Our unrivaled experience, creative solutions, and fresh design activate the art and science of place branding for small cities, regions and downtowns. Avia PlaceBrands produces the research, brand identity and design to promote communities as compelling destinations for visitors, investors, shoppers, and new residents.
Our unrivaled experience, creative solutions, and fresh design activate the art and science of place branding for small cities, regions and downtowns. Avia PlaceBrands produces the research, brand identity and design to promote communities as compelling destinations for visitors, investors, shoppers, and new residents.
Axia Partnered with Great Destination Strategies to develop a brand for Alaska's Inside Passage. One of the final deliverables was a comprehensive Brand Style Guide for the South Alaska Tourism Council and all those who will promote the brand through visual communications.
Axia is an award-winning visual communications company specializing in wayfinding, branding and advertising for city, corporate and retail markets. Axia provides solutions to move people forward, companies upward and communities onward. Here, great ideas take flight. At Axia, we believe there is no such thing as a bad idea, just another step toward a winning solution. We encourage our Clients to participate in the design process because their input is based on insight and passion. Our motto is simple. “Provide the best creative solutions for the best clients for the best results– and have fun doing it”. Axia Creative, formerly known as Mayfield Creative, is located in West Palm Beach, Florida with a client base that covers the entire US, parts of Canada and over 19 Caribbean territories.
Todd Mayfield is the President and cofounder of Axia Creative. He has over 29 years of wayfinding, brand development, advertising and print graphics experience. He is also an accomplished fine artist and illustrator.
Todd has earned numerous awards for design excellence and profound respect among his peers. His work has been featured in various industry magazines and books such as Print, Signs of the Times and American Corporate Identity. Currently, his company has a loyal client base from California to the Caribbean and parts of Canada.
AXIACREATIVE.COM
“Collaborative and productive: Moving Utah forward together.” As a Chamber, we challenge the preconceptions and possibilities of business. We search for smarter ways to do things; we
bring new partners together in a productive and innovative way to discover ideas to help Utah grow economically. We use our
knowledge and experience to continually improve and consistently deliver results for our community and stakeholders. And we
do everything responsibly and considerately to help support our members and the businesses we work with.
Jim Earley and Earleygraphics Subaru RedesignJim Earley
This brochure is a redesign of the Subaru brand. A new more elegant logo was developed. I provided all content and design work for this brochure. New website and apps were developed and new branding consistent with the Subaru personas were envisioned.
Address : 8100 Boone Boulevard Suite 150, Vienna, Fairfax, Virginia, 22182, United States
Phone Number : (703) 991-2766
Email : info@treehouseeyes.com
Hours of Operation : Monday-Friday 9am - 5pm
Website : https://treehouseeyes.com
Treehouse specializes in first-rate eye care for kids, offering an array of effective myopia treatments. Our team is comprised of leading optometrists and ophthalmologists who are involved in both research and clinical practice. We are focused on treating childhood myopia, giving children opportunities that their parents never had. We are equally committed to delivering top-notch service and a nurturing space for both children and parents. To find out your child's risk for myopia, take our short quiz or consult Treehouse for expert advice.
Visit treehouseeyes.com to schedule your child’s myopia test appointment with a myopia specialist.
This an annual report we developed for St. Maarten Medical Center. The challenge was to incorporate their existing identity while elevating the report with fresh and contemporary graphics. The Hospital is positioned to change their brand in 2020.
Avia empowers businesses and institutions with strong brands that get noticed. We amplify marketing with compelling messages that get heard. We plan, design and implement wayfinding programs to help people find their way to your destination. We produce compelling marketing videos that amplify a brand’s voice. Avia provides solutions that empower brands, move businesses upward and communities forward.
NAGICO Insurances is the premier insurance provider in the Caribbean. Their headquarters are located in Dutch St. Maarten with offices in more than 21 Caribbean Territories.
In 2009, we were asked by NAGICO to help launch their new, free roadside assistance program. After the successful launch, we were contracted to enhance their existing brand with modifications to their logo and graphic standards. The assignment culminated in the creation of their first brand style guide.
Avia invited Great Destination Strategies to take a look at the NAGICO brand and help redefine their Brand Promise to facilitate their growth within current and emerging markets.
For 10 years Avia served as the exclusive creative agency of record for NAGICO. Up until 2019, we provided the majority of their print media, campaign strategies, office signage, web media and point-of-sale graphics. In early 2020, we updated their brand manual to be handed off to their Hong Kong partner who is in the process of acquiring full ownership of the organization.
Our unrivaled experience, creative solutions, and fresh design activate the art and science of place branding for small cities, regions and downtowns. Avia PlaceBrands produces the research, brand identity and design to promote communities as compelling destinations for visitors, investors, shoppers, and new residents.
Axia Partnered with Great Destination Strategies to develop a brand for Alaska's Inside Passage. One of the final deliverables was a comprehensive Brand Style Guide for the South Alaska Tourism Council and all those who will promote the brand through visual communications.
Axia is an award-winning visual communications company specializing in wayfinding, branding and advertising for city, corporate and retail markets. Axia provides solutions to move people forward, companies upward and communities onward. Here, great ideas take flight. At Axia, we believe there is no such thing as a bad idea, just another step toward a winning solution. We encourage our Clients to participate in the design process because their input is based on insight and passion. Our motto is simple. “Provide the best creative solutions for the best clients for the best results– and have fun doing it”. Axia Creative, formerly known as Mayfield Creative, is located in West Palm Beach, Florida with a client base that covers the entire US, parts of Canada and over 19 Caribbean territories.
Todd Mayfield is the President and cofounder of Axia Creative. He has over 29 years of wayfinding, brand development, advertising and print graphics experience. He is also an accomplished fine artist and illustrator.
Todd has earned numerous awards for design excellence and profound respect among his peers. His work has been featured in various industry magazines and books such as Print, Signs of the Times and American Corporate Identity. Currently, his company has a loyal client base from California to the Caribbean and parts of Canada.
AXIACREATIVE.COM
“Collaborative and productive: Moving Utah forward together.” As a Chamber, we challenge the preconceptions and possibilities of business. We search for smarter ways to do things; we
bring new partners together in a productive and innovative way to discover ideas to help Utah grow economically. We use our
knowledge and experience to continually improve and consistently deliver results for our community and stakeholders. And we
do everything responsibly and considerately to help support our members and the businesses we work with.
Jim Earley and Earleygraphics Subaru RedesignJim Earley
This brochure is a redesign of the Subaru brand. A new more elegant logo was developed. I provided all content and design work for this brochure. New website and apps were developed and new branding consistent with the Subaru personas were envisioned.
Address : 8100 Boone Boulevard Suite 150, Vienna, Fairfax, Virginia, 22182, United States
Phone Number : (703) 991-2766
Email : info@treehouseeyes.com
Hours of Operation : Monday-Friday 9am - 5pm
Website : https://treehouseeyes.com
Treehouse specializes in first-rate eye care for kids, offering an array of effective myopia treatments. Our team is comprised of leading optometrists and ophthalmologists who are involved in both research and clinical practice. We are focused on treating childhood myopia, giving children opportunities that their parents never had. We are equally committed to delivering top-notch service and a nurturing space for both children and parents. To find out your child's risk for myopia, take our short quiz or consult Treehouse for expert advice.
Visit treehouseeyes.com to schedule your child’s myopia test appointment with a myopia specialist.
This an annual report we developed for St. Maarten Medical Center. The challenge was to incorporate their existing identity while elevating the report with fresh and contemporary graphics. The Hospital is positioned to change their brand in 2020.
Avia empowers businesses and institutions with strong brands that get noticed. We amplify marketing with compelling messages that get heard. We plan, design and implement wayfinding programs to help people find their way to your destination. We produce compelling marketing videos that amplify a brand’s voice. Avia provides solutions that empower brands, move businesses upward and communities forward.
NAGICO Insurances is the premier insurance provider in the Caribbean. Their headquarters are located in Dutch St. Maarten with offices in more than 21 Caribbean Territories.
In 2009, we were asked by NAGICO to help launch their new, free roadside assistance program. After the successful launch, we were contracted to enhance their existing brand with modifications to their logo and graphic standards. The assignment culminated in the creation of their first brand style guide.
Avia invited Great Destination Strategies to take a look at the NAGICO brand and help redefine their Brand Promise to facilitate their growth within current and emerging markets.
For 10 years Avia served as the exclusive creative agency of record for NAGICO. Up until 2019, we provided the majority of their print media, campaign strategies, office signage, web media and point-of-sale graphics. In early 2020, we updated their brand manual to be handed off to their Hong Kong partner who is in the process of acquiring full ownership of the organization.
Our unrivaled experience, creative solutions, and fresh design activate the art and science of place branding for small cities, regions and downtowns. Avia PlaceBrands produces the research, brand identity and design to promote communities as compelling destinations for visitors, investors, shoppers, and new residents.
Our unrivaled experience, creative solutions, and fresh design activate the art and science of place branding for small cities, regions and downtowns. Avia PlaceBrands produces the research, brand identity and design to promote communities as compelling destinations for visitors, investors, shoppers, and new residents.
Our unrivaled experience, creative solutions, and fresh design activate the art and science of place branding for small cities, regions and downtowns. Avia PlaceBrands produces the research, brand identity and design to promote communities as compelling destinations for visitors, investors, shoppers, and new residents.
Our unrivaled experience, creative solutions, and fresh design activate the art and science of place branding for small cities, regions and downtowns. Avia PlaceBrands produces the research, brand identity and design to promote communities as compelling destinations for visitors, investors, shoppers, and new residents.
Our unrivaled experience, creative solutions, and fresh design activate the art and science of place branding for small cities, regions and downtowns. Avia PlaceBrands produces the research, brand identity and design to promote communities as compelling destinations for visitors, investors, shoppers, and new residents.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Wayfinding is our specialized division that approaches multimodal wayfinding holistically. It guides people to and through environments combining traditional wayfinding devices with digital technologies. Our goal is to point people to destinations, elevate their place experience and enhance their sense of discovery.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
7 Alternatives to Bullet Points in PowerPointAlvis Oh
So you tried all the ways to beautify your bullet points on your pitch deck but it just got way uglier. These points are supposed to be memorable and leave a lasting impression on your audience. With these tips, you'll no longer have to spend so much time thinking how you should present your pointers.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
This presentation was made to help designers who work in publishing houses or format books for printing ensure quality.
Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Unleash Your Inner Demon with the "Let's Summon Demons" T-Shirt. Calling all fans of dark humor and edgy fashion! The "Let's Summon Demons" t-shirt is a unique way to express yourself and turn heads.
https://dribbble.com/shots/24253051-Let-s-Summon-Demons-Shirt
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
4. The Sitka Brand strategy provides direction
for portraying and unifying Sitka visitor
experiences. It acts as a guidance system
in conjunction with the wayfinding signs
to communicate with the visitor and direct
them toward local experiences. The Brand
strategy also provides direction to tourism and
municipal officials as well as private tourism
entrepreneurs for brand supportive product
development and public policy.
The Sitka Brand strategy, verbal and visual
elements will help shape what we want people
to think and feel about Sitka, Alaska as a visitor
destination.
These Brand Guidelines are simply a reference
document that explains the proper usage of
Sitka’s brand visuals such as the logo, colors,
tagline and other graphic assets.
These guidelines are not necessarily meant
to restrict creativity, rather they are meant to
guide creativity to stay in concert with and to
support the essence of the Sitka brand.
How These Guidelines Work
1.1
5. What is a Destination Brand?
1.2
A destination brand makes and fulfills a
value promise. It is a unique blend of physical,
intangible and emotional benefits which clearly
differentiate a destination from other choices.
Importantly, it acts as a guidance system
to prioritize and influence every message,
process, decision, communication, and
investment.
Branding can be considered as the art
and science of orchestrating the distinctive
messages and experiences that we most
want associated with Sitka to ensure that
they are as unifying, compelling, and rewarding
as possible.
6. Our Destination Promise
1.3
Our Promise:
“While most places in Alaska are defined
by big nature and frontier adventures, Sitka
promises a very different perspective because
of its charismatic mix of friendly people, and a
delightful fusion of art, culture and wilderness.”
Our Commitment:
We are dedicated to preserving, enjoying
and sharing our authentic Alaska town and
its surrounding natural environment while
generating a sustainable visitor economy for
resident employment and small businesses.
We present transformational experiences
that enable residents and visitors to interact
with nature in ways that are compelling,
environmentally sensitive and spiritually
uplifting.
8. Our Copy Style
2.1
The Sitka brand will be embedded in the
copy for brochures, web sites, advertising,
online communications and collateral
materials. Wherever possible, copy should
describe experiences with action-oriented
and evocative language to provide a feel for
what the reader will experience. Importantly,
it must make the reader feel as though they’re
already enjoying the sights, sounds, smells,
and sensations of the Sitka Region.
Copy should always be written in a friendly,
relaxed, informative, and unpretentious
manner to match our personality. It should be
conversational and create the feel and tone of
a one-on-one conversation.
It should be enticing and motivational, yet
realistic and factual. It must not contain
hype or exaggeration.
9. Our Photographic Style
2.2
High quality photography can be one of the
most potent and versatile communication
elements in Sitka’s brand toolkit. This is
because the stunning sense of place, seasons,
moods and colors of Sitka make it extremely
photogenic.
Images should project enriching, revitalizing
and adventure-filled experiences that reflect
our benefits and distinctive character.
Questions to ask when selecting images to
reflect the brand are:
• Are these real people doing real things in
reasonably accessible places?
• Are the images believable?
• Do they have a WOW factor or strong “wish
you were here” flavor?
• Do the subjects look natural and not
posed?
• Are the subjects doing something
interesting?
• Will the photographs resonate with the
target audience?
11. Brand Identity Inspiration
The final Sitka logo has evolved
from several concepts that were
inspired by the textures, colors and
features from Sitka’s heritage and
natural environment.
The basic Sitka logo is derived
from three primary visual resources.
The Haida/Tlinget art forms,
Russian architecture and an existing
font called FF Motter Festival.
Tlingit and Haida Totemic Art
FF Motter Festival Font
Russian Architecture
The Stylized Wordmark
3.1
12. The Solid Sitka Wordmark
The solid Sitka wordmark is the
visual foundation of the Sitka
identity. It is considered the brand
signature when used in its isolated
form.
It may be reproduced in four basic
variations:
1. Black against a white, solid light
neutral or low contrast textured
neutral background.
2. White against a black, solid dark
or low contrast textured dark
background.
3. Red (PMS 485 C) against a
white or black background. The
red may be used as a solid
background behind a white
wordmark.
4. Teal (PMS 327 C) against a
white or black background. The
teal may be used as a solid
background behind a white
wordmark.
3.2
13. Clear Tide PoolsMigrating Salmon
3.3
The Modeled Sitka
Wordmark
The modeled Sitka wordmark
is a special version of the Sitka
identity. It should only be used as
a featured graphic and not as a
secondary signature that follows
other featured imagery.
Its includes a custom pattern
inspired by migrating salmon and
the light refractions in clear coastal
tide pools.
The red dot in the “i” is inspired by
the berry or sun held in a raven’s
beak from Haida/Tlinget folklore.
It may be reproduced in two basic
variations:
1. Against 100% bright white.
2. Against 100% jet black
The Modeled Sitka Wordmark against 100% blackThe Modeled Sitka Wordmark against 100% white
14. The Sitka Raven
A secondary companion graphic of
the Sitka brand is the “charismatic”
Sitka Raven. It was developed to be
used as a playful embellishment
to be used with or without the
wordmark for special occasions.
The Sitka Raven may be used as an
isolated graphic or as a wordmark
companion.
It is not intended to serve as a
stand alone brand graphic where
the Sitka brand has not already
been visually introduced.
3.4
Tlingit and Haida Folklore Raven
A raven as seen in the Sitka region
15. The Tagline
Sitka’s tagline provides a clear
message of what Sitka’s brand is
all about. It reinforces the brand’s
message and helps connect an
idea with Sitka’s audience.
The tagline may be isolated or used
as a part of the full Sitka Logo but
must never be used more than
once on the same page or visual
display.
The tagline’s form, either isolated or
combined with the full Sitka logo,
must never be reconstructed or
altered. It can only be reproduced
from the original production files.
3.5
16. The Solid Sitka Wordmark
with Tagline
When the Sitka wordmark and the
tagline are combined together as
a consolidated graphic, the tagline
must be positioned below the
wordmark and sized as the same
length.
The tagline may be used with any
of the solid color versions as black,
black with a red “Wild”, black with a
teal “Wild” or in all red.
3.6
17. The Modeled Sitka
Wordmark with the Raven
and Tagline
When combined with the
wordmark and the raven, the
tagline must be positioned below
the wordmark as in the solid
versions but must always include
black lettering with a red “Wild”.
3.7
18. Clearspace
The clearspace around the Sitka
wordmark, the combined raven/
workmark, isolated raven or isolated
tagline, must be maintained at all
times. These areas must never be
invaded by other graphics, borders
or photographic elements.
The distance defined by the height
of the downward return of the “S”
determines the minimum clear
space required between the outer
most elements of the logo and the
definable outer edge of a field or
the nearest edge of another graphic
or visual element.
3.8
19. 7/8"
1/2"
7/8"
1/2"
Minimum Sizes
Minimum sizes have been
determined for the all versions of
the wordmark with and without the
tagline.
When the wordmark is paired with
the tagline, the minimum size is
7/8” measured from the left side of
the tagline to the right side of the
tagline. This proportion also applies
to the tagline when it is used as an
isolated graphic.
When the wordmark is used
without the tagline, the minimum
size is 1/2” measured from the
left side of the “S” in the wordmark
to the right side of the “a”. This
proportion also applies to the
Raven/wordmark composite.
3.9
20. Visit in Alaska
Prohibited Use
All versions of the Sitka logo should
be used accurately, consistently
and in compliance with these
guidelines.
The following examples illustrate
how misuse of the logo will
diminish its impact and reflect
unfavorably on the Sitka brand.
Note: Some diversions from
these prohibited use rules may be
considered only if there are specific
occasions where special treatments
of the logo are appropriate to
support an event or unique
campaign. These special treatments
should never be adopted as official
and routinely used identities.
Only upon careful consideration
and subsequent approval by the
Sitka brand manager, may special
treatments be created.
Never change the colors
from what has been approved
in this document.
Never reorganize any of the
logo elements.
Never obstruct any of the logos
with a graphic, text or object.
Never alter the tint of the
colored wordmark.
Never place the black raven or black
graphics over a black background.
Never squeeze, stretch or distort
any of the logos.
Never slant or skew
any of the logos.
Never use any of the logos
in a sentence.
Never use any of the logos as part of
a third party logo or brand.
3.10
21. Special Treatments
As a brand is used in the course
of ongoing marketing campaigns,
some diversions from the
prohibited use rules on page 3.9
may be considered only if there
are specific occasions where
special treatments of the logo
are appropriate to support an
event or unique campaign. These
special treatments should never be
adopted as official and routinely
used identities.
Only upon careful consideration
and subsequent approval by the
Sitka brand manager, may special
treatments be created.
Examples of special treatments can
be found on pages 5.1 and 5.2.
3.11
23. Colors - Wordmark
The Sitka wordmark may be
reproduced in any of the three
primary colors.
All colors are broken down into
reproduction formulas for print
media (CMYK), digital (RGB) and
web media (HEX).
Primary Secondary
4.1
70% 40% 30% 15%
CMYK 100/21/64/7
RGB 0/151/117
HEX 00/83/75
Turquoise
70% 40% 30% 15%
CMYK 5/98/100/.5
RGB 226/35/26
HEX E2/23/1A
Red
70% 40% 30% 15%
CMYK 0/0/0/100
RGB 35/31/32
HEX 23/1F/20
Black
24. Colors - Pattern
The Sitka pattern is composed by
primary, secondary and blended
color sets. These colors reflect
the character of Sitka pattern and
should never be altered.
All colors are broken down into
reproduction formulas for print
media (CMYK), digital (RGB) and
web media (HEX).
Moss Green
Forest Shadow
Blue Ocean
Blend 4
Moss Green
Blue Ocean
Blend 3
70% 40% 30% 15%
CMYK 66/81/3/9
RGB 105/72/144
HEX 69/48/90
Purple
Majesty
Purple Majesty
Raven Black
Blend 1
Blue Ocean
Purple Majesty
Blend 2
Moss Green
Forest Shadow
Blend 5
70% 40% 30% 15%
CMYK 68/26/4/21
RGB 62/130/171
HEX 3E/82/AB
Blue Ocean
70% 40% 30% 15%
CMYK 83/51/53/29
RGB 46/88/92
HEX 2E/58/5C
Forest
Shadow
70% 40% 30% 15%
CMYK 68/11/72/17
RGB 74/14/98
HEX 4A/93/62
Moss Green
70% 40% 30% 15%
CMYK 5/98/100/.5
RGB 226/35/26
HEX E2/23/1A
Red
70% 40% 30% 15%
CMYK 0/0/0/100
RGB 35/31/32
HEX 23/1F/20
Black
Primary Secondary Blends
4.2
25. Typography
Regulated typography is a powerful
tool used to support the Sitka
brand and should be used in all
forms of visual communication to
maintain a strong and unified brand
expression.
The Formata Font Family
Formata is the primary font family
for the Sitka brand. It was selected
out of thousands of fonts to be
compatible with the Brand
Identities. It includes 8 styles that
can be used together or separately
while avoiding visual competition
within the brand applications.
Formata Bold
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Bold Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Medium
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Medium Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Regular
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Regular Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Light
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Light Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
4.3
26. Tiled Patterns
There will be occasions where
graphic embellishments add
helpful visual impact to a visual
communication as long as they
do not compete with or diminish
the character of the brand.
Two tiled patterns have been
developed. The square pattern can
be tiled in all directions to create a
continuous graphic background.
Side A1 matches to A2 and B1
matches to B2 respectively.
The pattern bar may be tiled on
either side to create an expandable
graphic rule. Such uses should be
proposed to the brand manager for
approval prior to implementation.
Side C1 matches to C2
respectively.
Application examples can be
seen on pages 5.4 and 5.7 in the
following section.
4.4
A1
A2
B1 B2
C1 C2
28. Cups & Coasters
Coffee cups and drink coasters are
popular items visitors buy as gifts
and souvenirs.
Private vendors who want to use
the Sitka Brand assets in their
custom products must contact the
Sitka CVB for a brand licensing
release. Only after a submitted
brand licensing release has been
approved may a retailer use Sitka
Brand assets for retail purposes.
5.1
29. Apparel
Sitka apparel is also an important
retail vehicle. Depending on the
target market, designs may need to
be expressed more liberally.
Creative interpretations of the
brand assets can be explored
but only under the guidance
and approval of the Sitka brand
manager.
5.2
30. Display Advertising
Advertising should be visually bold
and use minimal copy.
It is recommended that ads
incorporate full photographic hero
imagery that represents key Sitka
experiences. Inset imagery is used
to compliment the message or
promote additional experiences
secondary to the impact of the
primary image.
When possible, images should
depict people engaged with
the environment or art.
5.3
31. City Vehicles
City vehicles should use the City
version of the Sitka wordmark.
Vehicles are visible items in the
Sitka environment and can help
promote the visual perception of
the Sitka identity to visitors and
locals alike.
5.4
CITY OF
32. Smart Device App
Community smart device apps
are a growing trend in delivering
information about a community.
Typically, they are made available
to visitors and local patrons as free
downloads.
There are many developers who
provide both custom and template
solutions in a range of costs.
Sitka Wayfinder
Wayfinder
5.5
33. Visitor’s Guide
The visitor’s guide should be
treated as a travel magazine.
The articles within it tell the reader
about key attractions and events
in Sitka.
It also serves as a passive
marketing tool, written in a positive
and entertaining voice supported
by professional photography and
printed on magazine-grade
paper stock.
P U B L I C AT I O N O F T H E S I T K A C O N V E N T I O N A N D V I S I TO R S B U R E A U
Grin and Bear It
Get up and close with a Grizzly
at Fortress of the Bear
The Russians Were Here
Walk in the footsteps of our Russian
ancestors. See what they left behind
Tote Bags to Totems
Shop under the shadow of
Sitka’s grand totem in Totem Square
Talk to an Eagle
Visit Sitka’s Alaska Raptor Center
Visitor’s Guide
The Sitka wordmark may
be used as solid white or as
any of the recommended
color versions described
on page 3.4 depending
on the photo image used
on a specific issue.
“Visitor’s Guide” is part of
the masthead and its font,
size and placement remains
consistent in each issue.
Titles of key articles within
the issue are featured on
the cover with a short
descriptive caption.
The organization credit
remains a fixed element
from issue to issue
5.6
Full bleed photographic imagery
should be bold and relative to the
featured article.
34. Business Cabinet
A business cabinet includes a
business card, letterhead and
envelope. The ensemble is less
of a marketing tool and more of a
business communication vehicle.
Although these materials should be
more conservative in design than
the Sitka marketing materials, they
should convey a branded flavor
that welcomes the reader to the
region while establishing a credible
persona.
First Last Name
Executive Director
Sitka Convention
& Visitors Bureau
303 Lincoln Street, Suite 4
Sitka, Alaska 99835
T: 907.747.5940
F: 907.747.4779
E: director@sitka.org
W: sitka.org
Sitka Convention & Visitors Bureau
303 Lincoln Street, Suite 4
Sitka, Alaska 99835
Sitka Convention & Visitors Bureau | 303 Lincoln Street, Suite 4 | Sitka, Alaska 99835
T: 907.747.5940 | F: 907.747.4779 | W: sitka.org
5.7
35. Contact Information
For information and assistance regarding adoption and
use of the Sitka brand and visual identity, e-mail us at
info@sitka.org.
Visit us online at sitka.org
The Sitka brand strategy was created following extensive
research and community consultation by Great
Destination Strategies in collaboration with
Total Destination Marketing and Axia Creative.
GreatDS.com
DestinationBranding.com
AxiaCreative.com
6.1