Storytelling with Casper David Friedrich - the famous German Romantic painter
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Casper David Friedrich was a 19th century German Romantic landscape painter considered very influential. The document instructs the reader to create a story based on Friedrich's paintings by selecting slides in any order and using common storytelling phrases to structure a beginning, middle, and end. It suggests following the hero's journey mythological structure of storytelling which involves 12 stages from an ordinary world to a return with an elixir.
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Task 4 ) german expressionism and the portrayal of heroes in film noir
German expressionism began in Germany in the early 20th century with films like Der student von Prag in 1913 but World War I isolated German filmmakers, allowing the style to develop independently. German expressionism emphasized expression over narrative through techniques like contrasting light and dark and abstract architectural designs. It flourished in the 1920s but declined after the Nazis rose to power, though it influenced later genres, including American film noir. Film noir heroes are typically flawed men with dark pasts who understand the cynical world but are undone by femme fatales they become involved with.
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Classic film noir originated after World War II as a way to portray the feelings of fear, mistrust, and despair felt by many at that time. Common themes included alienation, moral corruption, and paranoia. Storylines were often complex with nonlinear narratives, voiceovers, and amnesiac protagonists. Men were typically cynical while women were beautiful yet manipulative femmes fatales. Through use of shadows, smoke, and black and white film, noir created an atmosphere of menace, anxiety, and defeat.
German expressionism and Film Noir
German Expressionism was a film movement of the 1920s characterized by distorted sets and lighting that conveyed psychological states. Key elements included chiaroscuro lighting, reflective surfaces, and themes of madness and betrayal. Fritz Lang was an important German Expressionist director who fled Nazi Germany for America. His films reflected the style and themes of German Expressionism. Film noir emerged in the 1940s-50s and was influenced by German Expressionism. It featured dark themes of paranoia and amnesia reflecting post-war society. Elements like canted angles and lighting techniques carried over from earlier styles and still influence modern horror films.
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This document provides information about the film genre project for a creative arts class. It includes definitions of the term "genre" and lists examples of different film genres. It also describes an activity where students will watch a montage of mainstream film genres and identify common stylistic elements. Finally, it discusses the German Expressionist film genre, providing context and describing its distinctive visual style including bizarre sets, unusual angles, shadows, and characters. Students are asked to create a drawing representing German Expressionism.
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This document discusses stylistic influences of the horror genre, focusing on German Expressionism in the 1920s. Some key aspects of German Expressionism included distorted perspectives of characters and settings to represent postwar Germany, and use of chiaroscuro lighting to create harsh shadows and negative moods. These techniques influenced later horror films through unusual compositions and lighting to suggest psychological issues. The 1920 film The Cabinet of Doctor Caligari exemplified these styles through low-key lighting, sharp contrasts, and shadows on faces representing dark inner minds. These German Expressionist styles then influenced noir films of the 1940s and more modern films like Edward Scissorhands through use of similar lighting, settings, and narrative themes.
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German Expressionism was a film movement that used stylistic elements like asymmetric camera angles, high contrast lighting, and reflective surfaces. It reflected the mood in Germany after World War 1. Key elements included chiaroscuro lighting, a focus on mirrors/reflections, and how humans react to inhuman things. Themes included madness, insanity, and betrayal. Fritz Lang was an influential German Expressionist director who fled Nazi Germany and brought the style to America. German Expressionism influenced the development of Film Noir, known for its dark themes of paranoia, despair, and femme fatales. Both genres reflected the psychological effects of war and changes in social norms.
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German Expressionism originated as an artistic movement in early 20th century Germany that influenced cinema through its use of abstract and non-realistic sets and scenarios exploring themes of insanity and a hostile world. Key characteristics of Expressionist films included distorted perspectives and sets designed to reflect a protagonist's state of mind. Expressionism later influenced the film noir genre, featuring cynical characters in dark stories. Famous German Expressionist filmmakers like Fritz Lang, Robert Wiene, and their films like The Cabinet of Dr. Caligari and Metropolis had lasting impacts and influenced later directors such as Tim Burton.
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Task 4 ) german expressionism and the portrayal of heroes in film noir
German expressionism began in Germany in the early 20th century with films like Der student von Prag in 1913 but World War I isolated German filmmakers, allowing the style to develop independently. German expressionism emphasized expression over narrative through techniques like contrasting light and dark and abstract architectural designs. It flourished in the 1920s but declined after the Nazis rose to power, though it influenced later genres, including American film noir. Film noir heroes are typically flawed men with dark pasts who understand the cynical world but are undone by femme fatales they become involved with.
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Classic film noir originated after World War II as a way to portray the feelings of fear, mistrust, and despair felt by many at that time. Common themes included alienation, moral corruption, and paranoia. Storylines were often complex with nonlinear narratives, voiceovers, and amnesiac protagonists. Men were typically cynical while women were beautiful yet manipulative femmes fatales. Through use of shadows, smoke, and black and white film, noir created an atmosphere of menace, anxiety, and defeat.
German expressionism and Film Noir
German Expressionism was a film movement of the 1920s characterized by distorted sets and lighting that conveyed psychological states. Key elements included chiaroscuro lighting, reflective surfaces, and themes of madness and betrayal. Fritz Lang was an important German Expressionist director who fled Nazi Germany for America. His films reflected the style and themes of German Expressionism. Film noir emerged in the 1940s-50s and was influenced by German Expressionism. It featured dark themes of paranoia and amnesia reflecting post-war society. Elements like canted angles and lighting techniques carried over from earlier styles and still influence modern horror films.
Genre
This document provides information about the film genre project for a creative arts class. It includes definitions of the term "genre" and lists examples of different film genres. It also describes an activity where students will watch a montage of mainstream film genres and identify common stylistic elements. Finally, it discusses the German Expressionist film genre, providing context and describing its distinctive visual style including bizarre sets, unusual angles, shadows, and characters. Students are asked to create a drawing representing German Expressionism.
Stylistic influences on the horror genre
This document discusses stylistic influences of the horror genre, focusing on German Expressionism in the 1920s. Some key aspects of German Expressionism included distorted perspectives of characters and settings to represent postwar Germany, and use of chiaroscuro lighting to create harsh shadows and negative moods. These techniques influenced later horror films through unusual compositions and lighting to suggest psychological issues. The 1920 film The Cabinet of Doctor Caligari exemplified these styles through low-key lighting, sharp contrasts, and shadows on faces representing dark inner minds. These German Expressionist styles then influenced noir films of the 1940s and more modern films like Edward Scissorhands through use of similar lighting, settings, and narrative themes.
German expressionism and Film Noir Themes
German Expressionism was a film movement that used stylistic elements like asymmetric camera angles, high contrast lighting, and reflective surfaces. It reflected the mood in Germany after World War 1. Key elements included chiaroscuro lighting, a focus on mirrors/reflections, and how humans react to inhuman things. Themes included madness, insanity, and betrayal. Fritz Lang was an influential German Expressionist director who fled Nazi Germany and brought the style to America. German Expressionism influenced the development of Film Noir, known for its dark themes of paranoia, despair, and femme fatales. Both genres reflected the psychological effects of war and changes in social norms.
Learning Materials - Film Elements
This document provides an overview of narrative elements, mise-en-scene elements, and cinematic styles referenced in the 1982 film Vincent. It includes sections on narrative elements like genre, character, themes, setting, narrative and point of view. It also discusses key aspects of mise-en-scene including decor, lighting, costume and space. Finally, it outlines cinematic styles like German Expressionism and Gothic elements seen in the film through techniques such as chiaroscuro lighting, anthropomorphism and reflective surfaces.
German expressionism, film noir & horror
German Expressionism originated as an artistic movement in early 20th century Germany that influenced cinema through its use of abstract and non-realistic sets and scenarios exploring themes of insanity and a hostile world. Key characteristics of Expressionist films included distorted perspectives and sets designed to reflect a protagonist's state of mind. Expressionism later influenced the film noir genre, featuring cynical characters in dark stories. Famous German Expressionist filmmakers like Fritz Lang, Robert Wiene, and their films like The Cabinet of Dr. Caligari and Metropolis had lasting impacts and influenced later directors such as Tim Burton.
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German expressionism began as a creative movement in Germany during World War 1 and spread to other art forms like film across Europe. It was characterized by stylized sets, dramatic lighting, and themes of madness and insanity. Notable director Fritz Lang helped establish the film noir genre, transferring expressionist techniques like unique camera angles and maze-like plots to American crime dramas. Film noir in turn influenced modern horror films through its lighting and psychological themes.
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German Expressionism arose in the 1920s in Germany as a reaction to World War 1. It used stylistic techniques like sharp angles, dramatic shadows, and high contrast lighting to create a sense of paranoia and unease. One of its most famous films, Metropolis, showed the divisions in German society between the upper and working classes. These German Expressionist films influenced the later American film noir genre of the 1940s, which also used low-key lighting and shadows to portray themes of distrust and corruption. Elements of both these earlier cinematic styles can still be seen in modern horror films through the use of lighting, shadows, and urban settings.
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This document defines and analyzes the film noir genre. It discusses key themes like corruption and justice that are common in film noir. It originated after WWII, influenced by German expressionism and crime novels. Film noir uses iconography like venetian blinds and features morally ambiguous protagonists. It employs techniques like low-key lighting, Dutch angles, and flashbacks to create a mood of pessimism. Settings are usually dark urban areas and costumes reflect the 1940s-50s era. While originally for mature audiences, the genre has evolved over time into neo-noir films and graphic novel adaptations.
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001 film noir introduction
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A four PowerPoint set covering: Introduction to Film Noir, Characters and Themes, Place and Iconography, Plot and Story Structure. The course was supported by screenings of; The Rules of Film Noir (Documentary) and The Matese Falcon.
Largely stolen, ripped, copied, re-worked and edited from other sources these slide decks were produced to support an ESL Drama course on the topic of Film Noir. My apologies to those I have rampantly sampled but actually I feel I have drawn a number of sources together here to produce something which is more than the sum of its parts (fair use).
Key aspects of film noir
Film noir originated in the 1940s-1950s and featured cynical, dark crime stories set in cities. Key elements include an anti-hero male protagonist who is morally ambiguous and entangled with a manipulative femme fatale female. Films used expressionist lighting techniques like chiaroscuro and backlighting to create shadows and silhouettes. Music commonly featured jazz tones with saxophone, piano, and trumpet.
German Expressionism
German expressionism began as a creative movement in Germany during World War 1 and spread to other art forms like film across Europe. It was characterized by stylized sets, dramatic lighting, and themes of madness and insanity. Notable director Fritz Lang helped establish the film noir genre, transferring expressionist techniques like unique camera angles and maze-like plots to American crime dramas. Film noir in turn influenced modern horror films through its lighting and psychological themes.
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The Man in the High Castle is an alternate history TV drama set in 1962 where the Axis powers won WWII. The plot follows characters in a dystopian USA divided between Nazi and Japanese rule who discover propaganda films of an unknown origin. Main iconography includes Nazi and Japanese flags and symbols. The drama features a large cast of characters including Joe, a Nazi double agent, and Obergruppenfuhrer Smith, a Nazi commander. Main themes explored are morality, treachery, and living under fascist rule. The show uses period film techniques to set the tone and establish its alternate history setting across locations in the USA and Europe.
Key features of film noir
This document outlines several key visual and thematic features of film noir movies. It discusses how film noir translates to "black film" in French and was inspired by crime novels. Key features mentioned include black and white filming to emphasize shadows, urban settings filled with dark corners and alleys, dramatic lighting that highlights characters with shadows and darkness, frequent smoking scenes that add mystery, femme fatales who seduce and endanger men, and reflections that raise tension. Male protagonists are typically hard-boiled detectives who face downfalls, while guns add danger and action.
Film Noir Presentation
Film noir is a style of crime drama that became popular in the 1940s-1950s. It is known for its cynical worldview and emphasis on sexuality as motivations. These films typically featured flawed protagonists and femme fatale characters. They also had signature visual styles like low-key lighting, shadows, and Dutch angles that contributed to an overall dark and disorienting tone. Common noir themes included greed, jealousy, crime, murder investigations and betrayals. The urban setting of cities like Los Angeles and New York featured prominently in locations like bars and factories where climaxes typically took place. Narrative devices in noir often involved nonlinear techniques like flashbacks and voiceovers.
Conventions of film noir
Film noir is a genre of film inspired by hard-boiled crime novels that became popular in France. Common conventions of film noir include being shot in black and white to emphasize shadows and moods, settings in dark city alleys and tall buildings that isolate characters, dramatic lighting using shadows and contrasts, femme fatales that lure men into danger, cynical male protagonists such as detectives, and themes of money, guns, smoking, and reflections that add elements of mystery, danger, and suspense.
Julie walsh
In this letter from 1914, Sigmund Freud describes how he is living isolated in his "private trench" where he speculates and writes about psychoanalysis. He reports that anxiety, hysteria, and paranoia have "capitulated" or been explained through his work. However, he has doubts about fully explaining the problems of pleasure and unpleasure. While isolated from most colleagues due to the war, Freud feels he has already contributed more to the world than what the world has given him in return. He concludes by saying he is currently writing primarily for Ferenczi and a few others.
Andrew Frayn - Attachment and coping in D.H. Lawrence's 'Bay'
'Attachments and coping towards the end of the First World War: D. H. Lawrence's Bay (1919)'; A public talk by Andrew Frayn (Edinburgh Napier University). 29 April, The Seminar Room (H204) in UCD Humanities Institute.
D. H. Lawrence described his poetry collection Bay, published in a limited edition in 1919 by Cyril Beaumont having been in press for over a year, as 'more or less about the war'. It is a document of the dying days of the conflict, largely conceived and written in early 1918 as Lawrence struggled to live by the pen following the suppression of 'The Rainbow' (1915) and his ejection from Cornwall in 1917. In this talk, Andrew Frayn examines the attachments that sustained Lawrence as his parlous personal situation coincided with the fraught final year of the war.
This event is part of the Wartime Attachments series of lectures and podcasts: http://www.ucd.ie/humanities/events/podcasts/2015/wartime-attachments/
Funded by the Irish Research Council, and organised by IRC Postdoctoral Fellow, Barry Sheils
German expressionism and film noir
German Expressionism arose in the 1920s in Germany as a reaction to World War 1. It used stylistic techniques like sharp angles, dramatic shadows, and high contrast lighting to create a sense of paranoia and unease. One of its most famous films, Metropolis, showed the divisions in German society between the upper and working classes. These German Expressionist films influenced the later American film noir genre of the 1940s, which also used low-key lighting and shadows to portray themes of distrust and corruption. Elements of both these earlier cinematic styles can still be seen in modern horror films through the use of lighting, shadows, and urban settings.
Postmodern texts
This document discusses postmodern concepts in films through analyzing scenes and elements from various movies. It explores how films use simulacrum by replicating or referencing other works, bricolage by combining different genres and styles, hyperreality by presenting unrealistic or exaggerated situations, and intertextuality through references to other films or media. Examples discussed include scenes from Inglorious Basterds, Inception, and Hobo with a Shotgun that demonstrate these postmodern film techniques.
Film Noir
The document discusses the key characteristics and elements of film noir movies. It notes that the genre was influenced by German Expressionist films and was popular from the 1940s-1950s. Some common traits of film noir include dark themes, gritty urban settings, ambiguous characters, low-key lighting that creates high contrasts and shadows, and narratives focused on crime, suspense and fate. Iconic films like The Maltese Falcon and Casablanca exemplify the genre.
Notes for Talk
These are my notes with some explanation to each slide for my top 6 artists/photographers influence presentation powerpoint.
German Expressionism
German Expressionism originated in Germany in the early 20th century as a unique style of filmmaking. It is characterized by strong contrasts, shadows, asymmetric angles, and high contrast lighting. These techniques create an unsettling and disorienting atmosphere on screen. German Expressionist films often dealt with themes of social decay, corruption, and paranoia. The style had a major influence on Hollywood and American film noir after many German filmmakers fled the rise of Nazism in the 1930s.
Maus overview
This document provides an overview and context for the graphic novel "Maus I—My Father Bleeds History" by Art Spiegelman. It summarizes that the story tells of Art Spiegelman interviewing his father Vladek about his experiences during the Holocaust, with different animals representing different nationalities/religions of people. It also lists some of the major characters and universal themes addressed in the graphic novel, such as family guilt, survivor's guilt, relationships, and the Holocaust.
Film noir codes & conventions
Film noir cinematography is known for using distorted, uncomfortable angles and framing to put viewers on edge. It often features extreme close-ups, deep focus shots, and obscured views through objects. Mise-en-scene elements include everyday urban locations shot in low light with high contrasts between blacks and whites. Character archetypes regularly seen are down-on-their-luck private detectives and dangerously seductive femme fatales. The narratives typically involve crimes, double-crosses, and a downward spiral of events leading to misfortune.
Film Noir 9 Frame Analysis
This document analyzes the opening sequence of the film Memento through 9 frames. It summarizes each frame to show how they establish the film noir genre and themes of memory, mystery, and violence. Frame 1 introduces the main character's memory loss through a point-of-view shot. Subsequent frames show clues about the plot through a faded polaroid, reversed shot, and the main character's bloody face. Later frames depict shadows, blood, violence and action scenes, reinforcing the dark and mysterious tone typical of film noir.
Film Noir Research
Film noir first developed in the 1950s as a genre of stylish crime dramas shot in black and white with low-key lighting and cinematography featuring low angles and obscured faces. Over time, subgenres like horror noir and superhero noir emerged. Film noir typically uses urban settings, narratives involving murder and punishment, and characters like detectives and femme fatales. Editing employs techniques like flashbacks and manipulating day into night, while soundtracks use jazz music, heavy breathing, and silence for effect. The document provides examples of how a sample trailer incorporates conventions of film noir cinematography, lighting, narrative, and editing.
Film noir genre analysis
This document defines and analyzes the film noir genre. It discusses key themes like corruption and justice that are common in film noir. It originated after WWII, influenced by German expressionism and crime novels. Film noir uses iconography like venetian blinds and features morally ambiguous protagonists. It employs techniques like low-key lighting, Dutch angles, and flashbacks to create a mood of pessimism. Settings are usually dark urban areas and costumes reflect the 1940s-50s era. While originally for mature audiences, the genre has evolved over time into neo-noir films and graphic novel adaptations.
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Workshop B2B Marketing Forum 2017: Workshop: Mapping the customer journey
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Customer Journey Map Template
1) The document outlines various touchpoints and metrics for customers at different stages of the customer lifecycle from pre-sales to support.
2) It identifies frustration sources for customers such as only receiving calls near renewal time and slow ticket responses.
3) Recommendations are provided to address the opportunities including hiring a customer marketing manager, improving the free trial experience, and creating a deployment playbook.
Customer Journey Mapping and CX Research
A talk Marc gave at the UI20 conference in Boston, November the 3rd, 2015.
Smaply: www.smaply.com
ExperienceFellow: www.experiencefellow.com
This is Service Design Thinking: www.thisisservicedesignthinking.com
This is Service Design Doing: www.thisisservicedesigndoing.com
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1. The typology of journey maps
2. Customer experience research
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- 5. Make up a story based on these paintings They can be used in any order you wish. Create a beginning, a middle and the end. Different painted figures may represent the same character in you story. You may use the stages of the "hero myth" to make your story stronger - see slide 21. Try using the following expressions to structure your narrative:
- 6. The beginning of the story Once upon a time (fairy tale) It all began First of all Initially Firstly
- 7. Continuation of the story After that Then As soon as No sooner than Next
- 8. Introducing surprise All of a sudden Unexpectedly Suddenly To make matters worse
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