The document provides details of various Pali chanting practices conducted at Wat Saket Ratchaworamahawihan, including morning chanting, evening chanting, astro-chanting during religious ceremonies, and annex sections. The morning and evening chanting sections list various chants paying homage to the Buddha, Dhamma, and Sangha. The astro-chanting section lists protective chants associated with the sun, moon, Mars, Mercury, Saturn, Jupiter, Rahu, and Venus. The religious ceremony section lists chants for Vesak, Asalha Puja, and Magha Puja ceremonies.
Doa ini memanjatkan doa kepada Allah agar dapat melepaskan salah satu sama lain dan membersihkan hati setelah menjalankan ibadah puasa selama sebulan. Doa ini juga memohon ampun atas dosa-dosa yang dilakukan, dosa orang tua, sahabat, dan pemimpin, serta memohon kebaikan di dunia dan akhirat.
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Este documento resume los resultados del ensayo clínico STOP-CA que evaluó si el uso de la estatina atorvastatina puede prevenir la cardiotoxicidad causada por la quimioterapia con antraciclinas en pacientes con linfoma. Los resultados mostraron que a los 12 meses los pacientes que recibieron atorvastatina tuvieron una menor caída en la fracción de eyección ventricular izquierda en comparación con el grupo placebo, aunque la diferencia fue pequeña. El análisis por subgrupos indicó mayores beneficios en mujeres, pac
The 1st and only public sector chit company in India under the regulatory body 1982 Chit fund Act with an opportunity to generate residual income. This is not an MLM, CIS or money laundering scheme
Doa ini memanjatkan doa kepada Allah agar dapat melepaskan salah satu sama lain dan membersihkan hati setelah menjalankan ibadah puasa selama sebulan. Doa ini juga memohon ampun atas dosa-dosa yang dilakukan, dosa orang tua, sahabat, dan pemimpin, serta memohon kebaikan di dunia dan akhirat.
Komunikasi Interpersonal dalam Film Moment To RememberAmalia Pranata
Film ini menceritakan kisah cinta seorang wanita bernama Kim Su-Jin dan pria bernama Choi Chul-Soo. Mereka mulai menjalin hubungan meski menghadapi berbagai rintangan. Su-Jin kemudian didiagnosis menderita penyakit Alzheimer sehingga mulai melupakan masa lalunya bersama Chul-Soo. Namun Chul-Soo tetap setia merawat Su-Jin hingga akhir. Film ini menyampaikan pesan tentang keset
Este documento resume los resultados del ensayo clínico STOP-CA que evaluó si el uso de la estatina atorvastatina puede prevenir la cardiotoxicidad causada por la quimioterapia con antraciclinas en pacientes con linfoma. Los resultados mostraron que a los 12 meses los pacientes que recibieron atorvastatina tuvieron una menor caída en la fracción de eyección ventricular izquierda en comparación con el grupo placebo, aunque la diferencia fue pequeña. El análisis por subgrupos indicó mayores beneficios en mujeres, pac
The 1st and only public sector chit company in India under the regulatory body 1982 Chit fund Act with an opportunity to generate residual income. This is not an MLM, CIS or money laundering scheme
The document discusses a project involving the collection and analysis of data. Key points:
- The project aims to collect data from 3,000 participants and analyze it.
- Data collection methods are described, including surveys and interviews.
- The analysis will involve comparing data across different groups and looking at trends over time.
- Findings will be reported over multiple years as more data is collected and analyzed.
The document discusses several topics:
1. It describes different forms of communication between parties, including verbal and non-verbal signals.
2. Examples are provided of misunderstandings that can occur due to ambiguities or lack of context in communications.
3. The importance of actively listening to fully understand intended meanings is emphasized. Clarifying questions can be asked to resolve uncertainties and have a respectful dialogue.
The document is a discussion between two individuals about various topics including family, religion, and geography. They discuss different families and religious sites in some detail. They also debate the meanings of certain terms and compare locations between two areas. The conversation covers many subjects in an inquisitive but friendly manner.
The document provides details about various Pali chanting practices at Wat Saket Ratchaworamahawihan, including:
1. Morning and evening chanting sessions include offerings to the Buddha, Dhamma, and Sangha, as well as reflections on impermanence and non-self.
2. A chapel service is held with chanting dedicated to astrological bodies like the sun, moon, Mars, and includes suttas, blessings and offerings.
3. Traditional ordination ceremonies include chanting of important Buddhist texts like the Dhammacakkappavattana Sutta.
The document provides details about various Pali chanting practices at Wat Saket Ratchaworamahawihan, including morning and evening chanting routines. The morning routine includes offerings and homage to the Buddha, Dhamma, and Sangha, as well as contemplation of impermanence and not-self. The evening routine similarly offers homage but also includes recollection and praise of the Triple Gems. Other sections describe additional chanting practices for astrological events, ceremonies, and ordination.
The document discusses a project involving the collection and analysis of data. Key points:
- The project aims to collect data from 3,000 participants and analyze it.
- Data collection methods are described, including surveys and interviews.
- The analysis will involve comparing data across different groups and looking at trends over time.
- Findings will be reported over multiple years as more data is collected and analyzed.
The document discusses several topics:
1. It describes different forms of communication between parties, including verbal and non-verbal signals.
2. Examples are provided of misunderstandings that can occur due to ambiguities or lack of context in communications.
3. The importance of actively listening to fully understand intended meanings is emphasized. Clarifying questions can be asked to resolve uncertainties and have a respectful dialogue.
The document is a discussion between two individuals about various topics including family, religion, and geography. They discuss different families and religious sites in some detail. They also debate the meanings of certain terms and compare locations between two areas. The conversation covers many subjects in an inquisitive but friendly manner.
The document provides details about various Pali chanting practices at Wat Saket Ratchaworamahawihan, including:
1. Morning and evening chanting sessions include offerings to the Buddha, Dhamma, and Sangha, as well as reflections on impermanence and non-self.
2. A chapel service is held with chanting dedicated to astrological bodies like the sun, moon, Mars, and includes suttas, blessings and offerings.
3. Traditional ordination ceremonies include chanting of important Buddhist texts like the Dhammacakkappavattana Sutta.
The document provides details about various Pali chanting practices at Wat Saket Ratchaworamahawihan, including morning and evening chanting routines. The morning routine includes offerings and homage to the Buddha, Dhamma, and Sangha, as well as contemplation of impermanence and not-self. The evening routine similarly offers homage but also includes recollection and praise of the Triple Gems. Other sections describe additional chanting practices for astrological events, ceremonies, and ordination.
The document provides lyrics and mantras from Sanskrit Buddhist chants, including:
1. A refuge and bodhicitta verse by Nagarjuna and chant.
2. A mid-length mantra of Avalokitesvara.
3. The hundred syllable mantra of Vajrasattva.
4. A mantra of Bhaishajyaguru.
5. A praise to Prajnaparamita including a short version of the Heart Sutra.
6. A Dharani of a Stupa.
This document contains the Sanskrit text of the Shurangama Mantra, which is believed to have supernatural powers. It is introduced as being able to subdue gods and demons and conquer non-Buddhists. Each word and sentence is said to have incredible divine power. Reciting even a small part of the mantra is believed able to cause powerful effects like shaking the earth. Regular recitation of the mantra is said to eliminate karma from past lives. The mantra text is then presented in three parts.
The document provides details about the Hindu ritual of Upakarma (Avani Avittam) including:
1. Dates for Upakarma according to different Vedas in India and the US in August 2016.
2. Steps of the ritual which include wearing the sacred thread, chanting mantras, prayers for forgiveness of sins, offerings to deities and ancestors.
3. It summarizes the meaning of key mantras and provides context for when the ritual is performed.
This document contains summaries of three texts in 3 sentences or less:
1. The Shivaratri pooja Vidhi outlines rituals to be performed during the Hindu festival of Shivaratri, including offerings, mantras, and cleansing practices.
2. The Purusha Sooktam hymn describes a cosmic being with thousands of heads, eyes, and feet that encompasses the whole world.
3. A passage on Ganesh discusses mantras and names to meditate on the elephant-headed god, who removes obstacles and is worshipped before other deities.
This document is a devotional song praising Lord Ganesha. It describes his iconic form with one tusk and four arms. It highlights his role in removing obstacles and bestowing blessings upon his devotees. The song emphasizes that seeing Lord Ganesha removes all sorrows from the mind. It calls him the giver of wisdom and prosperity.
Valentine's Day is celebrated to honor Saint Valentine, who protected marriages and secretly married couples. King Claudius II executed Valentine for disobeying his orders against marriage. Valentine married couples in secret and was imprisoned, where he later died. His story became associated with love and romantic relationships. The document then discusses Jesus blessing marriage at a wedding in Cana and turning water into wine. It emphasizes the importance of love and commitment between married couples through the examples of Jesus and his relationship with the church.
The documents contain poems and lyrics expressing love, friendship and spirituality. They discuss the beauty of love and relationships, finding meaning and purpose in life, trusting in God/higher power, and using one's talents to help society progress in a positive way. The poems convey messages of embracing life, relationships, and making the most of every moment.
1) The document discusses the differences between karma and dharma, stating that fulfilling one's dharma leads to karma.
2) It says that caring for one's parents is the greatest dharma, and that mothers and fathers should be respected above all others.
3) It explains that while we create idols of gods, we are born of our mothers and fathers, so parents have a godly form as the source of our being and culture. Gods are all-powerful beings whose blessings created this world.
This document contains the text of the Theravada morning chanting ritual in Pali. It includes chanting and prayers dedicated to paying homage to the Buddha, Dhamma (teachings), and Sangha (monastic community). It discusses their virtues and qualities. It also contains passages on the nature of suffering and impermanence according to Buddhist teachings. The chanting is meant to inspire mindfulness of core Buddhist concepts and compassion for all beings.
This document provides information about parada (mercury) usage in rasayana according to ancient Ayurvedic texts. It discusses various types of parada preparations like murchita, jarita, bhasmika parada and their therapeutic usages. It also summarizes the contraindications, dosage, anupana, timing and procedures for proper administration of parada based rasayana. The document emphasizes that parada obtained from Shiva has unique properties for curing diseases and providing longevity, when administered correctly under guidance of experts, as mentioned in ancient texts.
snayu are rope like fibrous structures which help to binds together the mamsa, asthi & medas in joints & different structures of the body and maintain the body postures by providing weight carrying capacity.
This document contains a prayer or hymn to Lord Vishnu known as the Shree Hari Namastakam. It consists of 8 verses praising different aspects and names of Vishnu such as Kesava, Achyuta, Mukunda, Govinda, Madhava, Narayana, and Krishna. The prayer emphasizes the importance of constantly chanting these sweet names of the Lord with one's tongue.
shotha nidana, poorva roopa, roopa, upashaya, samprapthi, chikitsa according to charaka, sushrutha, ashtanga hridaya, ashtanga sangaraha
you can get detail description on shotha from this presentation.
1) The document describes the life journey of Shri Asaramayan, from his childhood to becoming a renowned spiritual guru.
2) As a child, he was deeply spiritual and devoted to prayer. He had many mystical experiences and signs that indicated his divine destiny.
3) After renouncing family life and material possessions, he underwent intense spiritual practices and received enlightenment from his guru. He became fully self-realized and established ashrams to guide others.
Narayaneeyam sanskrit with english transliteration dasakam 030Ravi Ramakrishnan
The nārāyaṇīyam (pronounced naaraayaneeyam or IPA: [nɑːrɑːjəɳiːjəm]) condenses the Bhagavata Purana into 1034 verses, divided into one hundred dasakam, or cantos. The work occupies a very high place in Sanskrit literature, both because of the intense devotional fervour of the verses, and because of their extraordinary literary merit. Thenārāyanīyam is one of the most popular religious texts in Kerala and Tamil Nadu, and devout Hindus often recite it together in festivals and groups.
Nārāyanīyam is the story of Lord Narayana. It is a work consisting of 1034 slokas or verses, divided into 100 dasakams or chapters, each dasakam consisting of approximately 10 slokas. It is a condensed version of Bhagavata Purana, which consists of 18,000 slokas authored by Veda Vyasa. It is said that the work has the blessings of Lord Krishna or Guruvayoorappan, the presiding Deity of Guruvayur.
Narayaneeyam narrates a series of episodes from the Bhagavata Purana, choosing the most pious of the lot. The incarnations of Vishnu are traced with piety, Bhattathiri transforms the episodes into solemn prayers, pouring out his soul in total supplication before the Lord. The final dasaka, Kesadipaada Varnanam, embodies top-to-toe picture of little Krishna in all grace and glory .
Both as a poem and as a devotional hymn, Narayaneeyam occupies a very high place in Sanskrit literature.
Narayaneeyam is the master piece of Melpathur and is the most widely read of all his works.The poet depicts the image of Lord Guruvayurappan, in exemplary terms - "Sammohanam Mohanal Kantham Kanthinidhanathopi, Madhuram Madhurya Dhuryadapi, Soundaryotharathopi Sundaratharam"
The ‘Parayana' of Narayaneeyam is believed to possess the wonderful power of healing afflictions, both mental and physical, of the devotees. The "Nithyaparayana” of Narayaneeyam will enable the devotees to attain " Ayurarogyasoukhyam”.
Narayaneeya Sapthaham ( the recitation of Narayaneeyam and explaining the meaning to the public) is conducted in Guruvayur temple by Devaswom on the Narayaneeya Dinam and by others as offerings. It is done for seven consecutive days from early morning till 6.10 pm in the evening. Narayaneeya Sapthaham has started in Guruvayur in the early 50's. It takes about 5 hours to read the slokas and about 45 hours for explaining the slokas.
The day on which Narayaneeyam was completed, 28th Vrichikam, is celebrated by the Devaswom as Narayaneeyam day. Discourses and debates on Narayaneeyam written by Melpathur take place. Special functions are held at Melpathur Illapparambu also.
2. Table of Contents
Morning Chanting
Vandāna
Pubbabhāganamakara
Homage to the Buddha
Homage to the Dhamma
Homage to the Sangha
Ratanattayappanāma Ghātā
Taṇkhanigapajjavekkhanapādha
Dhātupadhigulapajjavekkhanapātha
̄
Devatāpattidāna Ghātā
Libation “Iminā”
Evening Chanting
Vandāna
Pubbabhāganamakara
Recollection of the Buddha
Supreme Praise of the Buddha
Recollection of the Dhamma
Supreme Praise of the Dhamma
Recollection of the Sangha
Supreme Praise of the Sangha
Atītapaccavekkhaṇapātha
A Chapel Service
Pre Pātimok chanting
Astro-chanting
Invitation to Devas
Namakāra siddhi Gāthā
Sambuddhe
Namokāraaṭṭhakaṃ
Maṇgala Suttaṃ
Sun (Mora Paritta & Vaṭṭaka Paritta)
Moon (Abhaya Gāthā)
Mars (Karaṇīya Mettā Sutta)
Mercury (Khandha Paritta &Jaddanta Paritta)
3. Saturn (Angulimāla Paritta & Bojjhaṇga Paritta)
Jupiter (Ratana Sutta)
Rahu (Āṭānāṭiya Paritta)
Venus (Dhajagga Sutta)
Neptune
- Buddhajayamaṇgala Gāthā
- Jaya Gāthā
- Mahāmaṇgalacakkavāḷa
Monk’s Blessing
Religious Ceremony
Vesak Ceremony
Āsālha Pūjā Ceremony
Māgha Pūjā Ceremony
Annex
Devadham
The Grand Homage
Āpattidesanā
Anumodanāvidhī
Cullamangalacakkavāla
Kāladānasuttagāthā
Vihāradanagāthā
̄
Ātiyasuttagāthā
Tirokutthakanathapajjimabhāga
Aggappasātasuttagāthā
Bhojanābananumodanāgāthā
Ratanattayānubhāvadigāthā
Ātānātiyaparitagāthā
Devatādissadakkhinānumodanagāthā
Devatābhisammantanagāthā
Formal Request
Triple Gems Offering
Request the Five precepts
Requesting Blessings
Requesting a Discourse
Grace: Offering sustenance to the Lord Buddha
Reclaimimg the remainder of the offerings
Offering General Saṇghadana
13. Supreme Praise of the Buddha
(Handa mayaṃ buddhābhī gitiṃ karoma se)
Buddhavārahantavaratādigunābhiyutto,
Suddhābhinānakarunāhi samāgatatto,
͂
Bodhesi yo sujanataṃ kamalaṃ va suro,
̄
Vandāmahaṃ tamaranaṃ sirasā jinendaṃ,
Buddo yo sabbapānī naṃ saranaṃ khemamuttamaṃ,
Pathamānussatit̥ thānaṃ vandāmi taṃ sirenahaṃ,
Buddhassāhasmi dāsova buddho me sāmikissaro,
Buddho dukkhassa ghātā ca vidhātā ca hitassa me,
Buddhassāhaṃ niyyādemi sarāranjī vitancidaṃ,
͂ ̄
Vantantohaṃ carissami buddhasseva subodhitam,
Natthi me saraṇaṃ annaṃ
͂ ͂ buddho me saranaṃ vanaṃ,
Buddham me vandamānena yaṃ punnuṃ pasutataṃ idha,
͂ ͂
Sabbepi antarāyā me māhesuṃ tassa tejasā.
(bow and whisper)
Kāyena vācāya va cetasā vā,
Buddhe kukammaṃ pakataṃ mayāyaṃ,
Buddho patigganhatu accayantaṃ,
Kālantare saṃvarituṃ ca buddhe.
Recollection of the Dhamma
(Handa mayaṃ dhammānussatinayaṃ karoma se)
Svākkhāto bhagavatā dhammo, sanditthiko akāliko
ehipassiko, opanayiko paccattaṃ veditabbo vinnuhī ti.
͂ ͂
14. Supreme Praise of the Dhamma
(Handa mayaṃ dhammābhigī tiṃ karoma se)
Svākkhātatādiguṇayogavasena seyyo,
Yo maggapākapariyattivimokkhabhedo,
Dhammo kulokapatanā tadadhāridhārī ,
Vandāmahaṃ tamaharaṃ varadammametaṃ,
Dhammo yo sabbapānī nsṃ saranaṃ khemamuttama
Dutiyānussatitthanaṃ vandāmi taṃ sirenahaṃ,
Dhammassāhasmi daso va dhammo me sāmikissaro,
Dhammo dukkhassa ghāta ca vidhātā ca hitassa me,
Dhammassāhaṃ niyyādemi sarīran͂jīvitan͂cidaṃ,
Vandantohaṃ carissāmi dhammasseva sudhammataṃ
Natthi me saranaṃ annaṃ
͂ ͂ dhammo me saranaṃ varaṃ,
Etena saccavajjena vaddheyyaṃ satthu sāsane,
Dhammaṃ me vandamāmena yaṃ punnaṃ pasutaṃ idha,
͂ ͂
Sabbepi antarāyā me mahesuṃ tassa tejasā.
(bow and whisper)
Kāyena vācāya vacetasā vā,
Dhamme kukammaṃ pakataṃ mayā yaṃ,
Dhammo patiggaṇhatu accayantaṃ,
Kālantare saṃvarituṃ va dhamme.
Recollection of the Sangha
(Handa mayaṃ saṇghānussatinayaṃ karoma se)
Supatipanno bhagavato sāvakasaṇgho, ujupatipanno
bhagavato sāvakasaṇgho, n͂āyapatipanno bhagavato
sāvakasaṇgho, sāmī cipatipanno bhagavato
sāvakasaṅgho, yadidaṃ cattāri purisayugāni attha
15. purisapuggalā, esa bhagavato sāvakasaṇgho, āhuneyyo
pāhuneyyo dakkhineyyo anjalī karanī yo, anuttaraṃ
͂
pun͂n͂akkhettaṃ lokassā ti.
Supreme Praise of the Sangha
(Handa mayaṃ saṇghābhigī tiṃ karoma se)
Saddhammajo supatipattigunadiyutto,
Yotthābbidho ariyapuggalasaṇghasettho,
Sīlādidhammapavarāsayakācitto,
Vandāmahaṃ tamariyānaganaṃ susuddhaṃ,
Saṇgho yo sabbapānī naṃ saranaṃ khemamuttamaṃ,
Tatiyānussatitthānaṃ vandāmi taṃ sirenahaṃ,
Saṇghassāhasmi dasa va saṇgho me sāmikissaro,
Saṇgho dukkhassa ghātā ca vidhātā ca hitassa me,
Saṇghassāhaṃ niyyādemi sarīran͂jitan͂cidaṃ,
Candanto haṃ carissāmi saṇghassopatipannataṃ,
Natthi me saranaṃ annaṃ
͂ ͂ saṇgho me saranaṃ varaṃ,
Etena saccavajjiena vaddheyyaṃ satthu sāsane,
Saṇghaṃ me vandamānena yaṃ punnaṃ pasutaṃ idha,
͂ ͂
Sabbepi antarāyā me māhesuṃ tassa tejasā.
(bow and whisper)
Kāyena vācāya va cetasā vā,
Saṇghe kukammaṃ pakataṃ mayā yaṃ,
Saṇgho patiggaṇhatu accayantaṃ,
Kālantare saṃvarituṃ va saṇghe.
16. Atītapaccavekkhaṇapātha
(Handa mayaṃ atī tapaccavekkhaṇapāthaṃ bhanāma
se)
Ajja mayā apaccavekkhitvā yaṃ cī varaṃ paribhuttaṃ
taṃ yāvadeva sī tassa patighātāya unhassa patighātayā
daṃsama-savātātapasiriṃsapasamphassānaṃ
patighātayā yāvadeva hirikopina paticchādanatthaṃ.
Ajja mayā apaccavekkhitvā yo pindapāto paribhutto, so
neva davāya na madāya na mandanāya na
vibhūsananāya, yāvadeva imassa kāyassa thitiyā
yāpanāya vihiṃsuparatiyā brahmacariyā-nugghahāya, iti
puran͂ca vedanaṃ patihakhāmi navan͂ca vedanaṃ na
uppādessāmi, yātrā ca me bhavissati anavajjatā ca
phāsuvihāro cati.
Ajja mayā apaccavekkhitvā yaṃ senāsanaṃ
paribhuttaṃ, taṃ yāvadeva sī tassa patighātāya, un̥hassa
patighātāya daṃsama-savātātapasiriṃsapasam-
phassānaṃ patighātāya, yāvadeva
utuparissayavinodanaṃ patisallānaārāmatthaṃ.
Ajja mayā apaccavekkhitvā yo
gilānapaccayabhesajjaparik-khāro paribhutto, so
yāvadeva uppannānaṃ veyyābādhikanaṃ vedananaṃ
̄
patighātāya, abhyāpajjhapramatāyā ti.
17. A Chapel Service
Pre-Pātimok chanting
Namo tassa bhagavato arahato sammāsambuddhassa.
Namo tassa bhagavato arahato sammāsambuddhassa.
Namo tassa bhagavato arahato sammāsambuddhassa.
(think of buddha)
Yo sannisinno varabhodimule,
̄
Māraṃ sasenaṃ mahatiṃ viceyyo,
Sambhodimagacji unnatnāno,
͂
Lokuttamo taṃ banamāmi buddhaṃ,
Ye ca Buddha atītā ca ye ca buddha anāgatā
Paccuppānna ca ye Buddha ahaṃ vandami sabbada.
̄ ̄
Itipi so bhagavā arahaṃ sammāsambuddho
vijjācarana-sampanno sugato lokavitu anuttaro
̄
purisadammasārati saddā devamānussanaṃ buddho
bhagavāti buddhaṃ jīvidaṃ yāva nibbānaṃ saranaṃ
kajjāmi.
Natthi me saranaṃ unnaṃ
͂ ͂ buddho me saranaṃ varaṃ
Etēna saccavajjena hotu me jayamaṃgalaṃ
Uttamaṃkena vantehaṃ padapaṃsu varuttamaṃ
Buddhe yo khalito toso buddho khamatu taṃ mamaṃ.
(bow)
18. (think of dhamma)
̄
Uddaṃkhiko ariyapadho janānaṃ
Mokkhappavesāya ujū ca maggo
Dhammo ayaṃ santikaro paṇī to
Niyāniko taṃ panamāmi dhammaṃ
Ye ca dhamma atītā ca
̄ ye ca dhamma anagatā
̄ ̄
Paccuppānna ca ye dhammā ahaṃ vandāmi sabbadā.
Savākkhato bhagavatā dhammo sanditt̥hiko akāliko
ehipas-siko, opanayiko paccatt̥ aṃ veditabbo vinnuhī ti.
͂ ͂
Dhammaṃ jī vitaṃ yāva nibbānaṃ saranaṃ kajjāmi.
Natthi me saranaṃ unnaṃ dhammo me saranaṃ varaṃ
͂ ͂
Etēna saccavajjena hotu me jayamaṃgalaṃ
Uttamaṃgena vantehaṃ dhamman͂ca duvidhaṃ varaṃ
dhamme yo khalito toso dhammo khamatu taṃ mamaṃ.
(bow)
(think of sangha)
Saṇgho visuddho varadakkhineyyo
Santindriyo sabbamarappaheno
Gunehi nekehi samiddhipatto
Anāsavo taṃ panamāmi saṇghaṃ
Ye ca saṇgha atī tā ca ye ca saṇgha anagatā
̄
Paccuppānna ca ye sāvakasaṇgho ahaṃ vandāmi
sabbadā.
59. Grace: Offering sustenance to the Lord Buddha
Imaṃ sūpabayan͂janasampannaṃ sārenaṃ bojanaṃ
sautakaṃ varaṃ buddhassa pujemi.
̄
Reclaimimg the remainder of the offerings
Sesaṃ maṇkalaṃ yācami.
̄
Offering General Saṇghadana
Imāni mayaṃ bhante bhattani saparivārāni
̄
bhikkhusaṇ-ghassa onojayāma sātu no bhante
bhikkhusaṇgho imani bhattani saparivārāni
̄ ̄
pathikkanhātu umhākaṃ dīgharattaṃ hitāya sukhaya.
̄
Traditional Ordination
Before entering the ordination, a faithful son of
Buddism needs to practice the ordainable request
and procedure, and prepares the eight requisites
for monks (set of Monk’s robe, alms-bow, knife,
needle, a girdle, and a piece of waterfilter cloth).
On the ordination day, the appricant’s head,
beard, and mustache is shaved; also his nails is
cut. Before get in to a chapel, he needs to make a
triple circumambulation around the consecrate
convention hall while holding flower, joss sticks,
60. and candle with his palms together. The meaning
of the procedure is to pay respect to the the Triple
Gem (Lord Buddha, Dhamma, and Sangha)…
After that, the ordinard (or Naga) may ask for
forgiveness from the abbot by light the joss sticks
and candle, then bow to the abbot three times.
The ordinard stand up then say:
Ukāsa vandāmi bhante // sabbaṃ aparadhaṃ
̄
khamatha me bhante // mayā kataṃ puññaṃ sāminā
anumoditabbaṃ // samina kataṃ puññaṃ mayhaṃ
dātabaṃ // sadhu / sadhu / sadhu / anumodami //
Kneel then say:
Sabbaṃ aparadhaṃ khamatha me bhante // ukāsa
̄
davārattayena kataṃ / sabbaṃ aparadhaṃ khamatha me
̄
bhante //
Bow one times; stand up then say:
Vandāmi bhante // sabbaṃ aparadhaṃ khamatha me
̄
bhante // mayā kataṃ puññaṃ sāminā anumoditabbaṃ
// samina kataṃ puññaṃ mayhaṃ databaṃ // sadhu /
̄
sadhu / sadhu / anumodami //
Kneel then bow three times…
The ordinard’s parents and family lead the
ordinard into the consecrated convocation hall.
Inside the hall, the ordinard has to asking for
forgiveness from the principle Buddha image
(same as the abbot) one time. The parents or
elder family member give a set of Monk’s robe to
61. the appricant. The odinard kneel, bow three times,
then takes the set while put his palms together.
The ordinard walks with his knees to his
preceptor, gives the set, and bow three times.
After the preceptor give back the set, the ordinard
takes it with his palms together, stand up then
say:
Ukāsa vandāmi bhante // sabbaṃ aparadhaṃ
̄
khamatha me bhante // mayā kataṃ puññaṃ sāminā
anumoditabbaṃ // samina kataṃ puññaṃ mayhaṃ
dātabaṃ // sadhu / sadhu / sadhu / anumodami //
Ukāsa karunnaṃ katvā / pabbajjaṃ detha me bhante
͂ ͂
//
Kneel, palms together than say:
Ahaṃ bhante pabbajjaṃ yācāmi // dutiyampi ahaṃ
bhante pabbajjaṃ yācāmi // tatiyampi ahaṃ bhante
pabbajjaṃ yācāmi
Sabbadukkhanissarana / nibbānasacjikaranatthāya //
imaṃ kasavaṃ gahetvā // pabbājetha maṃ bhante //
̄ ̄
anukambaṃ upādāya (Three times)
Gave the set of monk’s robe to the preceptor
then say:
Sabbadukkhanissarana / nibbānasacjikaranatthāya //
evaṃ kasavaṃ datvā // pabbājetha maṃ bhante //
̄ ̄
anukambaṃ upādāya (Three times)
62. Sit with legs folded back to one side and put the
palms together
Concentrate with the preceptor’s speech…
After the speech, the preceptor will teach the
meditation, the ordinard has to repeat word by
word:
Kesā // lomā // nakhā // dantā // taco //
Taco // dantā // nakhā // lomā // kesā //
After the teaching, the preceptor wears the rope
to the ordinard, and teachs how to wear. The
ordinard leaves the place, wears the rope, and
comes back. The ordinard pays respect with
offering to the one of two master monks, who
gives the formal words of an act, and bow three
times.
The ordinard stands up then say:
Ukāsa vandāmi bhante // sabbaṃ aparadhaṃ
̄
khamatha me bhante // mayā kataṃ puññaṃ sāminā
anumoditabbaṃ // samina kataṃ puññaṃ mayhaṃ
dātabaṃ // sadhu / sadhu / sadhu / anumodami //
Ukāsa karunnaṃ katvā / tisaranena saha sī lani detha
͂ ͂
me bhante //
Kneel, palms together than say:
Ahaṃ bhante saranasī laṃ yacami // dutiyampi ahaṃ
̄ ̄
bhante saranasī laṃ yacami // tatiyampi ahaṃ bhante
̄ ̄
saranasīlaṃ yācāmi
63. The master monk says “Namo tassa…” three
times, the the ordinade repeats after…
Namo tassa bhagavato arahato sammāsambuddhassa.
Namo tassa bhagavato arahato sammāsambuddhassa.
Namo tassa bhagavato arahato sammāsambuddhassa.
The master monk says: (yamahaṃ vatāmi taṃ
vadehi)
The ordinard repiles: Ukasa āma bhante //
The master monk chant “Ti-sarana,” the
ordinard repeats after word by word:
Buddhaṃ // saraṇaṃ // gacchāmi.
Dhammaṃ // saraṇaṃ // gacchāmi.
Saṅghaṃ // saraṇaṃ // gacchāmi.
Dutiyampi // buddhaṃ // saraṇaṃ // gacchāmi.
Dutiyampi // dhammaṃ // saraṇaṃ // gacchāmi.
Dutiyampi // saṅghaṃ // saraṇaṃ // gacchāmi.
Tatiyampi // buddhaṃ // saraṇaṃ // gacchāmi.
Tatiyampi // dhammaṃ // saraṇaṃ // gacchāmi.
Tatiyampi // saṅghaṃ // saraṇaṃ // gacchāmi.
The master monk says: (Tisaranagamanaṃ
nitthitaṃ)
The appricant repiles: Āma bhante //
64. In this procedure, the master monk announces
that the novice’s odination was complete. The
request for ten precepts will begin…
(Pāṇātipātā veramaṇī // sikkhāpadaṃ samādiyāmi.)
-repeat after
(Adinnādānā veramaṇī // sikkhāpadaṃ samādiyāmi.)
-repeat after
(Abrahmacariyā veramaṇī // sikkhāpadaṃ
samādiyāmi.)
-repeat after
(Musāvādā veramaṇī // sikkhāpadaṃ samādiyāmi.)
-repeat after
(Surāmerayamajjapamādaṭṭhānā veramaṇī //
sikkhāpadaṃ samādiyāmi.)
-repeat after
(Vikālabhojanā veramaṇī // sikkhāpadaṃ samādiyāmi.)
-repeat after
(Naccagītavāditavisūkadassanāmālāgandhavilepanadhā
raṇamaṇḍanavibhūsanaṭṭhānā veramaṇī // sikkhāpadaṃ
samādiyāmi.)
-repeat after
(Mālāgandhavilepanamanthanavibhusanatthānā
veramaṇī // sikkhāpadaṃ samādiyāmi.)
-repeat after
(Uccāsayanamahāsayanā veramaṇī // sikkhāpadaṃ
samādiyāmi.)
-repeat after
65. (Jātarūpajatapatiggahanā veramaṇī // sikkhāpadaṃ
samādiyāmi.)
-repeat after
The master monk says:
(Imāni dasa sikkhā-padāni samādiyāmi.)
-repeat after three times
Bow one time, stand up and say:
Vandāmi bhante // sabbaṃ aparadhaṃ khamatha me
̄
bhante // mayā kataṃ puññaṃ sāminā anumoditabbaṃ
// samina kataṃ puññaṃ mayhaṃ databaṃ // sadhu /
̄
sadhu / sadhu / anumodami //
Kneel and bow three times. The novice takes the
alms-bowl then walks with knees to the
preceptor, offers the bowl, bow three times,
stands up, and says:
Ukāsa vandāmi bhante // sabbaṃ aparadhaṃ
̄
khamatha me bhante // mayā kataṃ puññaṃ sāminā
anumoditabbaṃ // samina kataṃ puññaṃ mayhaṃ
dātabaṃ // sadhu / sadhu / sadhu / anumodami //
Ukāsa karunnaṃ katvā / nissayaṃ detha me bhante //
͂ ͂
Kneel then say:
Ahaṃ bhante nissayaṃ yācāmi // dutiyampi ahaṃ
bhante nissayaṃ yācāmi // tatiyampi ahaṃ bhante
nissayaṃ yācāmi //
66. Upajjāyo me bhante hohi //
Upajjāyo me bhante hohi //
Upajjāyo me bhante hohi //
The preceptor says: (Patirūpaṃ)
The novice repiles: Ukāsa sampaticjāmi
The preceptor says: (Opāyikaṃ)
The novice reliess: Sampaticjāmi
The preceptor says: (Pāsādikena sampādehi)
The novice replies: Sampaticjāmi
Continue:
Ujjataggedāni / thero mayhaṃ bhāro / ahampi
therassa bhāro //
Ujjataggedāni / thero mayhaṃ bhāro / ahampi
therassa bhāro //
Ujjataggedāni / thero mayhaṃ bhāro / ahampi
therassa bhāro //
Bow one times, stand up then say:
Vandāmi bhante // sabbaṃ aparadhaṃ khamatha me
̄
bhante // mayā kataṃ puññaṃ sāminā anumoditabbaṃ
// samina kataṃ puññaṃ mayhaṃ databaṃ // sadhu /
̄
sadhu / sadhu / anumodami //
Bow three times
In the next procedure, the preceptor gives the
Buddhist name in Bihari language
The master monks asks “kinnāmosi” //
67. The novice replies “ahaṃ bhante (your Buddhist
name) nāma”
The master monks asks “ko nama te upajjāyo”
̄
//
The novice replies “upajjāyo me bhante āyasmā
(the preceptor’s name) nāma”//
The preceptor announces the alms-bowl and the
rope to the appricant by saying:
(Pathamaṃ upajjaṃ gāhāpetabbo / upajjaṃ
gāhāpetavā / pattacīvaraṃ ācikkhitabbaṃ // ayante
patto)
The novice repiles: Āma bhante
The preceptor says: (Ayaṃ saṇghati)
̄
The novice replies: Āma bhante
The preceptor says: (Ayaṃ uttarāsaṇgo)
The novice replies: Āma bhante
The preceptor says: (Ayaṃ antavāsako)
The novice replies: Āma bhante
The preceptor continues “gacja amumhi okāse
titthāhi”
In the next procedure, the novice stands away
the convocation 60 centimetres away, and put the
palms together.
The master monks kneels in front of the
principle Buddha image, bow three times, says
“namo Tassa…” three times, then sits with legs
68. folded back to one side. The master will begin to
chant:
(Sunātu / me bhante saṇgho // (Buddhist name of the
ordinard) / āyasmato (preceptor’s name)
upasampadāpakkho // yati / saṇghassa pattakallaṃ //
ahaṃ / n͂ānavajiraṃ anusāseyyaṃ)
(Sunāsi / (Buddhist name of the ordinard) / ayante
saccakālo bhutakalo // yaṃ jataṃ // taṃ saṇghamajje
̄ ̄
pujjante // santaṃ atthī ti vattabbaṃ // asantaṃ natthī ti
vatabbaṃ // mā kho vitthāsi // mā kho maṇku ahosi //
evantaṃ pucjissanti // santi / te evarupā / āpātā)
̄
The master monk asks: The novice replies:
Q: (Kutdhaṃ) A: Natthi bhante
Q: (Ganto) A: Natthi bhante
Q: (Kilāso) A: Natthi bhante
Q: (Soso) A: Natthi bhante
Q: (Apamāro) A: Natthi bhante
Q: (Manussasosi) A: Āma bhante
Q: (Purisosi) A: Āma bhante
Q: (Bhujisosi) A: Āma bhante
Q: (ananosi) A: Āma bhante
Q: (Nasi rājabhatho) A: Āma bhante
Q: (Anun͂n͂ātosi mātāpitūhi) A: Āma bhante
Q: (Paripunnevīsativassosi) A: Āma bhante
Q: (Paripunnanete pattacī varaṃ) A: Āma bhante
Q: (Kinnāmosi) A: Ahaṃ bhante
(Buddhist name of the
ordinard) nāma
69. Q: (Ko nāma te upajjāyo) A: Upajjāyo me
bhante
āyasma (preceptor’s
name) nāma
The master monks get back convocation, and
chant the formal words of an act:
(Sunātu / me bhante saṇgho // (Buddhist name of the
ordinard) / āyasmato (preceptor’s name)
upasampadapekkho // anusttho so mayā // yati /
saṇghassa pattakallaṃ // n͂ānavajiro / āgacjeyya //
āgacjāhi)
The preceptor calls the novice…
The novice comes back to the convocation, bows
three times (right, left, and middle), put the palms
together and chants the ordainable request:
Saṇghambhante upasampataṃ yācāmi // ullumpatu
maṃ bhante saṇgho // anukampaṃ upādāya //
Dutiyampi bhante saṇghaṃ upasampataṃ yācāmi //
ullumpatu maṃ bhante saṇgho // anukampaṃ upādāya
//
Tatiyampi bhante saṇghaṃ upasampataṃ yācāmi //
ullumpatu maṃ bhante saṇgho // anukampaṃ upādāya
//
The master monks chant:
(Sunātu / me bhante saṇgho // ayaṃ (Buddhist name
of the ordinard) / āyasmato sobhanassa (preceptor’s
71. The master monk will chant the motion and
announce a new monk three times:
Sunatu me bhante saṇgho. Ayaṃ (Buddhist name of
the ordinard) āyasmato (preceptor’s name)
upasampadāpekkho. Parisuddho antarāyikehi dhammehi.
Paripunnassa Pattacivaram. (Buddhist name of the
ordinard) saṇghaṃ upasampadaṃ yācati, āyasmatā
(preceptor’s name) upajjhāyena. Yadi saṇghassa
pattakallam, saṇgho (Buddhist name of the ordinard)
upasampadeyya, āyasmatā ( preceptor’s name)
upajjhāyena. Esā n͂atti
Sunatu me bhante saṇgho. Ayaṃ (Buddhist name of
the ordinard) āyasmato (preceptor’s name)
upasampadāpekkho. Parisuddho antarayikehi dhammehi.
̄
Paripunnassa Pattacivaram. (Buddhist name of the
ordinard) saṇghaṃ upasampadaṃ yacati, āyasmata
̄ ̄
(preceptor’s name) upajjhāyena. Saṇgho (Buddhist name
of the ordinard) upasampādeti, āyasmatā (preceptor’s
name) upajjhāyena. Yassāyasmato khamati, (Buddhist
name of the ordinard) upasampadā, āyasmatā
(preceptor’s name) upajjhayena, sotunhassa. Yassa na
khamati, sobhāseyya.
Dutiyampi etamatthaṃ vadami. Sunatu me bhante
saṇgho. Ayaṃ (Buddhist name of the ordinard)…
Tatiyampi etamattham vadami. Sunatu me bhante
saṇgho. Ayam (Buddhist name of the ordinard)…
Upasampanno Saṇghena (Buddhist name of the
ordinard) āyasmatā (preceptor’s name) upajjhāyena.
72. Khamati saṇghassa, tasmā Tunhī. Evametaṃ
Dhārayāmi…
The new monk bow three times, crawls pass the
covocation than stand up. Now, the new go back
to the first point. The master monk follows, and
tell the new monk about eight basic rules for new
monk in Pali language (new monk has to replie
“āma bhante” for each rule).
Every monk in the ceremony Chants Anumodāna
to a new monk. The new monk pours ceremonial
water as the end of the ordination.
Dhammacakkappavattana Sutta
Evamme sutaṃ, Ekaṃ samayaṃ Bhagavā,
Bārāṇasiyaṃ viharati isipatane migadāye. Tatra kho
Bhagavā pañcavaggiye bhikkhū āmantesi.
Dveme bhikkhave antā pabbajitena na sevitabbā, Yo
cāyaṃ kāmesu kāmasukhallikānuyogo, Hīno gammo
pothujjaniko anariyo anatthasañhito, Yo cāyaṃ
attakilamathānuyogo, Dukkho anariyo anatthasañhito.
Ete te bhikkhave ubho ante anupagamma, Majjhimā
paṭipadā tathāgatena abhisambuddhā, Cakkhukaraṇī
ñānakaraṇī upasamāya abhiññāya sambodhāya
nibbānāya saṃvattati.
Katamā ca sā bhikkhave majjhimā paṭipadā
tathāgatena abhisambuddhā, Cakkhukaranī ñānakaranī