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Surrealizmss
1.
2.
This is the direction in art were created in 1924 in
France
The assumptions had to be a revolt against classicism,
realism, empiricism, rationalism, utilitarianism and
conventions in art
Theoretician of this movement was a philosopher and
poet Andre Breton
The aim of Surrealism was "a visual expression of
internal perception." Artists try to create images that
disturb the logical order of reality. Often these were the
visions of the grotesque, the borderline between reality,
dream, fantasy, hallucinations, and moved away from
rationalism.
3.
He used a technique
illusionist, surprisingly
juxtaposed individual
subjects often
deforming them.
In his works
overwhelms the
viewer an incredible
atmosphere
Particularly interested
in him psychological
phenomena paranoia revealing the
most secret desires of
man
Trwałość pamięci
6.
The basic procedure in his paintings
is to present ordinary objects
commonly used in unconventional
combinations and quite unusual
"circumstances"
Images retain a semblance of
realism, but the noise impact
perspective and surprising objects
evoke in the viewer anxiety, mention
dreamy visions
The artist said: "The image should
always be a reflection of a deeper
experience (...) a deeper experience
to say weird, strange and mean little known or not known".
Pieśń miłości
9.
Inventions such as Ernst was finding in
jars of wood, which applied a piece of
paper, then rubbing it with a pencil. In
this way obtained the blueprint of
irregular structures - frotaży, to which
he added a few accents and gave the
title - just as shocking as the image
itself
With technology frotażu born yet
raclage technique. It involves scraping
a comb or ruler freshly applied paint,
which gives a specific color and textural
effects.
Using these techniques has obtained
very remarkable results, therefore it
has been hailed as "the famous
architect of dreams".
Dzień i noc
11.
He was one of the most active of
the Surrealists.
In contrast to Ernst was not a
supporter of the experiment, not
allowed to act casual.
He painted more traditionally, oil
on canvas.
With the full realism play specific
objects or fragments thereof, in a
surprising way, bumping them
together, making his paintings
resemble rebuses and riddles.
Magritte
14.
He resigned completely from the
mapping of nature to bring to life
their own world
A feature of his work was a
constant search for new
materials. Attempted to paint on
glass sandpaper on mazonicie,
copper. Take advantage of every
opportunity, some of the
canvases nadpalał other
dziurawił
The paintings we find the usual,
random spots and found them
concrete forms already worked
out with full deliberation and
diligence
Wielkie manewry
16.
Artist impose such a pace
drawing the picture
emerging from his pen or
pencil was created without
the participation of
consciousness
He especially liked to take
topics: massacres, the
victims, metamorphosis,
labyrinths
important distinguishing
features of his paintings
are loosening tangle of
lines and wavy lines
Warsztat Dedala