Shot list
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This shot list contains 17 shots planned for the production "Here to There". Shot 1 involves close-ups of Claire's face and details. Shots 2 and 12 feature medium close-ups of Emma and Madeleine facing the camera with their environments in soft focus behind them. Shot 3 shows Emma from behind as she walks through fields with wind turbines visible in the distance in Shot 4. Shots 5-7 form a walking sequence with Emma from different angles and distances as she climbs a hill. Shots 9-10 give side and front views of Emma overlooking a reservoir in slow motion. Shot 11 is a tracking pan of moving water. Shots 13-14 feature Madeleine overlooking a forest and river from a
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This document discusses Madeleine Ross' presentation of her work for the York Museum Trust exhibition. She summarizes her involvement in planning the exhibition layout and display of her piece. She also discusses promoting her documentary online by creating a website, uploading it to YouTube, and making a Twitter account to share information and images about her piece.
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Factual research 2
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- Poetic documentaries eschew narrative for mood and imagery. Cinematographers capture striking visuals without context.
- Expository documentaries make an argument through voiceover. Footage supports the spoken perspective.
- Participatory documentaries involve interaction between filmmakers and subjects. Cinematographers capture both interviewers and interviewees.
- Observational documentaries act as "fly-on-the-wall" to observe subjects without interrupting in a raw, unguarded state.
- Reflexive documentaries focus on the relationship between filmmaker and audience by documenting the filmmaking process.
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Madeleine Ross created the production company 28th Ocean, named after her birthday date and love of the ocean. She developed the company logo through multiple iterations. Her first logo used colors that complemented each other but had an unclear shape and too much empty space. Her second circular logo with a boat icon and text fit better in spaces like websites while keeping the same concept. Further experiments included a simplified wave and number design that represented the beach well but not the full brand, and embedding her original concept into a new logo though the text style lacked creativity.
Ual ucas pro forma
Madeleine Ross is applying to film and media production degree programs. She has experience in graphic design, photography, and video editing from her GCSE and college coursework. At college, she is studying level 3 media production and has enjoyed experimenting with different media like audio, game design, and music videos. Her future goals are to work in the television or film industry in roles like editing or cinematography. Outside of school, she has a part-time job and enjoys drawing, film, music, and photography. University will help her gain experience and decide on a specialization to pursue her career goals in the media industry.
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Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...National Information Standards Organization (NISO)
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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- 1. Shot List Date: 09/03/2021 Production Name: Here to There SHOT NO. SCENE TYPE OF SHOT DESCRIPTION 1 CLAIRE Close up. This is something more to be executed in post-production as I don’t have access to the actual piece. Close ups of different parts of Claire’s face, her eyes, her lips, details on her hair, the cigarette in her hand, the pattern on her bodice etc. 2 EMMA Medium Close Up- Static Close up of Emma’s static face as she looks naturally into the camera. We can see the environmentaround her slightly, focussed softly in the background of the shot. 3 EMMA Long Shot We see Emma from behind, almost off in the distance, as she walks through the fields of John o Gaunts park. 4 EMMA Long Shot Long shotof the wind turbines that can be seen obtrusively from the Park, turning gently in the wind, overlooking the old farm steads around the area. 5 EMMA- Walking Sequence Close up Close up of Emma’s footas she is walking away from the camera. 6 EMMA- Walking Sequence Medium Close Up- Track Medium close up tracking shot fromin front of Emma following her as shewalks up the hill. 7 EMMA- Walking Sequence Medium to Long- Pan out Continuing from last shot, we pan out from Emma’s close up, and the camera moves backwards as shecontinues on, the camera stopping when shehas her back turned and is looking out on the view at the top of the hill. 8 EMMA Close up Close up side angle of Emma’s hands as she climbs over fence, taking us on her journey.
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