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STORYBOARDS
A sample of the original storyboards used in
the production of Frame.
The storyboard for the first scene
in Frame establishes a symbolic
trait in the character.
This scene has a strong focus on
close-up shots in order to
establish the character’s clean-cut
image.
Each shot will be edited with cuts.
There is no dialogue in this scene.
Music will play throughout and it
will end in silence before cutting to
the next scene.
The part of this scene will be used
to display the title seen and an
important symbolic shot in the
film.
The diegetic sound will be present
throughout the shot – running
water, the stirring of hot drinks etc.
However, there will be no dialogue.
It is important to note that the
lighting will change once the
character hits the first light switch.
The third part of this scene is the
transition into the following scene.
The birds-eye view of the blueprint
will be shot similarly to Stanley
Kubrick’s iconic maze shot in The
Shining.
A slow dissolve will be used on the
final shot of the scene.
This scene will show an argument
between the protagonist and his
wife.
The montage sequence of the
argument will be edited into
separate clips and divided by
blank screens.
There will be dialogue in this scene
but there will be no sound during
the montage sequence in order to
emphasize the drama.

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Storyboards

  • 1. STORYBOARDS A sample of the original storyboards used in the production of Frame.
  • 2. The storyboard for the first scene in Frame establishes a symbolic trait in the character. This scene has a strong focus on close-up shots in order to establish the character’s clean-cut image. Each shot will be edited with cuts. There is no dialogue in this scene. Music will play throughout and it will end in silence before cutting to the next scene.
  • 3. The part of this scene will be used to display the title seen and an important symbolic shot in the film. The diegetic sound will be present throughout the shot – running water, the stirring of hot drinks etc. However, there will be no dialogue. It is important to note that the lighting will change once the character hits the first light switch.
  • 4. The third part of this scene is the transition into the following scene. The birds-eye view of the blueprint will be shot similarly to Stanley Kubrick’s iconic maze shot in The Shining. A slow dissolve will be used on the final shot of the scene.
  • 5. This scene will show an argument between the protagonist and his wife. The montage sequence of the argument will be edited into separate clips and divided by blank screens. There will be dialogue in this scene but there will be no sound during the montage sequence in order to emphasize the drama.