Moss is excitedly telling Roy and Jen that he has been accepted to be a contestant on Countdown. Jen is confused about what Moss is talking about and what he was accepted for. The scene cuts between shots of each character as Moss excitedly explains to Roy and Jen that he will be going on Countdown to compete.
The document outlines a reverse storyboard for a scene from a TV show involving two brothers. It describes 17 shots showing the younger brother rolling onto the couch and bothering the older brother by talking excessively about a documentary on TV while the older brother is trying to work. The shots alternate between mid-close ups and shot-reverse-shots of the brothers, with the younger brother talking continuously and the older brother trying unsuccessfully to interrupt him over the course of 2 minutes.
This reverse storyboard summarizes 9 shots from Shameless series 10 episode 1. Shot 1 establishes the corner shop setting. Shots 2-7 show a customer interacting with store workers at the counter, discussing items and making a purchase. Shot 8 has characters continuing their conversation. Shot 9 shows the customer paying at the till while the storekeeper makes a lewd joke. The storyboard provides visual descriptions, character actions, durations and editing details for each shot.
This storyboard depicts 11 shots showing a character investigating a disturbance at a building. In shots 1-3, he requests entry and finds a concerning photograph. In shots 4-6, he hears noises and finds the room empty. Shots 7-11 show him fleeing the building in a panic, getting hit by a car but continuing to run after another man. The storyboard establishes mystery and increasing tension through the character's actions and percussive music cues.
The document provides a photographic storyboard for a short film consisting of 38 shots. It describes each shot including the shot description, action, dialogue, duration, and edit. The story appears to follow a teenage girl named Emily at college who becomes interested in a boy named Tyler after he helps her when she gets stuck in some doors at the library.
A reverse storyboard of Misfits to help me understand the mechanics of an actual storyboard and to help me make my own.
This will also include details on common shshots and angles used in film making.
The scene involves characters conversing in a cabin about a newspaper article announcing the end of the world that night. It consists of 9 shots showing the characters in various groupings discussing their reactions to the news. The shots are mainly medium in length and focus on dialogue with no music to allow the audience to focus on what is being said.
This reverse storyboard contains 12 shots describing scenes between two characters, Bobby and Danni, meeting at a café to discuss problems in their relationship. The shots progress from medium shots of them individually arriving and meeting, to close-ups of them conversing and apologizing to each other, to longer shots of them walking together with their dogs by the end. The dialogue shows them working to resolve conflicts and seeming happier in the final scene.
The document provides a timeline of visual and audio elements in a film scene. It begins with a character holding a letter and walking towards the scene accompanied by silent footsteps. Two characters then have a conversation set to incidental heartbeat music. Their discussion continues in mid shots. The camera then focuses on one character's chest tattoo before zooming out to show another character's head being sliced in half amidst blood dripping sounds. It concludes with close ups of the severed head and characters speaking amidst glass breaking and sword slicing sound effects.
The document outlines a reverse storyboard for a scene from a TV show involving two brothers. It describes 17 shots showing the younger brother rolling onto the couch and bothering the older brother by talking excessively about a documentary on TV while the older brother is trying to work. The shots alternate between mid-close ups and shot-reverse-shots of the brothers, with the younger brother talking continuously and the older brother trying unsuccessfully to interrupt him over the course of 2 minutes.
This reverse storyboard summarizes 9 shots from Shameless series 10 episode 1. Shot 1 establishes the corner shop setting. Shots 2-7 show a customer interacting with store workers at the counter, discussing items and making a purchase. Shot 8 has characters continuing their conversation. Shot 9 shows the customer paying at the till while the storekeeper makes a lewd joke. The storyboard provides visual descriptions, character actions, durations and editing details for each shot.
This storyboard depicts 11 shots showing a character investigating a disturbance at a building. In shots 1-3, he requests entry and finds a concerning photograph. In shots 4-6, he hears noises and finds the room empty. Shots 7-11 show him fleeing the building in a panic, getting hit by a car but continuing to run after another man. The storyboard establishes mystery and increasing tension through the character's actions and percussive music cues.
The document provides a photographic storyboard for a short film consisting of 38 shots. It describes each shot including the shot description, action, dialogue, duration, and edit. The story appears to follow a teenage girl named Emily at college who becomes interested in a boy named Tyler after he helps her when she gets stuck in some doors at the library.
A reverse storyboard of Misfits to help me understand the mechanics of an actual storyboard and to help me make my own.
This will also include details on common shshots and angles used in film making.
The scene involves characters conversing in a cabin about a newspaper article announcing the end of the world that night. It consists of 9 shots showing the characters in various groupings discussing their reactions to the news. The shots are mainly medium in length and focus on dialogue with no music to allow the audience to focus on what is being said.
This reverse storyboard contains 12 shots describing scenes between two characters, Bobby and Danni, meeting at a café to discuss problems in their relationship. The shots progress from medium shots of them individually arriving and meeting, to close-ups of them conversing and apologizing to each other, to longer shots of them walking together with their dogs by the end. The dialogue shows them working to resolve conflicts and seeming happier in the final scene.
The document provides a timeline of visual and audio elements in a film scene. It begins with a character holding a letter and walking towards the scene accompanied by silent footsteps. Two characters then have a conversation set to incidental heartbeat music. Their discussion continues in mid shots. The camera then focuses on one character's chest tattoo before zooming out to show another character's head being sliced in half amidst blood dripping sounds. It concludes with close ups of the severed head and characters speaking amidst glass breaking and sword slicing sound effects.
Whether you are a seasoned exhibitor, or a newby, it is a huge investment in your marketing strategy. Snappy signage and cool matching shirts may not be enough. So what should you do amidst this competition to be a successful exhibitor? You need to go above and beyond the norm without being gimmicky, which requires a combination of strategy, tactics and interpersonal skills. Not to mention preparation. Hundreds of other vendors will be vying for the attention of the attendees at your next event - learn how to stand out in the crowd.
Anatomy of a Campaign so Good, Even Twitter was Impressed!
Case Study: Leveraging Twitter Cards to Nail Genuine Lead Generation and Drive Engagement Rates
It is time to take Twitter seriously. With the advent of Twitter Cards, B2B brands and their marketers now have a very powerful new tool to target and directly reach qualified audiences.
We know this firsthand. We’ve done Twitter Card promotions, and they’ve exceeded our loftiest expectations – and even caused Twitter to ask how we do it!
Our latest article shows you exactly how it’s done. How you too can build and execute a highly successful, intelligent, and precision-targeted social media campaign that:
builds awareness
amplifies messaging
and generates qualified leads
. . . . at a lower cost, and with better results!
http://www.fishervista.com/twitter-card-casestudy/
The document outlines a proposed sitcom about the socially awkward experiences of 4 college students, including character descriptions and details about the low-budget production process using college resources for filming, editing, and hosting the website. It proposes a February deadline for completing production and post-production of 2-minute episodes to be uploaded to a WordPress website targeting a 16-25 year old audience.
LinkedIn and Social Media Strategy for Customer and Talent AttractionFisher Vista, LLC
There are more than 200 million professionals and companies on LinkedIn, but the fact is, most aren’t coming anywhere close to getting the most out of this powerful social tool.
One of my specialties is helping companies find and attract clients and talent with LinkedIn. Let me show you how you can do more with and get more from LinkedIn.
You will learn:
- How to ensure that your company and your profile are credible, searchable and findable
- How to leverage connections effectively
- How to optimize your professional profile to be credible, search-friendly and brand-aligned
- Basic and advanced LinkedIn usage
- Connection strategies for balancing reach and trust
- Group etiquette and content sharing
1. The cock finds a pearl but considers it worthless compared to a single barleycorn. Precious things are only valuable to those who can appreciate them.
2. A wolf falsely accuses a lamb of disturbing its water and then eats the lamb when it provides reasons why the accusations could not be true. Any excuse will serve a tyrant.
3. A dog sees its reflection in the water while carrying food and tries to take the other dog's food, causing it to drop its own food in the process. One can lose what they have by grasping at what they see.
This document outlines revised rules and regulations for implementing the Philippines' Build-Operate-Transfer (BOT) Law. Key points include:
- It recognizes the important role of the private sector in financing infrastructure projects normally undertaken by the government.
- The revised rules aim to provide incentives and support for project proponents, ensure transparency in project bidding, and ensure compliance by both government and private partners.
- It defines terms like BOT, Build-Lease-Transfer, and others and covers all private sector infrastructure projects undertaken through contractual arrangements authorized by the BOT Law.
Presentation made during my MA at City University, for the module Political Economy of Global Finance.
It focuses on a brief description of the Keynes' reasonings related to why we have economic crisis and how we can escape from them. Should governments borrow and spend their way out of trouble or slash spending and reduce the national debt?
As requested by the professor, it has been based on the BBC video "Masters of Money" (in which BBC economics editor Stephanie Flanders examines how J. M. Keynes, F. V. Hayek and K. Marx, helped shape the 20th century and continue to exert a huge influence on our world today), and particularly, for the part I chose to present, on the J. M. Keynes' chapter of that video, in which it is argued that Keynes has never been more relevant or controversial than now (after that the global crisis struck in 2008).
It has been further developed and made an academic work through an accurate research and study of the Keynes' literature.
This document discusses the economic theories of John Maynard Keynes. It summarizes that Keynes believed economies were unpredictable due to human behavior being driven by emotions and confidence rather than rational calculations. He argued that during economic downturns, the government should increase spending to boost confidence and demand, and that "beggar-thy-neighbor" policies where countries attempt to improve their own economies at the expense of others will not solve global economic problems and cooperation is needed.
Whether you are a seasoned exhibitor, or a newby, it is a huge investment in your marketing strategy. Snappy signage and cool matching shirts may not be enough. So what should you do amidst this competition to be a successful exhibitor? You need to go above and beyond the norm without being gimmicky, which requires a combination of strategy, tactics and interpersonal skills. Not to mention preparation. Hundreds of other vendors will be vying for the attention of the attendees at your next event - learn how to stand out in the crowd.
Anatomy of a Campaign so Good, Even Twitter was Impressed!
Case Study: Leveraging Twitter Cards to Nail Genuine Lead Generation and Drive Engagement Rates
It is time to take Twitter seriously. With the advent of Twitter Cards, B2B brands and their marketers now have a very powerful new tool to target and directly reach qualified audiences.
We know this firsthand. We’ve done Twitter Card promotions, and they’ve exceeded our loftiest expectations – and even caused Twitter to ask how we do it!
Our latest article shows you exactly how it’s done. How you too can build and execute a highly successful, intelligent, and precision-targeted social media campaign that:
builds awareness
amplifies messaging
and generates qualified leads
. . . . at a lower cost, and with better results!
http://www.fishervista.com/twitter-card-casestudy/
The document outlines a proposed sitcom about the socially awkward experiences of 4 college students, including character descriptions and details about the low-budget production process using college resources for filming, editing, and hosting the website. It proposes a February deadline for completing production and post-production of 2-minute episodes to be uploaded to a WordPress website targeting a 16-25 year old audience.
LinkedIn and Social Media Strategy for Customer and Talent AttractionFisher Vista, LLC
There are more than 200 million professionals and companies on LinkedIn, but the fact is, most aren’t coming anywhere close to getting the most out of this powerful social tool.
One of my specialties is helping companies find and attract clients and talent with LinkedIn. Let me show you how you can do more with and get more from LinkedIn.
You will learn:
- How to ensure that your company and your profile are credible, searchable and findable
- How to leverage connections effectively
- How to optimize your professional profile to be credible, search-friendly and brand-aligned
- Basic and advanced LinkedIn usage
- Connection strategies for balancing reach and trust
- Group etiquette and content sharing
1. The cock finds a pearl but considers it worthless compared to a single barleycorn. Precious things are only valuable to those who can appreciate them.
2. A wolf falsely accuses a lamb of disturbing its water and then eats the lamb when it provides reasons why the accusations could not be true. Any excuse will serve a tyrant.
3. A dog sees its reflection in the water while carrying food and tries to take the other dog's food, causing it to drop its own food in the process. One can lose what they have by grasping at what they see.
This document outlines revised rules and regulations for implementing the Philippines' Build-Operate-Transfer (BOT) Law. Key points include:
- It recognizes the important role of the private sector in financing infrastructure projects normally undertaken by the government.
- The revised rules aim to provide incentives and support for project proponents, ensure transparency in project bidding, and ensure compliance by both government and private partners.
- It defines terms like BOT, Build-Lease-Transfer, and others and covers all private sector infrastructure projects undertaken through contractual arrangements authorized by the BOT Law.
Presentation made during my MA at City University, for the module Political Economy of Global Finance.
It focuses on a brief description of the Keynes' reasonings related to why we have economic crisis and how we can escape from them. Should governments borrow and spend their way out of trouble or slash spending and reduce the national debt?
As requested by the professor, it has been based on the BBC video "Masters of Money" (in which BBC economics editor Stephanie Flanders examines how J. M. Keynes, F. V. Hayek and K. Marx, helped shape the 20th century and continue to exert a huge influence on our world today), and particularly, for the part I chose to present, on the J. M. Keynes' chapter of that video, in which it is argued that Keynes has never been more relevant or controversial than now (after that the global crisis struck in 2008).
It has been further developed and made an academic work through an accurate research and study of the Keynes' literature.
This document discusses the economic theories of John Maynard Keynes. It summarizes that Keynes believed economies were unpredictable due to human behavior being driven by emotions and confidence rather than rational calculations. He argued that during economic downturns, the government should increase spending to boost confidence and demand, and that "beggar-thy-neighbor" policies where countries attempt to improve their own economies at the expense of others will not solve global economic problems and cooperation is needed.
1. Reverse Storyboard
The IT Crowd
Series 4 Episode 2
http://www.channel4.com/programmes/the-it-
crowd/4od#3105976
2. Shot # 1
• Shot Description
Establishing LS of the street
One Shot
• Action
The character moss is running down the road in
an excited manner
•Dialogue – none
• Duration – 4 sec
•Music- none
• Cut/Edit – Jump cut
•Noise/SFX – ambient background noise
3. Shot # 2
• Shot Description
MLS of the two characters in the office
Two shot
• Action
Roy is using a computer, Jen is rummaging
through a box. They both seem happy
•Dialogue – talking about Roy getting a new place • Duration – 3 sec
•Music • Cut/Edit- Continuity, Jump-cut
•Noise/SFX – ambient background noise
4. Shot # 3
• Shot Description
MLS of the two characters in the office
Two shot
• Action
Roy is still sitting at the computer. Jen is still
rummaging through the box, picking up
things and looking at them.
•Dialogue – Talking about Roy getting a place
• Duration – 9 sec
•Music
• Cut/Edit- Continuity, jump cut
•Noise/SFX – ambient background noise
5. Shot # 4
• Shot Description
MS of Roy in the office
One shot
• Action
Roy is talking to Jen using hand gestures
•Dialogue – Roy talking to Jen about a fresh start • Duration – 3 sec
•Music • Cut/Edit Continuity, jump cut
shot reverse shot
•Noise/SFX
6. Shot # 5
• Shot Description
MS of Jen in the office
One shot
• Action
Jen picks up a box and starts looking at it
• Duration – 3 sec
•Dialogue – Roy talking about a fresh start
• Cut/Edit Continuity, jump cut
•Music shot reverse shot
•Noise/SFX – phone ringing
7. Shot # 6
• Shot Description
MS of Roy in the office
One shot
• Action
Roy is talking to Jen whilst using hand gestures
•Dialogue – Roy talking to Jen about a fresh start • Duration – 4 sec
•Music • Cut/Edit- Continuity, jump cut
shot reverse shot
•Noise/SFX – phone ringing
8. Shot # 7
• Shot Description
MCU of Roy in the office
One shot
• Action
Roy answers the phone
•Dialogue – answers phone with his usual catchphrase • Duration – 5 sec
•Music • Cut/Edit- Continuity, jump cut
•Noise/SFX – Laughter track
9. Shot # 8
• Shot Description
LS of characters in the office
3 shot
• Action
Roy is on the phone, Jen is looking at a box and
Moss comes running through the door in an
excited manner
•Dialogue – Moss talking about being ‘accepted’
• Duration – 4 sec
•Music
• Cut/Edit- Continuity, jump cut
•Noise/SFX
10. Shot # 9
• Shot Description
LS, Over-the-shoulder
3 shot
• Shot reverse
shot repeated
four more
times • Action
Roy and Jen stop what they are doing to look at
Moss. Roy is amazed
•Dialogue – Roy expresses his amazement
• Duration – 2 sec
•Music
• Cut/Edit
•Noise/SFX Continuity, jump cut
11. Shot # 10
• Shot Description
MCU of Jen in the office
One shot
• Shot reverse
shot repeated
four more
times • Action
Jen looks at Roy and Moss to show she is
confused
•Dialogue – Jen asks what is happening
• Duration – 2 sec
•Music
• Cut/Edit
•Noise/SFX Continuity, jump cut
12. Shot # 10
• Shot Description
MS of Moss in the office
One shot
• Shot reverse
shot repeated
four more
times • Action
Moss talks to Jen in an excited way, he is shaking
with excitement
•Dialogue – Moss tells Jen that he applied and was
excepted • Duration – 5 sec
•Music
• Cut/Edit
•Noise/SFX Continuity, jump cut
13. Shot # 10
• Shot Description
MCU of Jen in the office
One shot
• Shot reverse
shot repeated
four more
times • Action
Jen looks at Moss in a confused way
•Dialogue – Jen asks Moss what he is talking about and • Duration – 4 sec
was accepted for
•Music
• Cut/Edit Continuity, jump cut
•Noise/SFX
14. Shot # 10
• Shot Description
XLS of countdown studio
Two shot
• Shot reverse
shot repeated
four more
times • Action
Moss is sitting at the desk
•Dialogue – Moss asks for a consonant • Duration – 4 sec
•Music • Cut/Edit Jump cut
•Noise/SFX- laughter track