This document discusses ideas for experimental photography projects related to self-discovery. It presents four ideas: 1) Using abandoned buildings to represent memories and history through mixed media and effects. 2) Combining scanography and mixed media portraits to depict hidden emotions behind masks. 3) Using light writing, reflection, and out of focus techniques to show how cities and objects change over time. 4) Creating a still life composition of vintage travel objects and using photomontage to represent the layered experience of rediscovery. Various techniques like light writing, mixed media, and scanography are proposed to bring these concepts to life visually.
John Berger, Ways of Seeing: Context, Meaning and AdvertisingRAPP UK
This presentation revisits John Berger's classic TV programme Ways of Seeing and considers how new contexts of consumption - eg. the internet and social media - might be informing new meanings. The presentation was intended to start a conversation about digital marketing of various types and to ask whether the advertising industry erodes truth. Ugly grey boxes represent elements of my voice over, including links to YouTube clips I used to better illustrate some points.
In fact, this column is also called the Pillar of Form. This is the passive, receptive, containing, feminine component to experience. In some Eastern systems this is Yin. It corresponds to the Vagina in coital union.
When we are discussing the Sephiroth on the Pillar of Severity, we always find these aspects of experience at some level within them. It is described as "Severity" because the constrained nature of the underlying currents of the Sephiroth in this column are consciously experienced as more restrictive and grating than those in the prior column.
. *** - A FUNDAMENTAL DIGRESSION-*** ***DEAR CONNECTIONS*** *** You must know,understand , as far as I am concerned remains for me very hard to describe my work. I don't like . I've always left to the audience, the observers to judge, express opinions, give responses, regarding “The work itself”: SO in drawing up this post, I will use "concepts, digressions, definitions”, already having been used by “Others” , in defining “IT”. -“As a writer” I am able to describe the fundamental aspects of “THE NYC KABBALAH DANCE WORK” >>>forgive me if I will seem self-referential , this is not the case. >IF I should have been verbose forgive me as well but, I believe, i have been also accurate, concise and easy, in this description. ***§*** § I want also to share the work's images, which are for an acknowledgement and high-level public , also to better understand the existence of irrefutable certain "things"shown by the pictures, that are not for everyone.
I thought it would cost more to relate to the silence and solitude of the study, it has not been. Just messing with me first paint stains, has been almost as immediate infatuation is like a return to those areas for meditation, dialogue and creating more active, even those areas that believers call to prayer. They talk with my ten and I meditate the historical, the story is a individuu step. With the brushes can remove water feelings, psychic energy is renewed. These you see below are the first paintings after returning to the world in which I am made.
John Berger, Ways of Seeing: Context, Meaning and AdvertisingRAPP UK
This presentation revisits John Berger's classic TV programme Ways of Seeing and considers how new contexts of consumption - eg. the internet and social media - might be informing new meanings. The presentation was intended to start a conversation about digital marketing of various types and to ask whether the advertising industry erodes truth. Ugly grey boxes represent elements of my voice over, including links to YouTube clips I used to better illustrate some points.
In fact, this column is also called the Pillar of Form. This is the passive, receptive, containing, feminine component to experience. In some Eastern systems this is Yin. It corresponds to the Vagina in coital union.
When we are discussing the Sephiroth on the Pillar of Severity, we always find these aspects of experience at some level within them. It is described as "Severity" because the constrained nature of the underlying currents of the Sephiroth in this column are consciously experienced as more restrictive and grating than those in the prior column.
. *** - A FUNDAMENTAL DIGRESSION-*** ***DEAR CONNECTIONS*** *** You must know,understand , as far as I am concerned remains for me very hard to describe my work. I don't like . I've always left to the audience, the observers to judge, express opinions, give responses, regarding “The work itself”: SO in drawing up this post, I will use "concepts, digressions, definitions”, already having been used by “Others” , in defining “IT”. -“As a writer” I am able to describe the fundamental aspects of “THE NYC KABBALAH DANCE WORK” >>>forgive me if I will seem self-referential , this is not the case. >IF I should have been verbose forgive me as well but, I believe, i have been also accurate, concise and easy, in this description. ***§*** § I want also to share the work's images, which are for an acknowledgement and high-level public , also to better understand the existence of irrefutable certain "things"shown by the pictures, that are not for everyone.
I thought it would cost more to relate to the silence and solitude of the study, it has not been. Just messing with me first paint stains, has been almost as immediate infatuation is like a return to those areas for meditation, dialogue and creating more active, even those areas that believers call to prayer. They talk with my ten and I meditate the historical, the story is a individuu step. With the brushes can remove water feelings, psychic energy is renewed. These you see below are the first paintings after returning to the world in which I am made.
Gallery of Student WritingShernel WoodmanPrinciples of Design.docxshericehewat
Gallery of Student Writing
Shernel Woodman
Principles of Design
“Train of Thought” by Leo Bridle
Simple Outline
“A Journey for Love”
I. Leo Bridle and Ben Thomas were the film makers.
a. I believe they are in their late 20s and early 30s, and they graduated from the Arts Institute at Bournemouth.
b. From the United Kingdom.
II. The basic structure of the artwork is Film.
a. Material used was digital compositing software and all the animations were done by hand and not the compositing software.
b. The subject of the seemed to be the young artist and he seemed to have been in search of someone. Everything seemed to be between and a gray/sepia scale with a design using cut outs and wooden toys.
III. I think this whole film was based on love.
a. My 1st idea is that he is trying to find the woman he loved. He may have seen her before at the station and drawn her out of memory and may have come back to find her there. When he didn’t, he hopped on the train in search for her only to come up empty. I believe he used his drawing pad as some sort of map as to where she may have been. When he doesn’t find her, he returns to the station once again and this time, he finds her. He then realizes that she may be an artist as well and may have gone through the same processes to find each other.
b. My 2nd idea is that he may have drawn her as well as the other drawings in his book subconsciously and realized this was a woman he had to meet. He then returns to the train station, which is the setting of his drawing. When she doesn’t come, he hops on the train and then goes in search for the woman that he loves. When he doesn’t find her he returns back to the station and that is where he finally sees her. They go towards each other and hold hands, seeming like they both went through the same measures to find each other.
I think the way the film makers used photography and film made this a very interesting form of media. Everything looked cartooned and real at the same time. The train station and the train themselves looked like they were made out of wooden toys and the people all looked like cut outs that were animated to look like they were moving, inside of their cut out frames. This was a well done film and they filmmakers did a wonderful job. I must say it sure caught my attention.
Linda Hoffman-Ostroff
Techniques, Materials, and Form
Introduction to the Drinking Maiden Exhibition
Story Style
"A Maiden in Born"
My color is milky white and thus a maiden is born... I was created by the great sculptural artist Ernst Wenck in 1901. He created my soft white body by using his strong meticulous hands. He is indeed an artist. I was created in a time when conservatism was not very popular. Because of my intricate detail and the delicate image I carry I became a model for porcelain miniatures.
If you study my structure you see the qualities that may have lead to my continued popularity. I lean forward and you see the muscle tone of my leg by the light tha ...
site, cite, sight - Dr Kathryn Coleman, University of MelbourneePortfolios Australia
My doctoral study (Coleman, 2017) explored how through digital encounters in ePortfolios we can discover aspects of the self through creation, curation and community. I explored the concepts of practice in digital sites, cites and sights to see how connections are made between the multiple identities we are playing in each space we inhabit. This short presentation will walk you through the notion of selves that I found in ePortfolios as digital sites, cites and sights.
Introduction to Art Chapter 5 Finding Meaning 56 ChapterTatianaMajor22
Introduction to Art Chapter 5: Finding Meaning 56
Chapter 5: Finding Meaning
How We See: Objective and Subjective Means
Up until now we’ve been looking at artworks through the most immediate of visual effects: what
we see in front of our eyes. Now we can begin to break down some barriers to find specific
meaning in art, including those of different styles and cultures. To help in this journey we need to
learn the difference between looking and seeing.
To look is to get an objective overview of our field of vision. Seeing speaks more to
understanding. When we use the term “I see” we communicate that we understand what
something means. There are some areas of learning, particularly psychology and biology, that
help form the basis of understanding how we see. For example, the fact that humans perceive
flat images as having a "reality" to them is very particular. In contrast, if you show a dog an
image of another dog, they neither growl nor wag their tail, because they are unable to perceive
flat images as containing any meaning. So, you and I have actually developed the ability to "see"
images.
In essence, there is more to seeing than meets the eye. We need to take into account a cultural
component in how we perceive images and that we do so in subjective ways. Seeing is partly a
result of cultural biases. For example, when many of us from industrialized cultures see a
parking lot, we can pick out each car immediately, while others from remote tribal cultures (who
are not familiar with parking lots) cannot.
Gestalt is the term we use to explain how the brain forms a whole image from many component
parts. For instance, the understanding of gestalt is, in part, a way to explain how we have
learned to recognize outlines as contours of a solid shape. In art for example, this concept allows
us to draw "space" using only lines.
The sites below have some fun perceptual games from psychology and science about how we
see, along with some further explanations of gestalt:
Scientific Psychic
Visual Illusions Gallery
The First Level of Meaning: Formal
So, after we see an object, we can understand its form: the physical attributes of size, shape
and mass. With art, this may at first appear to be simple: we can separate out each artistic
element and discover how it is used in the work. The importance of a formal level of meaning is it
allows us to look at any work of art from an objective view.
The invention of the photograph has greatly changed our ideas about what looks ‘correct’. A
good example of this idea can be seen looking at the two images below: the first is a digital
photo of a foggy landscape and the second a painting by the color field painter Mark Rothko
(click the hyperlink here to view his work).
http://www.scientificpsychic.com/graphics/
http://dragon.uml.edu/psych/illusion.html
https://www.nga.gov/collection/art-object-page.67512.html
Introduction to Art Chapter 5: Finding Meaning 57 ...
JUST NEED (4) REPLIES TO THE OTHER STUDENTS2-3 Sentences Replay.docxcroysierkathey
JUST NEED (4) REPLIES TO THE OTHER STUDENTS
2-3 Sentences Replay
·
· Week Four Discussion 1
Compare the work of two artists from any two different art movements covered in Chapter 21.
· Describe, then compare, the contexts, concerns and main aspects of each movement and how those appear in the artworks you've selected.
· Be sure to explain why you made your particular choices of movements, artists and artworks.
· Evaluate the artwork you've selected according to any criteria you think are relevant (given what you have learned so far in the course).
Be sure that you are making an evaluative comparison of the two artists’ work, rather than simply discussing them in turn.
REPLY TO:Permenter
Week 4, Discussion 1
COLLAPSE
Top of Form
Romanticism and Impressionism vary greatly in their style. Romanticism was in favor for a much longer period of time, roughly 1800-1890, than Impressionism (1870-1880). Romanticism was more an attitude and choice of subjects than a true style. The artists of this period looked for emotions and imagination when deciding what they wanted to create. They looked for the risqué and exotic as well as mystery. Impressionist artists had some more flexibility with the new availability of equipment that was more portable. This allowed Impressionists to work in the actual outdoors as opposed to studios. These artists used natural light, shadows and a lighter color palette to express their ideas.
The pieces for this discussion were chosen due to the similar subject of the works yet stark contrast. Both pieces feature a group of people enjoying a leisurely activity, yet they are not alike at all. The way they contrast and show their specific movements is remarkably interesting. First, the Romanticism piece chosen is The Women of Algiers by Delacroix (p.485, fig. 21.2). This piece is very risqué, and the subject of the piece is quite scandalous. The women portrayed are women in a harem and it was unusual for outsiders to be allowed in, let alone document it such as this. Delacroix demonstrates this period by the subject of the piece being so exotic and mysterious. He does a great job showing unity yet variety here as well. The painting feels very dark and colors of the piece are mostly neutral and really work well together, with a kick of reddish orange here and there to brighten up the piece.
The Impressionist piece Le Moulin de la Galette (p.490, fig. 21.7) by Renoir is a stark contrast to The Women of Algiers . This piece, while detailed enough for one to see the subjects and understand the context of the painting, is not focused on the clear lines and defined objects as The Women of Algiers is. Renoir uses a freer stroke and uses emphasis and subordination. The emphasis of the painting is on the small group in the front of the painting as the rest get blurrier the farther away they are. This painting is so much brighter with a lighter palette than the other clearly showing that it is from a different mov ...
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2. refers to a travel, pilgrimage, or series of
events whereby a person attempts to
determine how they feel, personally, about
spiritual issues or priorities,
“finding out, news, announcement, revelation, disclosure,
realization • the discovery that his wife was HIV positive
Detecting something new, or something
"old" that had been unknown
abstract thought and everyday
experiences
Pilgrimage - a travel, often for
religious enlightenment
Discoveries are often made
due to questions
Coming of age - reaching
maturity, from childhood to
adulthood
Road trips, Adrenaline
Activities and
Travelling
Adventures; maps
globes, compass, lugga
ge
A visual
representation of
your heart’s desire
scovery Thesaurus
‘Keywo
rds’
“Journey Of Self-Discovery"
lead to the invention of
objects, processes, or techniques.
invention, launch, institution, introduction, pioneering,
innovation, initiation, inauguration, induction, coinage,
origination • the discovery of new forensic techniques
breakthrough, find, finding, development, advance, leap,
coup, invention, step forward, godsend, quantum
leap • In that year, two momentous discoveries were
made.
finding, turning up, locating, revelation, uncovering,
disclosure, detection, unearthing, espial • the discovery
of a mass grave in the south-west of the country”
Discovery
Places, surroundings and
objects
Keys
What can it
lead to?
Unlocking/
Mixed media
Mystery
discovering
Emotion of the
Surrounded by a
Memories and
eyes
calming and
the past or
Stereotyping
peaceful
stages of the
Old and New Abandoned and
dilapidated
Transparent
environment and a
life
buildings
healthy lifestyle;
Colour and
green, yoga, fitness,
patterns
More
Planets, Outer
representing
Alain De
than one
Space, Astronomy, Space
music, meditation,
personality What can be
Botton
meaning
Message
Exploration, Solar System
Sentimental
trees
traits
hidden behind a
through the eyes
, Asteroids and
objects
mask
Comets, Galaxy
The life in Life and death
Silhouettes
a building
Puzzles and mind games, bringing
The wear
things together
of a
clothing The changes a place and architecture can go
Scanography
item through the day or through months or years.
Light Writing
A sense of personal discovery
Coloured lights to show energy and life
Harris Shutter
Emotion though the facial
School
Road Side
Representing the galaxies
as a way of showing speed
expressions
Bus Stops
Cafes
Candid photography of the city The pattern and direction of the line
The idea of life and death
Self Discovery
Re-discovering
Freedom
Techniques to
reflect discovery
5. Explanation.
For my first initial idea I have looked at abandoned buildings as a starting point and the
heritage behind this full of memories and the history to this expressive this through visual
means and objects to represent this, to compliment this I will be using colours of a earthy
and neutral tones using effects and sepia filters to reflect this and the ageing of these
buildings, For example old barns, stables and working farming buildings as a perfect
example of the past life of a building and the use of it which has now gone into a state of
disrepair.
In terms of the design behind this the final photographs created will involve the use of mixed
media inspired by this idea of scrapbooking to give it this vintage and homemade effect
and the experimental technique of framing can be a way with a number of different
textures and patterns, layering up papers within the same colour tones. Image
manipulation will be another important part of production as a way to experiment further
using paints to emphases and pull out areas of the photography in an abstract and quirky
way, which will be achieved in brighter neon tones that will stand out from the sepia
background that has been created, which will reflect the energy and life still left within the
buildings even though work was abandoned years ago .
looking at how it connects to the ideas surrounding discovery, it looks at the life that can be
found within such old buildings and the growth that can also be found. The techniques
which will allow me to achieve the photography include the Harris Shutter effect to give
the blur and distorted look to the building and emphasising its dilapidation, while the
brighter colours will help to bring it to life. light writing is another technique that I will use
to be referred to as the ball of energy still living within the building, and so creating a
number of different patterns within this and light up such abandoned building whether this
be by torch, glow stick or sparkler.
6.
7. Explanation.
For my second idea I will look at combining both scanography and mixed media as my
chosen forms of experimental photography which will allow me to develop my skills
within these areas. In terms of content I will be portraits of different people around
the face providing a close up shot. The ideas behind this will give a real eray feel to the
final photography, with the dark shadowing over the face which will help to hide the
eyes and emotion to the face. the hands also portray a strong message to the
audience which will be a significant part to the final product as they will help to
communicate this idea of been trapped and secluded. Within these images I may also
involve different props and objects that reflect the life of that person which could be
anything from dried flowers to keys.
As well as this text could also play an important part at getting the message across
and including different quotes and messages taken from the internet which link to the
ideas of discovery. From these scanned image I will then look to experiment more and
involve mixed media formats, to overlay and provide a contrast between the dark and
monotone image behind, which will be fulfilled by adding cartoon like features onto
the original portraits seen previously in work by Bela Borsodi, which will also be
bright, bold primary colours which will also contrast the monochrome grey and black.
The themes behind my second idea relate to the idea of discovery as it looks at self
discovery, what can be hidden behind a mask or the appearance of someone whether
this be the perception and stereotyping of them, and the stories behind this, such as
what is going on behind the smile.
8.
9. Explanation.
For my third idea I look to include a number of different experimental techniques to create
my final products which is themed around the city and using a variety of light
writing, reflection and out of focus photography to get the right content. With a theme
based around this idea of ‘rediscovery’ I would look at different locations and even
products and the wear and tear they go through, and the changes that are made over time
either from a day to a month or a year. whether this be down to age or to do with the
people that use it or in some cases abuse it, anything from a bus stop to a cafe or even a
piece of clothing aged over time whether it been passed down through generations or
something of a newer kind, and so the colours could be a way of showing this from its
newest condition to ageing through time with the colours faded.
Such ideas where inspired by Alain De Botton a British writer and philosopher also involved
in architecture and the life of a building suggesting that ‘walls have ears’ capturing what
goes on from these on a daily basis.
In terms of looking more in depth into these techniques, the light writing will work well at
night within the city capturing the lights and movement of the traffic and the street
lighting, and traffic lights to create these patterns. Combined with the use of out of focus
shots adding a creative blur and showing a different perspective to the lights in a number of
different shapes and sizes. Reflection is also another technique which could work well when
considering city and street photography in order to get the repetition of the street walls
signs and buildings.
10.
11. Explanation.
Other idea I wanted to look at was this idea of travel, and ideas that can relate to this
such as sentimental objects from specific trips for example;
postcards, stamps, keys, compasses, luggage tags and maps all things that can be
related to such subject matters. However, these types of objects I will be sourcing shall
be vintage pieces to reflect the idea of rediscovery instead of new pieces, which will all
be set up to like a still life photography portrait which will then be scanned through.
Photomontage is another techniques that could be combined with the original
scanned photo, to achieve this layered effect and idea of scrapbook, and within each
of the separate sections to the photograph I will use a different filter effect or pattern
overlay to make the image seem more abstract yet work well and be able to see the
clear whole image which has similarities to cubism.