Shooting scheduele
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The document provides a shooting schedule for a media studies project consisting of 71 shots. The shots include various angles and close-ups of a character and band performing in a messy garage and the character in his dimly lit, messy bedroom. They also show the character walking through his village past rough areas to the industrial estate where he interacts with the environment and has an emotional breakdown that is captured on camera.
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The document provides a shooting schedule for a media studies project consisting of 71 shots. The shots include various angles and close-ups of a character and band performing in a messy garage and the character in his dimly lit, messy bedroom. They also show the character walking through his village past rough areas to the industrial estate where the band performs. The shots aim to portray the character's isolation and distress through his environments and interactions.
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The storyboard establishes the setting of a pub where the main female protagonist slaps a male antagonist who was harassing her. It then shows the antagonist's angry reaction and others in the pub reacting in shock. Later scenes show the protagonist receiving threatening text messages from the antagonist. Her love interest comforts her as she becomes worried about being stalked. The storyboard ends with the antagonist outside the pub at night holding a gun.
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This document provides a shot list and descriptions for a film. It includes 40 shots ranging from close-ups, medium shots, long shots and more. The shots show the main character engaging in disturbing acts like smashing a box and digging a hole in a field. They also show him getting beaten up by a bully. Flashbacks are included to provide context. Additional shots feature a band playing and the main character with a knife at the end, suggesting a climactic confrontation. The shots utilize various camera techniques and cover multiple locations to tell a narrative through visuals.
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This document contains a shotlist for a film with 17 shots described. The shots include close-ups of a character's shoes, as she walks and sits on a bench. There are also wide shots of her waiting for a text reply, getting upset, and writing in her journal. Additional shots show her friend arriving and noticing a bruise, and flashes to the character being strangled by her mother. The shotlist ends with the character running home late and standing frozen by her door. Most shots require only basic props like a phone, journal, drinks, or watch to convey the story.
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2. The shots show Ross moving into a new house, meeting his neighbor Isabella, and being confronted by Isabella's father Frank who accuses Ross of wrongdoing.
3. That night, police arrive at Ross's house with flashing lights. Ross is then interrogated but claims his innocence. He then goes searching in the nearby forest with a flashlight, where he finds Isabella trapped in a cage and confronts the antagonist.
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This document contains a shot list for a film scene. It describes 33 shots, including close-ups, mid shots, and wide shots capturing a woman named Sam running away from an abusive partner. The shots show Sam running down streets, alleys, and through woods as flashbacks reveal the abuse. As Sam stops to rest in the woods, she hears noises and sees a figure emerge holding a knife. The last shot shows Sam being dragged across the floor by her feet as the film title appears.
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The document describes 34 shots that tell the story of Sam running away from an abusive relationship. It begins with establishing shots of Sam running through a neighborhood and into a field. Flashbacks show her ex, Darren, being verbally and physically abusive. Darren finds Sam's note and ransacks their home in anger. Sam continues running in fear through the woods until she is startled by noises and a figure emerges holding a knife. The final shot shows Sam being dragged away as the film title appears.
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The document describes a series of shots that tell the story of a woman, Sam, escaping an abusive relationship. It begins with shots of Sam running down the street and looking distraught. Flashbacks then show her ex, Darren, being verbally and physically abusive. Sam continues to run away in fear. The series of shots builds tension as Sam hides in the woods, hearing noises around her, until a figure emerges holding a knife.
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The document analyzes an official advertisement for a popular signed band. It notes that the advertisement uses a bright background color with dull colors for the image and text to make it look vibrant. It also observes that most music advertisements use larger font for important text like the band or album name. The bottom of the advertisement includes the record label, which is important for promoting both the band and the record company. The document then discusses a student-created music video advertisement from last year, praising how professionally it is made but noting it is missing the record label like the official advertisement.
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The document is a shot list for a film. It describes 57 shots showing a man who has been drinking heavily passing out, being found by his girlfriend who calls an ambulance, and then returning home where he has flashbacks to physically assaulting his friends while drinking. Overcome with guilt and isolation, the shots culminate with the man committing suicide by hanging himself with an electrical cable.
Shooting schedule
This shooting schedule outlines 57 shots for a music studio recording session, a domestic dispute scene, and a night out drinking with friends. The shots include various angles, close-ups, and movements to capture the key actions and emphasize important details. Locations include a recording studio outfitted with instruments, a stereotypical family home, and a public house. Characters are portrayed through their costumes, facial expressions, and interactions with others. The schedule provides technical direction to help visualize and film the intended scenes.
Call sheet
This document contains descriptions of 59 shots that would be used to film a short film about a man who has issues with alcohol abuse. The shots include various angles and perspectives showing the man passed out drunk, being found by his girlfriend, going to a clinic, trying to reconnect with friends who reject him, looking back on fights he had with friends while drunk, and ultimately hanging himself in his room. The shots provide details on lighting, locations, characters' appearances and emotions to understand the scenes and progression of the story being told through cinematography.
Completed shot list
The document outlines 54 shots for a film or music video. It describes the shot type, action, mise-en-scene, and lighting for each shot. The shots cover both performance and narrative sections, with various angles, movements, close-ups, and long shots. Locations include outdoors in woodlands and a performance space indoors lit with fairy lights. Costumes change appropriately between scenes.
Shot list
This document outlines the shot list and scenes for a chase sequence and discovery of a dead body in a film. It includes 27 shots detailing angles, durations, and movements for the chase between a victim and killer. It then lists 17 shots for the discovery of blood in a homeowner's house and garden, finding the body in the alley. Finally, it describes 7 slow motion zoom out shots from victims' bodies to a detective and photographer at crime scenes to serve as titles for the film.
Shot List for Music Video
The document lists 14 different shots that were filmed of a band performing at a location called Glentworth. The shots include close-ups of the singer, guitarist, drummer and bassist as well as mid shots of the band and high angle shots looking down at the drummer and guitarist. Shots 9 through 13 focus mainly on the guitarist and bassist. The final 3 shots describe scenes filmed in a new location called Market Rasen, including a split screen shot of two people sleeping in different locations, a man walking out of a caravan with smoke behind him, and smoke coming from a caravan window.
Idea for film 2
The document outlines a 5 part idea for a film. Part 1 introduces the protagonist alone in a kitchen with a hallucinated boy after being bitten. A flashback reveals in Part 2 that the protagonist entered an abandoned house searching rooms with his weapon. In Part 3 he is injured in the bathroom by a zombie and struggles to reach his gun. Part 4 shows him searching the house and being attacked by a zombie while listening to music. Part 5 returns to the present with the protagonist attempting to stop the bleeding from his bite by cutting off his arm.
Final storybaord draft
The document provides details on 39 shots for a video depicting a woman struggling with body image issues. The shots show her looking at magazines and social media, crying, trying on outfits, watching beauty videos, exercising, and taking pills in her bedroom. Her friends come to visit dressed nicely while she remains in casual clothes. The video shots are meant to tell a story through the woman's actions and facial expressions without dialogue.
Script - 3rd draft
The short film follows Character A who is having a mental breakdown in her bedroom. She remembers happier times spent with her Friend outdoors. Character A then rides her bike to her Friend's house while a voiceover plays about always being there for a friend. When Character A arrives, The Friend is confused by the visit. Character A reveals she has a gun and states "I am your friend" before shooting The Friend. The film ends with the title sequence and unsettling music.
6.Script Jordan Brace
This document contains a script summary for a short film called "The Corner". It describes 20 scenes involving unnamed characters at a pub. The scenes depict a woman named Brenda driving to the pub and checking her bag, which contains a gun. Another character, Liam, is shown running to the pub. Brenda points the gun at the pub patrons as Liam enters, trying to stop her. The final scene shows Brenda smiling as the screen fades to black, ending the film. Each scene provides technical details like shots, camera movements, and audio. The script aims to build tension and mystery around the characters' intentions at the pub.
Script
This document contains a script for a short film called "The Corner" with 20 scenes. It details the shots, camera movements, dialogue and actions for unnamed main characters Brenda and Liam. The story follows Brenda as she walks to a local pub with a gun in her bag. Scenes show her getting ready and walking to the pub. They also show Liam running to the pub. The climax shows Brenda pulling out the gun and pointing it at someone in the pub, as Liam enters and tries to stop her. The film ends with a close-up of Brenda smiling as the screen fades to black.
script 'The Corner'
This document contains the script for a film called "The Corner" with 20 scenes. It details the shots, camera movements, dialogue and actions for unnamed main characters Brenda and Liam. The story follows Brenda from climbing out of a pond and getting ready in her car. She arrives at a pub called "The Corner" where inside she pulls out a gun from her bag, pointing it at the pub patrons as Liam enters, trying to stop her. The final scene fades to black on Brenda smiling with a gun in her hand, setting up for ending credits.
Script
1) The short film tells the story of Character A who is shown having a mental breakdown in her bedroom.
2) Character A befriends another woman called The Friend, and they are shown laughing and spending time together.
3) Character A's mental state deteriorates further, and she cycles to The Friend's house while narrating about being a true friend.
4) At The Friend's house, Character A pulls out a gun and shoots The Friend, declaring "I am your friend" before the screen cuts to black.
Fixed storyboard lotus
The document describes 16 shots that make up the opening sequence of a film. The shots show the protagonist Montana waking up, getting ready, choosing her outfit, packing her bag with contradictory items, and leaving her home with a menacing smile, transforming her persona. Her preparation includes turning on music, looking through her wardrobe, trying on different outfits, finding the perfect clothes in a bag, and changing while packing her bag set to non-diegetic music.
Pre production re done
The pre-production document outlines an 8-scene short film with details on shots, audio, and timing. Scene 1 shows the main character leaving home. Scene 2 has him greeted by a friend. Scene 3 reveals someone inside his home. Scenes 4-6 build tension as the character arms himself with a bat. Scene 7 has him enter the home quickly. Scene 8 subverts expectations, revealing the intruder is part of a surprise birthday party.
Storyboard
The story board outlines a sequence of shots depicting a hostage situation. It begins with a long shot panning across a hostage struggling tied to a chair. Close ups then show the hostage's face and the kidnapper entering. Medium shots show the kidnapper walking and sitting down to type a message saying "I will kill him". The tension builds through close ups of the kidnapper's actions and the hostage asking "why am I here" until a close up of the kidnapper's hand hitting the hostage's head and the screen cutting to black.
Unkush Chopra Storyboard Music video
This document provides instructions and examples for filling out a storyboard. It explains that each shot should include the scene and shot number, duration, camera shot/angle, action, sound, and edit to the next shot. Two sample storyboards are then provided. The first storyboard includes 7 scenes and the second includes 8 scenes. Each scene contains the instructed details for individual shots including changes in camera perspective, subject focus, sounds, and transitions between shots like cuts, dissolves and fades.
Draft story boards
This document contains storyboard annotations for a short film involving a murder. The storyboard outlines shots that show: 1) A body on the floor surrounded by broken glass and blood. 2) The victim's hand holding a broken bottle. 3) Someone plugging in an amplifier from the inside and outside. 4) A band playing their instruments which zooms out to show them playing on an old TV in a living room. 5) The main character walking through his house and into the garage where the band is rehearsing, but he seems unaware as he searches for a weapon. 6) Shots of the character smashing vases and walking towards the band with a hammer, which is later covered in blood.
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Quadrophenia
The document discusses youth subcultures and moral panics. It explains that youth subcultures allow young people to challenge society through styles and activities. It also discusses Stan Cohen's idea of moral panics, where the media blows things out of proportion involving subcultures and certain groups are demonized. The passage then summarizes how the main character Jimmy in Quadrophenia wants to be part of the mod subculture to find an identity, as he feels degraded at home and work and wants freedom and to be different from others in society.
Key theory summary
Subcultures, according to Dick Hebdige, are a way for young people to express opposition to society through clothing, music, makeup, and drugs. Stan Cohen argues that the media can blow situations out of proportion, condemn certain behaviors, and create moral panics to maintain social control. Jimmy in Quadrophenia is fully dedicated to the mod gang as it gives him identity, but he risks losing himself to the gang. In contrast, Steph takes being a mod less seriously and feels no loyalty.
Question 3 writing
Shaun provided feedback on the music video, saying that he enjoyed how it fit the punk rock genre through its natural setting. However, some narrative shots dragged on and could be improved through better editing. The narrative represented the song's frustration well through the character.
Liam liked the digipak for the effects used on each panel, but felt the disc edges were ragged and could be improved. The strongest point was the front cover where the effects made the band member stand out.
Alex enjoyed the different effects on the advert's pictures and how the background fit well. However, the font could be difficult to see and the white background on the record logo should be removed. The strongest point was how it fit the
Question 3
We received limited feedback initially from our audience questionnaire, so we sent out emails and social media posts to get more feedback. The additional feedback we received provided constructive criticism and ideas on how to improve our product, such as opinions on our video's narrative, camera work, and representation of the song, as well as strengths and weaknesses of our digipak design and whether it fit the video's theme. Respondents also shared their honest opinion on our advert and how it could be improved to better fit the themes of the video and digipak.
Single cover analysis
The single cover for Green Day's song "Longview" depicts dogs smoking dope and lazing around, representing the song's themes of boredom and drug use. The graffiti-style typography of the title and placement of the band name in the clouds also relate to these themes. Contrast is shown between the excited dogs and spaced-out cat, and between the lower and upper parts of the cover, possibly symbolizing the band's ambitions being clouded by society.
Digipak analysis
This digipak promotes Green Day's album "Bullet in a Bible" which accompanied their American Idiot tour. The aggressive red and black color scheme and imagery of fire are meant to excite audiences and fuel emotion for the album. Both the album title and band name are in bold white block letters, reflecting the punk rock genre's rebellious nature. The packaging aims to provide an emotionally cathartic release of energy for fans. Images of the band playing live uphold punk rock's DIY ethos. The bassist's downward gaze in one shot suggests looking to the crowds or hidden themes of rebellion. Throughout, the compositions maintain the band's abrupt ideology and punk rock concepts while one medium shot allows viewers to see the
Question 2
The combination of the band's main music video and ancillary texts like the digipak and advert was effective because they maintained a consistent style and visual identity. This was achieved by carrying over design elements like color schemes, fonts, and themes featured in the music video. Specifically, the brick wall, dark/minimalist aesthetics, and spray painted font styles were translated to the digipak and advert. Maintaining the punk rock DIY ethic and tradition also helped strengthen the relationship between the main product and supporting materials. Both challenged conventions while retaining a simplistic punk style through their black/gray tones and narrative connections.
Advert Plan
The document outlines an advertising plan for a band's new album that includes displaying the album cover, band name, a picture of the singer, information about the guitarist, and decanted images of the band members with the company logo.
Conventions of a female punk
A female punk/rock fan is typically working class, between 17-23 years old, and enjoys spending time with friends at gigs while expressing rebelliousness through music and style rather than focusing on conventional appearances.
Conventions of a male punk rock
A male punk rock/rock fan is typically working class, between 17-23 years old but some are in their 40s-50s. They don't care much about their appearance, wear band t-shirts, are rebellious and like rebellious music with drink. They enjoy going to gigs.
Conventions of a male punk rock
A typical male punk rock/rock fan is working class, between 17-23 years old, and rebellious. He dresses casually in band t-shirts, enjoys loud rebellious music, drinking, and attending live concerts.
Key media concepts/theories
Laura Mulvey proposed the male gaze theory, which argues that in visual media the camera lens represents a heterosexual male perspective, focusing on the female body and establishing male power.
Stuart Hall identified three ways audiences can interpret media texts: the preferred reading intended by producers; a negotiated reading that accepts some intentions but adapts others; and an oppositional reading that rejects the preferred reading.
Carol Vernalis' theory of music video codes and conventions centers around four key concepts - narrative, editing, camerawork, and diegesis - that shape how music videos are constructed.
Analysis
The document analyzes a Green Day music video in the punk rock/pop punk genre. It summarizes that the video takes place in a darkened area with searchlights, symbolizing the rebellious and anti-government nature of punk rock. The narrative follows a linear structure matching the fast-paced song. The target audience is generally youth aged 15-30 who can identify with the band's message of rebellion against authority and societal norms. Both punk rock stereotypes and challenges to the genre are represented through the band's appearance, aggressive sound and style, and aim to inspire broader social change.
Personal skills audit ian chapman
Ian Chapman completed a personal skills audit to assess his abilities in digital technology, post-production, research and planning, and using conventions from real media texts. He learned skills like operating HD cameras, editing with Final Cut Pro and Garage Band, researching horror film openings, and analyzing slasher film conventions. These skills helped create his horror film opening sequence by allowing him to capture footage, edit together scenes and sounds, plan effectively according to genre conventions, and design ideas inspired by his research. To further develop these skills for his A2 project, Ian plans to experiment with a wider range of equipment, editing techniques, sound design, pre-production research analyzing music videos, and applying conventions of his chosen genre.
Skills audit daniel west
Daniel West conducted a personal skills audit to assess his abilities for his A2 project. He identified skills in digital technology from using a camera and Photoshop. Post-production skills were gained from using Final Cut to edit footage. Research and planning skills were acquired from investigating the target audience and genre conventions for his film noir. Analyzing the film Se7en helped him understand camera work and other conventions to apply to his own work. While his first project adhered heavily to genre conventions, he recognizes understanding conventions will help make his A2 music video fit its intended genre.
Story board
Este documento contiene una lista numerada de 14 puntos sin contenido. Proporciona una estructura numérica sin información sustantiva.
Band logo
This logo is for a band and is meant to make the band instantly recognizable so more people know about them. It fits with punk and rock conventions by looking quite aggressive. The logo is simple to give it a DIY look that fits with the band's ethos for their music and videos.
Choosing artist’s name
The band chose the name "Fractured Anger" as it fits conventions in punk rock and rock music genres with its dark and aggressive nature. They felt this powerful name would stand out and not be forgotten compared to other bands, as it would appear on their digipak and in advertisements.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
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Early Life and Backgrounds
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Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
The Enigmatic Portrait, In the heart of a sleepy town
In the heart of a sleepy town nestled between rolling hills and whispering pines …
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Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
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Shooting scheduele
- 1. A2 Media studies G324 Advanced Portfolio In Media Shooting schedule Shot No. 1 Shot type Medium shot 2 Hand held/close up Medium close up/hand held 3 4 Medium shot 5 Medium close up 6 7 Extreme close up Close up 8 Close up 9 Close up 10 High angle medium shot 11 12 High angle medium shot Close up 13 Close up 14 Long shot 15 Close up Action Guitarist playing the intro of the song for a few seconds Shows the guitar being played Shows the bassist, camera moving about slightly to make is seem hectic Cut zooms out to show bassist playing the bass, shows costume as well Shows guitarists face Shows guitar Character staring at camera Character looking to the side Character looking to the other side Character on bed rocking backwards and forwards Same but from other side Back to main character staring at the camera Main character stressing out in room on bed Lead character looking down at bed Clock on wall, hand goes Mise en scene Band playing in a messy garage, low/dimly lit. Wearing casual/slightly messy clothing. In room with main character, he is also wearing casual/slightly messy clothing. Room is dimly lit with messy décor.
- 2. 16 High angle 17 Medium shot 18 Medium shot 19 High angle 20 Medium shot 21 Medium close up 22 Tracking shot 23 Tracking shot 24 Tracking shot 25 Medium shot 26 POV shot 27 Long shot 28 Long shot 29 Long shot backwards Camera on a high angle looking down at bed which is messy with bottles etc. The main character stands up and leaves the room Main character comes out of the bedroom door Main character at top of stairs and walking down, camera at top of stairs Shot of mother character giving judging looks at camera which is POV Shot of mother again, this time from front, judging looks continue, still POV Match on action, going into kitchen Walking through kitchen to walking to back door Walking up to the back door Character coming out of back door Walking into back yard and round corner into back street Walking down the back street Walking around village, near rough looking places Still walking about village, near Main character enters living room, living room is neater than bedroom. Mother stares Main character down. Slowly walk to the back door. Main character leaves back door, into slightly messy back yard and back street, cut to walking to the industrial estate, walking past messy areas and rubble.
- 3. 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 industrial estate now Tracking shot Character slapping camera away from his face Medium shot From slap straight to band kicking off Low angle Showing the bassist playing the bass Hand Showing the held/medium shot guitarist playing the guitar Long shot Looking around the décor and the room which they are playing in Long shot Camera walking alongside the character Tracking shot Character standing near a barbed fence Close up/extreme Character walks close up into camera then it fades into the next shot through editing Birds eye view Looking at the character lying down Long shot Character lying down next to fence near guard dogs, turns towards camera Long shot Cut zoom out of character lying down Medium shot Character on bed for a few seconds High angle shot Character standing up – he goes to wall and does a freak out Medium close up Face and hands on wall, hitting his hands off wall Medium shot Character going to Within the messy garage with low lighting Industrial estate setting, looks run down, relatively dimly lit, messy decor
- 4. 45 Close up 46 Medium long shot 47 Long shot 48 Medium close up 49 Close up 50 Low angle shot 51 Medium shot 52 Low angle 53 Medium close up 54 Extreme close up 55 Medium shot 56 High angle shot 57 Medium shot 58 Medium close up 59 60 Close up Long shot 61 High angle 62 Long shot bedside table Character hits stuff off the bedside table Turns around and faces the camera Shot showing the Band playing whole band inside the garage, playing low lighting, messy decor Shows the guitar and guitarist Shows singer singing Shows the bass and bassist Shows the Industrial estate, character with messy décor, dim rubble and lighting, looks rubbish behind rough him Character looking down at the camera Camera circling the character as he sings Character snatches camera and sings looking angry ‘on my own here we go’ Character going In room with main up to mattress just character, he is before flipping it also wearing casual/slightly High angle of messy clothing. mattress being Room is dimly lit flipped Character going to with messy décor. pick up bin From side of character throwing bin Bin hitting wall Character freaking Industrial estate out setting, looks run down, relatively Character freaking dimly lit, messy out again Character sashing décor. Starting to
- 5. 63 64 Close up Long shot 65 Low angle 66 Extreme close up 67 68 Medium shot Low angle, close up 69 Long shot 70 Close up 71 Long shot bottles Bottle smashing Band playing, looking slightly freaked out Low angle of the guitar player Shows the fret board Shows the bass Camera at the bottom of the bass looking all the way up it Shot of band on final strum Character in a corner on the floor of his room Zoom out to show messy room and alone to long shot with camera in doorway get dark Band playing in a messy garage, low/dimly lit. Wearing casual/slightly messy clothing. In room with main character, he is also wearing casual/slightly messy clothing. Room is dimly lit with messy décor.