SlideShare a Scribd company logo
Home Time
By
Aimee Lee
C 2016 aimeelee323@gmail.com
1 EXT. PLAYGROUND - DAY 1
Home time at a local Surrey primary school on a bright,
winter’s day. HANNAH - wrapped up in an over sized coat
and carrying a large book bag - bursts out of the doors
of her classroom, and into a crowd of parents, clutching a
sheet of paper with her masterpiece on it.
Hannah scans the crowd, and ceases her search after
several seconds. She turns on her foot and faces the door
she just came out of. She pulls out her phone and begins
to press the screen of it with forces. Her classmates are
walking in the opposite direction towards the school gate.
She looks up, her attention distracted.
CLASSMATE
Bye Hannah!
Hannah reluctantly walks back to the classroom door, and
steps back inside.
2 INT. CLASSROOM - DAY 2
Hannah drops her things, removes her coat and strides over
to the other side of the classroom, heading straight to a
box filled with fancy dress outfits. She pulls out a wool
jumper and scarf and puts them on. She also picks up a
handbag to hold.
She begins to wonder the classroom as the light outside
starts to fade. She views and admires the artwork on the
walls, taking on a grown up stance, standing as tall as
she can with her head raised.As she views each piece of
work, Hannah makes her way along the walls of each
classroom, until she reaches the doors of the caretaker’s
cupboard.
3 INT. CUPBOARD - DAY 3
Hannah peers into the tiny room - dark, dusty and uncared
for - a rake falls down from it’s stand and hits the
opposite side of the wall. Hannah jumps and closes the
door. She runs around the corner and down the corridor
towards a further set of classrooms.
A MAN - slightly hunched in form - walks around the
corner, and enters the cupboard, oblivious to the girl
that has just run away from it. He grabs a broom and does
his coat up before exiting.
4 INT. DESIGN AND TECHNOLOGY WORKSHOPS - DAY 4
Hannah cautiously walks along the row of computers,
through to a room filled with numerous work benches.
Continuing to play pretend, she messes with the clamps,
winding the tough metal, listening to it tighten, dropping
with each rotation. She glances into cupboards. She stares
(CONTINUED)
CONTINUED: 2.
at a band saw and fixes her eyes on the large, red button.
She contemplates, and continues on with her journey.
She moves to another room, with plastic shards scattered
across the tables. Hannah - still costumed - places her
bag down on the side, and picks up a tiny bottle of glue.
She squeezes it until she can see a little bead of clear
fluid rise from the top.
She picks up another tool - a large, metal file. She waves
it around, as if it were a sword or a magic wand. Her arm
sinks, misjudging the file’s weight, and she loses hold of
the it. She stands for a while, playing her game, and
moves on once more. She soon tires and continues her
journey by exiting the design technology workshops.
5 EXT. COURTYARD - DAY 5
Hannah skips across the courtyard with clear intentions to
enter the classroom opposite. She slows and begins to
shiver, her woolen jumper failing to offer her protection
from the cold.
6 INT. FOOD TECHNOLOGY CLASSROOM - DAY 6
Hannah swiftly moves inside the food technology classroom,
being quick to check all of the cupboards, failing to find
anything worth consuming. Instead, she wonders the room,
continuing her adult pose, pulling out pots and pans to
place on top of the stove. The knives catch Hannah’s eye,
and she moves towards them. Pulling one out from the
block, she gazes at her reflection in one. She begins to
chop imaginary objects on the chopping boards, until she
becomes tired.
She finally sits down, stares at the mess she has made,
and pulls a pensive expression.
7 EXT. PLAYGROUND - DAY 7
A MAN - clad in heavy clothes and marching - stomps across
the playground, jingling as he goes. He closes a door and
jams a key into the lock, twists it and leaves, the
jingling becoming fainter and fainter.
8 INT. TEXTILES CLASSROOM - NIGHT 8
Hannah lethargically walks out from food technology, and
slowly down the corridor into the textiles classroom.
She walks in and touches the multitude of fabrics that are
draped across the walls, shelves and tables. Walking along
the table feeling the variety of textures she encounters
whilst moving over to the sewing machines.
Hannah takes a seat, presses the pedal and watches the
needle pulse up and down as it recedes back into the
(CONTINUED)
CONTINUED: 3.
machine. Grabbing a scrap piece of material, she plays
with the machine briefly until she gets bored. On her way
out of the classroom, she passes a large dress mannequin
draped in fabric. She turns the light off, leaving the
dark, ominous shape of the human like form.
9 EXT. PLAYGROUND - NIGHT 9
The man walks across the playground, face hidden, and
sweeps the fallen leaves from the basketball court to the
edge of the playground. He moves to another classroom,
opens the door, places the broom inside and locks it
10 INT. DRAMA CLASSROOM - NIGHT 10
Hannah enters the dark classroom, and opens the props
cupboard, revealing costumes of all varieties. She stares
in for a short while, with a large assortment of masks
staring back. She closes the door, turning her back to it
and switching her gaze to the dark, empty room. After a
pause, she turns to face the door and makes for the door.
11 EXT. PLAYGROUND - NIGHT 11
The CARETAKER - tall, worn and unpolished - lumbers from
classroom to classroom, locking each door carefully with
his large set of keys.
Hannah walks across the playground and spots the
caretaker. She stops in her tracks. Hesitant in her
actions at first, she eventually breaks into a run and
heads towards the classroom door. Abandoning her grown up
posture, she runs and launches herself into the unlocked
classroom before being spotted.
12 INT. CLASSROOM - NIGHT 12
Hannah hides in the corner of the room, crouching next to
the door and underneath the window, trying not to be seen.
She listens for the lock, and jumps when she hears it
open.
The caretaker walks across the room in a heavy footed
manner, and takes a seat at a table with his back to the
girl. He pulls out a small parcel wrapped in brown paper
and places it on the table and opens it up. From the
package he pulls his sandwiches. Hannah’s eyes widen upon
seeing the man’s food. He takes a bite, completely unaware
that he is being watched.
Hannah calms down and hesitates once more, before creeping
out from her hiding place. She startles the man, who
twists around in his seat to show her his shocked
expression, which quickly turns to a confused one.
After a long pause, the man’s posture loosens and he
relaxes. He sighs whilst maintaining eye contact with the
girl. He beckons her over using a gentle hand gesture.
(CONTINUED)
CONTINUED: 4.
CARETAKER
Here
More confidently now, Hannah moves over to the caretaker
and sits in the seat opposite him. Whilst he holds his
half eaten sandwich in one hand, he picks up the other
half with his free hand, and reaches across the table to
offer it to the girl. Hannah accepts the sandwich, as they
both exchange a smile.
CARETAKER
Are your parents coming to get
you?
Hannah shrugs, with a blank expression. The caretaker
scans the girl, viewing her fancy dress and her lack of
belongings. He sighs once more, and pulls a phone out of
his pocket. He presses the button, and the screen
illuminates. Hannah watches as the caretaker stares down
at the screen; playing with the material of her jumper.
The caretaker looks up, and stretches out the arm that he
holds the phone in. Hannah stands still, showing no
intention to take it. He gestures for her to take it,
shaking his outstretched hand. Hannah takes the phone, and
looks down. The key pad has been placed on the screen,
ready for her to use. She dials in a number, and presses
the call button. Hannah places it to her ear, and looks
back up at the caretaker.
HANNAH
Hello?

More Related Content

Viewers also liked

Review Draft 2
Review Draft 2Review Draft 2
Review Draft 2
Megan Windmill
 
Poster Draft 1
Poster Draft 1Poster Draft 1
Poster Draft 1
Megan Windmill
 
Call Sheets
Call SheetsCall Sheets
Call Sheets
aimeelee12
 
Script Draft 2
Script Draft 2Script Draft 2
Script Draft 2
Megan Windmill
 
Script Draft #1: Trapped
Script Draft #1: TrappedScript Draft #1: Trapped
Script Draft #1: Trapped
Grace Johansson
 
Watercooler
WatercoolerWatercooler
Watercooler
bethizatt1
 
Script Draft #2: Trapped
Script Draft #2: TrappedScript Draft #2: Trapped
Script Draft #2: Trapped
Grace Johansson
 
Script
ScriptScript
Script
bethizatt1
 
Script 3
Script 3Script 3
Script 3
bethizatt1
 
script draft 5
script draft 5script draft 5
script draft 5
Megan Windmill
 
Script Draft Two
Script Draft TwoScript Draft Two
Script Draft Two
aimeelee12
 
Script Draft 3
Script Draft 3Script Draft 3
Script Draft 3
Megan Windmill
 
Part 2 – short film context: Funding and Support
Part 2 – short film context: Funding and SupportPart 2 – short film context: Funding and Support
Part 2 – short film context: Funding and Support
Grace Johansson
 
Pelican crossing script
Pelican crossing scriptPelican crossing script
Pelican crossing script
bethizatt1
 
Further Poster Research Answers
Further Poster Research Answers Further Poster Research Answers
Further Poster Research Answers
Megan Windmill
 
Script Draft 4
Script Draft 4Script Draft 4
Script Draft 4
Megan Windmill
 
Trapped Draft #4
Trapped Draft #4Trapped Draft #4
Trapped Draft #4
Grace Johansson
 
Script Draft #3
Script Draft #3Script Draft #3
Script Draft #3
Grace Johansson
 
Watercooler 8
Watercooler 8Watercooler 8
Watercooler 8
bethizatt1
 

Viewers also liked (20)

Review Draft 2
Review Draft 2Review Draft 2
Review Draft 2
 
Poster Draft 1
Poster Draft 1Poster Draft 1
Poster Draft 1
 
Call Sheets
Call SheetsCall Sheets
Call Sheets
 
Review draft 5
Review draft 5Review draft 5
Review draft 5
 
Script Draft 2
Script Draft 2Script Draft 2
Script Draft 2
 
Script Draft #1: Trapped
Script Draft #1: TrappedScript Draft #1: Trapped
Script Draft #1: Trapped
 
Watercooler
WatercoolerWatercooler
Watercooler
 
Script Draft #2: Trapped
Script Draft #2: TrappedScript Draft #2: Trapped
Script Draft #2: Trapped
 
Script
ScriptScript
Script
 
Script 3
Script 3Script 3
Script 3
 
script draft 5
script draft 5script draft 5
script draft 5
 
Script Draft Two
Script Draft TwoScript Draft Two
Script Draft Two
 
Script Draft 3
Script Draft 3Script Draft 3
Script Draft 3
 
Part 2 – short film context: Funding and Support
Part 2 – short film context: Funding and SupportPart 2 – short film context: Funding and Support
Part 2 – short film context: Funding and Support
 
Pelican crossing script
Pelican crossing scriptPelican crossing script
Pelican crossing script
 
Further Poster Research Answers
Further Poster Research Answers Further Poster Research Answers
Further Poster Research Answers
 
Script Draft 4
Script Draft 4Script Draft 4
Script Draft 4
 
Trapped Draft #4
Trapped Draft #4Trapped Draft #4
Trapped Draft #4
 
Script Draft #3
Script Draft #3Script Draft #3
Script Draft #3
 
Watercooler 8
Watercooler 8Watercooler 8
Watercooler 8
 

Similar to Script Draft Three

Script My Project class clown recent draft.pdf
Script My Project class clown recent draft.pdfScript My Project class clown recent draft.pdf
Script My Project class clown recent draft.pdf
angzenafrost
 
Script redrum 3
Script redrum 3Script redrum 3
Script redrum 3
bethanypotter3
 
Script redrum
Script redrum Script redrum
Script redrum
BethPotter4
 
Class clown.pdf
Class clown.pdfClass clown.pdf
Class clown.pdf
AngelinaFrost
 
Two Kinds - Jenna Young
Two Kinds - Jenna YoungTwo Kinds - Jenna Young
Two Kinds - Jenna YoungJenna Young
 
Script love story no. 51,443
Script love story no. 51,443Script love story no. 51,443
Script love story no. 51,443
mediastudiesf1n34rts
 
Script
ScriptScript
Script
ScriptScript
Script
finhicks2
 
Script for "PowerUP" Pilot
Script for "PowerUP" PilotScript for "PowerUP" Pilot
Script for "PowerUP" Pilot
Jonathan Mak
 
Opening sequence Script - Nicole Clark
Opening sequence Script - Nicole ClarkOpening sequence Script - Nicole Clark
Opening sequence Script - Nicole Clark
rhsmediastudies
 
Angelica and damien
Angelica and damienAngelica and damien
Angelica and damiencraigwinch
 
Final script
Final scriptFinal script
Final script
NuzhatMA
 
Script
ScriptScript
"Indelible" Script
"Indelible" Script"Indelible" Script
"Indelible" Script
Taslima_B
 
Screenplay (2)
Screenplay (2)Screenplay (2)
Screenplay (2)
ng180443
 
Screenplay (3)
Screenplay (3)Screenplay (3)
Screenplay (3)
ng180443
 
Story synopsis outline
Story synopsis outlineStory synopsis outline
Story synopsis outline
L-Monk
 
Script monotonous (2)
Script monotonous (2)Script monotonous (2)
Script monotonous (2)
mollyallen19
 

Similar to Script Draft Three (20)

Script My Project class clown recent draft.pdf
Script My Project class clown recent draft.pdfScript My Project class clown recent draft.pdf
Script My Project class clown recent draft.pdf
 
Script redrum 3
Script redrum 3Script redrum 3
Script redrum 3
 
Script redrum
Script redrum Script redrum
Script redrum
 
Class clown.pdf
Class clown.pdfClass clown.pdf
Class clown.pdf
 
Two Kinds - Jenna Young
Two Kinds - Jenna YoungTwo Kinds - Jenna Young
Two Kinds - Jenna Young
 
Script love story no. 51,443
Script love story no. 51,443Script love story no. 51,443
Script love story no. 51,443
 
Script
ScriptScript
Script
 
Script
ScriptScript
Script
 
Script
ScriptScript
Script
 
Script for "PowerUP" Pilot
Script for "PowerUP" PilotScript for "PowerUP" Pilot
Script for "PowerUP" Pilot
 
Opening sequence Script - Nicole Clark
Opening sequence Script - Nicole ClarkOpening sequence Script - Nicole Clark
Opening sequence Script - Nicole Clark
 
Angelica and damien
Angelica and damienAngelica and damien
Angelica and damien
 
Final script
Final scriptFinal script
Final script
 
Script
ScriptScript
Script
 
"Indelible" Script
"Indelible" Script"Indelible" Script
"Indelible" Script
 
13 reasons why
13 reasons why13 reasons why
13 reasons why
 
Screenplay (2)
Screenplay (2)Screenplay (2)
Screenplay (2)
 
Screenplay (3)
Screenplay (3)Screenplay (3)
Screenplay (3)
 
Story synopsis outline
Story synopsis outlineStory synopsis outline
Story synopsis outline
 
Script monotonous (2)
Script monotonous (2)Script monotonous (2)
Script monotonous (2)
 

More from aimeelee12

Evaluation Question II: How effective is the combination of your main product...
Evaluation Question II: How effective is the combination of your main product...Evaluation Question II: How effective is the combination of your main product...
Evaluation Question II: How effective is the combination of your main product...
aimeelee12
 
Evaluation Question II: How effective is the combination of your main product...
Evaluation Question II: How effective is the combination of your main product...Evaluation Question II: How effective is the combination of your main product...
Evaluation Question II: How effective is the combination of your main product...
aimeelee12
 
Evaluation Question III: What Have You Learned From Your Audience Feedback?
Evaluation Question III: What Have You Learned From Your Audience Feedback?Evaluation Question III: What Have You Learned From Your Audience Feedback?
Evaluation Question III: What Have You Learned From Your Audience Feedback?
aimeelee12
 
Shot List
Shot ListShot List
Shot List
aimeelee12
 
Location Recce Checklist
Location Recce ChecklistLocation Recce Checklist
Location Recce Checklist
aimeelee12
 
Location Recce Sheet
Location Recce SheetLocation Recce Sheet
Location Recce Sheet
aimeelee12
 
Shooting Schedule
Shooting ScheduleShooting Schedule
Shooting Schedule
aimeelee12
 
Breakdown
BreakdownBreakdown
Breakdown
aimeelee12
 
Storyboard Draft One
Storyboard Draft OneStoryboard Draft One
Storyboard Draft One
aimeelee12
 
Annotated Script
Annotated ScriptAnnotated Script
Annotated Script
aimeelee12
 
White Balance Task
White Balance TaskWhite Balance Task
White Balance Task
aimeelee12
 
The Short Film Context Part III; Training and Development
The Short Film Context Part III; Training and DevelopmentThe Short Film Context Part III; Training and Development
The Short Film Context Part III; Training and Development
aimeelee12
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
aimeelee12
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
aimeelee12
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
aimeelee12
 
Social Realism in the British Context
Social Realism in the British ContextSocial Realism in the British Context
Social Realism in the British Context
aimeelee12
 
Social Realism in the British Context Part II
Social Realism in the British Context Part IISocial Realism in the British Context Part II
Social Realism in the British Context Part II
aimeelee12
 

More from aimeelee12 (17)

Evaluation Question II: How effective is the combination of your main product...
Evaluation Question II: How effective is the combination of your main product...Evaluation Question II: How effective is the combination of your main product...
Evaluation Question II: How effective is the combination of your main product...
 
Evaluation Question II: How effective is the combination of your main product...
Evaluation Question II: How effective is the combination of your main product...Evaluation Question II: How effective is the combination of your main product...
Evaluation Question II: How effective is the combination of your main product...
 
Evaluation Question III: What Have You Learned From Your Audience Feedback?
Evaluation Question III: What Have You Learned From Your Audience Feedback?Evaluation Question III: What Have You Learned From Your Audience Feedback?
Evaluation Question III: What Have You Learned From Your Audience Feedback?
 
Shot List
Shot ListShot List
Shot List
 
Location Recce Checklist
Location Recce ChecklistLocation Recce Checklist
Location Recce Checklist
 
Location Recce Sheet
Location Recce SheetLocation Recce Sheet
Location Recce Sheet
 
Shooting Schedule
Shooting ScheduleShooting Schedule
Shooting Schedule
 
Breakdown
BreakdownBreakdown
Breakdown
 
Storyboard Draft One
Storyboard Draft OneStoryboard Draft One
Storyboard Draft One
 
Annotated Script
Annotated ScriptAnnotated Script
Annotated Script
 
White Balance Task
White Balance TaskWhite Balance Task
White Balance Task
 
The Short Film Context Part III; Training and Development
The Short Film Context Part III; Training and DevelopmentThe Short Film Context Part III; Training and Development
The Short Film Context Part III; Training and Development
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 
Social Realism in the British Context
Social Realism in the British ContextSocial Realism in the British Context
Social Realism in the British Context
 
Social Realism in the British Context Part II
Social Realism in the British Context Part IISocial Realism in the British Context Part II
Social Realism in the British Context Part II
 

Recently uploaded

Acetabularia Information For Class 9 .docx
Acetabularia Information For Class 9  .docxAcetabularia Information For Class 9  .docx
Acetabularia Information For Class 9 .docx
vaibhavrinwa19
 
678020731-Sumas-y-Restas-Para-Colorear.pdf
678020731-Sumas-y-Restas-Para-Colorear.pdf678020731-Sumas-y-Restas-Para-Colorear.pdf
678020731-Sumas-y-Restas-Para-Colorear.pdf
CarlosHernanMontoyab2
 
Model Attribute Check Company Auto Property
Model Attribute  Check Company Auto PropertyModel Attribute  Check Company Auto Property
Model Attribute Check Company Auto Property
Celine George
 
The Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official PublicationThe Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official Publication
Delapenabediema
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
Thiyagu K
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
siemaillard
 
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup   New Member Orientation and Q&A (May 2024).pdfWelcome to TechSoup   New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
TechSoup
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
Pavel ( NSTU)
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
Jisc
 
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
MysoreMuleSoftMeetup
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
MIRIAMSALINAS13
 
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdfUnit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Thiyagu K
 
The geography of Taylor Swift - some ideas
The geography of Taylor Swift - some ideasThe geography of Taylor Swift - some ideas
The geography of Taylor Swift - some ideas
GeoBlogs
 
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
Nguyen Thanh Tu Collection
 
Additional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdfAdditional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdf
joachimlavalley1
 
Lapbook sobre os Regimes Totalitários.pdf
Lapbook sobre os Regimes Totalitários.pdfLapbook sobre os Regimes Totalitários.pdf
Lapbook sobre os Regimes Totalitários.pdf
Jean Carlos Nunes Paixão
 
Embracing GenAI - A Strategic Imperative
Embracing GenAI - A Strategic ImperativeEmbracing GenAI - A Strategic Imperative
Embracing GenAI - A Strategic Imperative
Peter Windle
 
The basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptxThe basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptx
heathfieldcps1
 
CACJapan - GROUP Presentation 1- Wk 4.pdf
CACJapan - GROUP Presentation 1- Wk 4.pdfCACJapan - GROUP Presentation 1- Wk 4.pdf
CACJapan - GROUP Presentation 1- Wk 4.pdf
camakaiclarkmusic
 

Recently uploaded (20)

Acetabularia Information For Class 9 .docx
Acetabularia Information For Class 9  .docxAcetabularia Information For Class 9  .docx
Acetabularia Information For Class 9 .docx
 
678020731-Sumas-y-Restas-Para-Colorear.pdf
678020731-Sumas-y-Restas-Para-Colorear.pdf678020731-Sumas-y-Restas-Para-Colorear.pdf
678020731-Sumas-y-Restas-Para-Colorear.pdf
 
Model Attribute Check Company Auto Property
Model Attribute  Check Company Auto PropertyModel Attribute  Check Company Auto Property
Model Attribute Check Company Auto Property
 
The Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official PublicationThe Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official Publication
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
 
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup   New Member Orientation and Q&A (May 2024).pdfWelcome to TechSoup   New Member Orientation and Q&A (May 2024).pdf
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdf
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
 
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
 
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdfUnit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdf
 
The geography of Taylor Swift - some ideas
The geography of Taylor Swift - some ideasThe geography of Taylor Swift - some ideas
The geography of Taylor Swift - some ideas
 
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
 
Additional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdfAdditional Benefits for Employee Website.pdf
Additional Benefits for Employee Website.pdf
 
Lapbook sobre os Regimes Totalitários.pdf
Lapbook sobre os Regimes Totalitários.pdfLapbook sobre os Regimes Totalitários.pdf
Lapbook sobre os Regimes Totalitários.pdf
 
Embracing GenAI - A Strategic Imperative
Embracing GenAI - A Strategic ImperativeEmbracing GenAI - A Strategic Imperative
Embracing GenAI - A Strategic Imperative
 
The basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptxThe basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptx
 
CACJapan - GROUP Presentation 1- Wk 4.pdf
CACJapan - GROUP Presentation 1- Wk 4.pdfCACJapan - GROUP Presentation 1- Wk 4.pdf
CACJapan - GROUP Presentation 1- Wk 4.pdf
 

Script Draft Three

  • 1. Home Time By Aimee Lee C 2016 aimeelee323@gmail.com
  • 2. 1 EXT. PLAYGROUND - DAY 1 Home time at a local Surrey primary school on a bright, winter’s day. HANNAH - wrapped up in an over sized coat and carrying a large book bag - bursts out of the doors of her classroom, and into a crowd of parents, clutching a sheet of paper with her masterpiece on it. Hannah scans the crowd, and ceases her search after several seconds. She turns on her foot and faces the door she just came out of. She pulls out her phone and begins to press the screen of it with forces. Her classmates are walking in the opposite direction towards the school gate. She looks up, her attention distracted. CLASSMATE Bye Hannah! Hannah reluctantly walks back to the classroom door, and steps back inside. 2 INT. CLASSROOM - DAY 2 Hannah drops her things, removes her coat and strides over to the other side of the classroom, heading straight to a box filled with fancy dress outfits. She pulls out a wool jumper and scarf and puts them on. She also picks up a handbag to hold. She begins to wonder the classroom as the light outside starts to fade. She views and admires the artwork on the walls, taking on a grown up stance, standing as tall as she can with her head raised.As she views each piece of work, Hannah makes her way along the walls of each classroom, until she reaches the doors of the caretaker’s cupboard. 3 INT. CUPBOARD - DAY 3 Hannah peers into the tiny room - dark, dusty and uncared for - a rake falls down from it’s stand and hits the opposite side of the wall. Hannah jumps and closes the door. She runs around the corner and down the corridor towards a further set of classrooms. A MAN - slightly hunched in form - walks around the corner, and enters the cupboard, oblivious to the girl that has just run away from it. He grabs a broom and does his coat up before exiting. 4 INT. DESIGN AND TECHNOLOGY WORKSHOPS - DAY 4 Hannah cautiously walks along the row of computers, through to a room filled with numerous work benches. Continuing to play pretend, she messes with the clamps, winding the tough metal, listening to it tighten, dropping with each rotation. She glances into cupboards. She stares (CONTINUED)
  • 3. CONTINUED: 2. at a band saw and fixes her eyes on the large, red button. She contemplates, and continues on with her journey. She moves to another room, with plastic shards scattered across the tables. Hannah - still costumed - places her bag down on the side, and picks up a tiny bottle of glue. She squeezes it until she can see a little bead of clear fluid rise from the top. She picks up another tool - a large, metal file. She waves it around, as if it were a sword or a magic wand. Her arm sinks, misjudging the file’s weight, and she loses hold of the it. She stands for a while, playing her game, and moves on once more. She soon tires and continues her journey by exiting the design technology workshops. 5 EXT. COURTYARD - DAY 5 Hannah skips across the courtyard with clear intentions to enter the classroom opposite. She slows and begins to shiver, her woolen jumper failing to offer her protection from the cold. 6 INT. FOOD TECHNOLOGY CLASSROOM - DAY 6 Hannah swiftly moves inside the food technology classroom, being quick to check all of the cupboards, failing to find anything worth consuming. Instead, she wonders the room, continuing her adult pose, pulling out pots and pans to place on top of the stove. The knives catch Hannah’s eye, and she moves towards them. Pulling one out from the block, she gazes at her reflection in one. She begins to chop imaginary objects on the chopping boards, until she becomes tired. She finally sits down, stares at the mess she has made, and pulls a pensive expression. 7 EXT. PLAYGROUND - DAY 7 A MAN - clad in heavy clothes and marching - stomps across the playground, jingling as he goes. He closes a door and jams a key into the lock, twists it and leaves, the jingling becoming fainter and fainter. 8 INT. TEXTILES CLASSROOM - NIGHT 8 Hannah lethargically walks out from food technology, and slowly down the corridor into the textiles classroom. She walks in and touches the multitude of fabrics that are draped across the walls, shelves and tables. Walking along the table feeling the variety of textures she encounters whilst moving over to the sewing machines. Hannah takes a seat, presses the pedal and watches the needle pulse up and down as it recedes back into the (CONTINUED)
  • 4. CONTINUED: 3. machine. Grabbing a scrap piece of material, she plays with the machine briefly until she gets bored. On her way out of the classroom, she passes a large dress mannequin draped in fabric. She turns the light off, leaving the dark, ominous shape of the human like form. 9 EXT. PLAYGROUND - NIGHT 9 The man walks across the playground, face hidden, and sweeps the fallen leaves from the basketball court to the edge of the playground. He moves to another classroom, opens the door, places the broom inside and locks it 10 INT. DRAMA CLASSROOM - NIGHT 10 Hannah enters the dark classroom, and opens the props cupboard, revealing costumes of all varieties. She stares in for a short while, with a large assortment of masks staring back. She closes the door, turning her back to it and switching her gaze to the dark, empty room. After a pause, she turns to face the door and makes for the door. 11 EXT. PLAYGROUND - NIGHT 11 The CARETAKER - tall, worn and unpolished - lumbers from classroom to classroom, locking each door carefully with his large set of keys. Hannah walks across the playground and spots the caretaker. She stops in her tracks. Hesitant in her actions at first, she eventually breaks into a run and heads towards the classroom door. Abandoning her grown up posture, she runs and launches herself into the unlocked classroom before being spotted. 12 INT. CLASSROOM - NIGHT 12 Hannah hides in the corner of the room, crouching next to the door and underneath the window, trying not to be seen. She listens for the lock, and jumps when she hears it open. The caretaker walks across the room in a heavy footed manner, and takes a seat at a table with his back to the girl. He pulls out a small parcel wrapped in brown paper and places it on the table and opens it up. From the package he pulls his sandwiches. Hannah’s eyes widen upon seeing the man’s food. He takes a bite, completely unaware that he is being watched. Hannah calms down and hesitates once more, before creeping out from her hiding place. She startles the man, who twists around in his seat to show her his shocked expression, which quickly turns to a confused one. After a long pause, the man’s posture loosens and he relaxes. He sighs whilst maintaining eye contact with the girl. He beckons her over using a gentle hand gesture. (CONTINUED)
  • 5. CONTINUED: 4. CARETAKER Here More confidently now, Hannah moves over to the caretaker and sits in the seat opposite him. Whilst he holds his half eaten sandwich in one hand, he picks up the other half with his free hand, and reaches across the table to offer it to the girl. Hannah accepts the sandwich, as they both exchange a smile. CARETAKER Are your parents coming to get you? Hannah shrugs, with a blank expression. The caretaker scans the girl, viewing her fancy dress and her lack of belongings. He sighs once more, and pulls a phone out of his pocket. He presses the button, and the screen illuminates. Hannah watches as the caretaker stares down at the screen; playing with the material of her jumper. The caretaker looks up, and stretches out the arm that he holds the phone in. Hannah stands still, showing no intention to take it. He gestures for her to take it, shaking his outstretched hand. Hannah takes the phone, and looks down. The key pad has been placed on the screen, ready for her to use. She dials in a number, and presses the call button. Hannah places it to her ear, and looks back up at the caretaker. HANNAH Hello?