This storyboard document outlines the shots, camera movements, sounds and dialogue for a film about love. It includes shots such as close-ups of flowers, medium shots of the male and female leads, and establishing shots panning left. There are voiceovers discussing how love can be weak, hurtful and lost. Text elements convey phrases like "When Love is New" and "When Love is Damaged". The storyboard ends by introducing the two main characters and displaying the film title "What is Love".
This presentation shows the storyboards that are being used in our horror movie trailer, to show the progression of how the trailer will play out as well as a basis for the shots used in the trailer.
This presentation shows the storyboards that are being used in our horror movie trailer, to show the progression of how the trailer will play out as well as a basis for the shots used in the trailer.
The Global IT Trust Curve survey - Comprehensive Results PresentationEMC
The 2013 IT Trust Curve study surveyed 3,200 respondents to assess their organizations’ IT maturity levels and ability to withstand and quickly recover from disruptive incidents such as unplanned downtime, security breaches, and data loss.
Discover the impact and upside of having high IT Trust maturity, as captured in this overview of the survey results.
More via http://www.emc.com/campaign/it-trust-curve/index.htm
This white paper examines the need for strong authentication and explores the return on investment that can be realized in order to help organizations move toward more effective security.
This white paper describes the benefits, challenges, and strategies of setting up a government entity-wide enterprise content management (ECM) as a service offering within a governmental central IT organization.
All of material inside is un-licence, kindly use it for educational only but please do not to commercialize it.
Based on 'ilman nafi'an, hopefully this file beneficially for you.
Thank you.
The Global IT Trust Curve survey - Comprehensive Results PresentationEMC
The 2013 IT Trust Curve study surveyed 3,200 respondents to assess their organizations’ IT maturity levels and ability to withstand and quickly recover from disruptive incidents such as unplanned downtime, security breaches, and data loss.
Discover the impact and upside of having high IT Trust maturity, as captured in this overview of the survey results.
More via http://www.emc.com/campaign/it-trust-curve/index.htm
This white paper examines the need for strong authentication and explores the return on investment that can be realized in order to help organizations move toward more effective security.
This white paper describes the benefits, challenges, and strategies of setting up a government entity-wide enterprise content management (ECM) as a service offering within a governmental central IT organization.
All of material inside is un-licence, kindly use it for educational only but please do not to commercialize it.
Based on 'ilman nafi'an, hopefully this file beneficially for you.
Thank you.
Highlights from the EMC & VMware CIO Summit | ATLANTA 2013, where 50 CIOs discussed topics such as the Software-defined Data Center, Cloud, Converged Infrastructure, Big Data, Security, and IT in 2020.
White Paper: EMC Security Design Principles for Multi-Tenant As-a-Service Env...EMC
This white paper proposes that virtualized as-a-service environments can be made as secure as physical ones. The paper describes security challenges inherent in multi-tenant as-a-service environments. Design considerations of tenants and service providers, and how design is affected by information security or compliance requirements, are discussed.
All of material inside is un-licence, kindly use it for educational only but please do not to commercialize it.
Based on 'ilman nafi'an, hopefully this file beneficially for you.
Thank you.
1. Dialogue- sound
Non- Dijectic sound
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Classical Music
NON APPICABLE
Voiceover female voice
MPAA
(Who needs to have love, love is only for the weak
and reckless) (MOTION PICTURES ACCOCATIONS OF NON APPICABLE
AMERICA )
Edit/Length of Shot CUT / 2 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
BLACK SCREEN
(INTRODUCES CLASSICAL
MUSIC)
Edit/Length of Shot FADE/ 2 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
TEXT ON SCREEN
(CLASSICAL MUSIC)
(WHAT IS LOVE)
Edit/Length of Shot FADE/ 3 SECOND
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
ESTABLISHING SHOT (Long shot)
(CLASSICAL MUSIC)
CAMERA MOVMENT (PANNING TO
THE LEFT)
Edit/Length of Shot FAST FADE/ 2 SECONDS
2. Shot No./Type of Shot/Camera
Movement
ESTABLISHING SHOT
Long shot
3. STORYBOARD SHEET
Dialogue – Sound
Shot No./Type of Shot/Camera
Movement
CLOSE UP Non- Dijectic sound
Flowers/ Snow Classical Music
Focus in focus out.
Voiceover female voice
( Who needs to have love, love is
only for the weak and reckless)
Edit/Length of Shot FADE/ 2 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
MEDUIM SHOT
Non- Dijectic sound
( FEMALE LEAD)
Classical Music
Voiceover female voice
( Who needs to have love, love is
only for the weak and reckless)
Edit/Length of Shot FADE/ 2 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Non- Dijectic sound
MEDUIM SHOT Classical Music
(Male lead)
Voiceover female voice
( Who needs to have love, love is
only for the weak and reckless)
Edit/Length of Shot FADE/ 2 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
TEXT ON SCREEN CLASSICAL MUSIC
( WHEN LOVE IS LOST)
Edit/Length of Shot FADE/ 2 SECONDS
Shot No./Type of Shot/Camera
Movement Dialogue – Sound
NON – DIJECTIC SOUND
CLOSE UP
Car crash
(FEMALE LEAD IN DISTRESS)
Edit/Length of Shot CUT/ 3 SECONDS
4. Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera
Movement
Edit/Length of Shot
5. Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera
Movement
Edit/Length of Shot
6. Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot FADE/ 4 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Edit/Length of Shot
Shot No./Type of Shot/Camera
Movement
Dialogue – Sound
Non dijectic sound
Rain
Edit/Length of Shot FADE/ 3
SECONDS
CLASSICAL MUSIC
7. Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
TEXT ON SCREEN
CLASSICAL MUSIC
(WHEN LOVE WAS NEVER YOURS)
Edit/Length of Shot FADE/ 3 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
MEDUIM SHOT
CLASSICAL MUSIC
WOMANS BODY
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
TEXT ON SCREEN
CLASSICAL MUSIC
(WHEN LOVE IS NEW)
Edit/Length of Shot FADE/ 3 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
Medium Close up CLASSICAL MUSIC
Hands linked together
(SLOW MOTION)
Edit/Length of Shot CUT/ 4/SECONDS
FADE 3 SECONDS
Shot No./Type of Shot/Camera
Movement
CLOSE UP
TWO SHOT
(UNDER ONE UMBRELLA)
8. CUT/ 4 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
CLOSE UP
CLASSICAL MUSIC
BOOK
Edit/Length of Shot CUT 3
SCONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
CLOSE UP
CLASSICAL MUSIC
BOTH HAND GRABS THE BOOK
Edit/Length of Shot CUT/ 3 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
NON- DIJECTIC SOUND
CLOSE UP
face- to- face CLASSICAL MUSIC
TWO SHOT
THEY LOOK AT EACH OTHER
Edit/Length of Shot CUT/ 4 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Over the shoulder shot
NON- DIJECTIC SOUND
CLASSICAL MUSIC
Edit/Length of Shot CUT/ 4 SECONDS
Shot No./Type of Shot/Camera
Shot No./Type of Shot/Camera
Movement
Movement Dialogue – Sound
Two shot. Dijectic sound
My name is ….. ( stumbles)
9.
10. Shot No./Type of Shot/Camera Dialogue – Sound
Shot No./Type of Shot/Camera
Movement Dialogue – Sound
Movement
Dijectic sound
Over the shoulder shot Laughing- (female lead)
TEXT ON
Close up SCREEN NON- DIJECTIC SOUND
EFFECT BLURRY CLASSICAL MUSIC
Edit/Length of Shot FADE/ 4 SECONDS
Edit/Length of Shot FADE/ 3 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Shot No./Type of Shot/Camera
Movement Dialogue – Sound
Movement
TEXT ON SCREEN NON- DIJECTIC SOUND
TEXT IN SCREEN
(WHEN LOVE IS DAMAGED) CLASSICAL MUSIC
EFFECT BLURRY NON- DIJECTIC SOUND
CLASSICAL MUSIC
Edit/Length of Shot FADE/ 4 SECONDS
Edit/Length of Shot FADE/3 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Shot No./Type of Shot/Camera
Movement Dialogue – Sound
Movement
Medium shot NON- DIJECTIC SOUND
TEXT ON SCREEN
Woman looking lonely CLASSICAL MUSIC
EFFECT BLURRY
Over the shoulder shot
NON- DIJECTIC SOUND
Voice over
Panning to the left (Being in love hurts so
CLASSICAL MUSIC much)
Edit/Length of Shot FADE/ 4 SECONDS
Edit/Length of Shot FADE/ SECONDS
Text on screen ( Starring Atlanta Johnson)
Shot No./Type of Shot/Camera Dialogue – Sound
Shot No./Type of Shot/Camera
Movement Dialogue – Sound
Movement
Medium shot
Text on looking
Woman screen lonely
EFFECT BLURRY
Over the shoulder shot NON- DIJECTIC SOUND
Panning to the left CLASSICAL MUSIC
NON- DIJECTIC SOUND
Shot No./Type of Shot/Camera Voice over
Movement (Being in loveMUSIC much)
CLASSICAL hurts so
Edit/Length of Shot FADE/ 4 SECONDS Text on screen (Guy Hedges)
Edit/Length of Shot FADE/ 3 SECONDS
Shot No./Type of Shot/Camera Dialogue – Sound
Movement
Text on screen NON- DIJECTIC SOUND
Text on screen
EFFECT BLURRY
CLASSICAL MUSIC
NON- DIJECTIC SOUND
Film Title
CLASSICAL MUSIC
‘WHAT IS LOVE’
Voiceover
‘I DON’T THINK YOU UNDERSTAND
HOW MUCH I LOVE YOU’