The document provides information about the roles involved in the television and film commissioning process. It discusses the roles of the producer, commissioning editor, scriptwriter, executive producer, literary agent, editorial assistant, and agent. The producer oversees the entire production process. The commissioning editor finds scripts that match the brief and passes successful scripts to the producer. Scriptwriters write scripts to be considered. The executive producer ensures projects are completed on time and on budget. Agents represent and sell scriptwriters' work. Royalty payments provide money to creators when their work is used.
The document discusses the commissioning process for television and film scripts. It describes the roles of the producer, commissioning editor, and scriptwriter. The producer is in charge of the overall production and gives the final approval of scripts. The commissioning editor selects scripts that match the brief and presents them to the producer. The scriptwriter submits their script to commissioning editors. If approved, the scriptwriter may receive royalty payments if the script is produced.
This document provides information about various roles in the film and television industry, including screenwriters, producers, directors, script editors, agents, and corporations. It discusses the responsibilities of screenwriters, such as proper formatting, time management, collaboration, and considering legal and ethical issues like copyright and bias. It also describes the roles of producers in overseeing projects, directors in interpreting scripts, and script editors in ensuring continuity. Agents represent clients, and corporations produce and distribute finished works. Overall it outlines the production process and responsibilities of various creative roles.
This is a slideshow of different types of roles in the media industry. I have researched about these roles and illustrated the point whilst including pictures to go with the descriptions.
Task 2 asked us to create a PowerPoint slideshow that demonstrated our knowledge of various job roles including that of a commissioning editor, a producer, a scriptwriter and an agent. In addition the PowerPoint includes information on 2 different types of companies, (corporations and independents) as well as different types of laws, regarding the role of a writer.
Commission editors aim to build up a publisher's list by identifying commercially viable books and media products. They do this by reviewing proposals from authors, ensuring scripts are in the proper format, and managing their list of titles. Producers oversee projects from conception to completion, working closely with directors and crew. Directors are responsible for interpreting the writer's vision and helping actors and crew realize it. Organizations help screenwriters develop scripts and provide feedback to improve their writing.
This document discusses various roles in the scriptwriting and film production process. It outlines jobs like commissioning editors, directors, producers, script editors, agents, and script writers. It also covers topics like obtaining work, the demands of being a writer, the scriptwriting process, and legal and ethical considerations around things like copyright, plagiarism, bias, censorship, and watershed rules.
Commissioning editors aim to build a publisher's list by identifying books and media products to publish. They respond to author proposals and ensure scripts are submitted in the correct format and on time. Producers oversee turning ideas into projects from conception to completion. Directors are responsible for the interpretation of productions and help fulfill their vision by directing actors and crew. Writers practice the craft of screenwriting for movies, video games, and TV programs through engaging storytelling and sending scripts to producers in the correct format.
1) Commissioning editors at corporations and independent companies select ideas for new television shows and work with producers and scriptwriters.
2) They meet with producers to discuss what genres and time slots the network is looking to fill. Commissioning editors will then advertise for scriptwriters to pitch their ideas.
3) If a scriptwriter's pitch is successful, the commissioning editor will work with them to develop the idea into a treatment and negotiate the contract details such as budget and episode order before bringing the project to producers.
The document discusses the commissioning process for television and film scripts. It describes the roles of the producer, commissioning editor, and scriptwriter. The producer is in charge of the overall production and gives the final approval of scripts. The commissioning editor selects scripts that match the brief and presents them to the producer. The scriptwriter submits their script to commissioning editors. If approved, the scriptwriter may receive royalty payments if the script is produced.
This document provides information about various roles in the film and television industry, including screenwriters, producers, directors, script editors, agents, and corporations. It discusses the responsibilities of screenwriters, such as proper formatting, time management, collaboration, and considering legal and ethical issues like copyright and bias. It also describes the roles of producers in overseeing projects, directors in interpreting scripts, and script editors in ensuring continuity. Agents represent clients, and corporations produce and distribute finished works. Overall it outlines the production process and responsibilities of various creative roles.
This is a slideshow of different types of roles in the media industry. I have researched about these roles and illustrated the point whilst including pictures to go with the descriptions.
Task 2 asked us to create a PowerPoint slideshow that demonstrated our knowledge of various job roles including that of a commissioning editor, a producer, a scriptwriter and an agent. In addition the PowerPoint includes information on 2 different types of companies, (corporations and independents) as well as different types of laws, regarding the role of a writer.
Commission editors aim to build up a publisher's list by identifying commercially viable books and media products. They do this by reviewing proposals from authors, ensuring scripts are in the proper format, and managing their list of titles. Producers oversee projects from conception to completion, working closely with directors and crew. Directors are responsible for interpreting the writer's vision and helping actors and crew realize it. Organizations help screenwriters develop scripts and provide feedback to improve their writing.
This document discusses various roles in the scriptwriting and film production process. It outlines jobs like commissioning editors, directors, producers, script editors, agents, and script writers. It also covers topics like obtaining work, the demands of being a writer, the scriptwriting process, and legal and ethical considerations around things like copyright, plagiarism, bias, censorship, and watershed rules.
Commissioning editors aim to build a publisher's list by identifying books and media products to publish. They respond to author proposals and ensure scripts are submitted in the correct format and on time. Producers oversee turning ideas into projects from conception to completion. Directors are responsible for the interpretation of productions and help fulfill their vision by directing actors and crew. Writers practice the craft of screenwriting for movies, video games, and TV programs through engaging storytelling and sending scripts to producers in the correct format.
1) Commissioning editors at corporations and independent companies select ideas for new television shows and work with producers and scriptwriters.
2) They meet with producers to discuss what genres and time slots the network is looking to fill. Commissioning editors will then advertise for scriptwriters to pitch their ideas.
3) If a scriptwriter's pitch is successful, the commissioning editor will work with them to develop the idea into a treatment and negotiate the contract details such as budget and episode order before bringing the project to producers.
Unit 19 screenwriting- learning aim a and bJamesPotts21
Commissioning editors oversee script writing and choose genres and ideas. They control production and provide funding without their guidance, writers may not understand the genre or budget. Directors provide vision for scripts and help writers understand expectations. Multiple directors led to many rewrites of Alien 3. Script editors ensure scripts meet standards and fix issues to smooth development. Agents support writers and organize contacts to create better work environments and negotiate deals to prevent legal troubles from issues like plagiarism. Writers create engaging scripts through research, dialogue and adapting source material while considering themes. Screenwriting competitions provide a chance for exposure but success is not guaranteed. Copyright and avoiding plagiarism and libel are important legal and ethical considerations in scriptwriting.
Producers oversee all aspects of film production from development through completion. They assemble the cast and crew and are responsible for the film's success or failure. There are no formal qualifications required but experience as an assistant is recommended. Producers work irregular hours, often freelance, and their median salary is around £45k per year.
The document discusses various job roles within the commissioning process for media productions. It begins by outlining the roles of commissioning editors, producers, directors, script editors, agents, and writers. It then provides more detailed descriptions of the commissioning editor, producer, and director roles. Commissioning editors are responsible for overseeing projects from initial idea to finished product. Producers manage financial and production aspects to realize the writer's work. Directors supervise and control all elements of production. The document also briefly discusses script editors, agents, writers, and various commissioning bodies such as corporations, independent production companies, independent directors, and independent producers.
The document discusses various job roles within the media industry, including scriptwriters, commissioning editors, producers, agents, and corporations. Scriptwriters come up with scripts to sell to production companies. Commissioning editors evaluate scripts for suitability and provide briefs to scriptwriters. Producers oversee all aspects of production and distribution. Agents represent scriptwriters and help sell their scripts. Corporations own subsidiaries and have more resources than independent companies. Legal and ethical considerations like censorship, copyright, and watershed ratings must also be addressed within the media industry.
Working in the creative industry matthew hackett final19001069
The document discusses career opportunities in the UK media industry. It describes various sectors like film, television, radio, animation, games and publishing. It then focuses on the film sector and lists many jobs involved in film production, distribution and exhibition. These include producers, directors, camera operators, sound recordists, editors, designers and more technical roles. It discusses contracts like full-time, part-time, freelance work and provides tips for finding work like networking, websites, interviews and gaining experience.
Commissioning editors oversee screenwriting projects by choosing genres and allocating funds. They provide full control over productions. Directors help screenwriters envision scripts by providing ideas and standards. Script editors ensure scripts are suitable, addressing problems and grammar errors. Writers create engaging scripts with relatable stories and dialogue. Copyright and avoiding plagiarism are important to protect screenwriters' work and ideas.
Unit 19 screenwriting- learning aim a and bJamesPotts21
Commissioning editors oversee screenwriting projects and control budgets, genres, and ideas. Without them, writers may not have a clear direction. Directors provide ideas and feedback to writers on when scripts are needed and how they should look to make the best script possible. Without a director, writers may lack vision. Script editors ensure scripts are suitable, address problems, and help development run smoothly. Without editors, scripts could have errors or not meet expectations.
1. Commissioning editors oversee screenwriting projects by choosing genres, ideas, and allocating budgets. Without them, writers may not have a clear direction for their scripts.
2. Directors provide guidance to writers on envisioning what the script should look like and how it should meet their standards. Without a director, writers may struggle to understand how to develop their ideas.
3. Script editors ensure scripts are suitable, address any problems, and make sure scripts meet director expectations. They help smooth out the writing process. Without script editors, scripts could have issues.
The document provides information about the London Borough of Redbridge and a brief for a social action documentary project. Key details include:
- Redbridge has many parks and green spaces as well as excellent transport and schools. It is governed by Redbridge London Borough Council.
- Participants will create documentary projects on topics of their choosing, and the best project will be aired locally. This competition aims to provide skills to youth.
- The purpose of social action projects is to create positive social change by raising awareness of issues like crime, drugs, or health problems in the community.
The role of a film producer is to oversee all aspects of film production including creative input, budgeting, scheduling, and distribution. Producers work closely with directors and help solve any issues that arise with actors or crew. They are responsible for securing financing for films through investment from production companies, foreign investors, or other sources who expect a financial return. Proper planning, budgeting, and determining the target audience are essential for a producer to attract necessary funding and market their film successfully.
Negotiating skills to get you results. Special considerations for negotiating in India and similar places. Unique problems are included as exercises. Note that presentation cannot convey the full experience of a classroom exercise.
Commissioning editors are responsible for acquiring content for media companies like scripts, books, or magazine articles. They research trends to find ideas that will appeal to audiences. Producers oversee all aspects of film/TV production including budgets, schedules, and ensuring projects are completed on time and on budget. Screenwriters create scripts that provide a blueprint for creative teams to imagine how a film will look and feel on screen, featuring compelling characters and plots.
This document provides information about various roles in the screenwriting and filmmaking process and considerations for screenwriters. It discusses commissioning editors who look for new projects, producers who oversee projects from conception to completion, and directors who are responsible for interpreting the script. It also covers corporations that distribute finished works, script editors who ensure continuity, and organizations that help develop writers' scripts. Legal and ethical considerations for screenwriters like copyright, censorship, plagiarism, and bias are also addressed.
Unit 19 scriptwriting Learning Aim A discusses the scriptwriting process and various roles involved. Writers create scripts that must be approved by producers and commissioned by bodies like corporations or independent companies. Examples include the BBC and ITV commissioning scripts for TV shows. Writers must consider legal and ethical issues like plagiarism, copyright, censorship, watershed rules, and avoiding bias when creating scripts.
This document provides an overview of various roles in the media industry related to obtaining work as a scriptwriter. It discusses commissioning editors who receive pitches for television programs and green light projects. Producers oversee different aspects of production from development to day-to-day operations. Directors control the artistic and technical elements of filmmaking. Script editors provide feedback to writers and ensure scripts adhere to continuity and timing. Agents advise on advertising and media management. Writers research and craft engaging narratives. Commissioning bodies and independent production companies develop projects. Organizations and competitions provide resources and opportunities for writers.
Unit 19 discusses scriptwriting roles and processes. It outlines key jobs in scriptwriting like commissioning editors, producers, directors, script editors, agents, and writers. It also examines how scripts are commissioned from corporations, independent production companies, organizations and competitions. The document details professional requirements for scriptwriters such as proper formatting, agent representation, communication, time management, and handing over control of the script. It covers legal and ethical considerations of the scriptwriting process including copyright, plagiarism, libel, bias, and censorship.
The document summarizes the roles and responsibilities of various positions involved in the scriptwriting and filmmaking process. It discusses the commissioning editor who chooses ideas and budgets for programs. It also outlines the roles of directors who interpret scripts visually, producers who oversee budgets and ensure deadlines are met, and script editors who provide critical feedback. It describes agents who promote scripts to studios and the responsibilities of scriptwriters to research and write compelling narratives. Finally, it discusses requirements for scriptwriting like formats, communication skills, time management, and handing over control of scripts during production.
The document discusses the commissioning process for scriptwriters and the roles involved. It provides details about:
1) The commissioning process includes an agent taking the script to companies to sell, the commissioning editor deciding if it fits their needs, and the producer giving final approval.
2) Independent production companies have lower budgets but more opportunities for new directors, while corporation companies have higher incomes from subsidiaries and broadcasting rights.
3) Job roles include commissioning editors who identify projects, producers who oversee the entire process and work with directors, and scriptwriters who create screenplays and ensure continuity.
4) Laws around watershed, censorship, and libel must be followed to protect viewers and individuals
The document discusses the commissioning process in television. It outlines several key roles involved including commissioning editors, producers, script writers, and agents. Commissioning editors are responsible for finding and developing ideas for television shows. Producers oversee the entire production process. Script writers create the blueprint scripts. Agents represent talent and help facilitate projects. The document also discusses commissioning bodies like corporations and independent studios. Corporations own television networks while independents rely on commissions.
This document discusses the process of screenwriting, including commissioning, working as a writer, and legal/ethical considerations. Commissioning involves getting approval to write from entities like corporations, independent production companies, or competitions. As a writer, it is important to format scripts correctly, communicate well with clients, meet deadlines, and collaborate with directors/producers. Legally, writers must avoid plagiarism and libel, consider representation in their writing, and follow censorship guidelines depending on the intended audience.
Writers must consider several legal and ethical issues when creating scripts. They must properly copyright their work to protect it from plagiarism. Writers should also avoid libel by thoroughly researching topics and not maliciously misrepresenting individuals or groups. It is also important for writers to avoid bias and consider fair representation of various people and viewpoints. Writers must follow censorship guidelines from organizations like the BBFC to ensure their content is appropriate for the intended audience and medium.
Commissioning editors aim to build up a publisher's list by identifying books or media products to publish and finding authors or responding to proposals. They ensure authors deliver on time and to specification. Commissioning gives authorization to produce something, such as approving a budget or plot.
Script editors ensure scripts are suitable for production by providing feedback, suggesting improvements, and ensuring continuity and timing. They find new writers and develop ideas with writers.
Writers are responsible for research, developing engaging narratives, and writing screenplays to meet briefs in the appropriate format. They must freelance and work in teams.
Unit 19 screenwriting- learning aim a and bJamesPotts21
Commissioning editors oversee script writing and choose genres and ideas. They control production and provide funding without their guidance, writers may not understand the genre or budget. Directors provide vision for scripts and help writers understand expectations. Multiple directors led to many rewrites of Alien 3. Script editors ensure scripts meet standards and fix issues to smooth development. Agents support writers and organize contacts to create better work environments and negotiate deals to prevent legal troubles from issues like plagiarism. Writers create engaging scripts through research, dialogue and adapting source material while considering themes. Screenwriting competitions provide a chance for exposure but success is not guaranteed. Copyright and avoiding plagiarism and libel are important legal and ethical considerations in scriptwriting.
Producers oversee all aspects of film production from development through completion. They assemble the cast and crew and are responsible for the film's success or failure. There are no formal qualifications required but experience as an assistant is recommended. Producers work irregular hours, often freelance, and their median salary is around £45k per year.
The document discusses various job roles within the commissioning process for media productions. It begins by outlining the roles of commissioning editors, producers, directors, script editors, agents, and writers. It then provides more detailed descriptions of the commissioning editor, producer, and director roles. Commissioning editors are responsible for overseeing projects from initial idea to finished product. Producers manage financial and production aspects to realize the writer's work. Directors supervise and control all elements of production. The document also briefly discusses script editors, agents, writers, and various commissioning bodies such as corporations, independent production companies, independent directors, and independent producers.
The document discusses various job roles within the media industry, including scriptwriters, commissioning editors, producers, agents, and corporations. Scriptwriters come up with scripts to sell to production companies. Commissioning editors evaluate scripts for suitability and provide briefs to scriptwriters. Producers oversee all aspects of production and distribution. Agents represent scriptwriters and help sell their scripts. Corporations own subsidiaries and have more resources than independent companies. Legal and ethical considerations like censorship, copyright, and watershed ratings must also be addressed within the media industry.
Working in the creative industry matthew hackett final19001069
The document discusses career opportunities in the UK media industry. It describes various sectors like film, television, radio, animation, games and publishing. It then focuses on the film sector and lists many jobs involved in film production, distribution and exhibition. These include producers, directors, camera operators, sound recordists, editors, designers and more technical roles. It discusses contracts like full-time, part-time, freelance work and provides tips for finding work like networking, websites, interviews and gaining experience.
Commissioning editors oversee screenwriting projects by choosing genres and allocating funds. They provide full control over productions. Directors help screenwriters envision scripts by providing ideas and standards. Script editors ensure scripts are suitable, addressing problems and grammar errors. Writers create engaging scripts with relatable stories and dialogue. Copyright and avoiding plagiarism are important to protect screenwriters' work and ideas.
Unit 19 screenwriting- learning aim a and bJamesPotts21
Commissioning editors oversee screenwriting projects and control budgets, genres, and ideas. Without them, writers may not have a clear direction. Directors provide ideas and feedback to writers on when scripts are needed and how they should look to make the best script possible. Without a director, writers may lack vision. Script editors ensure scripts are suitable, address problems, and help development run smoothly. Without editors, scripts could have errors or not meet expectations.
1. Commissioning editors oversee screenwriting projects by choosing genres, ideas, and allocating budgets. Without them, writers may not have a clear direction for their scripts.
2. Directors provide guidance to writers on envisioning what the script should look like and how it should meet their standards. Without a director, writers may struggle to understand how to develop their ideas.
3. Script editors ensure scripts are suitable, address any problems, and make sure scripts meet director expectations. They help smooth out the writing process. Without script editors, scripts could have issues.
The document provides information about the London Borough of Redbridge and a brief for a social action documentary project. Key details include:
- Redbridge has many parks and green spaces as well as excellent transport and schools. It is governed by Redbridge London Borough Council.
- Participants will create documentary projects on topics of their choosing, and the best project will be aired locally. This competition aims to provide skills to youth.
- The purpose of social action projects is to create positive social change by raising awareness of issues like crime, drugs, or health problems in the community.
The role of a film producer is to oversee all aspects of film production including creative input, budgeting, scheduling, and distribution. Producers work closely with directors and help solve any issues that arise with actors or crew. They are responsible for securing financing for films through investment from production companies, foreign investors, or other sources who expect a financial return. Proper planning, budgeting, and determining the target audience are essential for a producer to attract necessary funding and market their film successfully.
Negotiating skills to get you results. Special considerations for negotiating in India and similar places. Unique problems are included as exercises. Note that presentation cannot convey the full experience of a classroom exercise.
Commissioning editors are responsible for acquiring content for media companies like scripts, books, or magazine articles. They research trends to find ideas that will appeal to audiences. Producers oversee all aspects of film/TV production including budgets, schedules, and ensuring projects are completed on time and on budget. Screenwriters create scripts that provide a blueprint for creative teams to imagine how a film will look and feel on screen, featuring compelling characters and plots.
This document provides information about various roles in the screenwriting and filmmaking process and considerations for screenwriters. It discusses commissioning editors who look for new projects, producers who oversee projects from conception to completion, and directors who are responsible for interpreting the script. It also covers corporations that distribute finished works, script editors who ensure continuity, and organizations that help develop writers' scripts. Legal and ethical considerations for screenwriters like copyright, censorship, plagiarism, and bias are also addressed.
Unit 19 scriptwriting Learning Aim A discusses the scriptwriting process and various roles involved. Writers create scripts that must be approved by producers and commissioned by bodies like corporations or independent companies. Examples include the BBC and ITV commissioning scripts for TV shows. Writers must consider legal and ethical issues like plagiarism, copyright, censorship, watershed rules, and avoiding bias when creating scripts.
This document provides an overview of various roles in the media industry related to obtaining work as a scriptwriter. It discusses commissioning editors who receive pitches for television programs and green light projects. Producers oversee different aspects of production from development to day-to-day operations. Directors control the artistic and technical elements of filmmaking. Script editors provide feedback to writers and ensure scripts adhere to continuity and timing. Agents advise on advertising and media management. Writers research and craft engaging narratives. Commissioning bodies and independent production companies develop projects. Organizations and competitions provide resources and opportunities for writers.
Unit 19 discusses scriptwriting roles and processes. It outlines key jobs in scriptwriting like commissioning editors, producers, directors, script editors, agents, and writers. It also examines how scripts are commissioned from corporations, independent production companies, organizations and competitions. The document details professional requirements for scriptwriters such as proper formatting, agent representation, communication, time management, and handing over control of the script. It covers legal and ethical considerations of the scriptwriting process including copyright, plagiarism, libel, bias, and censorship.
The document summarizes the roles and responsibilities of various positions involved in the scriptwriting and filmmaking process. It discusses the commissioning editor who chooses ideas and budgets for programs. It also outlines the roles of directors who interpret scripts visually, producers who oversee budgets and ensure deadlines are met, and script editors who provide critical feedback. It describes agents who promote scripts to studios and the responsibilities of scriptwriters to research and write compelling narratives. Finally, it discusses requirements for scriptwriting like formats, communication skills, time management, and handing over control of scripts during production.
The document discusses the commissioning process for scriptwriters and the roles involved. It provides details about:
1) The commissioning process includes an agent taking the script to companies to sell, the commissioning editor deciding if it fits their needs, and the producer giving final approval.
2) Independent production companies have lower budgets but more opportunities for new directors, while corporation companies have higher incomes from subsidiaries and broadcasting rights.
3) Job roles include commissioning editors who identify projects, producers who oversee the entire process and work with directors, and scriptwriters who create screenplays and ensure continuity.
4) Laws around watershed, censorship, and libel must be followed to protect viewers and individuals
The document discusses the commissioning process in television. It outlines several key roles involved including commissioning editors, producers, script writers, and agents. Commissioning editors are responsible for finding and developing ideas for television shows. Producers oversee the entire production process. Script writers create the blueprint scripts. Agents represent talent and help facilitate projects. The document also discusses commissioning bodies like corporations and independent studios. Corporations own television networks while independents rely on commissions.
This document discusses the process of screenwriting, including commissioning, working as a writer, and legal/ethical considerations. Commissioning involves getting approval to write from entities like corporations, independent production companies, or competitions. As a writer, it is important to format scripts correctly, communicate well with clients, meet deadlines, and collaborate with directors/producers. Legally, writers must avoid plagiarism and libel, consider representation in their writing, and follow censorship guidelines depending on the intended audience.
Writers must consider several legal and ethical issues when creating scripts. They must properly copyright their work to protect it from plagiarism. Writers should also avoid libel by thoroughly researching topics and not maliciously misrepresenting individuals or groups. It is also important for writers to avoid bias and consider fair representation of various people and viewpoints. Writers must follow censorship guidelines from organizations like the BBFC to ensure their content is appropriate for the intended audience and medium.
Commissioning editors aim to build up a publisher's list by identifying books or media products to publish and finding authors or responding to proposals. They ensure authors deliver on time and to specification. Commissioning gives authorization to produce something, such as approving a budget or plot.
Script editors ensure scripts are suitable for production by providing feedback, suggesting improvements, and ensuring continuity and timing. They find new writers and develop ideas with writers.
Writers are responsible for research, developing engaging narratives, and writing screenplays to meet briefs in the appropriate format. They must freelance and work in teams.
This document provides information about the screenwriting process, including commissioning, working as a writer, and legal/ethical considerations. Commissioning bodies that may commission scripts include corporations, independent production companies, and competitions. When working as a writer, it is important to use proper formatting, communicate well with clients, meet deadlines, and collaborate with directors and producers. Legal considerations for writers include copyright, avoiding plagiarism, and following guidelines around content like violence and language.
Details of the commissioning process, how to become a writer, legal and ethical considerations, commissioning bodies, job roles within the commissioning process
Screenwriters must obtain work through a commissioning process. They can hire an agent to represent them and help find work opportunities. Agents are experienced in negotiating contracts and increasing the chances of success. Screenwriters can also submit scripts directly to independent production companies or large corporations. There are organizations and competitions that help screenwriters get their work noticed by industry professionals in order to kickstart their careers.
The commissioning process begins with an original idea that is developed into a script by a screenwriter. The script is then passed to an agent who will try to sell it to a commissioning editor at a broadcasting company. If successful, the commissioning editor will negotiate a deal and pass the script to a producer who gives the final approval. The screenwriter's role is to write the script and incorporate creative input. Agents represent clients in the creative industries and negotiate work for them, acting as intermediaries between clients and commissioning bodies. Commissioning editors work for broadcasters and advertise the types of shows they want before negotiating with agents and screenwriters.
The document provides an overview of the roles and responsibilities involved in the scriptwriting process, as well as legal and ethical considerations. It discusses the roles of commissioning editors, directors, producers, script editors, agents, and script writers. It also covers topics like obtaining work, professional presentation standards, collaboration, handing over creative control, copyrighting works, avoiding plagiarism and libel, minimizing bias, and adhering to censorship standards. Overall, the document outlines the complex process and responsibilities required of scriptwriters to ethically and professionally develop compelling narratives within the media industry.
This document discusses the roles and responsibilities of scriptwriters in the media industry. It covers several key points:
1) There are various roles involved in turning a script into a produced media project, including commissioning editors, directors, producers, script editors, agents, and writers. Each role has specific responsibilities in the development and production process.
2) As a writer, it is important to present scripts in the proper professional format, work with an experienced agent, have strong communication and time management skills, and be able to collaborate with others. Writers must also hand over creative control once a script is sold.
3) Writers must consider important legal and ethical issues like copyrighting their work, avoiding plagiarism
The document discusses various roles in the media industry including commissioning editors, editorial assistants, producers, writers, researchers, and executive producers. It provides examples for each role and describes their typical responsibilities. Commissioning editors identify books or media to publish and ensure authors deliver on time. Editorial assistants provide support across all publication stages. Producers oversee projects from start to finish. Writers create fiction and non-fiction works across various platforms. Researchers develop program ideas and fact check. Executive producers oversee films and ensure they are completed on budget and schedule.
The document outlines various roles involved in the film and television production process such as writers, directors, producers, agents and commissioning editors. It describes the typical responsibilities and tasks associated with each role as well as average salaries. Commissioning bodies that hire writers are also discussed, including large corporations, independent production companies, independent directors/producers and film organizations.
This document provides information about various job roles in the media industry for scriptwriting and production. It discusses the roles of commissioning editors, producers, scriptwriters, and agents. For commissioning editors, their main role is to find new ideas from scriptwriters to broadcast on TV and ensure the scripts match the brief or genre they are looking for. Producers have overall control of the production and bring the team together. Scriptwriters create the scripts and may pitch their ideas or work with agents. Agents help scriptwriters get their work noticed and sell their scripts. Examples of people in these roles are also provided.
The document provides an analysis of the British sitcom The Inbetweeners. It discusses the show's genre, narrative structure, characters, and how it appeals to its target audience of 15-25 year olds. Key points made include that the show follows four friends in their late teens dealing with themes of relationships, alcohol and sex. Each episode features a humorous conflict that is resolved by the end. The informal and crude humor is meant to entertain through relatable situations the target audience can identify with from their own experiences.
The document discusses several theories related to how media and television content can influence audiences:
- Moral panic theory explains how the media can exaggerate issues and define people/groups as threats, potentially causing mass hysteria. It often involves five stages including defining a threat and authorities responding.
- Encoding/decoding theory suggests audiences actively derive their own meanings from media texts based on their experiences, which can be dominant, negotiated, or oppositional to the producer's intent.
- Uses and gratifications theory proposes audiences choose media to fulfill certain needs like information, entertainment, social interaction, personal identity, and escapism.
Comcast Corporation is a large American telecommunications conglomerate founded in 1963. It is the largest cable company and home internet provider in the US. Comcast owns NBCUniversal, including the NBC broadcast network, cable channels like CNBC and USA Network, and the Universal film studio. Brian Roberts is the Chairman and CEO of Comcast. Comcast provides cable/internet services under the Xfinity brand and owns TV and film production companies. It aims to leverage these assets to support investments from Comcast Ventures. The Minions films helped promote synergy between Comcast and NBCUniversal assets. The FCC regulates Comcast's telecommunications business, while Kathryn Zachem leads regulatory advocacy.
This document provides an overview of horror films including their history, genres, themes, and audience reception. It discusses how horror films aim to frighten audiences while also entertaining them. Early horror films were influenced by Gothic literature and silent German films. More recently, religious themes have become popular. The document also examines the portrayal of gender in horror films and how this has changed over time with women increasingly depicted as strong protagonists. It explores theories around audience reception and how meanings can differ between encoding and decoding of messages in films.
The document discusses various marketing strategies used to promote the Harry Potter film franchise over multiple films and build the Harry Potter brand. It describes how the films were advertised through posters, trailers, television spots, and merchandise. It also discusses how fan sites, theme parks like The Wizarding World of Harry Potter, and premier events helped generate excitement and awareness around the films. The overall marketing approach leveraged multiple channels, teased new content to build anticipation, and maintained brand consistency to keep the franchise successful.
The document provides information about and compares the 1962 film 300 Spartans and the 2006 film 300. It summarizes key details about the plots, historical accuracy, depictions of women, and societal contexts of the two films. It also analyzes differences in how the films portrayed Spartan armor, warriors, and key characters. The document suggests both films were influenced by the sociopolitical climates in which they were released but adapted the source material differently.
This document provides an analysis of a scene from the 2001 crime thriller film Training Day. The scene analyzed takes place during a raid on a drug dealer's house led by the corrupt cop Alonso and rookie officer Jake. The analysis focuses on four elements of media - camera work, editing, mise-en-scene, and sound. It discusses how close-up shots, angles, editing techniques like match cuts and shot reverse shots, setting details, and other elements build tension and reveal character dynamics during this pivotal intense scene.
This scene from the film Training Day depicts a raid on a drug dealer's house by corrupt cop Alonso and narcotics officer Jake. It focuses on the camera work, editing, mise-en-scene, and sound used to build tension. Close-ups are used to show the characters' panic and vulnerability. The camera angles emphasize the shifting power dynamic between Jake and Alonso. Fast cuts during dialogue and match cuts during the action help increase the panic and suspense. Details like Alonso's black clothing versus the drug dealer's dull outfit further develop the characters.
This document summarizes a social action project focused on health and fitness. The project aimed to educate youth on healthy lifestyle choices through a 10-clip documentary. It followed a fictional character to show the impacts of unhealthy and healthy eating on mood and behavior. Facts about calories in popular foods were presented to increase audience awareness. Interviews with local residents and a PE trainer were included to make the information more relatable and believable. Music was used strategically to set the mood. The filmmakers believe they successfully educated the audience and addressed the assigned topic.
The team conducted questionnaires to gather feedback on their social action project from the target audience. The results were positive, with most feedback praising the project for being straightforward and having good camera work. Respondents indicated they now better understood the importance of health and fitness. One suggestion was to discuss food ingredients and their health effects in more depth. Overall, viewers reported enjoying the project and its humor, such as a scene at McDonald's and a concluding line about not judging others.
The document discusses various constraints faced and overcome during the production of a documentary project. Financial constraints included a limited budget that required borrowing equipment to reduce costs. Legal constraints were addressed by obtaining proper releases and permissions for filming locations and individuals. Regulatory constraints regarding copyright law were overcome by requesting permission to use licensed music or finding music without copyright restrictions.
The documentary aims to educate youth about health and fitness issues by shocking the audience into action. It follows a fictional character to show the impacts of unhealthy eating through his mood swings and actions. Facts about calorie intake for popular junk foods are presented to increase awareness of food choices. Interviews with local residents and a PE trainer add credibility and help the audience feel the issues are common and important to address in the community. Motivational music and visuals of the character reinforce the message and desire for improved health behaviors. Camerawork uses establishing shots, cutaways, and long shots to set the scene and clearly present contrasts between healthy and unhealthy scenarios.
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Our documentary titled "To Health With It" will examine health, fitness, and lifestyle issues affecting youth ages 16-18. It will take a serious tone, interviewing professionals and individuals about diet, exercise, and mental well-being. The documentary will also follow a character who struggles with poor health but turns his life around through fitness. Our budget of £4,783.41 will cover cameras, lighting, cast, crew, and props to educate audiences on living a healthy lifestyle.
Our documentary titled "To Health With It" aims to educate younger audiences aged 16-18 about health, fitness, and lifestyle issues in a lighthearted yet informative manner. It will follow the story of a character whose poor health and lifestyle choices negatively impact his mental well-being, until he learns to make positive changes. We will interview experts and people struggling with health issues, sharing both misconceptions and steps toward improved wellness. With a £4,783 budget, we aim to complete filming by December 2017 and release it in January 2018 to coincide with new year resolutions.
The documentary discusses health and fitness, with the goal of informing viewers about their impact on the body. It uses interviews and footage of exercise to explain its points. The narrative jumps between different topics like exercise, health issues, and fitness in a non-linear way. Various camera shots like close-ups and long shots are used to focus on subjects. Sound includes dialogue from interviews and background music. Editing techniques like fade transitions help the story flow. The documentary aims to educate viewers on maintaining a healthy lifestyle.
This script is for a video about health and maintaining a healthy lifestyle. It discusses the importance of health and contains interviews and scenes about food choices and their effects on the body. In one scene, Adam discusses various fast foods like Oreos, KFC, Big Macs, and pizza and the high calorie and unhealthy fat contents. In another scene, George interviews people on the street about their food habits and fast food spending and suggests healthier and cheaper options. The story timeline depicts a typical morning for someone stressed and unhealthy and outlines a path to improving lifestyle choices.
The council of the London Borough of Redbridge has issued an informal brief to youth in the borough to create social action video projects on topics like littering. The best videos will be aired locally in the autumn of 2017. These projects are intended to raise awareness of issues, strengthen community ties, and potentially benefit participants by improving their skills and employability. An example topic could be a video addressing the problem of littering in the area in order to change attitudes and behaviors of residents.
This document contains an edit decision list for a film project, listing 100 shots with information like camera code, length, shot type, and notes. It includes establishing shots of fast food places, shots of Mustafa walking through and eating at McDonald's, interviews, and scenes of Mustafa sleeping in class. The list tracks the filming and provides details for editing decisions.
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2. Introduction
When commissioning a script for television and film, the is a process in which
you must go through as a scriptwriter. During the first stage the scriptwriter is
then shown to a commissioning editor, who will decide whether or not they think
the script is what they have been looking for. Finally, if the script is successful
then it will be shown to the producer, who gives a final call, seeing as if it the
producer who is charge of the whole operation.
3. Job roles involved in the Process
The Producer:
The Producer is in charge of the whole production. The Commissioning editor selects which
production companies or producers will be commissioned to make the programme that they want
for TV or film, which suggests the power they hold. Producers have overall control on every aspect
of a media production. They bring together and approve the whole production team. If the
commissioning editor finds a script that matches the brief, I will take it to the producer, I will decide
whether or not they want to use it. The contract cannot be signed if the producer/commissioning
editor does not like the script. Producers hold many responsibilities, from selecting screenplays,
securing the rights and choosing the screenwriter and editing team. Their key responsibility is to
create an environment where the talents of the cast and crew can flourish. They raise development
and supervise process.
4. Job roles involved in the process
The producer:
There are many skills on which a producer must have. They must a prior experience of
working on film or television industry. It is important to have creative vision in order to make
a unique and successful media production that brings in profit. As they must be thinking
about the profit. It is really important that they have a good in depth of understanding of
finance and to be able to secure and motive the production team. This means that
communication skills are vital, and it is important to be constantly on top of their game at all
time.
5. Job roles
Editorial Assistant:
Editorial assistant provides support in all stages of the publication of: books; journals; magazines;
online material and publicity materials. They support senior editorial staff in the administration of the
commissioning, planning and production of publications. The work they get and the responsibility
given to them will vary depending on the organization and work they have going on during that
current time. An assistant role is the usual starting point for careers in editorial work. With the
growth of digital publishing, there are increasing opportunities to work for online publications which
can involve editing and writing website content and using social media. Cindi Leive - Leive’s
magazine career started in the early 1990s, when she worked as an editorial assistant for Glamour.
Leive also worked at self, before returning to Glamour in 2001, where she is now Editor-in-Chief.
6. Job roles
Executive Producer:
An executive producer oversee the work of the producer on behalf of the studio, the financiers or the
distributors. They will ensure the film is completed on time, within budget, and to agree artistic and
technical standards. They can also raise a significant proportion of a film's finance, or secure the
underlying rights to the project. In major productions, they may be a representative or CEO of the film
studio. In smaller companies or independent projects they may be the creator or writer.
Typically, Executive Producers are not involved in the technical aspects of the filmmaking process.
Executive Producers must be excellent negotiators. They need a keen business sense, and an intimate
knowledge of all aspects of film production, financing, marketing and distribution.
Jane Harris is a British television director and producer, best known for her contributions to soap operas,
including EastEnders and Family Affairs, she is one of the leading executive producers behind the work of
EastEnders.
7. Job Roles
Literary Agent
A literary agent will work with and represent authors of book-length fiction and nonfiction in their
dealings with publishers, such as contracts. The agent's job is to find a publisher and get the
best deal possible for the author. Agents have to be familiar with both the publishing industry
and the laws governing book contracts so they can safeguard
the interests of their clients.
Edward Hibbert is an Anglo-American actor and literary agent. He played Gil Chesterton in the
TV series Frasier. He also voiced Zazu in both The Lion King II: Simba's Pride and The Lion
King 1½, replacing Rowan Atkinson.
8. Job roles involved in the process
The producer examples
● An example of a producer is Sue Vertue
She is an English television producer, mainly of comedy shows, including Mr. Bean and coupling. One
major television series that she produced was ‘ Sherlock ‘ which aired on BBC 1 in 2010 and now has four
series, which are highly anticipated, with a massive fanbase, and is still running in 2017. The show which
depicts a modern update of the famous Sherlock Holmes and his partner Dr. Watson, solving crime in 21st
century London, has a high rating on IMDB of ‘9.2’ with positive reviews all around
Another example of television producer is Carolyn Strauss:
She is an American television executive and producer. She was the president of the Home Box office (
HBO) network's entertainment division until 2008 and was responsible for commissioning series like the :
SOPRANOS, the wire, curb your enthusiasm and Sex and the city.
9. Job roles involved in the process
The commissioning editor:
A commissioning editor's role is to be able to find new idea’s from script writers which match
the brief that they set out. In this brief they advertise what to include in the written script,
such as if they show is after or before the watershed, then they must make sure the content
of the script is appropriate for the time that the show will be on television commissioning
editors advertise a brief in which included what their producers are looking for,and they must
find the talent for the I.e. scriptwriter. They must be able to find new writers that they can
nurture into a successful media project. Scriptwriters are able to search or online for
commissioning editors and present they ideas and script to them. The commissioning editor
is who passes the script, if they approve it and think its suits what they are looking for, onto
their producer.
10. Job roles involved in the process
Scriptwriters:
The script is in charge of writing the script for the film television and plays. Many times around, the scriptwriter has creative
control, although when they are commissioned, they are may rules and regulations they must follow. A scriptwriter will go
online to looks for commissions from either corporations or independent companies which they will read and advertise
commission. Then they will write the script with the intended characters, misé-en-scene on the commissioned genre. Once
the script is finally done, the writer will go to their agent; once the script is submitted, for their agent to discuss any finer
details with whoever is publishing/producing their script.
Why is time management such an important skill for a writer?
‘Writers, like most people, are incredibly busy. With work, family, friends, and other obligations, things can sometimes get
hectic. By using time-management strategies, however, they can find the time for writing, even when their life seems
overwhelming.’ Some ways this could be achieved is by: creating a writing space, prioritizing your activities, scheduling time
for writing, establishing writing goals and writing whenever you can.
11. Job roles involved in the process
Agent:
A scriptwriters will normally have a agent who will negotiate and sell their products to the
large companies. An agent will have contacts which are able to talk to companies in order to
sell the scriptwriters products and negotiate a price. It bs important to find work their clients,
relationships with industry decision-makers in order to persuade them to take their clients on.
They take percentage from what their clients earns, in this case the scriptwriter, for the work
which they do.
Some skills in which are vital for agents include: Having excellent social skills particularly
ability to make good contacts within the industry and to maintain them diplomatically and
tactfully. And being able to network effectively
12. Job roles
What are ‘royalty payments’?
‘Royalty payments are a way of giving money to the people who helped make something whenever it is
played, for example, if a script is bought by a production company and then turned into a film or television
series the scriptwriter will receive money every time that the it's shown. The royalty fees can range up to
15% of money gained but can be very little at the same time. Songs that are over 70 years old are royalty
free so that if television shows use an old tune they don’t have to pay for it. Many scripts have been
recycled and have used certain parts from other films or television series' which results in the production
company having to pay royalties to the old writer as well as when a film is remade.’
14. Commissioning bodies involved
Corporations:
BBC, Channel 4, channel 5 is a well established companies with broadcasting rights for tv a cooperation is
a business which own many subsidiaries which means they can generate more income and therefore
profit than independent companies, a scriptwriter will either go to a corporation or an independent, as a
cooperation has more finance it is likely to receive a higher amount of money and have better job
opportunities in the future, there are many strands to corporation such as factual drama, arts, science,
sports, news so you need to choose the correct commissioning department.
15. Independent companies
An independent company has less finance and power and therefore rely on the corporation because they
do not own any broadcasting rights, which means they can produce film but they rely on others to show it
to the public.their aim is to get their products or an scripts aired in tv to mass audience in order to get to a
higher profile as possible.
For a new script writer it might be better to find a independent company because it’s more likely to get
commissioned but there’s not as much as money as a corporation companies may have in their budget.
An example of an independent company Fremantlemedia UK who produce productions such as The X
factor, grand designs, the apprentice.
16. The role of a scriptwriter
The role of the scriptwriter is to create a script for film or TV productions. It is important that
screenplays should allow whoever is reading it to imagine how the film will work on screen,
so that the commissioning editor is able to tell if it will be a successful production. It is
important that the screenwriter writes the script so that it fits in with basic principles of
dramatic construction, and fits the format and style expected in the industry, for example the
BBC format. Screenwriters are almost always freelancers. They either pitch original ideas to
commissioning editors of corporations or independent companies in the hope they will be
optioned or sold. However, most of the time the scriptwriter will have an agent to negotiate
prices for them.
There are skills which screenwriters need to have: have an in-depth understanding of the
story, plot and narrative, Understand the different ways film affect audiences.
17. The role of a scriptwriter
Examples of screenwriters:
Ann McManus- Ann McManus is known for her work on bad girls (1999), waterloo road (2006) and
rock rivals (2008). Waterloo road is a contemporary drama series set in a challenging comprehensive
school, from 2006-2015 with 10 seasons altogether, being popular and success series. Waterloo
Road was aired on BBC 1 which means that's McManus would have been in competition with many
other writers, as she was pitching her idea to a large and successful cooperation.
Damon Beesley- Damon Beesley is a English writer and Television Producer, best known for his work
on British comedy The Inbetweeners and New Zealand comedy flight of the conchords. He often
works alongside his partner Iain Morris. The Inbetweeners follows four friends and their antics during
their years of school and was made into series, and 2 films being very successful with a large fan
base.
18. Laws and Ethics
Censorship
In order for the the script to go through normal publishing terms, they must make sure they follow all
ethical and media laws. These are things such as libel, censorship and watershed. In order for a script to
be published before watershed; inappropriate content must be censored.
Censorship makes sure that things are where they stand it is a big part of not showing unfamiliar culture to
the under-age generation; and not scaring more sensitive minds. It’s a part of the law to follow censorship
on any free-to-view channel in the UK; at least until watershed, which then allows channels to broadcast
more sensitive content. Essentially, censorship is the suppression of the freedom-of-speech law, which
suppresses any objectionable, harmful, sensitive, politically incorrect or inconvenient broadcast as
determined by the media board and governments.
19. Laws and Ethics
Libel
Under the Libel act; comes to defamation act (2013) which states that the media can not damage to an
individual’s reputation with misrepresenting or using false information, although many genres do take the “
mick” out of certain people,using misinformation can cause a court sentence, and for the scriptwriter who
has misinformed to face being sued.
When a scriptwriter writes the script, they must make sure it does not damage a person reputation or
contain a false claim; this can lead to sueing and a bad record; meaning the scriptwriter will not have a
good reputation for themselves; not allowing them to get a job, or much future work.
20. Laws and Ethics
Watershed
The watershed i the time which splits daytime and nighttime television. The watershed, set by OFcom for
British broadcasting, is the point in time after which programme with adult content may be aired. This
means that anytime before 9:00PM OR AFTER 5:30AM, only content that is suitable for all ages may be
shown on TV. It splits the time between when more sensitive minds are asleep, and can not be affected by
the explicit content, After 9:00pm in the UK, shows with the explicit are allowed to start broadcasting,
which are illegal to broadcast before the watershed time, because they may contain explicit content such
as; swearing and drug use which are unsuitable for children. If a commissioning editor has set in the brief
that the show they are looking for is set before the watershed, it is important that the scriptwriter does not
include any inappropriate content in their script, in order to be commissioned.
21. Laws and ethics
Legal and ethical
Plagiarism: In an instructional setting, plagiarism occurs when a writer deliberately uses someone else’s language, ideas,
or other original (not common-knowledge) material without acknowledging its source. This definition applies to texts
published in print or online, to manuscripts, and to the work of other student writers. Most current discussions of plagiarism
fail to distinguish between: submitting someone else’s text as one’s own or attempting to blur the line between one’s own
ideas or words and those borrowed from another source, carelessly or inadequately citing ideas and words borrowed from
another source.’
Copyright:
Is the exclusive and assignable legal right, given to the originator for a fixed number of years, to print, publish, perform, film,
or record literary, artistic, or musical material. As soon as the idea for your novel, poem, or manuscript is written down in a
fixed copy, the work automatically has copyright protection.’