Sonification is a complementary, but lesser known, technique to visualization. In this seminar, we will introduce the technique and discuss some applications, such as working with the texts of Shakespeare or social media data. We will discuss some of the principles in designing sonifications to explore data sets, some of the technologies used and the difficulties encountered.
1. Songs of Data
An introduction to sonification
Iain Emsley
Oxford e-Research Centre, University of Oxford
iain.emsley@oerc.ox.ac.uk
@iainemsley
@minnelieder
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2. Overview
• Introduction to Sonification
• Sonifying Hamlet
• Auditory Beacons
• Identifying Signal to Noise in Twitter
• Hemlines and Big Macs
• Some Principles
• Conclusions
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3. Introduction to Sonification
• What is sonification?
– Sonification is an alternative to visualization
“the use of non-speech audio to convey information. More
specifically, sonification is the transformation of data
relations into perceived relations in an acoustic signal for
the purposes of facilitating communication or
interpretation.”
(Kramer, 1997)
• Using it for analysis
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6. Sonifying the Variants
• From Play to Sonification
• Using First Folio and Quartos data
• Parsing the TEI XML, converting it with rule set into numbers,
sonifying the data to produce sounds
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Sonification
7. Auditory Beacons
• Acts and Scenes
– Different Instruments and Pitches
• Stage Directions
– Different instruments
– Period versus Modern sounds?
• Speakers
– Increasing volume
– Stereoscopic illusion using two streams
8. Identifying Signal to Noise in Twitter
• Data taken from mining Drupalcon
• What is the amount of information?
10. Hemlines and Big Macs
• Light hearted views of economic data
• https://www.foreignaffairs.com/audios/2015-07-22/sound-economy
11. Some Principles
• Consider the aspect of data that will be useful
• Research the data and context
• Group sounds together
12. Conclusions
• Perceptions altered
– Choices of sound
– Use of multiple parameters
• Use of spatial and temporal events
• An alternative method to explain and explore
data
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13. Thank you for listening
Any questions?
iain.emsley@oerc.ox.ac.uk
@iainemsley
@minnelieder
13
14. References
De Roure, David C., Cruickshank, Don G., Michaelides, Danius T., Page, Kevin R. and Weal, Mark J. (2002) On Hyperstructure and
Musical Structure. The Thirteenth ACM Conference on Hypertext and Hypermedia (Hypertext 2002), Maryland, USA, 11 - 15 Jun
2002. ACM, 95-104.
Iain Emsley and David De Roure, 2015. It will discourse most eloquent music: Sonifying variants of Hamlet.,
http://ora.ox.ac.uk/objects/uuid:1785e0ac-5cbb-4d35-8546-4495aa8baec8
William W. Gaver. 1986. Auditory icons: using sound in computer interfaces. Hum.-Comput. Interact. 2, 2 (June 1986), 167-177.
http://dx.doi.org/10.1207/s15327051hci0202_3
The Big Mac index, The Economist, http://www.economist.com/content/big-mac-index
Thomas Hermann, Andy Hunt, John G. Neuhoff (Eds.), The Sonification Handbook, Edited by Logos Publishing House, Berlin
2011, 586 pages, 1. edition (11/2011)
Gregory Kramer. 1993. Auditory Display: Sonification, Audification, and Auditory Interfaces. Perseus Publishing.
G. Kramer, B. Walker, T. Bonebright, et al., Sonification report: Status of the field and research agenda Prepared for the National
Science Foundation by members of the International Community for Auditory Display (1997)
http://sonify.psych.gatech.edu/publications/pdfs/1999-NSF-Report.pdf
Chandrasekhar Ramakrishnan and Steven Greenwood, Entropy Sonification, Proceedings of the 15th International Conference on
Auditory Display, Copenhagen, Denmark May 18 - 22, 2009
Digital facsimile of the Bodleian First Folio of Shakespeare's plays, Arch. G c.7, First Folio home page,
http://firstfolio.bodleian.ox.ac.uk/
The tragedy of Hamlet Prince of Denmarke: an electronic edition, Hamlet, First Quarto, 1603. British Library Shelfmark: C.34.k.1,
http://www.quartos.org/XML_Orig/ham-1603-22275x-bli-c01_orig.xml
The tragedy of Hamlet Prince of Denmarke: an electronic edition, Hamlet, Second Quarto Variant, 1605. British Library
Shelfmark: C.34.k.2, http://www.quartos.org/XML_Orig/ham-1605-22276a-bli-c01_orig.xml
Editor's Notes
Sonification as an alternative or complement to visualisation.
This is the standard definition of sonification. *pause* We believe that it can be extended into analytics.
Does not help if we want to use this for analytics – see Bijsterveld and Supper’s work
In Listening..., Hatnote sonifies the size of change using a Wikipedia feed with a simple sonification.
We try to move to music rather than sound.
Julie Freeman using music to sonify click stream actions on the Zooniverse site.
William Gaver 1982 paper.
----- Meeting Notes (25/10/15 20:38) -----
Pipeline to transform the XML into numbers according to a simple set of rules. These numbers are then transformed into sound in the black box.
Mention the Hinman collator here and stereoscopy.
Used the First Folio Hamlet and the Quartos variants as the test data.
One stream
Two steams to create an audio version of a steroscopic illusion.
Challenges of making the information useful for the listener.
Acts & Scenes are relatively static. We can be confident that they will be in each play.
Stage directions - use different instruments. *pause* do we use the period sounds versus modern sounds? How does this affect the listener?
Speakers - same instrument with different pitches. Also use increasing volumes as a way marker.
Mined hashtags from a Twitter stream from Drupalcon.
Used entropy functions to work out the amount of information in the stream. Using two channels, we alter the perception by subtly moving the noise from the middle of the head towards one ear.
A future experiment looks at extending this work and combining them
Question for the audience.
Both are light hearted view of economic data.
Big Mac data as the purchasing-power parity index from the Economist. Used the idea of the Big Mac as an index for whether a currency is overvalued.
Hemline – the swanee whistle as the sound – but connotations of sexism.
Trying to think of a way of making a sound appealing but also recognisable.
The brain can only understand a limited amount of simultaneous voices.
Grouping the sounds together to help the listener understand groupings in the data.
Either single channel or stereo channels. Helping the user associate the sound with the underlying meaning
Stereo channels allows for stereoscopic channels.
Sonification for interpretation and analysis. It is not as well researched as visualization.