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SUPERSIZE ME
of documentary as it includes
interviews, observations, and there are
elements of mise-en-scene. Most
members of the cast acknowledge the
presence of the camera making it an
example of a participatory
documentary.
KEY THEMES
• Obesity
• Manipulation
• Fast food
• Profits/money
• America
• Health issues
• Children’s diets
• McDonalds
• Personal responsibility
• Governments
NARRATIVE STRUCTURE
• Multi-stranded – the documentary covers a range of topics e.g.
Nutrition, corporations, government input etc..
• Linear – the documentary follows the man’s diet journey in
chronological order
• Closed narrative – by the end of the documentary, all questions
regarding the man’s progress have been answered
• Open narrative – however, the audience could be left wondering
what the fate of the McDonalds industry is and whether the stores
will remain open or be sued
• Binary opposites – Strauss’ theory is shown through healthy vs
unhealthy
• Propp’s narrative theory – Hero (voice over), villain (fast food),
princess (people of America who consume fast food).
CAMERAWORK
Much of the camerawork throughout the documentary is handheld,
mostly filmed by Spurlock himself. The use of handheld
camerawork helps immerse the audience in the film and express a
sense of realism. An example of handheld camerawork is when
Spurlock is at a school during lunch time – shots show the food
being served out which gives the audience the same visual
experience as if they were there.
TWO SHOT
This is used when Morgan is in the doctor’s surgery,
getting various tests – in this shot his blood pressure is
being taken. The shot shows the professional/formal
relationship between the two and conveys the medical
and scientific themes in the documentary.
EXTREME CLOSE UP
This shot shows Spurlock’s weight being recorded at the
start of his diet which is a key point in the documentary.
The intense focus on the scales symbolises how
significant his weight and health are in his journey and
implies that his diet has now begun – this is his start line.
CLOSE UP
Close ups are used for the interviews with the public
which effectively removes any focus from the
interviewee’s surroundings so the audience is solely
focused on them and what they are saying. Close ups also
make it hard to tell the person’s weight which leaves their
opinion seemingly unbiased.
ZOOM OUT
A zoom is used from a shot of a sign advertising a ‘free
taste’ to pan out to a large variety of ice cream flavours.
This shows how much unhealthy food is on offer in America
and how wide it ranges beyond McDonalds whilst also
expressing how easily accessible it is.
ZOOM IN
This technique is used throughout the documentary often
zooming in on the food that Spurlock is eating. This gives
the audience full detail and immersion in his diet and
provides them with maximum coverage of the experience.
LOW ANGLE SHOT
A low angle shot is used in the car, when showing
Spurlock eat his lunch. The low angle provides full view
of him eating the meal, what it is he’s eating, and his
surroundings. The low angle also plays on the idea that
he is becoming larger as he takes up more screen
space.
ARCHIVE FOOTAGE
Archival/stock footage is obtained from a
film library or archive and inserted into a
documentary to add detail or show
historical events without the need for
additional filming. In Supersize Me, a
great deal of archival footage is used to
display the extent of obesity everyday in
America and speeches made about the
themes covered. This blends nicely into
the rest of the footage and is often
placed between two different scenes to
make them flow better. The footage used
shows the effects of the ‘McDonalds diet’
outside of Spurlock’s experience and how
it impacts people in everyday life.
MISE-EN-SCENE
In his car
The Doctor’s surgery
At home
McDonalds
Spurlock’s workplace
SOUND
• Digetic – digetic sound is featured in Spurlock’s dialogue as he narrates
his actions, and converses with the audience about his location and
progress etc. Whilst in shot being filmed. This keeps the documentary
real and relatable for the audience. There is also the digetic sound of
him eating, unwrapping his food and vomiting which again re-inforces
the realism of his experience and shows how the footage is unaltered
and realistic.
• Non-digetic – This is used in terms of the voiceover and the music
played over montages or often archival footage. The voiceover is
Morgan Spurlock which maintains the informal tone and the realism of
the documentary however he uses the voiceover to create a more
authoritative facade by spouting facts and figures and specialist
knowledge on key themes such as obesity and fast food chains. The
music used in the documentary is childish, McDonalds songs which
anchor the theme of the documentary and highlight how chains like
McDonalds reach out to young, naive children and appeal to
Americans from a young age.
EDITING
Complex editing techniques are kept minimal to maintain the
focus of the documentary on the key themes. These
themes are re-inforced using montages of archival footage
of obese people in America, fast food being consumed
and fast food restaurants. Multiple jump cuts are included
with archival footage in between many scenes which
makes the documentary flow smoothly. Images and
animations are also intertwined to keep bringing the
theme of the documentary back to the impact of fast food
chains and chronic obesity.
GRAPHICS
Dates, locations and subtitles are used
throughout which emphasises the chronological
order of the documentary. Maps are also used,
not only to show location but to express how
obesity is effecting America nationwide. Both
maps used show how obesity has increased in
recent years which effectively scaremongers
viewers into realisation that it is a new and
increasing problem. Lots of negative propoganda
like this is used throughout the documentary like
Mcdonalds being incorporated into famous
paintings such as ‘The last supper’ and ‘Starry
night’ which show how manipulative fast food
advertising can be.

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Supersize me

  • 2. of documentary as it includes interviews, observations, and there are elements of mise-en-scene. Most members of the cast acknowledge the presence of the camera making it an example of a participatory documentary.
  • 3. KEY THEMES • Obesity • Manipulation • Fast food • Profits/money • America • Health issues • Children’s diets • McDonalds • Personal responsibility • Governments
  • 4. NARRATIVE STRUCTURE • Multi-stranded – the documentary covers a range of topics e.g. Nutrition, corporations, government input etc.. • Linear – the documentary follows the man’s diet journey in chronological order • Closed narrative – by the end of the documentary, all questions regarding the man’s progress have been answered • Open narrative – however, the audience could be left wondering what the fate of the McDonalds industry is and whether the stores will remain open or be sued • Binary opposites – Strauss’ theory is shown through healthy vs unhealthy • Propp’s narrative theory – Hero (voice over), villain (fast food), princess (people of America who consume fast food).
  • 5. CAMERAWORK Much of the camerawork throughout the documentary is handheld, mostly filmed by Spurlock himself. The use of handheld camerawork helps immerse the audience in the film and express a sense of realism. An example of handheld camerawork is when Spurlock is at a school during lunch time – shots show the food being served out which gives the audience the same visual experience as if they were there.
  • 6. TWO SHOT This is used when Morgan is in the doctor’s surgery, getting various tests – in this shot his blood pressure is being taken. The shot shows the professional/formal relationship between the two and conveys the medical and scientific themes in the documentary. EXTREME CLOSE UP This shot shows Spurlock’s weight being recorded at the start of his diet which is a key point in the documentary. The intense focus on the scales symbolises how significant his weight and health are in his journey and implies that his diet has now begun – this is his start line. CLOSE UP Close ups are used for the interviews with the public which effectively removes any focus from the interviewee’s surroundings so the audience is solely focused on them and what they are saying. Close ups also make it hard to tell the person’s weight which leaves their opinion seemingly unbiased.
  • 7. ZOOM OUT A zoom is used from a shot of a sign advertising a ‘free taste’ to pan out to a large variety of ice cream flavours. This shows how much unhealthy food is on offer in America and how wide it ranges beyond McDonalds whilst also expressing how easily accessible it is. ZOOM IN This technique is used throughout the documentary often zooming in on the food that Spurlock is eating. This gives the audience full detail and immersion in his diet and provides them with maximum coverage of the experience. LOW ANGLE SHOT A low angle shot is used in the car, when showing Spurlock eat his lunch. The low angle provides full view of him eating the meal, what it is he’s eating, and his surroundings. The low angle also plays on the idea that he is becoming larger as he takes up more screen space.
  • 8. ARCHIVE FOOTAGE Archival/stock footage is obtained from a film library or archive and inserted into a documentary to add detail or show historical events without the need for additional filming. In Supersize Me, a great deal of archival footage is used to display the extent of obesity everyday in America and speeches made about the themes covered. This blends nicely into the rest of the footage and is often placed between two different scenes to make them flow better. The footage used shows the effects of the ‘McDonalds diet’ outside of Spurlock’s experience and how it impacts people in everyday life.
  • 9. MISE-EN-SCENE In his car The Doctor’s surgery At home McDonalds Spurlock’s workplace
  • 10. SOUND • Digetic – digetic sound is featured in Spurlock’s dialogue as he narrates his actions, and converses with the audience about his location and progress etc. Whilst in shot being filmed. This keeps the documentary real and relatable for the audience. There is also the digetic sound of him eating, unwrapping his food and vomiting which again re-inforces the realism of his experience and shows how the footage is unaltered and realistic. • Non-digetic – This is used in terms of the voiceover and the music played over montages or often archival footage. The voiceover is Morgan Spurlock which maintains the informal tone and the realism of the documentary however he uses the voiceover to create a more authoritative facade by spouting facts and figures and specialist knowledge on key themes such as obesity and fast food chains. The music used in the documentary is childish, McDonalds songs which anchor the theme of the documentary and highlight how chains like McDonalds reach out to young, naive children and appeal to Americans from a young age.
  • 11. EDITING Complex editing techniques are kept minimal to maintain the focus of the documentary on the key themes. These themes are re-inforced using montages of archival footage of obese people in America, fast food being consumed and fast food restaurants. Multiple jump cuts are included with archival footage in between many scenes which makes the documentary flow smoothly. Images and animations are also intertwined to keep bringing the theme of the documentary back to the impact of fast food chains and chronic obesity.
  • 12. GRAPHICS Dates, locations and subtitles are used throughout which emphasises the chronological order of the documentary. Maps are also used, not only to show location but to express how obesity is effecting America nationwide. Both maps used show how obesity has increased in recent years which effectively scaremongers viewers into realisation that it is a new and increasing problem. Lots of negative propoganda like this is used throughout the documentary like Mcdonalds being incorporated into famous paintings such as ‘The last supper’ and ‘Starry night’ which show how manipulative fast food advertising can be.