This document provides information about the Drawing & Painting 1 class including the teacher's contact information, prerequisites, course description, methodologies, objectives, textbook, student responsibilities, grading criteria, assignment expectations, and the units of study. The class focuses on developing fundamental drawing skills and the transition to painting, incorporating art history, criticism, and aesthetics. Students will be assessed on their craftsmanship, participation, and completion of creative projects exploring concepts like composition, value, color, perspective, and gesture drawing.
printmaking, american posters, screenprintingRiverwood HS
introduction to how principles of design are used to create propaganda posters in the United States. Designed to introduce screenprinting to HS students.
printmaking, american posters, screenprintingRiverwood HS
introduction to how principles of design are used to create propaganda posters in the United States. Designed to introduce screenprinting to HS students.
24Tennessee State UniversityDepartment of Teaching & Lea.docxeugeniadean34240
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Tennessee State University
Department of Teaching & Learning
3500 John Merritt Blvd.
Nashville, TN 37209
EDRD 2010: Reading in the Content Area
Syllabus & Course Guide
Syllabus
Instructor: Dr. John Nandzo
Phone: 963 - 5572
Email: [email protected]
Office #/Location: LRC 214
Office Hours: MWF 9:00 AM – 11:00AM
TR: 10:00 AM – 12:00NOON
Course Days/Times:
Online Access: Mytsu Course Files
E-Mail Notification: via Mytsu and Banner Course Files Announcements
e-learn: http://elearn.tnstate.edu
Required Text(s)
Text: Reading in the Content Area
Author(s): Custom Publication
Publisher: Pearson Press
ISBN: 1256721786
Course Syllabus
To the Student
This Syllabus and Course Guide contains valuable information concerning rules, regulations, and policies which govern the operation Reading in the Content Area. As a student in this class, it is important that you know this information and that you use it as a guide to support your learning throughout the semester.
Professors will place the Syllabus and Course Guide in Banner Course Files and will upload it into the Desire2Learn (D2L) Online Learning Management Platform so that students can access this
Reading in the Content Area is a course that is designed to assist the enhancement of students’ competencies in reading and learning. Emphasis will be placed upon methods and procedures for use with interdisciplinary readings designed to provide a link across the disciplines for directive work in all fields of college study. The course will not only strengthen students’ literal comprehension but also the development of inferential comprehension in content area courses, the media, and socio-technical systems. Strong learning strategies will be formed by connecting new knowledge with prior knowledge, as well as connecting with social issues and events.
Rationale
Because many students have not read widely or deeply, they cannot be active independent learners. They have not learned and practiced the strategies that meaning is constructed by the reader as he/she engages with the various texts. College materials necessitate proficient reading skills; an effective college reading program, then, must help students to develop and master those essential tools so that they can achieve their higher education goals and lifelong learning.
General Course Goals
To assist students with the mastery of specific skills in reading comprehension and logical relationships that lead to the development of high order thinking ability. Particular emphasis is given to understanding main ideas, facts versus opinions, direct and indirect statements, inferences, categorizing ideas, and organizational principles to construct meaning from a variety of texts.
Course Competencies: Learning Goal.
1. Drawing & Painting 1
Teacher: Ms. Munson – munsond@fultonschools.org; Room 410; 404.847.1980 ext. 272
Class Blog: www.munson-dp2010.blogspot.com
Prerequisite: successful completion of Intro to Art OR Art History
Course Description: Students will be instructed in fundamental drawing skills and prepared to make the transition
to painting. Course work builds on drawing skills introduced in Introduction to Art. Drawing approaches include
contour, value to model form, gesture, perspective and color; students work with drawing media such as pencil,
charcoal, conte, oil pastels. Art history, criticism and aesthetics are incorporated with studio production of drawings
and paintings. Skills and techniques will be developed and explored so students can communicate there ideas with
greater clarity. Through this course, we hope to develop internationally minded people who exemplify the traits
found in the Learner Profile. Units that are studied in the Introduction to Art course support the three fundamental
concepts of the International Baccalaureate Middle Years Program:
• Holistic learning – students discover ways in which art is related to all other subjects. They also learn that the
strategies they develop to analyze and solve problems are those that will be used throughout their lives.
• Intercultural awareness – through their study of art, students discover the rich history of the subject. They gain
an understanding and appreciation for the many cultures that have contributed to the body of knowledge which
they study.
• Communication – students will be encouraged to be active learners who can communicate their knowledge to
others. They will practice technical, contextual, formal and conceptual ways to communicate the visual arts.
In addition, throughout this course, we explore ways and examine topics that provide opportunities for students to
develop the traits contained in the Learner Profile. The Introduction to Art Course Team, consisting of all teachers
that teach the course, works to consistently examine the unit designs, classroom practices, assessment policies,
and management and leadership activities to assure that attention is focused on the processes and outcomes of
student learning.
Course Methodologies & Objectives:
A number of methodologies are used in the Drawing and Painting 1 classes. Students generally work individually
with interaction and feedback from their classmates through discussion activities and critique opportunities. They
will receive direct instruction and be encouraged to show independent investigation and exploration to personalize
their own learning. Students will read about art and artists, develop technical skills, analyze art work, experiment,
participate in problem-solving projects, formulate creative solutions, write and reflect on their work depending on
the unit. Students are expected to demonstrate proper and safe use of materials and tools.
Textbook: Creating & Understanding Drawings. Mittler, Glencoe Publishing. It will be kept at school, however all
students are welcome to take the book home to complete assignments or on days prior to a test. The book will be
returned in good condition at the end of the semester or fines will be assessed. Replacement cost: $43.98
Student Responsibilities:
1. Each student will come to class prepared with assignments ready for the days work.
2. Each student will clean his or he own work area as well as any tools before the end of the class. Students who
fail to do so will receive detention.
3. Keep and notebook/folder containing all tests, handouts, and notes taken on reading assignments, lectures,
films, and demonstrations.
4. All Visual Verbal Journal assignments are expected to be creatively completed on time.
5. All students are expected to fulfill a level of professionalism within the class and demonstrate a desire to learn
the subject.
Grading Criteria: Riverwood adheres to the Fulton County grading policy. Students will be will graded on:
craftsmanship, technique, and completion of the project; as well as proper use of tools, materials, and time; and
participation in class discussions and critiques. All incomplete assignments will be averaged as a “0.” Traditional
grade reports are sent home every 6 weeks. As an International Baccalaureate Middle Years Program candidate
school, RICS will use the program’s assessment criteria to report student progress. The students will be assessed
at least once per semester against each of the four criteria. Reports of these scores will be sent at the end of each
semester.
The total semester grade will be an average of the following parts:
50% Studio Assignments completed in class.
15% Mini-labs, Classwork, and Homework
2. 15% Visual Journal assignments
10% Final Exam
10% Tests, and Quizzes
Fulton County uses the following grading scale: 90-100 = A 80-89 = B 70-79 = C 69-Below = F
ASSIGNMENT COMPLETION AND DUE DATES: Students will be given time to complete each studio assignment
and will be given advance notice of due dates for both homework and class work.
• Studio and Journal assignments not turned in on the due date will receive a 10% deduction each day the
assignment is late. Late work turned in 5 days or more after the assigned due date will receive a 50%
deduction. Unfinished work will receive only partial credit, 50% or less of the total points possible.
• Homework assignments not turned in on the due date will have a 10% deduction if submitted by the
following class. Beyond that point assignments will be accepted for 1 more class with a 50% deduction.
• Folders will only be accepted late one class period after the due date for a 50% deduction.
Parents will be notified by phone or email after 2 zeroes are recorded and/or when the student is in danger of
failing. Please consult the Student Handbook for the recovery policy.
Studio Time/Teacher Office Hours: The studio is open at 8am every morning for students needing extra time to
work on assignments. The teacher is available at that time, but appointments are encouraged if the student knows
he/she will need the teacher’s help. You can also set up additional time in the afternoons by a pre-arranged appoint
with at least one day’s notice.
Recovery Policy: Fulton County’s recovery policy is designed so that students who have regular attendance and
have completed all assignments but are still unsuccessful in a course can have a chance to demonstrate mastery.
Students can request recovery only if they meet the preceding criteria. Recovery does not mean that a student can
skip a test or fail to turn in a major assignment and receive recovery as an alternative. The type of recovery
assignments available to students is a matter of teacher discretion as long as it directly relates to the course
objects. Teachers will determine when and how students with extenuating circumstances may improve their grades.
(See page 4 of the Student Handbook.)
Drawing & Painting 1 is broken down into three units of study. Within each unit you can expect:
• MINI-LABS: short lessons that introduce one or two of the main objectives of the unit and will prepare you
for creating the final project for each unit.
• VISUAL VERBAL JOURNALS: Journal assignments are for experimenting and beginning to find your own
way of expressing your ideas, feelings, and moods. If the journal assignment is not completed in class, it
should be considered homework and completed on your own time.
• STUDIO PROJECT: cumulative art project for each unit of study where you will demonstrate the art
techniques and concepts taught for each unit.
• TEST/QUIZ: with each unit of study, you will have a test and/or an art application test.
3. UNIT 1: Introduction to Drawing and Composition
• Unit Question – How can we use drawing techniques to create successful compositions?
• Area of Interaction – Human Ingenuity
• Assessment Criteria – Application
• Significant Concept – Understand manipulating drawing techniques to make connections
between drawing and seeing.
Students refresh observational skills from Intro to Art. Students introduced to variety of drawing
media and techniques. Students create artwork from observation which focuses on observational
skills.
Unit 2: Value to Model Form – Developing Depth and Composition
• Unit Question – How can we manipulate value to create 2-D form?
• Area of Interaction – Environments
• Assessment Criteria – Personal Engagement
• Significant Concept – Learning to identify value range through observation and
transferring visual observations to 2-D surface.
Students will understand that artwork is created in conjunction with its environment. Students will
study shifts in value range in their environment and use drawing techniques learned in Unit 1 to
create observational artwork.
Unit 3: Transitioning to Color to Model Form
• Unit Question – What techniques can we carry from drawing to painting and how does
Drawing & color affect meaning?
Painting 1
• Area of Interaction – Health and Social Education
Units of
• Assessment Criteria – Personal Engagement
Study and
Areas of • Significant Concept – Identify connections between drawing and painting in terms of
Interaction: technique and notice how color affects meaning/overall perception of artwork.
Introduce students to history of painting and discuss psychological associations of color. Allow
students to experiment with painting media and color and consider how various drawing
techniques/styles as well as color change meanings.
Unit 4: Visual Perspective Drawing – Representing Depth on a Picture Plane
• Unit Question – Where do we observe perspective in our immediate environment?
• Area of Interaction – Environments
• Assessment Criteria – Knowledge/Understanding
• Significant Concept – Students use perspective skills to record perspective observed in
the immediate environment.
Students learn techniques to create perspective in drawing. Students practice looking and recording
perspective from life.
Unit 5: Gesture Drawing into Developed Drawing
• Unit Question – How can we incorporate gesture drawing with the formal qualities
(elements and principles) to create unified composition?
• Area of Interaction – Community and Service
• Assessment Criteria – Reflection/Evaluation
• Significant Concept – Connection between communal aspect of figural gesture drawing
and successful composition in finished artwork.
Students introduced to gesture drawing practices and history. Students build on gesture drawings to
create artwork that communicates meaning.