Looking for my teddy bear xxxxxx (4)
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In fact, this column is also called the Pillar of Form. This is the passive, receptive, containing, feminine component to experience. In some Eastern systems this is Yin. It corresponds to the Vagina in coital union. When we are discussing the Sephiroth on the Pillar of Severity, we always find these aspects of experience at some level within them. It is described as "Severity" because the constrained nature of the underlying currents of the Sephiroth in this column are consciously experienced as more restrictive and grating than those in the prior column.
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Looking for my teddy bear xxxxxx (4)
- 2. " PREFACE” I want to thank you in advance for the attention given to me, I realize that it is not a "formally conventional form to submit a question" but, in life, sometimes, we have to follow our instinct. You must also understand , as far as I am concerned, remains for me very hard to describe my work. I don't like and I do not do. I've always left to the audience, the observers to judge, express opinions, give responses, regarding “The work itself”: SO in drawing up this post, I will use "concepts, digressions, definitions”, already having been used by “Others” , in defining “IT”. The contents of this attachment are extremely confidential and private. I would therefore ask you to read it carefully.
- 3. -”LOOKING FOR MY TEDDY BEAR-N.Y.C. KABBALAH DANCE “- *** - A FUNDAMENTAL DIGRESSION-*** I send you this annex for reasons which, explicitly and implicitly, I think you are able to understand completely: "the question that I submit to you is, in any case, very particular”.
- 4. IT IS OBVIOUS THAT ALL THE INFORMATION "THAT I WILL WRITE TO YOU, ARE STRICTLY PERSONAL AND CONFIDENTIAL. https://www.linkedin.com/pulse/super-position-momentum-space- wavefunction-carlo-m-rosa/ >>>INTRODUCTION <<< *DURING THE four years i have been working f0r and with ANTONIN KRATOCHVIL , IN NEW YORK (2000- 2004), before,- during and after 9/11, a very special historical period , i” structured, created , designed a concept- work" with the city as a scenario . ***Powerful men of Art and Culture, "Luminaries by global calibre”, “True Enlightenment already in The
- 5. Olympus of the mankind's art history” claim and believe §I have elaborated and articulated, during those years a ”new visual-semiotics concept”, contemplating the use of a specific technique, “pushed at it's maximum level” to stylize by a “QUANTUM VISUAL LANGUAGE” , to create, THEY SAID, “A TIMELESS OPERA ” WHICH IT TOUCH” EXTREMELY SENSITIVE AND FUNDAMENTAL TOPICS OF THE PAST , THE PRESENT AND THE FUTURE. https://www.linkedin.com/pulse/aliens-diner-carlo-m-rosa- /?lipi=urn%3Ali%3Apage%3Ad_flagship3_profile_view_base_post_detai ls%3Bfy6%2BCvu2Q%2BWwBbWf2iYJQA%3D%3D
- 6. They believe and affirm: °It seems I have “ended the old semiotics level", to create-reach “a new visual -semiotics structure”, conceiving , by using-shifting an innovative, method to “portrait” the Mankind’s things” . The -Level- I have "shaped" and “moulded”, it is "designed” with an unique imagery, made of "a matter" that is aesthetic- conceptually- philosophically universal recognized as, in retrospect, not existing yet: easily decipherable, when compared with “the current context” of our Historical-Time.
- 7. *They told me I have developed “the Seed” for a “ new visual full form to portray the reality ”and so I have, as a matter of the facts, created “a different art”: A configuring turning point that "can be made" only by using photographic tools. >They also think that historically, the only, possible, conceivable kind of Contemporary Art(especially over the future shape),will be the one “able” to portray with extreme precision and in an absolute realistic way our Time , our present and future history.
- 10. >The rest of the contemporary art ,“made up” only with decorative purposes, designed to impress , shock or “transmit” only aesthetic pleasure to the observer etc. etc. etc . ,“it will be totally forgotten and It will completely lose any economic and artistic value” . §Through a "new point of view “ , with an easily interpretable unique language, "THE-NYC-Work”, they “said” , transmits and shows, “like a mirror”, representatives, fundamentals core, values and ancestral, universal meanings :
- 11. ***Looking to the images of the work, the interlocutor, the observer is able to universally recognize and acknowledges “ his own reflection , his shape , his everyday life-time” .
- 13. ***§***
- 14. -"THE SAME VALUE AS GOLD"- Based on the characteristics of the work, based on how the work was welcomed, above all, by the New York community: Paraphrasing ***The New York Luminaries people’ words(above mentioned they wanted to help me) "...in essence, the NYC-Work -it has, due to its characteristics , the same value as gold”. ^They explained me, through a precise reasoning , with a wise cognition and an unexceptionable analysis of the mechanisms of the Art Market,- moved by the competent lobby, so: °The contemporary art history , from now to the future , because political social-economic cultural contributing factors and causes ,“will set out- the actual specific weight" of a work like "My NYC Kabbalah Dance Quantum Project - Looking for my Teddy Bear” as "priceless". § I have also to share the work's images, which are for an acknowledgement and high-level public , also to better understand the existence of irrefutable certain "things" shown by the pictures, that are not for everyone. So They Said. https://www.linkedin.com/pulse/kabbalah-23-i-dont-give-fk-carlo-m- rosa- /?lipi=urn%3Ali%3Apage%3Ad_flagship3_profile_view_base_post_detai ls%3B6D%2FC%2FWdxThiIgfYNo4FPZQ%3D%3D
- 17. >The first chapter of the NYC-work, under the title of "VISIONS", was entirely produced and then shown by the “Flemish in Antwerp” , they granted me “The entire Museum of the Flemish painters “of the city. The exhibition was "an event". The mayor of the city of Antwerp personally thanked me, as the Director of the Flemish Museum, for "having enlightened them". The catalogue of that exhibition can be consulted at the library of "The Art Institute of Chicago". (In the "painting-section" library).
- 18. ***NOW THE WORK IS COMPLETE AND FINISHED. >>>The final title is: -”LOOKING FOR MY TEDDY BEAR- N.Y.C.- KABBALAH DANCE QUANTUM PROJECT”-(2000-2004) -
- 19. >THE "BODY OF WORK" IT IS COMPOSED BY 111 IMAGES; 111 IN B/W (two in colour), printed by myself 30x40 /fibber base- selenium- prints/ ,then scanned at high resolution and printed with a Lambda Printer to produce “the pieces of art in high digital resolution”. Some eminent people have said that the final result it is noticeable, almost perfect and three-dimensional. https://www.linkedin.com/pulse/quantum-physics-carlo-m-rosa/
- 20. ***§***
- 26. ***§***
- 27. >>>A work “designed” to deal in a profound way with geopolitical social and economic issues but also with those technocratic elements that characterize our society in its whole global system with an unique forms of Photography . They said… .