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





This is the direction in art were created in 1924 in
France
The assumptions had to be a revolt against classicism,
realism, empiricism, rationalism, utilitarianism and
conventions in art
Theoretician of this movement was a philosopher and
poet Andre Breton
The aim of Surrealism was "a visual expression of
internal perception." Artists try to create images that
disturb the logical order of reality. Often these were the
visions of the grotesque, the borderline between reality,
dream, fantasy, hallucinations, and moved away from
rationalism.






He used a technique
illusionist, surprisingly
juxtaposed individual
subjects often
deforming them.
In his works
overwhelms the
viewer an incredible
atmosphere
Particularly interested
in him psychological
phenomena paranoia revealing the
most secret desires of
man
Trwałość pamięci
Płonąca żyrafa

Miękka konstrukcja z gotowaną
fasolą
Sen
Chr ystus św. Jana od
krzyża






The basic procedure in his paintings
is to present ordinary objects
commonly used in unconventional
combinations and quite unusual
"circumstances"
Images retain a semblance of
realism, but the noise impact
perspective and surprising objects
evoke in the viewer anxiety, mention
dreamy visions
The artist said: "The image should
always be a reflection of a deeper
experience (...) a deeper experience
to say weird, strange and mean little known or not known".

Pieśń miłości
Archeolog

Hektor i Andromeda
Metafizyczne wnętrze z
herbatnikami

Wróżbita






Inventions such as Ernst was finding in
jars of wood, which applied a piece of
paper, then rubbing it with a pencil. In
this way obtained the blueprint of
irregular structures - frotaży, to which
he added a few accents and gave the
title - just as shocking as the image
itself
With technology frotażu born yet
raclage technique. It involves scraping
a comb or ruler freshly applied paint,
which gives a specific color and textural
effects.
Using these techniques has obtained
very remarkable results, therefore it
has been hailed as "the famous
architect of dreams".

Dzień i noc
Anioł ognia

Kuszenie św. Antoniego






He was one of the most active of
the Surrealists.
In contrast to Ernst was not a
supporter of the experiment, not
allowed to act casual.
He painted more traditionally, oil
on canvas.
With the full realism play specific
objects or fragments thereof, in a
surprising way, bumping them
together, making his paintings
resemble rebuses and riddles.

Magritte
Osobiste war tości

Kondycja ludzka
Nieustanny ruch
Kobieta w kąpieli






He resigned completely from the
mapping of nature to bring to life
their own world
A feature of his work was a
constant search for new
materials. Attempted to paint on
glass sandpaper on mazonicie,
copper. Take advantage of every
opportunity, some of the
canvases nadpalał other
dziurawił
The paintings we find the usual,
random spots and found them
concrete forms already worked
out with full deliberation and
diligence
Wielkie manewry
Karnawał harlekinów

Siedząca kobieta






Artist impose such a pace
drawing the picture
emerging from his pen or
pencil was created without
the participation of
consciousness
He especially liked to take
topics: massacres, the
victims, metamorphosis,
labyrinths
important distinguishing
features of his paintings
are loosening tangle of
lines and wavy lines

Warsztat Dedala
Metafizyczna ściana

W wieży snu

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Surrealizmss

  • 1.
  • 2.     This is the direction in art were created in 1924 in France The assumptions had to be a revolt against classicism, realism, empiricism, rationalism, utilitarianism and conventions in art Theoretician of this movement was a philosopher and poet Andre Breton The aim of Surrealism was "a visual expression of internal perception." Artists try to create images that disturb the logical order of reality. Often these were the visions of the grotesque, the borderline between reality, dream, fantasy, hallucinations, and moved away from rationalism.
  • 3.    He used a technique illusionist, surprisingly juxtaposed individual subjects often deforming them. In his works overwhelms the viewer an incredible atmosphere Particularly interested in him psychological phenomena paranoia revealing the most secret desires of man Trwałość pamięci
  • 5. Sen Chr ystus św. Jana od krzyża
  • 6.    The basic procedure in his paintings is to present ordinary objects commonly used in unconventional combinations and quite unusual "circumstances" Images retain a semblance of realism, but the noise impact perspective and surprising objects evoke in the viewer anxiety, mention dreamy visions The artist said: "The image should always be a reflection of a deeper experience (...) a deeper experience to say weird, strange and mean little known or not known". Pieśń miłości
  • 9.    Inventions such as Ernst was finding in jars of wood, which applied a piece of paper, then rubbing it with a pencil. In this way obtained the blueprint of irregular structures - frotaży, to which he added a few accents and gave the title - just as shocking as the image itself With technology frotażu born yet raclage technique. It involves scraping a comb or ruler freshly applied paint, which gives a specific color and textural effects. Using these techniques has obtained very remarkable results, therefore it has been hailed as "the famous architect of dreams". Dzień i noc
  • 11.     He was one of the most active of the Surrealists. In contrast to Ernst was not a supporter of the experiment, not allowed to act casual. He painted more traditionally, oil on canvas. With the full realism play specific objects or fragments thereof, in a surprising way, bumping them together, making his paintings resemble rebuses and riddles. Magritte
  • 14.    He resigned completely from the mapping of nature to bring to life their own world A feature of his work was a constant search for new materials. Attempted to paint on glass sandpaper on mazonicie, copper. Take advantage of every opportunity, some of the canvases nadpalał other dziurawił The paintings we find the usual, random spots and found them concrete forms already worked out with full deliberation and diligence Wielkie manewry
  • 16.    Artist impose such a pace drawing the picture emerging from his pen or pencil was created without the participation of consciousness He especially liked to take topics: massacres, the victims, metamorphosis, labyrinths important distinguishing features of his paintings are loosening tangle of lines and wavy lines Warsztat Dedala