Self portraits
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The document lists self-portraits created by various artists from different eras including Albrecht Dürer from 1500, Rembrandt from 1660, Vincent Van Gogh from 1889, M.C. Escher, Frida Kahlo from 1943, Francis Bacon from 1971, Max Beckman from 1919, Marc Chagall from 1911, Chuck Close from 1967-68 and 1997, Lucien Freud, Andy Warhol from 1986, Keith Haring, Jean Michel Basquiat from 1982, Yasumasa Morimura, Shirin Neshat, Bruce Nauman's Self Portrait as Fountain, Jane Zweibel, Tim Hawkinson's Self Portrait, Vik Muniz from 2003
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Science, techonology, urbanization, the mass media, and art. 1900-1020
Science, techonology, urbanization, the mass media, and art. 1900-1020
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Rembrandt
Rembrandt nasceu na Holanda em 1606 e foi um dos pintores mais famosos da história da arte européia. Sua vida foi marcada por altos e baixos, com sucesso inicial e falência posterior. Sua obra é dividida em duas fases principais e é caracterizada por retratos, cenas bíblicas e o uso mestre da luz e sombra.
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Rembrandt
Rembrandt fue un pintor holandés del siglo XVII que vivió durante la llamada Edad de Oro Holandesa. Estudió en la universidad de Leiden y trabajó como pintor en Ámsterdam, donde alcanzó gran éxito como retratista. Su estilo barroco se vio influenciado por el claroscuro caravaggista y se caracterizó por el realismo, la composición dramática y el énfasis en la condición humana. Algunas de sus obras más famosas incluyen La lección de anatomía del Dr. Tulp y
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Rembrandt
Rembrandt fue un pintor y grabador holandés del siglo XVII, considerado uno de los mayores maestros del Barroco. Pintó retratos, escenas de género, paisajes y bodegones con un gran realismo y dominio de la luz. Tuvo éxito inicial pero luego decayó, reflejando en su obra un mundo lleno de ternura y pesimismo.
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Conceptual art emerged in the mid-1960s and early 1970s as a reaction against formalism. It emphasizes ideas and concepts over the creation of traditional art objects. Conceptual artists use images, objects, and text to convey ideas and get viewers to think about the meaning and definition of art. Key figures like Joseph Kosuth, Damien Hirst, and Tracy Emin created conceptual works that pushed boundaries and provoked questions about the nature of art.
Performance art md
Performance art emerged in the late 19th/early 20th century from experimental art and theatrical performances. It creates contact with basic human instincts and concerns through violating borders. The document profiles three influential performance artists: Marina Abramovic, known for physically and emotionally demanding ritualistic performances exploring themes of the Balkans, relationships and vulnerability; Joseph Beuys who used performance, installations and multimedia to promote social and political reform influenced by his experiences in WWII; and Chris Burden who endangered his life in performances addressing sociological and environmental issues.
Street art
The document summarizes the origins and history of contemporary street art. It began in the late 1970s in New York City as political propaganda and an expression of rebellion through vandalism. Key early artists included Keith Haring and Jean-Michel Basquiat in the 1980s who brought more than just graffiti to the streets. Modern street artists mentioned include Invader, JR, Blu, Banksy, Shepard Fairey and his Obey movement, who have continued using street art to make political statements and connect with the public.
Installation art
This document provides an overview of installation art, including its definition, history, and important figures. Installation art creates an immersive environment for viewing that aims to evoke emotions or thoughts in participants. It began in the 1970s with artists questioning boundaries and using everyday objects as art. Three influential artists discussed are Kara Walker, known for her large silhouettes addressing race and history; Judy Pfaff, who creates colorful mixed-media pieces; and Félix Gonzáles-Torres, whose minimalist works reflected his experience with AIDS. The document also explores connections between installation art and past movements as well as other cultures.
Earth art
Earth art, also known as land art, earthworks, or environmental art, involves creating artworks directly in nature using natural materials like stones, leaves, mud, and twigs. The document discusses several earth artists like Andy Goldsworthy, Robert Smithson, and Richard Long. It provides examples of their artworks, which are typically large-scale sculptures or installations created outdoors using materials found in the natural environment. The emergence of earth art in the 1960s-70s was influenced by a reaction against commercialism and a desire to create art outside the gallery setting and integrate it with the natural world.
Surrealism
After World War I, many European artists rejected traditional values and created strange, shocking works inspired by dreams, fantasy, and the subconscious. This artistic movement was called Surrealism. Surrealism combined unrelated objects in unnatural settings and was influenced by psychoanalysis and thinkers like Sigmund Freud. Important Surrealist artists included Salvador Dali, known for his highly detailed works exploring dreams and motifs, and René Magritte, who used playful and humorous juxtapositions of illogical elements. Surrealism was considered revolutionary as it challenged conventions about what constituted art.
Abstraction+cubism
At the beginning of the 20th century, artists faced a rapidly changing world due to new technologies like photography, film, sound recording, and transportation innovations. This led artists to develop more radical styles like abstraction to match the expanded boundaries in communication and travel. Abstraction removes characteristics from subjects to focus on their essential forms. Cubism, an early abstract movement, rejected traditional perspective by depicting objects from multiple views and emphasizing the flatness of the canvas through fractured, flattened shapes. Key abstract artists from this period included Picasso, Braque, Duchamp, Gris, Doesburg, and in Picasso's Bull series.
medieval- rennaissance
The document discusses developments in art and architecture from the Early Medieval period through the Renaissance. In the Early Medieval period, Christianity was spreading across Europe leading to the rise of powerful churches and early universities. Gothic cathedrals like Notre Dame featured architecture aimed at expressing a unity between God and humanity. Early Renaissance art moved away from flat, symbolic figures toward more naturalistic and human representations that explored how space could be rationally organized. Key artists of the Italian Renaissance included Brunelleschi, Da Vinci, Michelangelo, Botticelli, and Raphael, who pioneered techniques like linear perspective, while northern European masters like Jan van Eyck and Albrecht Dürer also made important contributions.
prehistoric/ancient
This document provides an overview of prehistoric and ancient art from 15,000 BCE to the Byzantine period. It describes cave paintings found at Lascaux, France from around 15,000 BCE, as well as the Venus of Willendorf figurine from 25,000 BCE. Egyptian art from around 3000 BCE to 1500 BCE is discussed, including pyramids and tomb art. Examples given include the pyramids at Giza and a painting of Queen Nefertiti from 1360 BCE. Ancient Greek art from around 1600 BCE to 0 AD is summarized, mentioning vases, statuary, and the Aphrodite of Milos sculpture. Finally, Byzantine art from the 4th century AD is briefly
Baroque to Modern
Martin Luther sparked the Protestant Reformation in 1517 by posting his 95 Theses criticizing the Catholic Church. In the 1600s, Baroque art like Caravaggio's works emphasized emotion and drama. Rococo art in the 1700s featured themes of gaiety and wealth as seen in Fragonard's The Swing. In the 1800s, artistic movements like Neoclassicism, Romanticism, and Realism emerged in reaction to previous styles, with Neoclassicism drawing from Roman influences, Romanticism embracing emotion, and Realism depicting everyday common people.
Impressionism... Post Impressionsim, Expressionism
The document provides an overview of several art movements from Impressionism to Expressionism. It notes that Impressionism focused on capturing light and color through loose brushstrokes rather than detailed analysis. Post-Impressionism built on Impressionist techniques but with unique individual styles. Expressionism was less interested in naturalism and used emotional states, distortion, and vivid color. It highlights key works and artists within each movement like Monet, Seurat, Cezanne, Van Gogh, Gaugin, Kirchner, Beckman, Dix, Matisse, and Picasso's Cubist portrait.
History day 1
History seeks to study and explain significant past events using currently existing evidence. Studying history allows us to understand what happened, develop a sense of identity, defend against propaganda, enrich our understanding of human nature, and understand the context of art and music to make meaning of the present. Historians use primary sources as the foundation of evidence and consider how context, cultural paradigms, language, and selection and confirmation biases may influence interpretations of the past. Different theories of history emphasize the role of great individuals, economic factors, social perspectives like feminism, material conditions according to Marxism, the environment, or psychological motivations.
How effective is spoken language?
Spoken language can be an effective way to communicate knowledge, as demonstrated by an exercise where one person described images for their blindfolded partner to draw. However, spoken language also faces limitations, as descriptions require clear and shared understanding of vocabulary, and knowledge related to abstract concepts or processes may be harder to convey solely through words. Overall, while spoken language allowed knowledge sharing in drawing simple images, its effectiveness depends on the topic and ability to clarify any misunderstandings that arise.
Globalizationofsport version 2
The document summarizes how sport has become increasingly globalized over time. It began with foreign athletes participating in events like the ancient Greek Olympics. Modern international competitions emerged in the late 19th century with events like Wimbledon in 1877. The first Olympic Games in the modern era took place in 1924. Sport globalized further in the 20th century, with governing bodies established and international competitions regularized. Globalization of sport was also driven by commercialization, as sponsorship and merchandising grew enormously. Many sporting goods are now produced in low-cost countries. Sports like football/soccer have over 250 million participants worldwide and involve over 500 million people through related industries. The global profits of imported and exported sporting goods was estimated at $
Globalizationofsport version 2
The document summarizes how sport has become increasingly globalized over time. It began with foreign athletes participating in events like the ancient Greek Olympics. Modern international competitions emerged with industrialization in the late 19th century, including Wimbledon in 1877. Sport globalization accelerated in the 20th century with events like the modern Olympics beginning in 1924. Globalization involves the spread of sports to new regions, international tournaments, and growing commercialization through sponsorship. Many sporting goods are now produced in low-cost countries. Transnational corporations have played a major role in the globalization of sport through sponsorship of teams and events.
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Self portraits
- 3. Rembrandt van Rijn, 1660
- 4. Vincent Van Gogh, 1889
- 5. M.C. Escher
- 9. Marc Chagall, I and the Village, 1911
- 12. Lucien Freud
- 14. Andy Warhol
- 15. Keith Haring
- 16. Jean Michel Basquiat, 1982
- 19. Shirin Neshat
- 20. Bruce Nauman, Self Portrait as Fountain
- 22. Jane Zweibel
- 23. Tim Hawkinson, Self Portrait
- 24. Vik Muniz, 2003
- 25. Tom Deininger, 2007 (?) http://tomdeiningerart.com/selfportait1.html
- 27. Kiki Smith
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