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Brand Guidelines
A user’s guide to support the
Sitka visitor experience
The Sitka Brand
How These Guidelines Work 	 1.1
What is a Destination Promise? 	 1.2
Our Destination Promise 	 1.3
Communicating the Brand
Our Copy Style 	 2.1
Our Photographic Style 	 2.3
Brand Identity
Brand Identity Inspiration 	 3.1
The Solid Sitka Wordmark 	 3.2
The Modeled Sitka Wordmark 	 3.3
The Sitka Raven 	 3.4
The Tagline 	 3.5
The Solid Sitka Wordmark with Tagline 	 3.6
The Modeled Sitka Wordmark with Tagline	 3.7
Clearspace 	 3.8
Minimum Sizes 	 3.9
Prohibited Use 	 3.10
Special Treatments 	 3.11
Brand Elements
Colors - Wordmark 	 4.1
Colors - Pattern 	 4.2
Typography 	 4.3
Tiled Patterns 	 4.4
The Applied Brand
Cups & Coasters 	 5.1
Apparel 	 5.2
Display Advertising 	 5.3
City Vehicles 	 5.4
Smart Device Apps 	 5.5
Visitor Guide 	 5.6
Business Cabinet 	 5.7
Contact Information 	 		 6.1
The Sitka Brand
Photo courtesy of
Tillamook Design,
all rights reserved
The Sitka Brand strategy provides direction
for portraying and unifying Sitka visitor
experiences. It acts as a guidance system
in conjunction with the wayfinding signs
to communicate with the visitor and direct
them toward local experiences. The Brand
strategy also provides direction to tourism and
municipal officials as well as private tourism
entrepreneurs for brand supportive product
development and public policy.
The Sitka Brand strategy, verbal and visual
elements will help shape what we want people
to think and feel about Sitka, Alaska as a visitor
destination.
These Brand Guidelines are simply a reference
document that explains the proper usage of
Sitka’s brand visuals such as the logo, colors,
tagline and other graphic assets.
These guidelines are not necessarily meant
to restrict creativity, rather they are meant to
guide creativity to stay in concert with and to
support the essence of the Sitka brand.
How These Guidelines Work
1.1
What is a Destination Brand?
1.2
A destination brand makes and fulfills a
value promise. It is a unique blend of physical,
intangible and emotional benefits which clearly
differentiate a destination from other choices.
Importantly, it acts as a guidance system
to prioritize and influence every message,
process, decision, communication, and
investment.
Branding can be considered as the art
and science of orchestrating the distinctive
messages and experiences that we most
want associated with Sitka to ensure that
they are as unifying, compelling, and rewarding
as possible.
Our Destination Promise
1.3
Our Promise:
“While most places in Alaska are defined
by big nature and frontier adventures, Sitka
promises a very different perspective because
of its charismatic mix of friendly people, and a
delightful fusion of art, culture and wilderness.”
Our Commitment:
We are dedicated to preserving, enjoying
and sharing our authentic Alaska town and
its surrounding natural environment while
generating a sustainable visitor economy for
resident employment and small businesses.
We present transformational experiences
that enable residents and visitors to interact
with nature in ways that are compelling,
environmentally sensitive and spiritually
uplifting.
Photo courtesy of
Tillamook Design,
all rights reserved
Communicating the Brand
Our Copy Style
2.1
The Sitka brand will be embedded in the
copy for brochures, web sites, advertising,
online communications and collateral
materials. Wherever possible, copy should
describe experiences with action-oriented
and evocative language to provide a feel for
what the reader will experience. Importantly,
it must make the reader feel as though they’re
already enjoying the sights, sounds, smells,
and sensations of the Sitka Region.
Copy should always be written in a friendly,
relaxed, informative, and unpretentious
manner to match our personality. It should be
conversational and create the feel and tone of
a one-on-one conversation.
It should be enticing and motivational, yet
realistic and factual. It must not contain
hype or exaggeration.
Our Photographic Style
2.2
High quality photography can be one of the
most potent and versatile communication
elements in Sitka’s brand toolkit. This is
because the stunning sense of place, seasons,
moods and colors of Sitka make it extremely
photogenic.
Images should project enriching, revitalizing
and adventure-filled experiences that reflect
our benefits and distinctive character.
Questions to ask when selecting images to
reflect the brand are:
•	 Are these real people doing real things in
reasonably accessible places?
•	 Are the images believable?
•	 Do they have a WOW factor or strong “wish
you were here” flavor?
•	 Do the subjects look natural and not
posed?
•	 Are the subjects doing something
interesting?
•	 Will the photographs resonate with the
target audience?
Brand Identity
Brand Identity Inspiration
The final Sitka logo has evolved
from several concepts that were
inspired by the textures, colors and
features from Sitka’s heritage and
natural environment.
The basic Sitka logo is derived
from three primary visual resources.
The Haida/Tlinget art forms,
Russian architecture and an existing
font called FF Motter Festival.
Tlingit and Haida Totemic Art
FF Motter Festival Font
Russian Architecture
The Stylized Wordmark
3.1
The Solid Sitka Wordmark
The solid Sitka wordmark is the
visual foundation of the Sitka
identity. It is considered the brand
signature when used in its isolated
form.
It may be reproduced in four basic
variations:
1.	 Black against a white, solid light
neutral or low contrast textured
neutral background.
2.	 White against a black, solid dark
or low contrast textured dark
background.
3. 	 Red (PMS 485 C) against a
white or black background. The
red may be used as a solid
background behind a white
wordmark.
4.	 Teal (PMS 327 C) against a
white or black background. The
teal may be used as a solid
background behind a white
wordmark.
3.2
Clear Tide PoolsMigrating Salmon
3.3
The Modeled Sitka
Wordmark
The modeled Sitka wordmark
is a special version of the Sitka
identity. It should only be used as
a featured graphic and not as a
secondary signature that follows
other featured imagery.
Its includes a custom pattern
inspired by migrating salmon and
the light refractions in clear coastal
tide pools.
The red dot in the “i” is inspired by
the berry or sun held in a raven’s
beak from Haida/Tlinget folklore.
It may be reproduced in two basic
variations:
1.	 Against 100% bright white.
2.	 Against 100% jet black
The Modeled Sitka Wordmark against 100% blackThe Modeled Sitka Wordmark against 100% white
The Sitka Raven
A secondary companion graphic of
the Sitka brand is the “charismatic”
Sitka Raven. It was developed to be
used as a playful embellishment
to be used with or without the
wordmark for special occasions.
The Sitka Raven may be used as an
isolated graphic or as a wordmark
companion.
It is not intended to serve as a
stand alone brand graphic where
the Sitka brand has not already
been visually introduced.
3.4
Tlingit and Haida Folklore Raven
A raven as seen in the Sitka region
The Tagline
Sitka’s tagline provides a clear
message of what Sitka’s brand is
all about. It reinforces the brand’s
message and helps connect an
idea with Sitka’s audience.
The tagline may be isolated or used
as a part of the full Sitka Logo but
must never be used more than
once on the same page or visual
display.
The tagline’s form, either isolated or
combined with the full Sitka logo,
must never be reconstructed or
altered. It can only be reproduced
from the original production files.
3.5
The Solid Sitka Wordmark
with Tagline
When the Sitka wordmark and the
tagline are combined together as
a consolidated graphic, the tagline
must be positioned below the
wordmark and sized as the same
length.
The tagline may be used with any
of the solid color versions as black,
black with a red “Wild”, black with a
teal “Wild” or in all red.
3.6
The Modeled Sitka
Wordmark with the Raven
and Tagline
When combined with the
wordmark and the raven, the
tagline must be positioned below
the wordmark as in the solid
versions but must always include
black lettering with a red “Wild”.
3.7
Clearspace
The clearspace around the Sitka
wordmark, the combined raven/
workmark, isolated raven or isolated
tagline, must be maintained at all
times. These areas must never be
invaded by other graphics, borders
or photographic elements.
The distance defined by the height
of the downward return of the “S”
determines the minimum clear
space required between the outer
most elements of the logo and the
definable outer edge of a field or
the nearest edge of another graphic
or visual element.
3.8
7/8"
1/2"
7/8"
1/2"
Minimum Sizes
Minimum sizes have been
determined for the all versions of
the wordmark with and without the
tagline.
When the wordmark is paired with
the tagline, the minimum size is
7/8” measured from the left side of
the tagline to the right side of the
tagline. This proportion also applies
to the tagline when it is used as an
isolated graphic.
When the wordmark is used
without the tagline, the minimum
size is 1/2” measured from the
left side of the “S” in the wordmark
to the right side of the “a”. This
proportion also applies to the
Raven/wordmark composite.
3.9
Visit in Alaska
Prohibited Use
All versions of the Sitka logo should
be used accurately, consistently
and in compliance with these
guidelines.
The following examples illustrate
how misuse of the logo will
diminish its impact and reflect
unfavorably on the Sitka brand.
Note: Some diversions from
these prohibited use rules may be
considered only if there are specific
occasions where special treatments
of the logo are appropriate to
support an event or unique
campaign. These special treatments
should never be adopted as official
and routinely used identities.
Only upon careful consideration
and subsequent approval by the
Sitka brand manager, may special
treatments be created.
Never change the colors
from what has been approved
in this document.
Never reorganize any of the
logo elements.
Never obstruct any of the logos
with a graphic, text or object.
Never alter the tint of the
colored wordmark.
Never place the black raven or black
graphics over a black background.
Never squeeze, stretch or distort
any of the logos.
Never slant or skew
any of the logos.
Never use any of the logos
in a sentence.
Never use any of the logos as part of
a third party logo or brand.
3.10
Special Treatments
As a brand is used in the course
of ongoing marketing campaigns,
some diversions from the
prohibited use rules on page 3.9
may be considered only if there
are specific occasions where
special treatments of the logo
are appropriate to support an
event or unique campaign. These
special treatments should never be
adopted as official and routinely
used identities.
Only upon careful consideration
and subsequent approval by the
Sitka brand manager, may special
treatments be created.
Examples of special treatments can
be found on pages 5.1 and 5.2.
3.11
Brand Elements
Colors - Wordmark
The Sitka wordmark may be
reproduced in any of the three
primary colors.
All colors are broken down into
reproduction formulas for print
media (CMYK), digital (RGB) and
web media (HEX).
Primary Secondary
4.1
70% 40% 30% 15%
CMYK 100/21/64/7
RGB 0/151/117
HEX 00/83/75
Turquoise
70% 40% 30% 15%
CMYK 5/98/100/.5
RGB 226/35/26
HEX E2/23/1A
Red
70% 40% 30% 15%
CMYK 0/0/0/100
RGB 35/31/32
HEX 23/1F/20
Black
Colors - Pattern
The Sitka pattern is composed by
primary, secondary and blended
color sets. These colors reflect
the character of Sitka pattern and
should never be altered.
All colors are broken down into
reproduction formulas for print
media (CMYK), digital (RGB) and
web media (HEX).
Moss Green
Forest Shadow
Blue Ocean
Blend 4
Moss Green
Blue Ocean
Blend 3
70% 40% 30% 15%
CMYK 66/81/3/9
RGB 105/72/144
HEX 69/48/90
Purple
Majesty
Purple Majesty
Raven Black
Blend 1
Blue Ocean
Purple Majesty
Blend 2
Moss Green
Forest Shadow
Blend 5
70% 40% 30% 15%
CMYK 68/26/4/21
RGB 62/130/171
HEX 3E/82/AB
Blue Ocean
70% 40% 30% 15%
CMYK 83/51/53/29
RGB 46/88/92
HEX 2E/58/5C
Forest
Shadow
70% 40% 30% 15%
CMYK 68/11/72/17
RGB 74/14/98
HEX 4A/93/62
Moss Green
70% 40% 30% 15%
CMYK 5/98/100/.5
RGB 226/35/26
HEX E2/23/1A
Red
70% 40% 30% 15%
CMYK 0/0/0/100
RGB 35/31/32
HEX 23/1F/20
Black
Primary Secondary Blends
4.2
Typography
Regulated typography is a powerful
tool used to support the Sitka
brand and should be used in all
forms of visual communication to
maintain a strong and unified brand
expression.
The Formata Font Family
Formata is the primary font family
for the Sitka brand. It was selected
out of thousands of fonts to be
compatible with the Brand
Identities. It includes 8 styles that
can be used together or separately
while avoiding visual competition
within the brand applications.
Formata Bold
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Bold Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Medium
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Medium Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Regular
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Regular Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Light
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
Formata Light Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890
4.3
Tiled Patterns
There will be occasions where
graphic embellishments add
helpful visual impact to a visual
communication as long as they
do not compete with or diminish
the character of the brand.
Two tiled patterns have been
developed. The square pattern can
be tiled in all directions to create a
continuous graphic background.
Side A1 matches to A2 and B1
matches to B2 respectively.
The pattern bar may be tiled on
either side to create an expandable
graphic rule. Such uses should be
proposed to the brand manager for
approval prior to implementation.
Side C1 matches to C2
respectively.
Application examples can be
seen on pages 5.4 and 5.7 in the
following section.
4.4
A1
A2
B1 B2
C1 C2
The Applied Brand
Cups & Coasters
Coffee cups and drink coasters are
popular items visitors buy as gifts
and souvenirs.
Private vendors who want to use
the Sitka Brand assets in their
custom products must contact the
Sitka CVB for a brand licensing
release. Only after a submitted
brand licensing release has been
approved may a retailer use Sitka
Brand assets for retail purposes.
5.1
Apparel
Sitka apparel is also an important
retail vehicle. Depending on the
target market, designs may need to
be expressed more liberally.
Creative interpretations of the
brand assets can be explored
but only under the guidance
and approval of the Sitka brand
manager.
5.2
Display Advertising
Advertising should be visually bold
and use minimal copy.
It is recommended that ads
incorporate full photographic hero
imagery that represents key Sitka
experiences. Inset imagery is used
to compliment the message or
promote additional experiences
secondary to the impact of the
primary image.
When possible, images should
depict people engaged with
the environment or art.
5.3
City Vehicles
City vehicles should use the City
version of the Sitka wordmark.
Vehicles are visible items in the
Sitka environment and can help
promote the visual perception of
the Sitka identity to visitors and
locals alike.
5.4
CITY OF
Smart Device App
Community smart device apps
are a growing trend in delivering
information about a community.
Typically, they are made available
to visitors and local patrons as free
downloads.
There are many developers who
provide both custom and template
solutions in a range of costs.
Sitka Wayfinder
Wayfinder
5.5
Visitor’s Guide
The visitor’s guide should be
treated as a travel magazine.
The articles within it tell the reader
about key attractions and events
in Sitka.
It also serves as a passive
marketing tool, written in a positive
and entertaining voice supported
by professional photography and
printed on magazine-grade
paper stock.
P U B L I C AT I O N O F T H E S I T K A C O N V E N T I O N A N D V I S I TO R S B U R E A U
Grin and Bear It
Get up and close with a Grizzly
at Fortress of the Bear
The Russians Were Here
Walk in the footsteps of our Russian
ancestors. See what they left behind
Tote Bags to Totems
Shop under the shadow of
Sitka’s grand totem in Totem Square
Talk to an Eagle
Visit Sitka’s Alaska Raptor Center
Visitor’s Guide
The Sitka wordmark may
be used as solid white or as
any of the recommended
color versions described
on page 3.4 depending
on the photo image used
on a specific issue.
“Visitor’s Guide” is part of
the masthead and its font,
size and placement remains
consistent in each issue.
Titles of key articles within
the issue are featured on
the cover with a short
descriptive caption.
The organization credit
remains a fixed element
from issue to issue
5.6
Full bleed photographic imagery
should be bold and relative to the
featured article.
Business Cabinet
A business cabinet includes a
business card, letterhead and
envelope. The ensemble is less
of a marketing tool and more of a
business communication vehicle.
Although these materials should be
more conservative in design than
the Sitka marketing materials, they
should convey a branded flavor
that welcomes the reader to the
region while establishing a credible
persona.
First Last Name
Executive Director
Sitka Convention
& Visitors Bureau
303 Lincoln Street, Suite 4
Sitka, Alaska 99835
T: 907.747.5940
F: 907.747.4779
E: director@sitka.org
W: sitka.org
Sitka Convention & Visitors Bureau
303 Lincoln Street, Suite 4
Sitka, Alaska 99835
Sitka Convention & Visitors Bureau | 303 Lincoln Street, Suite 4 | Sitka, Alaska 99835
T: 907.747.5940 | F: 907.747.4779 | W: sitka.org
5.7
Contact Information
For information and assistance regarding adoption and
use of the Sitka brand and visual identity, e-mail us at
info@sitka.org.
Visit us online at sitka.org
The Sitka brand strategy was created following extensive
research and community consultation by Great
Destination Strategies in collaboration with
Total Destination Marketing and Axia Creative.
GreatDS.com
DestinationBranding.com
AxiaCreative.com
6.1

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Sitka Brand Guideline

  • 1. Brand Guidelines A user’s guide to support the Sitka visitor experience
  • 2. The Sitka Brand How These Guidelines Work 1.1 What is a Destination Promise? 1.2 Our Destination Promise 1.3 Communicating the Brand Our Copy Style 2.1 Our Photographic Style 2.3 Brand Identity Brand Identity Inspiration 3.1 The Solid Sitka Wordmark 3.2 The Modeled Sitka Wordmark 3.3 The Sitka Raven 3.4 The Tagline 3.5 The Solid Sitka Wordmark with Tagline 3.6 The Modeled Sitka Wordmark with Tagline 3.7 Clearspace 3.8 Minimum Sizes 3.9 Prohibited Use 3.10 Special Treatments 3.11 Brand Elements Colors - Wordmark 4.1 Colors - Pattern 4.2 Typography 4.3 Tiled Patterns 4.4 The Applied Brand Cups & Coasters 5.1 Apparel 5.2 Display Advertising 5.3 City Vehicles 5.4 Smart Device Apps 5.5 Visitor Guide 5.6 Business Cabinet 5.7 Contact Information 6.1
  • 3. The Sitka Brand Photo courtesy of Tillamook Design, all rights reserved
  • 4. The Sitka Brand strategy provides direction for portraying and unifying Sitka visitor experiences. It acts as a guidance system in conjunction with the wayfinding signs to communicate with the visitor and direct them toward local experiences. The Brand strategy also provides direction to tourism and municipal officials as well as private tourism entrepreneurs for brand supportive product development and public policy. The Sitka Brand strategy, verbal and visual elements will help shape what we want people to think and feel about Sitka, Alaska as a visitor destination. These Brand Guidelines are simply a reference document that explains the proper usage of Sitka’s brand visuals such as the logo, colors, tagline and other graphic assets. These guidelines are not necessarily meant to restrict creativity, rather they are meant to guide creativity to stay in concert with and to support the essence of the Sitka brand. How These Guidelines Work 1.1
  • 5. What is a Destination Brand? 1.2 A destination brand makes and fulfills a value promise. It is a unique blend of physical, intangible and emotional benefits which clearly differentiate a destination from other choices. Importantly, it acts as a guidance system to prioritize and influence every message, process, decision, communication, and investment. Branding can be considered as the art and science of orchestrating the distinctive messages and experiences that we most want associated with Sitka to ensure that they are as unifying, compelling, and rewarding as possible.
  • 6. Our Destination Promise 1.3 Our Promise: “While most places in Alaska are defined by big nature and frontier adventures, Sitka promises a very different perspective because of its charismatic mix of friendly people, and a delightful fusion of art, culture and wilderness.” Our Commitment: We are dedicated to preserving, enjoying and sharing our authentic Alaska town and its surrounding natural environment while generating a sustainable visitor economy for resident employment and small businesses. We present transformational experiences that enable residents and visitors to interact with nature in ways that are compelling, environmentally sensitive and spiritually uplifting.
  • 7. Photo courtesy of Tillamook Design, all rights reserved Communicating the Brand
  • 8. Our Copy Style 2.1 The Sitka brand will be embedded in the copy for brochures, web sites, advertising, online communications and collateral materials. Wherever possible, copy should describe experiences with action-oriented and evocative language to provide a feel for what the reader will experience. Importantly, it must make the reader feel as though they’re already enjoying the sights, sounds, smells, and sensations of the Sitka Region. Copy should always be written in a friendly, relaxed, informative, and unpretentious manner to match our personality. It should be conversational and create the feel and tone of a one-on-one conversation. It should be enticing and motivational, yet realistic and factual. It must not contain hype or exaggeration.
  • 9. Our Photographic Style 2.2 High quality photography can be one of the most potent and versatile communication elements in Sitka’s brand toolkit. This is because the stunning sense of place, seasons, moods and colors of Sitka make it extremely photogenic. Images should project enriching, revitalizing and adventure-filled experiences that reflect our benefits and distinctive character. Questions to ask when selecting images to reflect the brand are: • Are these real people doing real things in reasonably accessible places? • Are the images believable? • Do they have a WOW factor or strong “wish you were here” flavor? • Do the subjects look natural and not posed? • Are the subjects doing something interesting? • Will the photographs resonate with the target audience?
  • 11. Brand Identity Inspiration The final Sitka logo has evolved from several concepts that were inspired by the textures, colors and features from Sitka’s heritage and natural environment. The basic Sitka logo is derived from three primary visual resources. The Haida/Tlinget art forms, Russian architecture and an existing font called FF Motter Festival. Tlingit and Haida Totemic Art FF Motter Festival Font Russian Architecture The Stylized Wordmark 3.1
  • 12. The Solid Sitka Wordmark The solid Sitka wordmark is the visual foundation of the Sitka identity. It is considered the brand signature when used in its isolated form. It may be reproduced in four basic variations: 1. Black against a white, solid light neutral or low contrast textured neutral background. 2. White against a black, solid dark or low contrast textured dark background. 3. Red (PMS 485 C) against a white or black background. The red may be used as a solid background behind a white wordmark. 4. Teal (PMS 327 C) against a white or black background. The teal may be used as a solid background behind a white wordmark. 3.2
  • 13. Clear Tide PoolsMigrating Salmon 3.3 The Modeled Sitka Wordmark The modeled Sitka wordmark is a special version of the Sitka identity. It should only be used as a featured graphic and not as a secondary signature that follows other featured imagery. Its includes a custom pattern inspired by migrating salmon and the light refractions in clear coastal tide pools. The red dot in the “i” is inspired by the berry or sun held in a raven’s beak from Haida/Tlinget folklore. It may be reproduced in two basic variations: 1. Against 100% bright white. 2. Against 100% jet black The Modeled Sitka Wordmark against 100% blackThe Modeled Sitka Wordmark against 100% white
  • 14. The Sitka Raven A secondary companion graphic of the Sitka brand is the “charismatic” Sitka Raven. It was developed to be used as a playful embellishment to be used with or without the wordmark for special occasions. The Sitka Raven may be used as an isolated graphic or as a wordmark companion. It is not intended to serve as a stand alone brand graphic where the Sitka brand has not already been visually introduced. 3.4 Tlingit and Haida Folklore Raven A raven as seen in the Sitka region
  • 15. The Tagline Sitka’s tagline provides a clear message of what Sitka’s brand is all about. It reinforces the brand’s message and helps connect an idea with Sitka’s audience. The tagline may be isolated or used as a part of the full Sitka Logo but must never be used more than once on the same page or visual display. The tagline’s form, either isolated or combined with the full Sitka logo, must never be reconstructed or altered. It can only be reproduced from the original production files. 3.5
  • 16. The Solid Sitka Wordmark with Tagline When the Sitka wordmark and the tagline are combined together as a consolidated graphic, the tagline must be positioned below the wordmark and sized as the same length. The tagline may be used with any of the solid color versions as black, black with a red “Wild”, black with a teal “Wild” or in all red. 3.6
  • 17. The Modeled Sitka Wordmark with the Raven and Tagline When combined with the wordmark and the raven, the tagline must be positioned below the wordmark as in the solid versions but must always include black lettering with a red “Wild”. 3.7
  • 18. Clearspace The clearspace around the Sitka wordmark, the combined raven/ workmark, isolated raven or isolated tagline, must be maintained at all times. These areas must never be invaded by other graphics, borders or photographic elements. The distance defined by the height of the downward return of the “S” determines the minimum clear space required between the outer most elements of the logo and the definable outer edge of a field or the nearest edge of another graphic or visual element. 3.8
  • 19. 7/8" 1/2" 7/8" 1/2" Minimum Sizes Minimum sizes have been determined for the all versions of the wordmark with and without the tagline. When the wordmark is paired with the tagline, the minimum size is 7/8” measured from the left side of the tagline to the right side of the tagline. This proportion also applies to the tagline when it is used as an isolated graphic. When the wordmark is used without the tagline, the minimum size is 1/2” measured from the left side of the “S” in the wordmark to the right side of the “a”. This proportion also applies to the Raven/wordmark composite. 3.9
  • 20. Visit in Alaska Prohibited Use All versions of the Sitka logo should be used accurately, consistently and in compliance with these guidelines. The following examples illustrate how misuse of the logo will diminish its impact and reflect unfavorably on the Sitka brand. Note: Some diversions from these prohibited use rules may be considered only if there are specific occasions where special treatments of the logo are appropriate to support an event or unique campaign. These special treatments should never be adopted as official and routinely used identities. Only upon careful consideration and subsequent approval by the Sitka brand manager, may special treatments be created. Never change the colors from what has been approved in this document. Never reorganize any of the logo elements. Never obstruct any of the logos with a graphic, text or object. Never alter the tint of the colored wordmark. Never place the black raven or black graphics over a black background. Never squeeze, stretch or distort any of the logos. Never slant or skew any of the logos. Never use any of the logos in a sentence. Never use any of the logos as part of a third party logo or brand. 3.10
  • 21. Special Treatments As a brand is used in the course of ongoing marketing campaigns, some diversions from the prohibited use rules on page 3.9 may be considered only if there are specific occasions where special treatments of the logo are appropriate to support an event or unique campaign. These special treatments should never be adopted as official and routinely used identities. Only upon careful consideration and subsequent approval by the Sitka brand manager, may special treatments be created. Examples of special treatments can be found on pages 5.1 and 5.2. 3.11
  • 23. Colors - Wordmark The Sitka wordmark may be reproduced in any of the three primary colors. All colors are broken down into reproduction formulas for print media (CMYK), digital (RGB) and web media (HEX). Primary Secondary 4.1 70% 40% 30% 15% CMYK 100/21/64/7 RGB 0/151/117 HEX 00/83/75 Turquoise 70% 40% 30% 15% CMYK 5/98/100/.5 RGB 226/35/26 HEX E2/23/1A Red 70% 40% 30% 15% CMYK 0/0/0/100 RGB 35/31/32 HEX 23/1F/20 Black
  • 24. Colors - Pattern The Sitka pattern is composed by primary, secondary and blended color sets. These colors reflect the character of Sitka pattern and should never be altered. All colors are broken down into reproduction formulas for print media (CMYK), digital (RGB) and web media (HEX). Moss Green Forest Shadow Blue Ocean Blend 4 Moss Green Blue Ocean Blend 3 70% 40% 30% 15% CMYK 66/81/3/9 RGB 105/72/144 HEX 69/48/90 Purple Majesty Purple Majesty Raven Black Blend 1 Blue Ocean Purple Majesty Blend 2 Moss Green Forest Shadow Blend 5 70% 40% 30% 15% CMYK 68/26/4/21 RGB 62/130/171 HEX 3E/82/AB Blue Ocean 70% 40% 30% 15% CMYK 83/51/53/29 RGB 46/88/92 HEX 2E/58/5C Forest Shadow 70% 40% 30% 15% CMYK 68/11/72/17 RGB 74/14/98 HEX 4A/93/62 Moss Green 70% 40% 30% 15% CMYK 5/98/100/.5 RGB 226/35/26 HEX E2/23/1A Red 70% 40% 30% 15% CMYK 0/0/0/100 RGB 35/31/32 HEX 23/1F/20 Black Primary Secondary Blends 4.2
  • 25. Typography Regulated typography is a powerful tool used to support the Sitka brand and should be used in all forms of visual communication to maintain a strong and unified brand expression. The Formata Font Family Formata is the primary font family for the Sitka brand. It was selected out of thousands of fonts to be compatible with the Brand Identities. It includes 8 styles that can be used together or separately while avoiding visual competition within the brand applications. Formata Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 Formata Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 Formata Medium ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 Formata Medium Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 Formata Regular ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 Formata Regular Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 Formata Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 Formata Light Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890 4.3
  • 26. Tiled Patterns There will be occasions where graphic embellishments add helpful visual impact to a visual communication as long as they do not compete with or diminish the character of the brand. Two tiled patterns have been developed. The square pattern can be tiled in all directions to create a continuous graphic background. Side A1 matches to A2 and B1 matches to B2 respectively. The pattern bar may be tiled on either side to create an expandable graphic rule. Such uses should be proposed to the brand manager for approval prior to implementation. Side C1 matches to C2 respectively. Application examples can be seen on pages 5.4 and 5.7 in the following section. 4.4 A1 A2 B1 B2 C1 C2
  • 28. Cups & Coasters Coffee cups and drink coasters are popular items visitors buy as gifts and souvenirs. Private vendors who want to use the Sitka Brand assets in their custom products must contact the Sitka CVB for a brand licensing release. Only after a submitted brand licensing release has been approved may a retailer use Sitka Brand assets for retail purposes. 5.1
  • 29. Apparel Sitka apparel is also an important retail vehicle. Depending on the target market, designs may need to be expressed more liberally. Creative interpretations of the brand assets can be explored but only under the guidance and approval of the Sitka brand manager. 5.2
  • 30. Display Advertising Advertising should be visually bold and use minimal copy. It is recommended that ads incorporate full photographic hero imagery that represents key Sitka experiences. Inset imagery is used to compliment the message or promote additional experiences secondary to the impact of the primary image. When possible, images should depict people engaged with the environment or art. 5.3
  • 31. City Vehicles City vehicles should use the City version of the Sitka wordmark. Vehicles are visible items in the Sitka environment and can help promote the visual perception of the Sitka identity to visitors and locals alike. 5.4 CITY OF
  • 32. Smart Device App Community smart device apps are a growing trend in delivering information about a community. Typically, they are made available to visitors and local patrons as free downloads. There are many developers who provide both custom and template solutions in a range of costs. Sitka Wayfinder Wayfinder 5.5
  • 33. Visitor’s Guide The visitor’s guide should be treated as a travel magazine. The articles within it tell the reader about key attractions and events in Sitka. It also serves as a passive marketing tool, written in a positive and entertaining voice supported by professional photography and printed on magazine-grade paper stock. P U B L I C AT I O N O F T H E S I T K A C O N V E N T I O N A N D V I S I TO R S B U R E A U Grin and Bear It Get up and close with a Grizzly at Fortress of the Bear The Russians Were Here Walk in the footsteps of our Russian ancestors. See what they left behind Tote Bags to Totems Shop under the shadow of Sitka’s grand totem in Totem Square Talk to an Eagle Visit Sitka’s Alaska Raptor Center Visitor’s Guide The Sitka wordmark may be used as solid white or as any of the recommended color versions described on page 3.4 depending on the photo image used on a specific issue. “Visitor’s Guide” is part of the masthead and its font, size and placement remains consistent in each issue. Titles of key articles within the issue are featured on the cover with a short descriptive caption. The organization credit remains a fixed element from issue to issue 5.6 Full bleed photographic imagery should be bold and relative to the featured article.
  • 34. Business Cabinet A business cabinet includes a business card, letterhead and envelope. The ensemble is less of a marketing tool and more of a business communication vehicle. Although these materials should be more conservative in design than the Sitka marketing materials, they should convey a branded flavor that welcomes the reader to the region while establishing a credible persona. First Last Name Executive Director Sitka Convention & Visitors Bureau 303 Lincoln Street, Suite 4 Sitka, Alaska 99835 T: 907.747.5940 F: 907.747.4779 E: director@sitka.org W: sitka.org Sitka Convention & Visitors Bureau 303 Lincoln Street, Suite 4 Sitka, Alaska 99835 Sitka Convention & Visitors Bureau | 303 Lincoln Street, Suite 4 | Sitka, Alaska 99835 T: 907.747.5940 | F: 907.747.4779 | W: sitka.org 5.7
  • 35. Contact Information For information and assistance regarding adoption and use of the Sitka brand and visual identity, e-mail us at info@sitka.org. Visit us online at sitka.org The Sitka brand strategy was created following extensive research and community consultation by Great Destination Strategies in collaboration with Total Destination Marketing and Axia Creative. GreatDS.com DestinationBranding.com AxiaCreative.com 6.1