This powerpoint presentation discusses about ART AS REPRESENTATION. This was a topic in my philosophy class. Other aspects of this topic were: Art as Beauty, Art as Abstract, etc but this topic was the one I picked.
This powerpoint presentation discusses about ART AS REPRESENTATION. This was a topic in my philosophy class. Other aspects of this topic were: Art as Beauty, Art as Abstract, etc but this topic was the one I picked.
JUST NEED (4) REPLIES TO THE OTHER STUDENTS2-3 Sentences Replay.docxcroysierkathey
JUST NEED (4) REPLIES TO THE OTHER STUDENTS
2-3 Sentences Replay
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· Week Four Discussion 1
Compare the work of two artists from any two different art movements covered in Chapter 21.
· Describe, then compare, the contexts, concerns and main aspects of each movement and how those appear in the artworks you've selected.
· Be sure to explain why you made your particular choices of movements, artists and artworks.
· Evaluate the artwork you've selected according to any criteria you think are relevant (given what you have learned so far in the course).
Be sure that you are making an evaluative comparison of the two artists’ work, rather than simply discussing them in turn.
REPLY TO:Permenter
Week 4, Discussion 1
COLLAPSE
Top of Form
Romanticism and Impressionism vary greatly in their style. Romanticism was in favor for a much longer period of time, roughly 1800-1890, than Impressionism (1870-1880). Romanticism was more an attitude and choice of subjects than a true style. The artists of this period looked for emotions and imagination when deciding what they wanted to create. They looked for the risqué and exotic as well as mystery. Impressionist artists had some more flexibility with the new availability of equipment that was more portable. This allowed Impressionists to work in the actual outdoors as opposed to studios. These artists used natural light, shadows and a lighter color palette to express their ideas.
The pieces for this discussion were chosen due to the similar subject of the works yet stark contrast. Both pieces feature a group of people enjoying a leisurely activity, yet they are not alike at all. The way they contrast and show their specific movements is remarkably interesting. First, the Romanticism piece chosen is The Women of Algiers by Delacroix (p.485, fig. 21.2). This piece is very risqué, and the subject of the piece is quite scandalous. The women portrayed are women in a harem and it was unusual for outsiders to be allowed in, let alone document it such as this. Delacroix demonstrates this period by the subject of the piece being so exotic and mysterious. He does a great job showing unity yet variety here as well. The painting feels very dark and colors of the piece are mostly neutral and really work well together, with a kick of reddish orange here and there to brighten up the piece.
The Impressionist piece Le Moulin de la Galette (p.490, fig. 21.7) by Renoir is a stark contrast to The Women of Algiers . This piece, while detailed enough for one to see the subjects and understand the context of the painting, is not focused on the clear lines and defined objects as The Women of Algiers is. Renoir uses a freer stroke and uses emphasis and subordination. The emphasis of the painting is on the small group in the front of the painting as the rest get blurrier the farther away they are. This painting is so much brighter with a lighter palette than the other clearly showing that it is from a different mov ...
Floral canvas painting understanding the basics of abstract artwholesalepapa
Abstract painting happens to be one of the purest forms of expressing feelings through art. It allows an artist to communicate freely through visuals without encountering constraints of forms that are abundant in objective reality. The approaches of abstract painting encompass innumerable movements, including Fauvism, German Expressionism, Abstract Expressionism, and Cubism.
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13. Began as a sketch artist mainly doing anatomical drawings. Moved into nature later becoming progressively more non-representational
14. Became simpler and simpler as desire to reveal the universal order under things developed.
15. Influence of cubism is clear as spent time in Paris. Believed what cubists started was a step in the correct direction but not there yet.
16. Believed classical geometry to be essential to uncovering the universal order. We see here the way that the rectangles in Mondrian’s work can be divided in half in succession an infinite number of times. NOTE: This pattern is repeatedly found in nature and possibly could give us clues to relationships between Mondrian’s Neo-Plastic paintings and natural objects.
26. Influenced architecture especially that of Frank Lloyd Wright. Principles mimic Mondrian. Notice how they also deal with the simplicity of nature like Mondrian Influenced couture fashion by making design something “avant-garde”, no longer necessarily practical and progressively got more daring as it moved away from traditional black and white to use bold color and daring cuts.
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