The document provides analysis of three short films:
1) The Black Hole (2008) - About an office worker who discovers a black hole in a photocopied page that leads to mischief. Shots show his frustration at work and greed when using the hole.
2) Batman Dead-end (2003) - Follows Batman as he fights the Joker and is then confronted by alien predators. Atmospheric with dark lighting and point-of-view shots.
3) Inside (2002) - About a man with multiple personalities in a mental institution. Shots introduce new locations and characters. A twist reveals one character was just in his imagination.
The document summarizes and analyzes three short films:
1. The Black Hole is a 3 minute film about an office worker who discovers a black hole in a photocopied sheet of paper that allows him to steal money and items. It uses shots like close-ups and point-of-view shots to tell the story.
2. Batman Dead-End is an 8 minute film featuring Batman fighting the Joker and aliens. It uses dark lighting and shots like close-ups, aerial shots, and point-of-view shots.
3. Inside is a 5 minute film about a man with multiple personality disorder in a mental institution. Shots like close-ups are used to show his
The document summarizes an opening film sequence analysis project completed by three students - Ingrid, Jhané, and Fatou. It includes a table outlining the group members and their assigned tasks. The analyzed film is Dawn of the Dead (2004) and details provided include the genre, year, director, and main actors. The analysis covers various film techniques including camera shots, angles and movement, lighting, characters, editing, sound, and narrative structure. Barthes and Propp narrative theories are also discussed in relation to the opening sequence.
The document provides an analysis of codes and conventions in the horror and action genres using the films Hereditary, Insidious, John Wick, and Baby Driver as examples. It discusses how these films employ stylistic techniques like lighting, camerawork, sound, and props to create tension, build suspense, and intensify action sequences. It also examines how the films follow typical narrative structures involving an initial equilibrium that is disrupted, leading to attempts to repair the damage and achieve a new resolution.
The trailer uses several techniques to attract audiences to the sci-fi film Inception. It begins with production company logos to establish credibility. Shots of action and unusual scenes meant to depict the sci-fi elements are accompanied by dramatic music to generate intrigue. Text mentions the acclaimed director to draw in fans of similar films. The trailer cuts between confusing and exciting images and saves revealing the title until the end to ensure viewers remember it. Overall, the trailer aims to attract audiences with a compelling mix of mystery, action, and intrigue around the sci-fi concepts.
The document analyzes stylistic codes and conventions of the horror and action genres through analyzing scenes from various films. For horror, it examines scenes from Hereditary and Insidious, noting how they build tension through lighting, shot composition, and sound. Both films follow typical narrative structures and genre conventions. For action, it analyzes a scene of assassins attacking John Wick from his home in the film of the same name, highlighting the fast pacing, quick cuts, and steady camera work used to intensify the action.
This document analyzes how the media product uses, develops, or challenges conventions of real media through its title sequence for a thriller. The sequence uses stylistic choices like futuristic white walls and pale makeup on the characters to set an unsettling tone. Shots progress from establishing to close-ups, mirroring film techniques and influencing films like Blade Runner and THX 1138. The sequence also includes a corporate advertisement for a blood donation business that has a sinister ulterior motive, taking influence from films like Robocop. Throughout, filmic techniques are employed like camera angles, shot progression, and stylistic influences to develop the conventions of art house and thriller films.
The document discusses plans to re-shoot a title sequence. It lists the equipment, clothing, and contact details needed for the re-shoot. It also includes a shot list for the new sequence, describing 14 shots ranging from long shots to close ups that will tell a story of two characters investigating an abandoned barn with a Ouija board.
This single camera documentary analyzes the techniques of single camera production. It discusses that a single camera is used per scene, with each shot and angle recorded individually. Single camera production is typically used for low budget projects like music videos and trailers. Scenes are filmed entirely before moving on, which allows more directorial control but is more time consuming. An alternative is to use two cameras to capture medium and closeup shots simultaneously, reducing the number of setups needed. Pros of single camera include low budget, flexibility of shots, and ease of gathering footage. Cons include the time needed to reposition the camera and the lack of alternative angles if the camera is damaged. Examples provided are from films like Doctor Who that use over-
The document summarizes and analyzes three short films:
1. The Black Hole is a 3 minute film about an office worker who discovers a black hole in a photocopied sheet of paper that allows him to steal money and items. It uses shots like close-ups and point-of-view shots to tell the story.
2. Batman Dead-End is an 8 minute film featuring Batman fighting the Joker and aliens. It uses dark lighting and shots like close-ups, aerial shots, and point-of-view shots.
3. Inside is a 5 minute film about a man with multiple personality disorder in a mental institution. Shots like close-ups are used to show his
The document summarizes an opening film sequence analysis project completed by three students - Ingrid, Jhané, and Fatou. It includes a table outlining the group members and their assigned tasks. The analyzed film is Dawn of the Dead (2004) and details provided include the genre, year, director, and main actors. The analysis covers various film techniques including camera shots, angles and movement, lighting, characters, editing, sound, and narrative structure. Barthes and Propp narrative theories are also discussed in relation to the opening sequence.
The document provides an analysis of codes and conventions in the horror and action genres using the films Hereditary, Insidious, John Wick, and Baby Driver as examples. It discusses how these films employ stylistic techniques like lighting, camerawork, sound, and props to create tension, build suspense, and intensify action sequences. It also examines how the films follow typical narrative structures involving an initial equilibrium that is disrupted, leading to attempts to repair the damage and achieve a new resolution.
The trailer uses several techniques to attract audiences to the sci-fi film Inception. It begins with production company logos to establish credibility. Shots of action and unusual scenes meant to depict the sci-fi elements are accompanied by dramatic music to generate intrigue. Text mentions the acclaimed director to draw in fans of similar films. The trailer cuts between confusing and exciting images and saves revealing the title until the end to ensure viewers remember it. Overall, the trailer aims to attract audiences with a compelling mix of mystery, action, and intrigue around the sci-fi concepts.
The document analyzes stylistic codes and conventions of the horror and action genres through analyzing scenes from various films. For horror, it examines scenes from Hereditary and Insidious, noting how they build tension through lighting, shot composition, and sound. Both films follow typical narrative structures and genre conventions. For action, it analyzes a scene of assassins attacking John Wick from his home in the film of the same name, highlighting the fast pacing, quick cuts, and steady camera work used to intensify the action.
This document analyzes how the media product uses, develops, or challenges conventions of real media through its title sequence for a thriller. The sequence uses stylistic choices like futuristic white walls and pale makeup on the characters to set an unsettling tone. Shots progress from establishing to close-ups, mirroring film techniques and influencing films like Blade Runner and THX 1138. The sequence also includes a corporate advertisement for a blood donation business that has a sinister ulterior motive, taking influence from films like Robocop. Throughout, filmic techniques are employed like camera angles, shot progression, and stylistic influences to develop the conventions of art house and thriller films.
The document discusses plans to re-shoot a title sequence. It lists the equipment, clothing, and contact details needed for the re-shoot. It also includes a shot list for the new sequence, describing 14 shots ranging from long shots to close ups that will tell a story of two characters investigating an abandoned barn with a Ouija board.
This single camera documentary analyzes the techniques of single camera production. It discusses that a single camera is used per scene, with each shot and angle recorded individually. Single camera production is typically used for low budget projects like music videos and trailers. Scenes are filmed entirely before moving on, which allows more directorial control but is more time consuming. An alternative is to use two cameras to capture medium and closeup shots simultaneously, reducing the number of setups needed. Pros of single camera include low budget, flexibility of shots, and ease of gathering footage. Cons include the time needed to reposition the camera and the lack of alternative angles if the camera is damaged. Examples provided are from films like Doctor Who that use over-
The short film Alien Infestation is a 2016 fan film inspired by the 1979 film Alien and 2011 video game Alien Infestation. It takes place in an apartment where a lonely girl encounters the Xenomorph alien. The film is directed by Swedish director Martin Leon Lindstedt and was made with a love and appreciation for the Alien franchise. It uses various horror techniques like dark settings, shadows, and diegetic sounds to build tension. While aimed at older fans of the original, the film hopes to appeal to a wide audience through its relatable setting and use of standard horror tropes.
The document outlines common techniques used in horror movie trailers to attract audiences. These include showing dramatic moments, disrupting normal life, incorporating music to indicate fright, depicting battles of good versus evil. Trailers also commonly feature isolated locations, dramatic camera angles of characters' reactions, displays of death or injuries, screaming, protagonists, a dark and scary atmosphere, well-known actors, and credits. Examples are given from trailers for the movies Insidious and The Possession.
Here are the key points about BBFC ratings that are relevant to our film:
- BBFC is the British Board of Film Classification, they classify films shown in UK cinemas or released on DVD/Blu-Ray.
- They use age ratings to help audiences choose age appropriate content:
- 12A/12 - children under 12 must be accompanied by an adult
- 15 - no one under 15 may see a 15 film in a cinema
- 18 - no one under 18 may see an 18 film in a cinema or buy an 18 rated video
- For a 12A, our psychological thriller film could include moderate violence, threat and horror. Some nudity, sex references and drug use are allowed but
Based on the content described in the research document, an appropriate BBFC rating for this film would be:
15
The psychological thriller genre and themes of online relationships, identity, stalking, and mental instability suggest that disturbing scenes and concepts may be depicted. While not as graphic as an 18 rating, a 15 rating indicates that the film may contain strong language, violence, sex, and other mature content unsuitable for those under 15 years old. This rating seems fitting to both challenge younger viewers while still allowing the film to explore its mature themes for an older teenage and adult audience.
The document discusses inspiration from real film opening sequences such as Se7en, Zombieland, and To Kill a Mockingbird. It explores conventions used in psychological thriller genre openings including tension music, flashbacks, and montage editing. Several films are analyzed for their story, characters, and how they relate to creating mystery in the opening sequence.
The document discusses inspiration from real film opening sequences such as Se7en, Zombieland, and To Kill a Mockingbird. It explores conventions used in psychological thriller genre openings including tension music, flashbacks, and montage editing. Several films are analyzed for their story, characters, and how they relate to creating mystery in the opening sequence.
The opening scene uses conventions of the thriller genre such as mystery, flashbacks, and ominous characters and settings. However, it also challenges conventions in some ways: it shows the aftermath of the capturing rather than how it began, introduces the antagonist before the protagonist, and uses special effects like blurring in an unconventional way to represent the protagonist's point of view. Overall, the scene develops thriller conventions through elements of danger, violence, and enigma, while also experimenting with the typical introduction of characters and unfolding of events.
The document discusses the camerawork, sound, editing, and mise-en-scene techniques used in the opening sequences of horror films Scream, Blade, and Paranormal Activity. For Scream, tracking shots build tension as a character runs from a killer. Medium shots show a character's injuries. In Blade, an establishing shot shows characters dancing before a tracking shot builds more tension. Close-ups of a blood-covered face startle the audience. Paranormal Activity uses medium close-ups of objects that zoom in and out to create attention and tension.
This document analyzes how a media product uses and challenges conventions of real media through its portrayal of extraordinary events occurring in ordinary situations. It provides three examples from the media product to illustrate this. The first example shows a close-up of Barack Obama in an ordinary bedroom to depict an extraordinary assassination plot unfolding somewhere normal. The second example shows the main character arriving home on an ordinary street to set up the juxtaposition of normality with the character's extraordinary secret activities. The third example depicts the character revealing a crime, crossing out eyes on a photo, which becomes the core mystery driving the narrative forward.
The document provides an overview of the thriller/horror genre. It discusses the nature of protagonists (who rely on mental strength rather than physical), antagonists (who are darker with selfish motivations), and the dramatic action (featuring crime, violence and murder). It also covers common narrative elements like nonlinear storytelling, flashbacks, an atmosphere of creepiness and tension, and resolutions that often lack a happy ending. The case study section analyzes the characters and plot of the film "Saw", highlighting secrets, suspense and an open-ended conclusion that leaves the protagonists suffering.
The document provides research inspiration for an opening film sequence from real film openings. It discusses the openings of Se7en, Zombieland, and To Kill a Mockingbird, noting techniques like montage style credits, ambiguous introductions of characters/plots, and titles integrated into the scenes. Inspiration is also drawn from the openings of Sucker Punch and films like Phone Booth that introduce an unknown villain. The document explores conventions of psychological thrillers and considers themes of identity, death, and the mind for the sequence. It also covers locations, characters, titles/credits, and music for the project.
The document discusses how the media product uses conventions of real horror films. It incorporates the fear of being alone during a disaster, using long shots to show isolation as in "I Am Legend." It also draws on the fear and distrust of others in "The Road." Survival relies on using all available resources, building suspense. Close-ups are used to show power dynamics during fights. While a thriller/horror, it has elements of action and adventure genres through fighting and chase sequences shot dynamically.
The thriller movie poster analyzes key elements that provide clues about the genre and plot. It uses a dark color scheme and ominous imagery like guns to signal danger and violence. Main characters are prominently displayed and made to appear important through styling and positioning. Text stands out in bold colors and fonts to draw the eye and emphasize the title and key information about the director to attract fans. Through these visual cues and stylistic choices, the poster efficiently conveys to the audience that the movie will be a thriller involving action and potentially life-threatening situations.
This document compares the filmmaker's thriller "Beaten" to other media works that use zombie conventions such as 28 Days Later, The Descent, Michael Jackson's "Thriller" music video, and the video game Left 4 Dead. It analyzes similarities and differences between the works in terms of plotlines, characters, editing techniques, camerawork, titles, and action sequences. Overall, the document shows how "Beaten" both develops typical zombie genres conventions while also challenging some conventions through its unique story elements and filmmaking choices.
The document provides details about a short horror film called "The Devil's Playground" that will focus on inspiring teenage safety around strangers. It will tell the story of three girls who get kidnapped after attending a house party with strangers they met online. The target audience is teenagers aged 14-16, and the film aims to educate them about avoiding risky situations. It will be distributed on YouTube for easy access and viewability.
The document provides an overview of how to analyze films using genre analysis and auteur theory. It discusses key aspects of genre analysis including character, codes and conventions, iconography, narrative, setting, themes, and ideological message. Western, science fiction, and war films are analyzed as examples. It also provides an analysis of the opening sequences of Quantum of Solace and Leon, comparing how they conform and break conventions of the action thriller genre.
The document provides information on three sci-fi/action movies: I Am Number Four, Knowing, and Aliens vs Predator. For each movie, it lists the genre, director, producer, distributor, release date, budget, and box office earnings. It also provides a brief plot summary and highlights four main aspects that drew the reviewer to each film, such as special effects, mysterious narratives, and constant thrills.
This document provides details for a video project brief from Salford Royal NHS Foundation Trust. The brief is for a 60-90 second video to encourage people to become foundation trust members and will play on a video wall in the hospital entrance. It outlines the client and their goals, key messages to include, branding guidelines, deadline, and required project management support. Students are to originate, develop, research and pitch ideas; plan pre-production; and produce the final films as per the brief and grading criteria.
The document provides information about three movies: I Am Number Four, Predator, and Knowing. For each movie, it lists the genre, director, producers, release date, budget, and box office numbers. It also summarizes the plot and lists four things that drew the author to each film, such as special effects, action, mysteries, and main characters. The document then discusses codes and conventions of sci-fi/action movies, how people are attracted to the genre, and provides an analysis of Men in Black 3 and Face Off.
Transport costs are for mainland UK only, although we will be pleased to quote for other UK destinations. All deliveries will be made within 10 working days from date of order,
The document describes a graphic created for a hospital project to represent that it serves patients from around the world. A picture of a globe was placed on a layer and the Sphere CC effect was applied to make it a 3D spinning ball. A separate shape layer was used to add a starburst effect behind the globe. Glow effects were added to the globe and stars to make them brighter.
The short film Alien Infestation is a 2016 fan film inspired by the 1979 film Alien and 2011 video game Alien Infestation. It takes place in an apartment where a lonely girl encounters the Xenomorph alien. The film is directed by Swedish director Martin Leon Lindstedt and was made with a love and appreciation for the Alien franchise. It uses various horror techniques like dark settings, shadows, and diegetic sounds to build tension. While aimed at older fans of the original, the film hopes to appeal to a wide audience through its relatable setting and use of standard horror tropes.
The document outlines common techniques used in horror movie trailers to attract audiences. These include showing dramatic moments, disrupting normal life, incorporating music to indicate fright, depicting battles of good versus evil. Trailers also commonly feature isolated locations, dramatic camera angles of characters' reactions, displays of death or injuries, screaming, protagonists, a dark and scary atmosphere, well-known actors, and credits. Examples are given from trailers for the movies Insidious and The Possession.
Here are the key points about BBFC ratings that are relevant to our film:
- BBFC is the British Board of Film Classification, they classify films shown in UK cinemas or released on DVD/Blu-Ray.
- They use age ratings to help audiences choose age appropriate content:
- 12A/12 - children under 12 must be accompanied by an adult
- 15 - no one under 15 may see a 15 film in a cinema
- 18 - no one under 18 may see an 18 film in a cinema or buy an 18 rated video
- For a 12A, our psychological thriller film could include moderate violence, threat and horror. Some nudity, sex references and drug use are allowed but
Based on the content described in the research document, an appropriate BBFC rating for this film would be:
15
The psychological thriller genre and themes of online relationships, identity, stalking, and mental instability suggest that disturbing scenes and concepts may be depicted. While not as graphic as an 18 rating, a 15 rating indicates that the film may contain strong language, violence, sex, and other mature content unsuitable for those under 15 years old. This rating seems fitting to both challenge younger viewers while still allowing the film to explore its mature themes for an older teenage and adult audience.
The document discusses inspiration from real film opening sequences such as Se7en, Zombieland, and To Kill a Mockingbird. It explores conventions used in psychological thriller genre openings including tension music, flashbacks, and montage editing. Several films are analyzed for their story, characters, and how they relate to creating mystery in the opening sequence.
The document discusses inspiration from real film opening sequences such as Se7en, Zombieland, and To Kill a Mockingbird. It explores conventions used in psychological thriller genre openings including tension music, flashbacks, and montage editing. Several films are analyzed for their story, characters, and how they relate to creating mystery in the opening sequence.
The opening scene uses conventions of the thriller genre such as mystery, flashbacks, and ominous characters and settings. However, it also challenges conventions in some ways: it shows the aftermath of the capturing rather than how it began, introduces the antagonist before the protagonist, and uses special effects like blurring in an unconventional way to represent the protagonist's point of view. Overall, the scene develops thriller conventions through elements of danger, violence, and enigma, while also experimenting with the typical introduction of characters and unfolding of events.
The document discusses the camerawork, sound, editing, and mise-en-scene techniques used in the opening sequences of horror films Scream, Blade, and Paranormal Activity. For Scream, tracking shots build tension as a character runs from a killer. Medium shots show a character's injuries. In Blade, an establishing shot shows characters dancing before a tracking shot builds more tension. Close-ups of a blood-covered face startle the audience. Paranormal Activity uses medium close-ups of objects that zoom in and out to create attention and tension.
This document analyzes how a media product uses and challenges conventions of real media through its portrayal of extraordinary events occurring in ordinary situations. It provides three examples from the media product to illustrate this. The first example shows a close-up of Barack Obama in an ordinary bedroom to depict an extraordinary assassination plot unfolding somewhere normal. The second example shows the main character arriving home on an ordinary street to set up the juxtaposition of normality with the character's extraordinary secret activities. The third example depicts the character revealing a crime, crossing out eyes on a photo, which becomes the core mystery driving the narrative forward.
The document provides an overview of the thriller/horror genre. It discusses the nature of protagonists (who rely on mental strength rather than physical), antagonists (who are darker with selfish motivations), and the dramatic action (featuring crime, violence and murder). It also covers common narrative elements like nonlinear storytelling, flashbacks, an atmosphere of creepiness and tension, and resolutions that often lack a happy ending. The case study section analyzes the characters and plot of the film "Saw", highlighting secrets, suspense and an open-ended conclusion that leaves the protagonists suffering.
The document provides research inspiration for an opening film sequence from real film openings. It discusses the openings of Se7en, Zombieland, and To Kill a Mockingbird, noting techniques like montage style credits, ambiguous introductions of characters/plots, and titles integrated into the scenes. Inspiration is also drawn from the openings of Sucker Punch and films like Phone Booth that introduce an unknown villain. The document explores conventions of psychological thrillers and considers themes of identity, death, and the mind for the sequence. It also covers locations, characters, titles/credits, and music for the project.
The document discusses how the media product uses conventions of real horror films. It incorporates the fear of being alone during a disaster, using long shots to show isolation as in "I Am Legend." It also draws on the fear and distrust of others in "The Road." Survival relies on using all available resources, building suspense. Close-ups are used to show power dynamics during fights. While a thriller/horror, it has elements of action and adventure genres through fighting and chase sequences shot dynamically.
The thriller movie poster analyzes key elements that provide clues about the genre and plot. It uses a dark color scheme and ominous imagery like guns to signal danger and violence. Main characters are prominently displayed and made to appear important through styling and positioning. Text stands out in bold colors and fonts to draw the eye and emphasize the title and key information about the director to attract fans. Through these visual cues and stylistic choices, the poster efficiently conveys to the audience that the movie will be a thriller involving action and potentially life-threatening situations.
This document compares the filmmaker's thriller "Beaten" to other media works that use zombie conventions such as 28 Days Later, The Descent, Michael Jackson's "Thriller" music video, and the video game Left 4 Dead. It analyzes similarities and differences between the works in terms of plotlines, characters, editing techniques, camerawork, titles, and action sequences. Overall, the document shows how "Beaten" both develops typical zombie genres conventions while also challenging some conventions through its unique story elements and filmmaking choices.
The document provides details about a short horror film called "The Devil's Playground" that will focus on inspiring teenage safety around strangers. It will tell the story of three girls who get kidnapped after attending a house party with strangers they met online. The target audience is teenagers aged 14-16, and the film aims to educate them about avoiding risky situations. It will be distributed on YouTube for easy access and viewability.
The document provides an overview of how to analyze films using genre analysis and auteur theory. It discusses key aspects of genre analysis including character, codes and conventions, iconography, narrative, setting, themes, and ideological message. Western, science fiction, and war films are analyzed as examples. It also provides an analysis of the opening sequences of Quantum of Solace and Leon, comparing how they conform and break conventions of the action thriller genre.
The document provides information on three sci-fi/action movies: I Am Number Four, Knowing, and Aliens vs Predator. For each movie, it lists the genre, director, producer, distributor, release date, budget, and box office earnings. It also provides a brief plot summary and highlights four main aspects that drew the reviewer to each film, such as special effects, mysterious narratives, and constant thrills.
This document provides details for a video project brief from Salford Royal NHS Foundation Trust. The brief is for a 60-90 second video to encourage people to become foundation trust members and will play on a video wall in the hospital entrance. It outlines the client and their goals, key messages to include, branding guidelines, deadline, and required project management support. Students are to originate, develop, research and pitch ideas; plan pre-production; and produce the final films as per the brief and grading criteria.
The document provides information about three movies: I Am Number Four, Predator, and Knowing. For each movie, it lists the genre, director, producers, release date, budget, and box office numbers. It also summarizes the plot and lists four things that drew the author to each film, such as special effects, action, mysteries, and main characters. The document then discusses codes and conventions of sci-fi/action movies, how people are attracted to the genre, and provides an analysis of Men in Black 3 and Face Off.
Transport costs are for mainland UK only, although we will be pleased to quote for other UK destinations. All deliveries will be made within 10 working days from date of order,
The document describes a graphic created for a hospital project to represent that it serves patients from around the world. A picture of a globe was placed on a layer and the Sphere CC effect was applied to make it a 3D spinning ball. A separate shape layer was used to add a starburst effect behind the globe. Glow effects were added to the globe and stars to make them brighter.
Gladys Richardson is a resident of south Florida who has lived there for 36 years and recently passed her degree from Florida International University. She enjoys traveling to local beaches for relaxation and is an outdoors enthusiast in Florida.
This document provides a summary and analysis of the 2011 film "Limitless". The film stars Bradley Cooper as a writer who is struggling until he is introduced to a drug called NZT that allows him to use his full mental abilities. After taking the drug, he is able to quickly become successful on Wall Street. However, he becomes addicted to the drug. The document analyzes several scenes from the film and discusses the genres as a thriller and science fiction. It examines the opening scene, first time taking NZT scene, and ending scene in detail through shot analysis.
This document discusses techniques used in action film scenes and provides examples from John Wick and The Equalizer. It explains how action scenes are filmed with dynamic camera angles to immerse viewers and amplify the intensity. Specific shots from John Wick like a long shot of John driving fast out of an airplane hangar and a close-up of his calm facial expressions at high speed are described. Scenes from The Equalizer like a long shot showing contrasting characters at a cafe and a low-angle shot of a fight under a glass table with blood splatter are also summarized.
The opening sequence of Casino Royale is analyzed in detail. It begins with establishing shots setting the scene in Prague. Bond is then shown fighting a man in a toilet, portrayed through techniques like low key lighting and positioning to depict Bond's grittier nature. Props like his gun and the antagonist's hat are used to characterize the characters. Through editing, mise-en-scene, and sound, the sequence conveys tension and violence to immerse the viewer in the action-thriller genre. Flashbacks and limited dialogue maintain an aura of mystery around Bond's mission.
The document summarizes an opening film sequence analysis project completed by three students - Ingrid, Jhané, and Fatou. It includes a table outlining the group members and their assigned tasks. The analyzed film is Dawn of the Dead (2004) and details provided include the genre, year, director, and main actors. The analysis covers various film techniques including camera shots, angles and movement, lighting, characters, editing, sound, and narrative structure. Barthes and Propp narrative theories are also discussed in relation to the opening sequence.
The document provides an overview of a student's media coursework on researching and planning for a thriller genre production. It includes research on intertextual references to films like Paranormal Activity, industry research on film classifications and censorship issues, and plans for a magazine review, DVD cover, and pre-production ideas focusing on the thriller genre.
POWER POINT. (MEDIA EVALUATION QUESTION 1)ReginaldKensah
This document discusses how the media product uses conventions of real thriller films in its opening sequence. It presents the protagonist as an obsessed detective investigating a mystery, drawing from the film Seven. It builds tension through the implied but not seen antagonists. Sound is used to create suspense, including non-diegetic creaking to imply danger. Editing employs techniques like lighting and effects to distinguish a flashback. The location of a flashback by a bridge develops the convention used in the neo-noir film Brick.
The Conjuring 2 follows paranormal investigators Ed and Lorraine Warren as they travel to London to help the Hodgson family who are being haunted in their home. Janet Hodgson, the second eldest daughter, becomes possessed by a malicious entity. The film uses many horror conventions like jump scares and focusing on a family, but also includes some unconventional elements like not having any character deaths and having a happy ending. It tells the story of the Hodgson family's haunting and the Warrens' investigation in a linear way through parallel editing between the two storylines. The film employs various camera techniques, editing styles, lighting, settings, and props to build tension and atmosphere throughout the supernatural horror story.
1) Insidious is a 2011 horror/thriller film that was very profitable, making $59 million worldwide.
2) The film poster features the possessed son Dalton, using lighting and imagery to signify that he is the antagonist.
3) The video clip occurs near the end of the film, showing the protagonist Josh attempting to rescue his son Dalton from the demon. Tension and suspense are built through the lighting, camera angles, unsettling music and inhuman qualities of the demon.
The document analyzes how the media product "Beaten" uses conventions from other thriller genres across film, television, video games, and music. It discusses how Beaten shares elements with 28 Days Later like a protagonist waking up in an unknown location and being chased by zombies. Beaten also includes conventions from The Descent like characters being trapped in confined spaces as they try to escape threats. Through camera angles and the portrayal of attacking creatures, Beaten mirrors techniques used in these other thriller works to create tension and intensity for viewers.
The document outlines a proposed short horror film called "The Devil's Playground" about three girls who get kidnapped after attending a house party with strangers. The target audience is teenagers aged 14-16 to warn them about the dangers of interacting with strangers. The film will be distributed on YouTube to easily reach its target demographic. The purpose is to educate young people and potentially inspire life changes.
This document provides a summary of the opening scenes of the James Bond film Casino Royale. In 3 sentences:
The summary describes several action movie conventions used in the opening scene, including an establishing shot of a car arriving at night, tense close-ups of characters, and changing music to convey different scenes. It follows James Bond as he covertly watches and outsmarts another man in an office confrontation, using his intelligence to disarm a gun. The opening ends with the man shooting at Bond only to be shot himself, with the titles appearing over a shot of blood rolling down the camera lens.
The document analyzes and compares the filmmaking techniques used in the student's thriller film and professional thrillers like Casino Royale. It discusses the use of close-up, mid, and long shots to show emotion and set the scene. Flashbacks were used to provide context and build tension. Care was taken to select royalty-free music to match the visuals. Shots were shortened during editing to keep the pace fast. Costumes and props like knives were chosen to symbolize victims and torturers. Limited lighting was used to create atmosphere and mystery around the torturer. Still shots from both films demonstrate their similar use of props, characters, and lighting to develop suspense.
The document outlines a proposed short horror film called "The Devil's Playground" about three teenage girls who are kidnapped after attending a house party with strangers. The film aims to educate teenagers aged 14-16 on the dangers of interacting with strangers. It will target lower income teenagers and be distributed on YouTube for free viewing. The genre of horror is chosen to effectively send a message through tension and suspense.
The document discusses various cinematic techniques used in filmmaking, including match-on-action, shot/reverse-shot, and the 180 degree rule. It provides examples of how these techniques were used in the author's film to create clarity, continuity, and avoid confusion. Specific techniques like lighting and POV shots were also employed to build tension and suspense.
The opening sequence for Coraline uses close-up shots of a doll being disassembled by mechanical hands to disorient the viewer and set the tone that someone or something is manipulating objects. For Skyfall, the opening shows James Bond falling underwater while being pulled down by a larger force, representing how people can be brought down. The opening of Dawn of the Dead uses flickering images and music to depict the chaos of a zombie outbreak in a way that makes the violence seem normal.
This document provides an analysis of technical codes and conventions used in the 2002 horror film "28 Days Later" including plot, sound, editing, camera work, and mise-en-scene. It summarizes how the film uses diegetic and non-diegetic sound, fast editing and a greenish filter to create tension. Shots include handheld camerawork, low angles, and point-of-view shots to represent chaos, unease, and the protagonist's abandonment upon finding an empty London. Mise-en-scene features like the protagonist's hospital clothing symbolize human vulnerability against the infected apes.
This document provides an analysis of technical codes and conventions used in the 2002 horror film "28 Days Later" including plot, sound, editing, camera work, and mise-en-scene. It summarizes how the film uses diegetic and non-diegetic sound, fast editing and a greenish filter to create tension. Shots include handheld camerawork, low angles, and point-of-view shots to represent chaos, unease, and the protagonist's abandonment upon finding an empty London. Mise-en-scene features like the protagonist's hospital clothing symbolize human vulnerability against the infected apes.
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The Skyfall opening sequence is a 3D animated sequence set underwater. It begins with James Bond falling unconscious into the sea and being pulled deeper underwater towards danger. Shots from Bond's perspective build tension as he is sucked into a dark hole. Imagery of targets with wounds and falling weapons imply violence and death. A graveyard and run-down building with a red fog connote danger. Images of Bond with wounds could foreshadow events. Alternating between threats and shots of Bond imply a struggle that will engage audiences.
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Lambda, Elastic Beanstalk, Lightsail, Amplify, S3 (and more!) can each host websites + APIs. But which one should we choose?
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Paper Link: https://eprint.iacr.org/2024/257
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Taking AI to the Next Level in Manufacturing.pdfssuserfac0301
Read Taking AI to the Next Level in Manufacturing to gain insights on AI adoption in the manufacturing industry, such as:
1. How quickly AI is being implemented in manufacturing.
2. Which barriers stand in the way of AI adoption.
3. How data quality and governance form the backbone of AI.
4. Organizational processes and structures that may inhibit effective AI adoption.
6. Ideas and approaches to help build your organization's AI strategy.
1. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
Codes & Conventions Research:
Task 1.1
The Black Hole is a short film lasting just under three minutes. It was created in 2008 and is
distributed by Future Shorts who are a specialist short film label. The film stars Napoleon Ryan and
was written and directed by Phil Sansom and Olly Williams.
The film centres a round an office worker who
is routinely photocopying as part of his job.
The camera then zooms in to a close up shot
which is used to show that the everyday man
is in fact quite bored. He looks like he is sick of
his job and is wishing for something amazing
to happen.
The close up shot shows that he is tired and
frustrated, when the photocopier breaks he
takes his anger out on the machine bashing
the buttons and kicking out..
The machine goes quiet and then prints out a single page with a solid black circle on it. The worker
places the page to one side and continues his drink but after placing his plastic cup down he sees it
disappear through the hole in the paper.
2. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
The framing in this low reverse angle shot
tells us a lot about the black hole, giving it
depth.
This eye line shot brings the character down
to the audience level showing us that it is just
paper on a solid surface.
The use of props and special effects from this point leaves us believing that the hole is real. The low
profile close up shot of the worker examining the hole and then lifting the page to put his arm
through the hole, are particularly effective.
Having discovered that the black hole has powers he tries to use it on the vending machine, stealing
a bar of chocolate. He enjoys his chocolate before deciding that on a bigger crime to rob the
company. Close up shots showing the characters facial expressions enables good communication
with the audience at this point. The shots below show his enjoyment whilst eating and reaction to a
sudden idea.
Using the black hole to break into a locked room, he moves towards the safe.
3. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
Lighting plays a part in this section of the film
the darker surroundings in the room with the
safe giving a dark side both in what the
worker is going to do and indicating the room
is isolated. In this shot backlighting causes the
worker to be silhouette.
After successfully removing a large quantity of cash the worker is overcome with greed, he reaches
further and further into the safe finally climbing right in, in search of extra wads of cash. This
extreme close-up shows the real greed in his eyes. A medium shot is used as he goes in the safe.
The final scenes shows the sellotape holding the paper with the black hole on it coming loose and
the paper falling to the ground leaving the worker trapped inside the safe.
Continuity is quite good. Care has been taken at the beginning of the film, particularly when the
clock is in the scene but later on when emptying the safe some editing has moved the scenes around
and two bundles of cash disappear.
The film initially looks very simple it has only one character, there is no narration or dialogue of any
kind but there are special effect noises for the black hole. The location looks like a dull everyday
office.
4. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
==================================
Batman Dead-end is a short film lasting just over eight minutes. It was created in 2003 and is
distributed by Collora Studios who are a small independent label. The film stars Clark Bartram as
Batman and Andrew Koenig as the Joker, it was written and directed by Sandy Collora,
The film starts off with a number of extreme close-up shots showing Batman getting dress and
preparing for his next mission. The dark background and focussed light gives a strong effect.
The file continues with a long aerial shot in
which an important looking tower block is
shown and also revealing the rest of the dark
night time scene.
5. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
A medium shot is used which frames batman
and shows his bat symbol. This suggests that
the batman is a powerful character in this
film.
The film is very atmospheric using dark
lighting, rain and a number of high and low
angle shots.
The film uses a lot of point of view (P.O.V.)
shots, this one shows Batman’s surprise as the
Joker is snatched away over the roof top. The
close up of the angle of Batman’s head
Batman finds the joker up to no good and a indicating the height of the building, with the
fight starts. These two extreme close-up shots second shot showing the jokers legs
shown close together are used to show the disappearing.
expressions on their faces, this shows how
much the two rivals hate each other.
6. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
This eye line shot shows that Batman has
immediately spotted the alien and he is
looking straight at it.
This is a different type of P.O.V. shot it shows
what the predator is seeing when Batman is
stood in front of it. It uses a heat sensing
camera to give a colour negative effect. It tells
us that the aliens are nothing like humans.
In contrast to the dark mood of the film, the
fight scenes use very high key light to show
power.
More Predators join in the fight.
The final scene uses a wide angle and is taken
from outside the fighting group it shows us
the trouble Batman is facing being
surrounded with no possible escape between
his captures. It leaves us thinking this might
be the end of Batman.
I think the film is really good it brings together characters from two different films that I have seen
and makes them fit in and look right. It has a lot of good action scenes and looks like a real Batman
Film. There is a small amount of dialogue in this film but most of the audio is special effects noises
to signify the predator and alien.
==========================
7. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
Inside is a short film lasting just over five minutes. It was created in 2002. The film stars Jeremy Sisto
as the main character, Daniel. It was written by Eric Giz Gewirtz and Trevor Sands who also directed
it. The film is about a mental patient with a multiple personality disorder based in a mental
institution.
The film starts off with the patient in a
padded cell. This high angle shot shows his
isolation.
This is an over the shoulder shot to show that he
is being taken down a dark corridor by the guards.
This shot is a long shot to show that this is a
dark creepy place, the low key lighting helps to
put this in place. As this shot takes place there
is a sudden scary audio track that plays, this
creates a horror theme to the film.
As Daniel is taken down the corridor on his way to an office to be interviewed by a doctor he is
joined by more and more people on his journey there.
He goes inside an office where he is interviewed about his problem by a doctor. As the shot starts it
is a pan shot which introduces a new location and character, the camera then moves right the way
round the back of the doctor to create an over the shoulder shot as she talks to Daniel.
8. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
As Daniel talks to the doctor other people in the room speak at the same words at the same time.
The people are all from Daniel’s personality disorder.
Mid shots are used to show this. There is a lot of noise in the room as all the people speak this shows
the confusion of Daniel’s mind. Some people speak angrily others are quite calm.
As the doctor calms Daniel down all the people
start to disappear until only Daniel and the doctor
remain. A Two-Shot is used here to show that all
the people have disappeared and shows that the
doctor and Daniel are having a one on one
conversation.
As the door opens another doctor enters the
room he sits at the desk and then there is a twist
in the story as we realise that the first doctor was
also from Daniel’s imagination. This low angle
close up shot shows Daniel’s facial expression and
also it makes the first doctor look as if she is a
powerful touch to the story as this is when we
realise that she is on his side.
I think this was an odd story and it me took a lot of time to understand what was going on. It was a
good concept as towards the end of the story there was a shocking twist to the story which I would
not have not suspected. The film consisted of dark light and horror sounds to make the film a bit
more dramatic. The characters in the film had very different personalities some times quiet but
other times really angry and loud which added another interesting element to the film.
I enjoyed watching each of the films and was inspired to recreated similar camera angles within my
own short film see the treatment for Isolation. Although detailed I think that each film could have
9. Jonathan Ward
Extended Diploma in Creative Media Production
Assignment IG1
been made using a single camera. Good picture and sound editing has helped each of the films
keeping the story flowing successfully.