heart of the city, connecting people of all ages,
cultures and backgrounds.
The entrance way from Cumberland
road, which leads through to the
public ramp / main atrium. It is
surfaced in a hardwearing way
(concrete). This is due to the amount
of people passing through as a
short-cut to the Harbour and also to
emphasis that this is an extension to
the public street.
TATE BRISTOL: KEY INTERNAL SPACES
18. 1818 SPIKE ISLAND SITE ANALYSIS
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Works
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Heritage
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Wapping
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Warehouse
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Cottage
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Engine House
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Court
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Perretts Court
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El Sub Sta
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14 to
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Landmark Co
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The Quays
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40
Liberty Gardens
Pennon Rise
35
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1to
16
91
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1 to
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Steamship
House
Museum
TrinMills
PH
21
Daubeny
13
1 to
17
6
to
12
Court
18
1
to
18
El Sub Sta
10
Byz
antin
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Court
Museum
Merrick Court
1 to
16
Bat
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Depot
12
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14.9m
14.0m
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9.4m
10.7m
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19. 1919
GP
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Path
HarbourWalk
Harbour
Walk
Plinth
El Sub Sta
The Create Environment Centre
Bristol Record Office
Warehouse
36
Maritime
24
38
Nap
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Cou
rt
132
21
28
Works
21
25
96
94
Heritage
33
PH
130
23
7to
12
17
23
32
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20
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Centre
123
38
Hop
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27
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Museum
131
25
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Works
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19
119
27
29
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15
11
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Portla
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11
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Works
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Works
PC
31
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Works
120
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Rescu
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Warehouse
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Cottage
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Engine
House
26
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5to
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Club
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36
29
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Underfall Yard
20
24
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5to
10
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14
27
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15
20
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16
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26
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Me
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26
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Deal
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Cum
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35
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16
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1 to
84
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House
Museum
TrinMills
PH
21
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1 to
17
6
to
12
Court
18
1
to
18
El Sub Sta
10
By
za
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SPIKE ISLAND SITE ANALYSIS
20. 2020
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HarbourWalk
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MC ADAM WAY
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AVO
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CUMBERLAND ROAD
CALEDONIAN ROAD
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DRAYCOTPLACE
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RO
AD
Piers
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MLW
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Ba
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Wha
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Car Park
Slopin
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9.4m
9.1m
10.4m
8.5m
9.1m
9.4m
8.5m
9.4m
8.2m
13.7m
14.9m
14.0m
9.4m
9.4m
10.7m
12.5m
W
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Railw
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harf
Railw
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Wapping
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Albion Docks Boatyard
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Sloping maso
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GP
GP
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Harbour Walk
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Bo
llards
Bols
Cn
Bol
Bo
lla
rd
s
Bol
Bollards
Cn
Bols
Bollards
Cn
Mud
Mud
Mud
Mud
Mud
SM
SM
Slop
ing mas
onry
Mean High Water
Mea
n High Water
Mean Low Water Springs
Mean High Water
MLW
Mud
Mud
Mea
n Lo
w
W
ater
Car Park
Slopingmaso
nry
Slop
ingmas
onry
SM
Sloping maso
nry
Slo
pin
g ma
son
ry
Sub
SS Great Britain
Slipway
SM
El
SM
Graving
Do
ck
Sta
SM
Chatham
Wharf
Patent Slip
(Activities Centre)
Slip
way
Car Park
Slipway
Avon Quay
El Sub
Sta
Caravan Site
Slop
ing mas
on
ry
SM
SMSM
SM
SM
SM
Car Park
SM
Car Park
Car Park
Bal
tic
W
ha
rf
Ba
ltic
Wha
rf
Car Park
Slopin
g masonry
Bathurst Wharf
SM
SM
9.1m
9.4m
9.1m
10.4m
8.5m
9.1m
9.4m
8.5m
9.4m
8.2m
13.7m
14.9m
14.0m
9.4m
9.4m
10.7m
12.5m
W
appin
g
Railw
ay
W
harf
Railw
ay (disused)
MP
Wapping
Railway
Wharf
Albion Docks Boatyard
Wharf
Wharf
Prince's Wha
rf
Wapping Railway Wharf
Merchants Quay
Prince's Wha
rf
Sloping maso
nry
SPIKE ISLAND SITE ANALYSIS: FREEDOM AND CONTROL
21. 2121SPIKE ISLAND SITE ANALYSIS: FREEDOM AND CONTROL
GP
GP
GP
Posts
Path
HarbourWalk
Harbour
Walk
Plinth
El Sub Sta
The Create Environment Centre
Bristol Record Office
Warehouse
36
Maritime
24
38
Napier
Court
132
21
28
Works
21
25
96
94
Heritage
33
PH
130
23
7to
12
17
23
32
Rowing
Club
Crane
20
133
Centre
123
38
Hope
Court
27
24
10
12
24
Museum
131
25
13
37
Works
31
Works
PH
Tk
19
119
27
29
31
15
11
40
Portland
Court
11
134
Works
33
to
44
Works
Works
PC
31
Works
10
22
Works
120
22
26
121
22
40
32
39
Dockyard
36
122
32
El Sub Sta
30
Wapping
14
17
(PH)
24
14
17
22
John
Cabot
Court
30
39
13
Post
13
19
21
Depot
13
37
15
16
12
25
17
5 to
10
19
Rescue
15
11
Tk
36
10
19
16
23
Warehouse
20
1to
12
26
25
25
Cottage
11
19
22
22
24
13
29
Engine
House
26
16
5to
10
29
32
Club
11
31
to
36
29
18
Underfall Yard
20
24
21
36
5to
10
27
14
27
12
14
15
20
31
Hydraulic
16
12
30
to
35
14
(Sea Cadet Corps)
20
Court
TS Adventure
23
39
20
Westbro
oke
Court
14
1a
28
40
27
25
5to
10
28
Water Leisure
24
Old
Dock
Cottages
26
37
Hope
15
18
Court
23
Mered
ith
Court
26
Centre
25
The
15
27
22
28
19
28
12
PH
18
16
Inn
39
30
to
35
13
17
30
29
17
38
37
Deal
Cottage
38
23
21
21
Weare
18
11
38
18
Cumberla
nd
Perretts
Court
Merchant
s Row
246
El Sub Sta
86
14 to
49
Landmar
k Court
Museum
The Quays
Court
1 to
30
81
90
72
Old Jail Workshops
PC
1 to
12
80
66
17
to34
Westga
te
1 to
1 to
40
Liberty Gardens
Pennon Rise
35
to50
1to
16
91
3to6
129
1 to
84
Steamship
House
Museum
TrinMills
PH
21
Daubeny
13
1 to
17
6
to
12
Court
18
1
to
18
El Sub Sta
10
Byzan
tine
Court
Museum
Merrick Court
1 to
16
Bathur
st
Parade
MerchantsHouse
Depot
12
Jubilee
House
ASHM
EAD
WAY
PLACE
GRENVILL
E
CUM
BERL
AND
ROAD
BRUNSWICK
PLACE
SMEA
TON
ROAD
MC ADAM
WAY
BRUNE
L LOCK
ROAD
CUMBERLAND
ROAD
CANAD
A WAY
GEFLE
CLOSE
GASFER
RY
ROAD
SYDNEY
ROW
MARDYKE
FERRY
ROAD
CALEDONIAN
ROAD
HANOVE
RPLACE
CANA
DA
WAY
BRUNEL
LOCK
ROAD
MC ADAM
WAY
CUMB
ERLAN
D
CLOSE
ASHTON
AVENUE
CUMBERLAND
ROAD
AVO
N
CRE
SCE
NT
NOVA
SCOTIA
PLACE
CUMBERLAN
D ROAD
CALEDONIAN
ROAD
WAPPINGROAD
DRAYCOTPLACE
CHALLONER COURT
CUMBERL
AND
ROAD
Piers
(Swing)
Swing-bridge
Cn
Bollards
TCB
Bollard
Caisson
Bollards
Bollard
Bollards
Chy
Jetty
Bollards
Bollards
Bollards
Bollards
Caisson
Bollard
FB
FB
Cumberland Basin Bridge
Chy
TCB
Stone
(Swing)
Bollards
LB
Travelling
Cranes
Crane
Bol
Bollards
Bollards
Bol
Sluice
Sluice
El Sub Sta
Sub
El
Sta
Bollards
Bols
Cn
Bol
Bollards
Bol
Bollards
Cn
Bols
Bollards
Cn
Mud
Mud
Mud
Mud
Mud
SM
SM
Sloping
masonry
Mean High Water
Mean
High
Water
Mean Low Water Springs
Mean High Water
MLW
Mud
Mud
Mean
Low
Water
Car Park
Sloping
masonry
Sloping
masonry
SM
Sloping
masonry
Sloping
masonry
Sub
SS
Great
Britain
Slipway
SM
El
SM
Graving
Dock
Sta
SM
Chatha
m Wharf
Patent
Slip
(Activities Centre)
Slipwa
y
Car Park
Slipway
Avon Quay
El Sub
Sta
Caravan Site
Sloping
masonry
SM
SMSM
SM
SM
SM
Car Park
SM
Car Park
Car Park
Baltic
Wharf
Baltic
Wharf
Car Park
Sloping
masonry
Bathurst Wharf
SM
SM
9.1m
9.4m
9.1m
10.4m
8.5m
9.1m
9.4m
8.5m
9.4m
8.2m
13.7m
14.9m
14.0m
9.4m
9.4m
10.7m
12.5m
Wapp
ing
Railwa
y
Wharf
Railway
(disused)
MP
Wappi
ng
Railwa
y Wharf
Albion Docks Boatyard
Wharf
Wharf
Prince's
Wharf
Wapping Railway Wharf
Merchants Quay
Prince's
Wharf
Buildings
Paths
Green
LanesLanes
Buildings
Green
PathsPaths
Buildings
Lanes
Paths
Lanes
GP
GP
GP
Posts
Path
HarbourWalk
Harbour
Walk
Plinth
El Sub Sta
The Create Environment Centre
Bristol Record Office
Warehouse
36
Maritime
24
38
Napier
Court
132
21
28
Works
21
25
96
94
Heritage
33
PH
130
23
7to
12
17
23
32
Rowing
Club
Crane
20
133
Centre
123
38
Hope
Court
27
24
10
12
24
Museum
131
25
13
37
Works
31
Works
PH
Tk
19
119
27
29
31
15
11
40
Portland
Court
11
134
Works
33
to
44
Works
Works
PC
31
Works
10
22
Works
120
22
26
121
22
40
32
39
Dockyard
36
122
32
El Sub Sta
30
Wapping
14
17
(PH)
24
14
17
22
John
Cabot
Court
30
39
13
Post
13
19
21
Depot
13
37
15
16
12
25
17
5 to
10
19
Rescue
15
11
Tk
36
10
19
16
23
Warehouse
20
1to
12
26
25
25
Cottage
11
19
22
22
24
13
29
Engine
House
26
16
5to
10
29
32
Club
11
31
to
36
29
18
Underfall Yard
20
24
21
36
5to
10
27
14
27
12
14
15
20
31
Hydraulic
16
12
30
to
35
14
(Sea Cadet Corps)
20
Court
TS Adventure
23
39
20
Westbro
oke
Court
14
1a
28
40
27
25
5to
10
28
Water Leisure
24
Old
Dock
Cottages
26
37
Hope
15
18
Court
23
Mered
ith
Court
26
Centre
25
The
15
27
22
28
19
28
12
PH
18
16
Inn
39
30
to
35
13
17
30
29
17
38
37
Deal
Cottage
38
23
21
21
Weare
18
11
38
18
Cumberla
nd
Perretts
Court
Merchant
s Row
246
El Sub Sta
86
14 to
49
Landmar
k Court
Museum
The Quays
Court
1 to
30
81
90
72
Old Jail Workshops
PC
1 to
12
80
66
17
to34
Westga
te
1 to
1 to
40
Liberty Gardens
Pennon Rise
35
to50
1to
16
91
3to6
129
1 to
84
Steamship
House
Museum
TrinMills
PH
21
Daubeny
13
1 to
17
6
to
12
Court
18
1
to
18
El Sub Sta
10
Byzan
tine
Court
Museum
Merrick Court
1 to
16
Bathur
st
Parade
MerchantsHouse
Depot
12
Jubilee
House
ASHM
EAD
WAY
PLACE
GRENVILL
E
CUM
BERL
AND
ROAD
BRUNSWICK
PLACE
SMEA
TON
ROAD
MC ADAM
WAY
BRUNE
L LOCK
ROAD
CUMBERLAND
ROAD
CANAD
A WAY
GEFLE
CLOSE
GASFER
RY
ROAD
SYDNEY
ROW
MARDYKE
FERRY
ROAD
CALEDONIAN
ROAD
HANOVE
RPLACE
CANA
DA
WAY
BRUNEL
LOCK
ROAD
MC ADAM
WAY
CUMB
ERLAN
D
CLOSE
ASHTON
AVENUE
CUMBERLAND
ROAD
AVO
N
CRE
SCE
NT
NOVA
SCOTIA
PLACE
CUMBERLAN
D ROAD
CALEDONIAN
ROAD
WAPPINGROAD
DRAYCOTPLACE
CHALLONER COURT
CUMBERL
AND
ROAD
Piers
(Swing)
Swing-bridge
Cn
Bollards
TCB
Bollard
Caisson
Bollards
Bollard
Bollards
Chy
Jetty
Bollards
Bollards
Bollards
Bollards
Caisson
Bollard
FB
FB
Cumberland Basin Bridge
Chy
TCB
Stone
(Swing)
Bollards
LB
Travelling
Cranes
Crane
Bol
Bollards
Bollards
Bol
Sluice
Sluice
El Sub Sta
Sub
El
Sta
Bollards
Bols
Cn
Bol
Bollards
Bol
Bollards
Cn
Bols
Bollards
Cn
Mud
Mud
Mud
Mud
Mud
SM
SM
Sloping
masonry
Mean High Water
Mean
High
Water
Mean Low Water Springs
Mean High Water
MLW
Mud
Mud
Mean
Low
Water
Car Park
Sloping
masonry
Sloping
masonry
SM
Sloping
masonry
Sloping
masonry
Sub
SS
Great
Britain
Slipway
SM
El
SM
Graving
Dock
Sta
SM
Chatha
m Wharf
Patent
Slip
(Activities Centre)
Slipwa
y
Car Park
Slipway
Avon Quay
El Sub
Sta
Caravan Site
Sloping
masonry
SM
SMSM
SM
SM
SM
Car Park
SM
Car Park
Car Park
Baltic
Wharf
Baltic
Wharf
Car Park
Sloping
masonry
Bathurst Wharf
SM
SM
9.1m
9.4m
9.1m
10.4m
8.5m
9.1m
9.4m
8.5m
9.4m
8.2m
13.7m
14.9m
14.0m
9.4m
9.4m
10.7m
12.5m
Wapp
ing
Railwa
y
Wharf
Railway
(disused)
MP
Wappi
ng
Railwa
y Wharf
Albion Docks Boatyard
Wharf
Wharf
Prince's
Wharf
Wapping Railway Wharf
Merchants Quay
Prince's
Wharf
Buildings
Paths
Green
Lanes
N
1:5000
N
1:5000
25
27
Sloping
masonry
25
27
Sloping
masonry
26. 26
47
45
(C
ouncilOffice)
6
14.3m
CORONATION ROAD
48
Zion
House
13.4m
Depot
1
7
2
65
22
24
LB
22a
20.7m
2
4
1
66
3
30
19
QueenQuay
37to41
PRINCESTREET
9.4m
Multistorey
21
56
(King William 111)
Jurys Hotel
16
15
33
45
Posts
10.1m
Car Park
Statue
Pero's Bridge
Bank
1to14
55
35
3
8.5m
20
MILL AVENUE
KentHo
QUEENSQUARE
MIDDLE AVENUE
FARR'S LANE
18
14
17
51
QUEENSQUARE
Anchor Square
Anchor Lane
PH
9.4m
CANON'SROAD
Hotel
CANONSWAY
10
Bollards
33to35
PH
Dam
Sloping masonry
10.4m
1
Museum
TrinMills
40
NARROWQUAY
1
9.1m
BushHouse
Floating Harbour
Bol
WELSHBACK
17.1m
SM
Bol
Bol
Car Park
JUBILEEPLACE
PH
Caves
WAPPINGROAD
Mud Dock
9.1m
1
18
42
Sloping masonry
21
Cn
Bollards
(Swing)
Bols
1
17.1m
Wapping Railway Wharf
Cn
1
2
House
Ostrich
Youth Hostel
Daubeny
8
Redcliffe Bridge
PH
Home
13
Inn
CORONATION ROAD
27
57
14
1 to 6
Redcliff
4
SM
Velindra
(Draw)
42
9.1m
SP
Bol
General Hospital
Cn
6
8.8m
41
Francombe House
BathurstLock
Sloping masonry
1
Bols
GUINEA STREET
LB
30
Bollards
Floating Harbour
(PH)
Redcliffe
17
AlfredPlace
Bol
THE GROVE
2
64
(disused)
Merchants Quay
2
5
Cn
DRAYCOTPLACE
Bol
40
59
Bristol
36
1
Bol
QUEEN SQUARE
19
BPP House
6
to
12
Sloping masonry
Bol
Cn
Bol
Court
Bol
(PH)
2
18
Royal Oak
GROVEAVENUE
1
to
5
Bol
Fountain
9.4m
5
14
SM
Bol
CHALLONER COURT
Bollards
9.4m
(Art Centre)
4
El Sub Sta
9.8m
43to45
Bol
18
10.7m
El Sub Sta
Bathurst Wharf
CLIFTPLACE
10
SM
Car Park
Posts
Marina
Bol
Byzantin
e
Court
SM
12.5m
Bol
39
TCB
40
44
Bollards
Museum
3to8
38
Bathurst Basin
COMMERCIAL ROAD
LOWERGUINEASTREET
4
Cottage
Cn
13
10.7m
Sloping masonry
9
CUMBERLAND ROAD
FB
Merrick Court
SM
Bollards
7
1 to 16
(Swing)
Cn
Sloping masonry
7
Bollards
70
SM
Cn
PRINCESTREET
3
Playground
2
(PH)
8.5m
Bol
BAROSSA PLACE
Shakespeare
REDCLIFFE PARADE WEST
Cave
Bollards
Car Park
2
BathurstParade
1 to 74
MerchantsHouse
Marina
Swing-bridge
Cn
Bols
Depot
12
Cn
Arnolfini
Cn
Bols
Sailors'
3
Bollards
Bol
Prince's Wharf
Bollards
Cn
Bol
Phoenix Wharf
9
14.9m
Cumberland
13.7m
Wapping Railway Wharf
WESTEND
28
32
1
OSBORNEROAD
Perretts Court
2
Merchants Row
Outfalls
SM
2467
Canons House
49
El Sub Sta
86
SM
37
100
3
1
ALLINGTON ROAD
CUMBERLAND ROAD
83
LANE
30a
14 to 49
35
Sloping masonry
PCs
Landmark Court
23
TCBs
1
18.6m
63
SM
PH
73
Museum
The Quays
14.9m
SM
88
Court
1
1 to 30
Bollards
El Sub Sta
Prince's Wharf
CORONATION ROAD
SM
15.2m
78
36
TCBs
120
Gaol Ferry Bridge
81
3
LB
DEAN
1
Travelling Cranes
SM
Car Park
16
30
Surgery
Floating Harbour
14.9m
113
Crane
Bollards
87
72
Bol Old Jail Workshops
Bol
Bollards
ISLINGTON
PC
Bollards
ROAD
SM
1 to 12
3
80
Hannover Quay
107
94
Path
5
14.0m
66
SM
1 to 40
CALEDONIAN ROAD
Liberty Gardens
Pennon Rise
Car Park
CrosbyHouse
The Marchioness Bullding
28a
Posts
26
18
2224
468
26
EXPLORELANE
Waverley Ho
CANONS WAY
EXPLORELANE
Balmoral Ho
CATHEDRALWALK
Albany Buildings
CCLW
Boro Const and Ward Bdy
HARBOURWAY
BELL AVENUE
62
66
CANON'S
MARSH
Queen Square
Apartments
1 to 29
22
24
Anchor Point
LB
The Crescent
Boro Const & Ward Bdy CCLW
48
MILLENNIUM PROMENADE
1
HANNOVER
QUAY
Gas Governor
Sub Sta
El
1 to 49
Quay Point
ESS
The Villa
2
3
1
4
48
The Pavilion
LIME KILN ROAD
76
Prince's Hall
47
43to51
Prince Street Bridge
(PH)
Hole in the Wall
Tavern
ROYAL OAK AVENUE
LB
Warehouse
Architecture
Centre
32
Warehouse
City of Bristol College
Sluice
Crane
53
Jubilee
House
32a
30d
1
COLLEGE SQUARE
SOUTH
Millennium Square
AT BRISTOL
Millennium Square
32b
SPIKE ISLAND SITE ANALYSIS: ZOOMING IN TO THE WAPPING WHARF VACCANT SITE
27. 27
Bollards
Dam
Sloping masonry
1
Museum
TrinMills
9.1m
Bol
SM
Bol
Car Park
PH
WAPPINGROAD
Sloping masonry
21
Cn
Bollards
(Swing)
Bols
1
17.1m
Wapping Railway Wharf
Cn
1
2
Ostrich
Daubeny
8
13
Inn
CORONATION ROAD
1 to 6
Redcliff
4
SM
9.1m
Bol
General Hospital
Cn
BathurstLock
1
(PH)17
Bol
2
(disused)
Merchants Quay
Cn
DRAYCOTPLACE
Bol
Bristol
1
6
to
12
Sloping masonry
Bol
Cn
Bol
Court
Bol
18
1
to
5
9.4m
5
SM
Bol
CHALLONER COURT
Bollards
9.4m
Bol
18
10.7m
El Sub Sta
Bathurst Wharf
CLIFTPLACE
10
Posts
Byzantine
Court
SM
12.5m
Museum
Bathurst Basin
COMMERCIAL ROAD
LOWERGUINEASTREET
4
Cottage
Cn
13
10.7m
Sloping masonry
CUMBERLAND ROAD
FB
Merrick Court
SM
7
1 to 16
(Swing)
Cn
7
Bollards
Bol
Bollards
BathurstParade
MerchantsHouse
Marina
Swing-bridge
Bols
Depot
12
Cn
Bols
Prince's Wharf
Bollards
Cn
14.9m
WESTEND
1
OSBORNEROAD
Perretts Court
El Sub Sta
SM
3
CUMBERLAND ROAD
83
LANE
14 to 49
Sloping masonry
SM
73
Museum
The Quays
1 to 30
Prince's Wharf
ORONATION ROAD
SM
15.2m
78
TCBs
Gaol Ferry Bridge
DEAN
Travelling Cranes
Car Park
Harbour
Crane
87
Bol Old Jail Workshops
Bol
Bollards
Bollards
SM
1 to 12
Hannover Quay
14.0m
Car Park
The Marchioness Bullding
CCLW
Boro Const and Ward Bdy
Boro Const & Ward Bdy CCLW
The Pavilion
76
Prince Street Bridge
Sluice
Jubilee
House
SPIKE ISLAND SITE ANALYSIS: ZOOMING IN TO THE WAPPING WHARF VACCANT SITE
31. 31LONG & SHORT SECTION 1:500
16
16
15
15
14
14
13
13
12
12
11
11
10
10
9
9
8
8
7
7
6
6
5
5
4
4
3
3
2
2
1
1
7.249 7.249 7.249 7.249 8.082 8.000 8.000 8.000 8.000 8.000 8.000 8.000 8.000 8.000 6.408
G
G
F
F
E
E
D
D
C
C
B
B
A
A
9.800 9.800 9.800 9.800 9.800 9.800
39. 40 GROUND FLOOR PLAN 1:500, KEY AND 3D ZONING
Inconsistencies in the drawing are inevitable due to the level of detail of stage C The drawing
Do not scale this drawing - use dimensions only - all dimensions to be checked and
Inconsistencies in the drawing are inevitable due to the level of detail of stage C The drawing
Do not scale this drawing - use dimensions only - all dimensions to be checked and
40. 41TATE BRISTOL FLOOR PLANS PLANS: GF - 5TH FLOOR - 1:1000
22x0.164=3.600
1
2
3
4
15x0.172=2.580
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
3.05%6.11%
29
x0.113
=
3.280
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
25x0.131=3.280
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
4.14%
15 x 0.172 = 2.580
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
3x0.167=0.500
1
2
3
3x0.167=0.500
1
2
3
3.48%
6.73% 6.73%
Sessel
0
0
0
0
0
0
0
0
0
0
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
G F E D C B A
Void Above
Storage under ramp
Storage under ramp
Staircase
03
A: 19.065 m2
ceramic tile
H: 18.00 m
Staircase
03
A: 19.065 m2
H: 18.00 m
Toilet
02
A: 41.925 m2
ceramic tile
H: 3.28 m
Toilet
02
A: 41.925 m2
H: 3.28 m
Exhibtion Cave 2
021
A: 99.879 m2
H: 3.28 m
Photographic Cataloguing
004
A: 129.778 m2
H: 7.28 m
Cataloguing Area
006
A: 81.298 m2
H: 7.28 m
Depot H-3.2m
011
A: 193.226 m2
H: 3.28 m
Tate Cafe & Coffee
014
A: 217.103 m2
H: 7.28 m
Sorting Space
015
A: 104.194 m2
H: 7.28 m
Interim Storage (Clean)
016
A: 51.613 m2
H: 7.28 m
Parking
69
A: 12.750 m2
concrete flooring
Parking
102
A: 14.000 m2
concrete flooring
Parking
103
A: 14.000 m2
concrete flooring
Parking
104
A: 14.000 m2
concrete flooring
Parking
105
A: 14.000 m2
concrete flooring
Parking
114
A: 14.000 m2
concrete flooring
Parking
115
A: 14.000 m2
concrete flooring
Parking
116
A: 14.000 m2
concrete flooring
Parking
117
A: 14.000 m2
concrete flooring
Parking
118
A: 14.000 m2
concrete flooring
Parking
119
A: 14.000 m2
concrete flooring
Parking
120
A: 14.000 m2
concrete flooring
Parking
121
A: 14.000 m2
concrete flooring
Parking
122
A: 14.000 m2
concrete flooring
Parking
124
A: 14.000 m2
concrete flooring
Parking
125
A: 14.000 m2
concrete flooring
Parking
127
A: 14.000 m2
concrete flooring
Parking
128
A: 14.000 m2
concrete flooring
Lifts
03
A: 7.694 m2
ceramic tile
H: 18.00 m
Lifts
03
A: 7.694 m2
ceramic tile
H: 18.00 m
Interim Storage (Isolated)
016
A: 49.855 m2
H: 7.28 m
Depot H-7.2m
012
A: 158.159 m2
H: 7.28 m
Depot Clear Circ H-7.2m
012
A: 108.768 m2
H: 7.28 m
Depot H-3.2m
011
A: 230.717 m2
H: 3.28 m
The Cave / Performance & Instal
021
A: 562.664 m2
H: 3.28 m
Mech.
020
A: 1.044 m2
H: 4.00 m
Electr
020
A: 1.476 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
Electr
020
A: 1.477 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
Mech.
020
A: 1.030 m2
H: 4.00 m
Public Circulation
015
A: 110.692 m2
H: 3.28 m
Auditorium
021
A: 299.996 m2
H: 4.00 m
Resturant Kitchen and Store
025
A: 72.363 m2
H: 4.00 m
Tate Shop Store
026
A: 87.065 m2
H: 3.28 m
Parking
102
A: 14.000 m2
concrete flooring
Parking
103
A: 14.000 m2
concrete flooring
Parking
104
A: 14.000 m2
concrete flooring
Parking
105
A: 14.000 m2
concrete flooring
Parking
106
A: 14.000 m2
concrete flooring
Parking
107
A: 14.000 m2
concrete flooring
Parking
A: 14.000 m2
concrete flooring
Parking
66
A: 12.750 m2
concrete flooring
Parking
67
A: 12.750 m2
concrete flooring
Parking
68
A: 12.750 m2
concrete flooring
Parking
69
A: 12.750 m2
concrete flooring
Parking
69
A: 12.750 m2
concrete flooring
Auditorium Store & Prep Space
021
A: 49.026 m2
H: 3.28 m
Auditorium Stage
021
A: 82.184 m2
H: 3.28 m
Cleaners Room
022
A: 8.866 m2
H: 4.00 m
Wheelie Bins
026
A: 19.720 m2
H: 4.00 m
Plant
027
A: 65.228 m2
concrete floor
H: 4.00 m
Depot H-2.2m
008
A: 159.698 m2
H: 2.50 m
Deep Storage H-2m
010
A: 155.511 m2
H: 1.60 m
Public Street / Ramp
018
A: 785.695 m2
H: 0.00 m
5.77%
21 x 0.156 = 3.280
1
2
3
4
21 x 0.156 = 3.280
1
2
3
4
Fire Cor / Staff & Artist Ent
017
A: 296.765 m2
H: 3.28 m
Tate Book & Print Shop
012
A: 179.244 m2
H: 7.28 m
Fire Cor / Staff & Artist Ent
017
A: 140.292 m2
H: 3.28 m
Loading Bay
001
A: 245.145 m2
H: 7.28 m
22x0.164=3.600
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
15x0.172=2.580
6
7
8
9
10
11
12
13
14
15
3.05%6.11%
29
x0.113
=
3.280
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
25x0.131=3.280
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
4.14%
15 x 0.172 = 2.580
6
7
8
9
10
11
12
13
14
15
6.73% 6.73%
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
G F E D C B A
Sessel
0
0
0
0
0
Sessel
0
0
0
0
0
0
Sessel
0
0
0
0
0
0
Sessel
0
0
0
0
0
Sessel
0
0
0
False inclining ceiling
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Staircase
03
A: 19.065 m2
H: 18.00 m
Staircase
03
A: 19.065 m2
ceramic tile
H: 18.00 m
Security
014
A: 80.095 m2
H: 4.00 m
Tate Reception & Ticket Sales
014
A: 104.804 m2
H: 4.00 m
Public Space & Entrance Area
015
A: 621.885 m2
H: 4.00 m
Public Cloakroom
021
A: 31.154 m2
H: 4.00 m
Resturant UG Corridor
021
A: 56.689 m2
H: 4.00 m
Cataloguing Area
006
A: 81.298 m2
H: 7.28 m
Sorting Space
015
A: 103.616 m2
H: 7.28 m
Interim Storage (Isolated)
016
A: 52.998 m2
H: 7.28 m
Depot Clear Circ H-7.2m
012
A: 159.324 m2
H: 7.28 m
Photographic Cataloguing
004
A: 96.365 m2
H: 7.28 m
Depot Clear Circ H-7.2m
012
A: 111.685 m2
H: 7.28 m
Exhibtion Equiptment Storage
025
A: 90.692 m2
H: 4.00 m
Meeting Place & Chill Out Zone
021
A: 337.331 m2
H: 4.00 m
Fire Cor / Staff Enterance
017
A: 36.215 m2
H: 4.00 m
Tate Cafe & Resturant (seating)
014
A: 317.785 m2
H: 7.28 m
Performace Space "The Cave"
022
A: 151.988 m2
H: 7.28 m
Mech.
020
A: 1.044 m2
H: 4.00 m
Electr
020
A: 1.476 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
Electr
020
A: 1.477 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
Mech.
020
A: 1.029 m2
H: 4.00 m
Cave 2 Gallery (void below)
022
A: 20.274 m2
H: 4.00 m
Tate Shop Store
026
A: 87.065 m2
H: 4.00 m
ICT
021
A: 2.870 m2
H: 4.00 m
Cleaners Room
022
A: 9.439 m2
H: 4.00 m
Informal Educational Screenings
022
A: 104.848 m2
H: 3.28 m
Informal Educational Screenings
022
A: 87.192 m2
H: 3.28 m
Wheelie Bins
026
A: 19.720 m2
H: 4.00 m
Plant
027
A: 65.228 m2
H: 4.00 m
Interim Storage (Clean)
016
A: 50.914 m2
H: 7.28 m
5.77%
23 x 0.174 = 4.000
1
2
3
4
23 x 0.174 = 4.000
1
2
3
4
25 x 0.160 = 4.000
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
Public Street / Ramp
016
A: 1,097.911 m2
H: 0.00 m
Tate Shop
012
A: 178.237 m2
H: 7.28 m
Loading Bay
001
A: 244.824 m2
H: 7.28 m
Fire Cor
017
A: 74.523 m2
H: 7.28 m
22x0.164=3.600
1
2
3
4
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
G F E D C B A
9.37%
9.75 %
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Staircase
03
A: 19.065 m2
H: 18.00 m
Staircase
03
A: 19.065 m2
ceramic tile
H: 18.00 m
Exhibtion Gallery
023
A: 1,225.129 m2
H: 4.00 m
Fire Corridor
022
A: 65.211 m2
H: 4.00 m
Dark Gallery
023
A: 925.353 m2
H: 8.00 m
Public / Circulation Space
024
A: 746.636 m2
H: 4.00 m
Mech.
020
A: 1.044 m2
H: 4.00 m
Exhibtion Prep Space & Store
025
A: 215.195 m2
H: 4.00 m
Tate Offices
014
A: 284.707 m2
H: 7.28 m
Metal Workshop
022
A: 276.785 m2
H: 3.28 m
Wood Workshop
023
A: 358.548 m2
H: 3.28 m
Electr
020
A: 1.476 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
ICT
021
A: 2.870 m2
H: 4.00 m
Cleaners Room
022
A: 9.439 m2
H: 4.00 m
Electr
020
A: 1.477 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
Mech.
020
A: 0.704 m2
H: 4.00 m
Cleaners Room
022
A: 12.860 m2
H: 4.00 m
Fire Corridor
022
A: 61.450 m2
H: 4.00 m
25 x 0.160 = 4.000
13
14
15
16
17
18
19
20
21
22
23
24
25
23 x 0.174 = 4.000
1
2
3
4
23 x 0.174 = 4.000
1
2
3
4
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
G F E D C B A
9.37%
9.75 %
Sessel
0
199/5 199/5
199/5 199/5
199/5 199/5
199/5 199/5
0
0
0
0
0
0
Void Above
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Staircase
03
A: 19.065 m2
H: 18.00 m
Staircase
03
A: 19.065 m2
ceramic tile
H: 18.00 m
Studios Corridor
021
A: 82.860 m2
H: 4.00 m
Transport Corridor
021
A: 36.470 m2
H: 4.00 m
Exhibtion Gallery
023
A: 731.652 m2
H: 4.00 m
Public / Circulation Space
024
A: 613.695 m2
H: 4.00 m
Studios
020
A: 575.250 m2
H: 4.00 m
Exhibtion Prep Space & Store
025
A: 214.167 m2
H: 4.00 m
Fire Corridor
022
A: 66.380 m2
H: 4.00 m
Learing Space
022
A: 557.376 m2
H: 8.00 m
Balcony / Long Installation
023
A: 135.535 m2
H: 4.00 m
ICT
021
A: 2.870 m2
H: 4.00 m
Cleaners Room
022
A: 9.439 m2
H: 4.00 m
Electr
020
A: 1.477 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
Mech.
020
A: 1.061 m2
H: 4.00 m
Cleaners Room
022
A: 12.860 m2
H: 4.00 m
Mech.
020
A: 1.044 m2
H: 4.00 m
Electr
020
A: 1.476 m2
H: 4.00 m Pipe Work
020
A: 0.861 m2
H: 4.00 m
Dark Gallery
024
A: 849.269 m2
H: 8.00 m
Ramp
025
A: 99.018 m2
H: 4.00 m
Plant
028
A: 373.771 m2
H: 2.00 m
23 x 0.174 = 4.000
1
2
3
4
23 x 0.174 = 4.000
1
2
3
4
199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5
199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5
199/5199/5199/5199/5199/5199/5
199/5199/5199/5199/5199/5199/5
199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5199/5
199/5199/5
199/5199/5
199/5199/5
199/5199/5
199/5199/5
199/5199/5
199/5199/5
199/5199/5
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
G F E D C B A
9.50%
9.75 %
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Staircase
03
A: 19.065 m2
H: 18.00 m
Staircase
03
A: 19.065 m2
ceramic tile
H: 18.00 m
Paid for Exhibtion Gallery
023
A: 597.024 m2
H: 4.00 m
Public / Circulation Space
024
A: 731.824 m2
H: 4.00 m
Studios
020
A: 575.208 m2
H: 4.00 m
Studios Corridor
021
A: 83.922 m2
H: 4.00 m
Studio Storage
025
A: 215.260 m2
H: 4.00 m
Learning Space
021
A: 658.835 m2
H: 4.00 m
Fire Corridor
022
A: 64.912 m2
H: 4.00 m
Electr
020
A: 1.477 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
Mech.
020
A: 1.058 m2
H: 4.00 m
Cleaners Room
022
A: 12.860 m2
H: 4.00 m
Mech.
020
A: 1.245 m2
H: 4.00 m
Electr
020
A: 1.476 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
ICT
021
A: 2.870 m2
H: 4.00 m
Cleaners Room
022
A: 9.439 m2
H: 4.00 m
Dark Gallery
024
A: 997.029 m2
H: 4.00 m
Cleaners Cupboard
022
A: 15.674 m2
H: 4.00 m
Electr
023
A: 1.125 m2
H: 3.28 m
Studios Corridor
021
A: 37.349 m2
H: 4.00 m
23 x 0.174 = 4.000
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
23 x 0.174 = 4.000
1
2
3
4
16
15
14
13
12
11
10
9
8
7
6
5
4
3
2
1
G F E D C B A
Toilet
02
A: 41.925 m2
ceramic tile
H: 4.00 m
Staircase
03
A: 19.065 m2
ceramic tile
H: 18.00 m
Plant & Out of Bounds
024
A: 254.728 m2
<floor type>
H: 4.00 m
Electr
020
A: 1.477 m2
H: 4.00 m
Pipe Work
020
A: 0.861 m2
H: 4.00 m
Mech.
020
A: 1.029 m2
H: 4.00 m
Exhibtion Gallery
023
A: 1,696.934 m2
H: 4.00 m
Public / Circulation Space
024
A: 343.720 m2
H: 4.00 m
Cleaners Room
022
A: 12.860 m2
H: 4.00 m
Service Lift
024
A: 21.403 m2
<floor type>
H: 4.00 m
Public Sculpture Garden
025
A: 2,297.528 m2
<floor type>
H: 4.00 m
Wind Break
024
A: 77.187 m2
H: 4.00 m
Ramp
025
A: 44.497 m2
H: 4.00 m
23 x 0.174 = 4.000
1
2
3
4
65. 66 FUNCTIONAL SPECIFICATIONS (BACK OF HOUSE)
Wheely Bins
& Waste Collection
Private Enterance for Service Trucks and Lorries
Loading Bay
Equiptment &
Packing Storage
Photographic Documentation
of all incoming and outgoing art
work (for insurance purposes)
Sorting & Catalogue
Depot Circulation
Service Lift
Isolated Storage
(end of
ventilation route
for fumes out)
Clean Storage
(for delicate
and fagile items)
Art Depository Art Depository
Storage for Gallery Items
(Under ramp / Low Ceiling
66. 67LOADING BAY, ART HANDLING TO ART DEPOT PROCESS: DIAGRAM
Wheely Bins
& Waste Collection
Private Enterance for Service Trucks and Lorries
Loading Bay
Equiptment &
Packing Storage
Photographic Documentation
of all incoming and outgoing art
work (for insurance purposes)
Sorting & Catalogue
Depot Circulation
Service Lift
Isolated Storage
(end of
ventilation route
for fumes out)
Clean Storage
(for delicate
and fagile items)
Art Depository Art Depository
Storage for Gallery Items
(Under ramp / Low Ceiling
67. 68 FUNCTIONAL SPECIFICATIONS (BACK OF HOUSE) GIFA / M2
REQUIREMENTS
5.3.1 Cloakroom and Locker Facilities
5.4.2 Main Exhibition Spaces
5.5 Activity and Performance Spaces
5.6 Studios
5.7 Tate Bristol Bar
5.8 Catering facilities
5.9 Picnic Space
5.l0 Chill Out Zones & Learning Spaces
5.11 Meeting Point
5.11.1 Group Visit Areas
5.11.2 Help Point
5.12 Public Toilet Facilities
5.12.2 Baby Changing / Feeding Facilities
5.13 Buggy + EMV Park
Staff Toilet Facilities
Staff Accessible Toilets
Cleaner’s Room + Stores
6.2.1 General Staff Offices + Facilities
6.2.2 First Aid/Changing Rooms
6.2.3 Storage Spaces
6.2.4 Staff Briefing
6.3.0 Security Operations
6.3.1 Security Interview Room
6.3.2 Secure Storage Area
6.3.3 Building Management Services Office
6.3.4 Services Reception/Facilities
6.3.5 Staff Entrance Area and Ancillary Spaces
6.3.6 Facilities Management Storage
6.4.1 Commercial Retail
6.4.2 Tate Bristol sales
6.6.2 Exhibition Storage & Prep Space
6.7.2 Workshop Office
6.7.3 Workshop Tea Room
6.7.4 Design Office
6.7.5 Metal workshop
6.7.6 Wood store
6.7.7 Wood workshop
6.7.8 Storage
6.7.9 Changing areas and Lockers
6.8.1 Staff Offices
6.8.2 Staff Offices and Workrooms
6.9 Loading Bay
6.l0 Sorting Space
6.11 Cataloguing Area
6.12 Photographic Office and Cataloguing Room
6.13.1 Interim Storage (Clean Room)
6.13.2 Interim Storage (Isolation Room)
6.14 Art Depository
79. 80
1005010 200
cm.
150
scale / format
project stage project number
client
reference file
drawing number
subject
date
drawing status
key plan north arrow
project
on
revision
Gavin
Consulting Engineer
Jono
Louis
Design Consultant
Urban Design Consultant
architecture designer
rev. date drawn checked
The Tate
Typical Facade Detail & Section
Tate Bristol ('Tate Digital')
MArch Design Studio B
Bristol, United Kingdom
Landscape 001
10-04-2013
FINALA2
X:2_C_Concept DesignDrawingsLandscape 001
1:30
Concept Design
Landscape 001
NB:
Inconsistencies in the drawing are inevitable due to the level of detail of stage C. The drawing
will be further defined/developed in stage D.
Nicholas Socrates
UWE, Bristol
TATE BRISTOL: LANDSCAPE DRAWINGS 1:50
80. 81
1005010 200
cm.
150
scale / format
project stage project number
client
reference file
drawing number
subject
date
drawing status
key plan north arrow
project
on
revision
Gavin
Consulting Engineer
Jono
Louis
Design Consultant
Urban Design Consultant
architecture designer
rev. date drawn checked
The Tate
Typical Facade Detail & Section
Tate Bristol ('Tate Digital')
MArch Design Studio B
Bristol, United Kingdom
Landscape 002
10-04-2013
FINALA3
X:2_C_Concept DesignDrawingsLandscape 002
1:50
Concept Design
Landscape 002
NB:
Inconsistencies in the drawing are inevitable due to the level of detail of stage C. The drawing
will be further defined/developed in stage D.
Nicholas Socrates
UWE, Bristol
TATE BRISTOL: LANDSCAPE DRAWINGS 1:50
82. 83
005010 20
cm.
150
scale / format
project stage project number
client
reference file
drawing number
subject
date
drawing status
key plan north arrow
project
on
revision
Gavin
Consulting Engineer
Jono
Louis
Design Consultant
Urban Design Consultant
architecture designer
rev. date drawn checked
The Tate
Typical Facade Detail & Section
Tate Bristol ('Tate Digital')
MArch Design Studio B
Bristol, United Kingdom
110
10-04-2013
FINALA3
X:2_C_Concept DesignDrawings110
1:50
Concept Design
110
NB:
Inconsistencies in the drawing are inevitable due to the level of detail of stage C. The drawing
will be further defined/developed in stage D.
Nicholas Socrates
UWE, Bristol
TATE BRISTOL: TECHNICAL DRAWINGS 1:50
83. 84 TATE BRISTOL: TECHNICAL DRAWINGS 1:100 & 1:20
1005010 200
cm.
150
scale / format
project stage project number
client
reference file
drawing number
subject
date
drawing status
key plan north arrow
project
on
revision
Gavin
Consulting Engineer
Jono
Louis
Design Consultant
Urban Design Consultant
architecture designer
rev. date drawn checked
The Tate
Typical Facade Detail & Section
Tate Bristol ('Tate Digital')
MArch Design Studio B
Bristol, United Kingdom
108
10-04-2013
FINALA3
X:2_C_Concept DesignDrawings108
1:50
Concept Design
108
NB:
Inconsistencies in the drawing are inevitable due to the level of detail of stage C. The drawing
will be further defined/developed in stage D.
Nicholas Socrates
UWE, Bristol
84. 85
1005010 200
cm.
150
scale / format
project stage project number
client
reference file
drawing number
subject
date
drawing status
key plan north arrow
project
on
revision
Gavin
Consulting Engineer
Jono
Louis
Design Consultant
Urban Design Consultant
architecture designer
rev. date drawn checked
The Tate
Typical Facade Detail & Section
Tate Bristol ('Tate Digital')
MArch Design Studio B
Bristol, United Kingdom
108
10-04-2013
FINALA3
X:2_C_Concept DesignDrawings108
1:50
Concept Design
108
NB:
Inconsistencies in the drawing are inevitable due to the level of detail of stage C. The drawing
will be further defined/developed in stage D.
Nicholas Socrates
UWE, Bristol
TATE BRISTOL: TECHNICAL DRAWINGS 1:50
86. 8787
1005010 200
cm.
150
scale / format
project stage project number
client
reference file
drawing number
subject
date
drawing status
key plan north arrow
project
on
revision
Gavin
Consulting Engineer
Jono
Louis
Design Consultant
Urban Design Consultant
architecture designer
rev. date drawn checked
The Tate
Typical Facade Detail & Section
Tate Bristol ('Tate Digital')
MArch Design Studio B
Bristol, United Kingdom
111
10-04-2013
FINALA2
X:2_C_Concept DesignDrawings111
1:20
Concept Design
111
NB:
Inconsistencies in the drawing are inevitable due to the level of detail of stage C. The drawing
will be further defined/developed in stage D.
Nicholas Socrates
UWE, Bristol
TATE BRISTOL: TECHNICAL DRAWINGS 1:30
100. 102
1005010 200
cm.
150
scale / format
project stage project number
client
reference file
drawing number
subject
date
drawing status
key plan north arrow
project
on
revision
Gavin
Consulting Engineer
Jono
Louis
Design Consultant
Urban Design Consultant
architecture designer
rev. date drawn checked
The Tate
Typical Facade Detail & Section
Tate Bristol ('Tate Digital')
MArch Design Studio B
Bristol, United Kingdom
Landscape 001
10-04-2013
FINALA2
X:2_C_Concept DesignDrawingsLandscape 001
1:30
Concept Design
Landscape 001
NB:
Inconsistencies in the drawing are inevitable due to the level of detail of stage C. The drawing
will be further defined/developed in stage D.
Nicholas Socrates
UWE, Bristol
TATE BRISTOL: MATERIALIZATION: NATURAL STONE CLADDING
107. 109
North facing galleries on the 2nd, 3rd and 4th floors.
Internal gallery standard climate maintained through
mechanical ventilation & heating. The highest
performance Low-E glass is used to maintain a steady
temperature reducing the amount of mechanical
heating and cooling / energy used.
Top floor gallery with double height
ceiling for large works and installations.
North-East & North-West facing gallery.
Internal gallery standard climate
is maintained through mechanical
ventilation & heating. The highest
performance Low-E glass is used
to maintain a steady temperature
reducing the amount of mechanical
heating and cooling / energy used.
The yellow travellator takes visitors on a journey
from a main ‘light’ gallery space, through the atrium,
and arrives them immediately into the darkness of
a main digital gallery. Effortlessly contrasting the
visitors experience; keeping them awake, alert and
excited. The public spaces and functions on the left
and back of house operations, workshops, and artist
studios on the right. Artists can be seen working if
their internal blinds are open. On certain studio
open days the entire gallery expands in size.
Walking up the main public circulation
ramp; parallel and adjacent to the externally
surrounding ephemeral skin. Taking visitors
on a journey; wrapping them around the
extents of the building. For this ramp; it draws
visitors through a main learning space and
directly into the gallery. The circulation of
the building is only clear one floor at a time
to enhance the experience and discovery of
the building.
Tate Bristol has two levels, on the Eastern side,
dedicated to Learning. These Learning Spaces
have an abundance of public computers,
which have installed the latest graphic and
video software. Instead of having "hot desks"
to rent office space in an isolated room, here
we have communal spaces which are open,
public and for all.
Throughout the building experience there will
be numerous informal installations. In almost
seemingly random places, installations, sculptures,
projections and performances will take place.
The building's flexibility due to its openness and
organisation of the permanant functions allows
for this.
After travelling through the building; taken on a
journey through its galleries, the visitors finally arrive
on the roof. On the roof exists the sculpture garden,
where numerous installations and large works live.
The roof is South facing and views of the harbour and
the new city park are possible.
'The Cave' is a large circular space situated below the upper-ground
level. This is a flexible industrial space which is used for digital art
installations and non-commercial performances. A public space
almost independent and hidden from the rest of the gallery.
Tate Bristol’s main digital art space is on a colossal scale. This space
houses a selection of Tate Bristol’s permanent digital collection. This
particular room has a special emphasis on the artist Ryoji Ikeda. Ryoji
Ikeda’s work quivers somewhere between electronic music, digital
art, installation and performance. He uses raw materials both visual
and sonic: using giant screens and huge speaker systems, Ikeda
gives these hidden elements something approaching the scale and
monumentality of industrial manufacturing processes.
This balcony space acts as platform to view the
main, double height, digital space below from a
different perspective. Along this balcony various
other digital installations exist. The sound
elements overlap inherent in most digital art
pieces, unlike ‘still’ works, functions more as an
attractive and moody underscore. The total effect
is often surprisingly emotional.
The main atrium connects the Harbour to
Cumberland Road. It is seen as a public street
(and is surfaced in this way). In this space large
scale installations and sculptures exist. From here
the visitor has an immediate understanding of
the building. The different coloured floors help
orientate the visitor to understand which gallery
and public function exist on which floor.
The site of Tate Bristol on Spike Island will create a flow of visitors
and provide an open anchor, an interior public space and a
meeting place for pedestrians and they will become the city’s new
icon, whilst addressing deficiencies in accessibility, adaptability
and lack of space for creative enterprise. Tate Bristol will become
a creative and cultural centre for the city. Tate Bristol will be the
social and creative heart of the city, connecting people of all ages,
cultures and backgrounds.
The entrance way from Cumberland
road, which leads through to the
public ramp / main atrium. It is
surfaced in a hardwearing way
(concrete). This is due to the amount
of people passing through as a
short-cut to the Harbour and also to
emphasis that this is an extension to
the public street.
TATE BRISTOL: KEY INTERNAL SPACES
108. 110
5.1.3 Main Entrance
5.1.4 Circulation Space
5.2 Reception and Customer Services
5.3.1 Cloakroom and Locker Facilities
5.4.2 Main Exhibition Spaces
5.5 Activity and Performance Spaces
5.6 Studios
5.7 Tate Bristol Bar
5.8 Catering facilities
5.9 Picnic Space
5.l0 Chill Out Zones & Learning Spaces
5.11 Meeting Point
5.11.1 Group Visit Areas
5.11.2 Help Point
5.12 Public Toilet Facilities
5.12.2 Baby Changing / Feeding Facilities
5.13 Buggy + EMV Park
Staff Toilet Facilities
Staff Accessible Toilets
Cleaner’s Room + Stores
6.2.1 General Staff Offices + Facilities
6.2.2 First Aid/Changing Rooms
6.2.3 Storage Spaces
6.2.4 Staff Briefing
6.3.0 Security Operations
6.3.1 Security Interview Room
6.3.2 Secure Storage Area
6.3.3 Building Management Services Office
6.3.4 Services Reception/Facilities
6.3.5 Staff Entrance Area and Ancillary Spaces
6.3.6 Facilities Management Storage
6.4.1 Commercial Retail
6.4.2 Tate Bristol sales
6.6.2 Exhibition Storage & Prep Space
6.7.2 Workshop Office
6.7.3 Workshop Tea Room
6.7.4 Design Office
6.7.5 Metal workshop
6.7.6 Wood store
6.7.7 Wood workshop
6.7.8 Storage
6.7.9 Changing areas and Lockers
6.8.1 Staff Offices
6.8.2 Staff Offices and Workrooms
6.9 Loading Bay
6.l0 Sorting Space
6.11 Cataloguing Area
6.12 Photographic Office and Cataloguing Room
6.13.1 Interim Storage (Clean Room)
6.13.2 Interim Storage (Isolation Room)
6.14 Art Depository
TATE BRISTOL: COSTING. TOTAL CONTRACT SUM = £89.9M
110. 112 BACK OF HOUSE ACCESS & 24 HOUR STUDIO ACCESS
Shared Studio Space 1
Shared Studio Space 2
Shared Studio Space 3
Shared Studio Space 4
24 Hour Access to Studios
(During Public Gallery
‘Lock-Down’)
Exit /
Entrance
Shared Studio Space 1
Shared Studio Space 2
Shared Studio Space 3
Shared Studio Space 4
24 Hour Access to Studios
(During Public Gallery
‘Lock-Down’)
Exit /
Entrance
Fire Exit DistancesFire Exit Distances
Fire Exit & Back of HouseFire Exit & Back of House
Staff Entrance/ Exitsff Entrance/ Exitsff
111. 113BACK OF HOUSE ART HANDLING PROCESS & FUNCTIONS
Wheely Bins
& Waste Collection
Private Enterance for Service Trucks and Lorries
Loading Bay
Equiptment &
Packing Storage
Photographic Documentation
of all incoming and outgoing art
work (for insurance purposes)
Sorting & Catalogue
Depot Circulation
Service Lift
Isolated Storage
(end of
ventilation route
for fumes out)
Clean Storage
(for delicate
and fagile items)
Art Depository Art Depository
Storage for Gallery Items
(Under ramp / Low Ceiling
112. 114 AQUIFER GROUND SOURCE SYSTEM (GROUND SOURCE HEAT PUMP)
100m
Aquifer
Heat Pump
AQUIFER GROUND SOURCE SYSTEM
(Ground Source Heating & Colling System)
OPEN LOOP SYSTEMP
Ground water is extracted from and
returned to a suitable aquifer below
the site
Output is dependant on how much
water can be extracted
More efficient than closed loop
systems, so less boreholes are
needed
Generally more cost effective than
closed loop systems
Can use cooling effect of groundwa-
ter without running heat pump
113. 115AQUIFER GROUND SOURCE SYSTEM (GROUND SOURCE HEAT PUMP)
Aquifer
Heat Pump
AQUIFER GROUND SOURCE SYSTEM
(Ground Source Heating & Colling System)
OPEN LOOP SYSTEMP
Ground water is extracted from and
returned to a suitable aquifer below
the site
Output is dependant on how much
water can be extracted
More efficient than closed loop
systems, so less boreholes are
needed
Generally more cost effective than
closed loop systems
Can use cooling effect of groundwa-
ter without running heat pump
114. 116 TATE BRISTOL’S DRAINAGE / MICRO WATER CYCLE
Waste Out
Rain Water Re-Use
for Sinks and Washing
Grey Water from Taps
to Flush Toilets
Rain Water Collection
Grey Water Re-Use
for Flushing
MICRO WATER CYCLE
115. 117TATE BRISTOL’S DRAINAGE / MICRO WATER CYCLE
Waste Out
Rain Water Re-Use
for Sinks and Washing
Grey Water from Taps
to Flush Toilets
Rain Water Collection
Grey Water Re-Use
for Flushing
MICRO WATER CYCLE
116. 118 TATE BRISTOL: COOLING MODE
Natural ventilation operable
openings for exhaust at roof level
Natural ventilation operable
openings on façade for fresh air inlet
COOLING MODE
VENTILATION STRATEGY
Natural Vent (Fresh Air)
Natuaral Vent (Exhaust)
Thermetically Sealed
Open and Uncontrolled
Interior Climate
Mechanical Extract
Mechanical Supply
NATURAL MODE
(Mid Season)
117. 119TATE BRISTOL: COOLING MODE
Natural ventilation operable
openings for exhaust at roof level
Natural ventilation operable
openings on façade for fresh air inlet
COOLING MODE
VENTILATION STRATEGY
Natural Vent (Fresh Air)
Natuaral Vent (Exhaust)
Thermetically Sealed
Open and Uncontrolled
Interior Climate
Mechanical Extract
Mechanical Supply
NATURAL MODE
(Mid Season)
118. 120 TATE BRISTOL: COOLING MODE
Plant Room
Natural ventilation operable
openings for exhaust at roof level
Natural ventilation operable openings
in interior façade for exhaust
Natural ventilation operable openings
on façade for fresh air inlet
Mechanical Supply
NATURAL MODE
(Mid Season)
Natural Vent (Fresh Air)
Natuaral Vent (Exhaust)
Thermetically Sealed
Open and Uncontrolled
Interior Climate
Mechanical Extract
COOLING MODE
VENTILATION STRATEGY
119. 121TATE BRISTOL: COOLING MODE
Plant Room
Natural ventilation operable
openings for exhaust at roof level
Natural ventilation operable openings
in interior façade for exhaust
Natural ventilation operable openings
on façade for fresh air inlet
Mechanical Supply
NATURAL MODE
(Mid Season)
Natural Vent (Fresh Air)
Natuaral Vent (Exhaust)
Thermetically Sealed
Open and Uncontrolled
Interior Climate
Mechanical Extract
COOLING MODE
VENTILATION STRATEGY
120. 122 TATE BRISTOL: HEATING MODE
Natural Vent (Fresh Air)
Natuaral Vent (Exhaust)
Thermetically Sealed
Open and Uncontrolled
Interior Climate
HEATING MODE
Natural ventilation openings
closed during heating mode
Natural ventilation openings on façade
closed during heating mode
Heat exchanger collects heat from
building mixes with 10% fresh air and
then recirculates the recycled heat
around the building
Under Floor Heating
Trench Heater
General Supply
General Exhaust
Closed Control Supply
Closed Control Exhaust
Buildings Heat In
Fresh Air In
Recycled
Heat Out
121. 123TATE BRISTOL: HEATING MODE
Natural Vent (Fresh Air)
Natuaral Vent (Exhaust)
Thermetically Sealed
Open and Uncontrolled
Interior Climate
HEATING MODE
Natural ventilation openings
closed during heating mode
Natural ventilation openings on façade
closed during heating mode
Heat exchanger collects heat from
building mixes with 10% fresh air and
then recirculates the recycled heat
around the building
Under Floor Heating
Trench Heater
General Supply
General Exhaust
Closed Control Supply
Closed Control Exhaust
Buildings Heat In
Fresh Air In
Recycled
Heat Out
122. 124 TATE BRISTOL: HEATING MODE
Plant Room
Natural ventilation operable openings
closed during heating mode
Natural ventilation operable openings in
interior façade closed during heating mode
Natural ventilation operable openings
on façade closed during heating mode
Mechanical Supply
HEATING MODE
Natural Vent (Fresh Air)
Natuaral Vent (Exhaust)
Thermetically Sealed
Open and Uncontrolled
Interior Climate
Mechanical Extract
Under Floor Heating
Trench Heater
General Supply
General Exhaust
Buildings Heat In
Fresh Air In
Recycled Heat Out
Heat exchanger collects heat from
building mixes with 10% fresh air and
then recirculates the recycled heat
around the building
123. 125TATE BRISTOL: HEATING MODE
Plant Room
Natural ventilation operable openings
closed during heating mode
Natural ventilation operable openings in
interior façade closed during heating mode
Natural ventilation operable openings
on façade closed during heating mode
Mechanical Supply
HEATING MODE
Natural Vent (Fresh Air)
Natuaral Vent (Exhaust)
Thermetically Sealed
Open and Uncontrolled
Interior Climate
Mechanical Extract
Under Floor Heating
Trench Heater
General Supply
General Exhaust
Buildings Heat In
Fresh Air In
Recycled Heat Out
Heat exchanger collects heat from
building mixes with 10% fresh air and
then recirculates the recycled heat
around the building
132. After travelling through the building; taken on a journey through its galleries, the visitors finally arrive on the roof. On the
roof exists the sculpture garden, where numerous installations and large works live. The roof is South facing and views of
the harbour and the new city park are possible.
This balcony space acts as platform to view the main, double height, digital space below from a different perspective. Along
this balcony various other digital installations exist. The sound elements overlap inherent in most digital art pieces, unlike
‘still’ works, functions more as an attractive and moody underscore. The total effect is often surprisingly emotional.
Top floor gallery with double height ceiling for large works and installations.
North-East & North-West facing gallery. Internal gallery standard climate is maintained through mechanical ventilation &
heating. The highest performance Low-E glass is used to maintain a steady temperature reducing the amount of mechanical
heating and cooling / energy used.
North facing galleries on the 2nd, 3rd and 4th floors. Internal gallery standard climate maintained through mechanical
ventilation & heating. The highest performance Low-E glass is used to maintain a steady temperature reducing the
amount of mechanical heating and cooling / energy used.
The entrance way from Cumberland road, which leads through to the public ramp / main atrium. It is surfaced in a hard-
wearing way (concrete). This is due to the amount of people passing through as a short-cut to the Harbour and also to
emphasis that this is an extension to the public street.
The yellow travellator takes visitors on a journey from a main ‘light’ gallery space, through the atrium, and arrives them
immediately into the darkness of a main digital gallery. Effortlessly contrasting the visitors experience; keeping them
awake, alert and excited. The public spaces and functions on the left and back of house operations, workshops, and artist
studios on the right. Artists can be seen working if their internal blinds are open. On certain studio open days the entire
gallery expands in size.
View from the park plinth: continuation of level from Cumberland road to park plinth & Tate Bristol’s back entrance.
Public and staff carpark underneath the park plinth of a capacity of 125 parking spaces.
External ramp. parallel to the Tate Bristol building. Descending from the park plinth / Cumberland road to
the harbour-side promenade
View from the park plinth, looking towards Bristol Harbour in between The Library of Bristol and Tate Bristol.
133. The main atrium connects the Harbour to Cumberland Road. It is seen as a public street (and is surfaced in this way). In
this space large scale installations and sculptures exist. From here the visitor has an immediate understanding of the
building. The different coloured floors help orientate the visitor to understand which gallery and public function exist
on which floor.
Tate Bristol has two levels, on the Eastern side, dedicated to Learning. These Learning Spaces have an abundance of
public computers, which have installed the latest graphic and video software. Instead of having "hot desks" to rent
office space in an isolated room, here we have communal spaces which are open, public and for all.
Throughout the building experience there will be numerous informal installations. In almost seemingly random places, installations,
sculptures, projections and performances will take place. The building's flexibility due to its openness and organisation of the
permanent functions allows for this.
North facing galleries on the 2nd, 3rd and 4th floors. Internal gallery standard climate maintained through mechanical
ventilation & heating. The highest performance Low-E glass is used to maintain a steady temperature reducing the
amount of mechanical heating and cooling / energy used.
'The Cave' is a large circular space situated below the upper-ground level. This is a flexible industrial space which is used for digital
art installations and non-commercial performances. A public space almost independent and hidden from the rest of the gallery.
Tate Bristol’s main digital art space is on a colossal scale. This space houses a selection of Tate Bristol’s permanent digital
collection. This particular room has a special emphasis on the artist Ryoji Ikeda. Ryoji Ikeda’s work quivers somewhere
between electronic music, digital art, installation and performance. He uses raw materials both visual and sonic: using
giant screens and huge speaker systems, Ikeda gives these hidden elements something approaching the scale and
monumentality of industrial manufacturing processes.
Walking up the main public circulation ramp; parallel and adjacent to the externally surrounding ephemeral skin. Taking visitors
on a journey; wrapping them around the extents of the building. For this ramp; it draws visitors through a main learning space and
directly into the gallery. The circulation of the building is only clear one floor at a time to enhance the experience and discovery of
the building.
The site of Tate Bristol on Spike Island will create a flow of visitors and provide an open anchor, an interior public
space and a meeting place for pedestrians and they will become the city’s new icon, whilst addressing deficiencies
in accessibility, adaptability and lack of space for creative enterprise. Tate Bristol will become a creative and cultural
centre for the city. Tate Bristol will be the social and creative heart of the city, connecting people of all ages, cultures
and backgrounds.
View from across the water from the public space outside of the Llyods Bank. Showing that the Library of Bristol (left)
and the Tate Bristol (right) have equal importance to the city of Bristol demonstrated by the equality of presence on the
Harbour-front sky-line.
134. 136 TATE BRISTOL FLY-THROUGH PRESENTATION. SCAN Q.R. CODE TO VISIT THE YOUTUBE PAGE