Scene analysis
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The document analyzes and summarizes scenes from two TV shows: Sherlock and Star Wars Rebels. In the Sherlock scene, a nude woman confronts Sherlock to grab his attention, then they discuss a murder. The set uses bright colors contrasted with dark colors worn by the characters to draw attention to their serious discussion. In the Star Wars Rebels scene, rebels escape an enemy fortress but are confronted by Darth Vader and stormtroopers. The dimly lit docking bay sets an unsettling tone, and color is used symbolically with the heroes in varied colors and villains in dark, monochrome colors like Darth Vader's black.
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Horror movie conventions
Horror films typically feature isolated, dark settings like abandoned buildings or forests to reflect the loneliness of characters without help. Common props used include knives and guns to convey roles or advance the plot. Camera techniques like high angles, point-of-view shots, and handheld footage add fear by making characters seem vulnerable or disorienting the audience. Dark lighting, shadows, and unsettling non-diegetic sounds further an atmosphere of tension and dread.
Use of fear in the babadook (2013)
The document analyzes how the film "The Babadook" uses different phobias to create fear in viewers. It discusses how the film employs nyctophobia (fear of darkness) through its setting in a dark, mysterious house reflecting the main character's depression over her husband's death. It also examines how the film suggests dementophobia (fear of insanity) as the main character may be losing her grip on reality and seeing things that aren't there due to her grief. Brief examples are given of how the film includes entomophobia (fear of insects) and claustrophobia (fear of enclosed spaces) to add to the overall fear created through its use of common phobias.
Genre connotations
This document discusses genre conventions for horror/comedy films. It notes that horror stories often take place in isolated or abandoned locations to portray feelings of being alone. The camerawork aims to be unnatural using techniques like high and low angles, point-of-view shots, and handheld cameras to make the viewer feel involved. Lighting is typically low-key to create dark shadows and unfamiliar shapes. Common props include masks to conceal identities and weapons ranging from melee to firearms.
Conventions of the horror genre
The document discusses several common conventions of the horror genre that are exemplified in Michael Jackson's "Thriller" music video. These conventions include the use of young vulnerable victims, eerie settings that create unease, a "good vs evil" dynamic with a powerful villain chasing the heroine, the lone female victim being more vulnerable, screaming to create fear in both characters and audience, chase scenes that build tension, an unknown killer to generate mystery, identifiable costumes, weapons that threaten victims, isolation exposing characters to danger, effective use of sound and music, blood to add realism, death as a source of tension, dark settings for scary incidents, and reflecting existing societal fears.
Horror Genre Conventions
The document outlines several conventions of horror films including setting, cinematography, iconography, narrative, characters, and themes. Settings often involve isolated, dark urban areas like alleys or abandoned buildings. Cinematography uses unnatural camera movements, point-of-view shots, handheld shots, and close-ups to create tension. Common iconography includes dark colors, low lighting, weapons, and monsters. Narratives usually follow the classic structure with an antagonist and protagonist battling for survival. Characters include victims, villains, creepy children, and corrupted officers. Popular themes involve good vs evil, religion, childhood issues, science gone wrong, zombies, insanity, envy, and suicide.
Horror Genre Conventions
The document outlines several conventions of horror films, including common settings like isolated or run-down urban areas with dark histories, the use of unnatural camerawork like POV shots and handheld footage to add realism, and iconic visual styles employing dark colors, low lighting, and frightening props. It also discusses narrative structures featuring protagonists battling antagonists, familiar character archetypes, and themes involving good versus evil, religion, childhood trauma, science, and mental instability that exploit human fears.
Horror
Horror films seek to create fear in audiences by playing on primal fears using macabre and supernatural themes. Common conventions include isolated settings like back alleys or asylums, supernatural beings that create abnormality, and props like knives that are accessible threats. Gruesome deaths and blood are often shown. Horror targets young adult audiences aged 16 to 25 who enjoy high gore levels in films and games, and often objectifies attractive women who are killed, theorized to appeal to male viewers' sexual urges. Over time, horror has diversified into subgenres like fake documentaries, mass infestations, building terror, creatures, gore, and serial killers to attract different audiences.
How did you attract your audience
To attract their target audience of thriller and horror fans, the creators:
1) Made the main character a girl to relate to female audiences and break conventions of a typical dark thriller.
2) Had the main female character wear a colorful outfit in a spooky graveyard scene to contrast with the dark setting and intrigue audiences.
3) Included a fight scene at the start where the main character's brother is killed by a demon to make audiences feel sympathetic and want to see what happens next.
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Horror movie conventions
Horror films typically feature isolated, dark settings like abandoned buildings or forests to reflect the loneliness of characters without help. Common props used include knives and guns to convey roles or advance the plot. Camera techniques like high angles, point-of-view shots, and handheld footage add fear by making characters seem vulnerable or disorienting the audience. Dark lighting, shadows, and unsettling non-diegetic sounds further an atmosphere of tension and dread.
Use of fear in the babadook (2013)
The document analyzes how the film "The Babadook" uses different phobias to create fear in viewers. It discusses how the film employs nyctophobia (fear of darkness) through its setting in a dark, mysterious house reflecting the main character's depression over her husband's death. It also examines how the film suggests dementophobia (fear of insanity) as the main character may be losing her grip on reality and seeing things that aren't there due to her grief. Brief examples are given of how the film includes entomophobia (fear of insects) and claustrophobia (fear of enclosed spaces) to add to the overall fear created through its use of common phobias.
Genre connotations
This document discusses genre conventions for horror/comedy films. It notes that horror stories often take place in isolated or abandoned locations to portray feelings of being alone. The camerawork aims to be unnatural using techniques like high and low angles, point-of-view shots, and handheld cameras to make the viewer feel involved. Lighting is typically low-key to create dark shadows and unfamiliar shapes. Common props include masks to conceal identities and weapons ranging from melee to firearms.
Conventions of the horror genre
The document discusses several common conventions of the horror genre that are exemplified in Michael Jackson's "Thriller" music video. These conventions include the use of young vulnerable victims, eerie settings that create unease, a "good vs evil" dynamic with a powerful villain chasing the heroine, the lone female victim being more vulnerable, screaming to create fear in both characters and audience, chase scenes that build tension, an unknown killer to generate mystery, identifiable costumes, weapons that threaten victims, isolation exposing characters to danger, effective use of sound and music, blood to add realism, death as a source of tension, dark settings for scary incidents, and reflecting existing societal fears.
Horror Genre Conventions
The document outlines several conventions of horror films including setting, cinematography, iconography, narrative, characters, and themes. Settings often involve isolated, dark urban areas like alleys or abandoned buildings. Cinematography uses unnatural camera movements, point-of-view shots, handheld shots, and close-ups to create tension. Common iconography includes dark colors, low lighting, weapons, and monsters. Narratives usually follow the classic structure with an antagonist and protagonist battling for survival. Characters include victims, villains, creepy children, and corrupted officers. Popular themes involve good vs evil, religion, childhood issues, science gone wrong, zombies, insanity, envy, and suicide.
Horror Genre Conventions
The document outlines several conventions of horror films, including common settings like isolated or run-down urban areas with dark histories, the use of unnatural camerawork like POV shots and handheld footage to add realism, and iconic visual styles employing dark colors, low lighting, and frightening props. It also discusses narrative structures featuring protagonists battling antagonists, familiar character archetypes, and themes involving good versus evil, religion, childhood trauma, science, and mental instability that exploit human fears.
Horror
Horror films seek to create fear in audiences by playing on primal fears using macabre and supernatural themes. Common conventions include isolated settings like back alleys or asylums, supernatural beings that create abnormality, and props like knives that are accessible threats. Gruesome deaths and blood are often shown. Horror targets young adult audiences aged 16 to 25 who enjoy high gore levels in films and games, and often objectifies attractive women who are killed, theorized to appeal to male viewers' sexual urges. Over time, horror has diversified into subgenres like fake documentaries, mass infestations, building terror, creatures, gore, and serial killers to attract different audiences.
How did you attract your audience
To attract their target audience of thriller and horror fans, the creators:
1) Made the main character a girl to relate to female audiences and break conventions of a typical dark thriller.
2) Had the main female character wear a colorful outfit in a spooky graveyard scene to contrast with the dark setting and intrigue audiences.
3) Included a fight scene at the start where the main character's brother is killed by a demon to make audiences feel sympathetic and want to see what happens next.
Still analysis
The document analyzes still images from a film to understand the techniques used and what they convey to the audience. Still 1 uses a long shot to show students surrounding the main character, whose bright clothing draws attention. Still 2 uses close-up and low key lighting on the main character's face to emphasize importance and suggest mystery. Still 3 shows the main character changing in low key lighting, suggesting something bad will occur. Still 4 shows a character being dragged in low key lighting and eye-level angle to place the audience in his perspective as he is murdered. Still 5 uses fire and a mid shot to question who is responsible for the fire and show the main character's scared expression. Still 6 shows leaves and trees in low key lighting
Codes and conventions of horror films
This document outlines common codes and conventions of horror films. It discusses themes such as revenge, childhood issues, and the supernatural. It also examines sub-genres and describes how horror films typically use isolated or abandoned locations with low lighting to create tension. Common audio techniques like non-diegetic sounds and nursery rhymes are mentioned. The document also analyzes Propp's character archetypes in horror narratives, such as the villain, hero, and princess.
Genre Research
Thriller films originated in the 1920s with Alfred Hitchcock's films based on crime stories. Over time, thrillers developed narratives involving crime, violence, and action. Now thrillers are one of the most established film genres, with different types including psychological thrillers, conspiracy thrillers, and crime thrillers. Typical characters in thrillers include killers, victims, police, and crime solvers who help build audience anticipation. Iconography like weapons, lighting, locations, and silhouettes are used to create suspense and tension. Popular thrillers often spawn sequels and series due to audience reception.
Masque of the Red Death & Color Symbolism
This document discusses Edgar Allan Poe's short story "The Masque of the Red Death" and analyzes some of its symbolic elements. It explains that in the story, Prince Prospero's house has seven rooms decorated in different colors from east to west - blue, purple, green, orange, white, violet, and black. The document then discusses how different colors can symbolize various ideas and emotions. It suggests the ordering and colors of the rooms may have deeper symbolic meaning. Finally, it notes the story can be read as an allegory with literal plot elements also representing abstract concepts.
Trailer overview horror
The document provides an overview and analysis of 6 horror film trailers, identifying common conventions. Most trailers open at night to establish a dark tone and use dim lighting throughout. Modern costumes are worn to make the characters relatable, but some trailers feature possessed characters in old-fashioned clothing. The trailers take place in urban settings to imply supernatural events could happen anywhere and isolated settings create a sense of vulnerability. Edits start slow but speed up when something goes wrong to build tension. Film titles represent their subgenre and use words with darker meanings to signal the horror content.
Setings in psychological thrillers.
The document discusses how settings are used in psychological thrillers to establish characters and propel the plot. Initial home settings can portray a character's mental state and lifestyle. Pivotal moments often take place in dark or ominous natural settings like forests at night to build tension. Later settings like cities can represent a character's feelings of claustrophobia or isolation as the story progresses. Overall, settings are deliberately chosen in psychological thrillers to subtly convey characters' emotions and foreshadow upcoming events through their connotations.
Key features of noir
This task was to research and write up the elements and conventions that create the noir genre which was essential for our understanding. These features included cinematography, mise-en-scene, editing, sound, themes, characterisation and the narratives.
Conventions of a horror
Horror films traditionally employ certain conventions including visual styles like red colors signifying danger, props like weapons identifying villains, and iconic monsters. Camera techniques like close-ups build suspense, while settings provide isolation. Narratives usually feature a hero battling an undefeatable villain, with stereotypical characters dying in order of weakness. However, modern horrors subvert conventions by omitting villains, having unpredictable outcomes, and featuring unconventional characters and themes.
Horror Genre Conventions
Horror films typically feature isolated settings like abandoned buildings, forests, or cities after dark. Cinematography aims to unsettle the audience with unnatural camera movements, point-of-view shots, and quick editing. Common iconography includes dark colors, low lighting, weapons, and monsters. Narratives usually involve an antagonist threatening the protagonist, with themes exploring good versus evil, religion, childhood trauma, science experiments gone wrong, zombies, insanity, envy, and suicide. Key characters are the victim protagonist, supernatural villain, creepy children, and trustworthy or corrupted police officers.
Genre Research - Thriller
Alfred Hitchcock was one of the first directors to make thriller films in the 1920s and 1930s, establishing conventions like suspense and mystery that defined the genre. In the late 20th century, thrillers became more graphic with films like Seven and The Silence of the Lambs that established the popular crime thriller subgenre. Common character types in thrillers include detectives solving mysteries, terrorists causing chaos, spies as protagonists or antagonists, and psychopaths as villains.
9 frame kidulthood
The establishing shots introduce stereotypical groups of schoolboys, antagonistic young black males in hoods, and social outcasts trying to make friends across groups. A series of shots move from long to close up in the classroom to draw the audience in and focus on the male students, before a POV and voiceover position the audience in the female character's perspective.
Greek and ShakespeareTragedy
This document discusses Greek and Shakespearean tragedy. It defines tragedy as drama about human suffering that induces catharsis in the audience. Both Greek and Shakespearean tragedies typically involve the downfall of a heroic protagonist due to a fatal flaw or error. The document outlines Aristotle's definition of tragedy and his six elements of tragedy. It provides examples of famous Greek and Shakespearean tragedies and notes some similarities and differences between the two traditions, including their portrayal of a protagonist's fall from glory.
Genre
Drama uses realistic characters and situations to portray character development and social interactions which typically evoke strong emotions in audiences. Subgenres like historical drama depict dramatic past events and short films aim to connect with a small number of characters, provide a moral or twist, and tell relatable stories within tight time and budget constraints.
The Great Debaters
The film "The Great Debaters" tells the true story of the first black debate team at Wiley College in Texas in the 1930s. It illustrates the journey of their coach Melvin Tolson to build the confidence of his debaters that the power of words can overcome all obstacles. Though it takes some creative liberties with facts, the film delivers inspiring performances that strike emotional chords in the audience and educate viewers about literature and the social challenges of the time period. While not a completely historically accurate retelling, the buoyant story and performances make it worthwhile viewing.
Elevator pitch
1) The document outlines a 2-minute opening scene for a thriller/horror film that alternates between present and flashback scenes. In the flashback, two girls are kidnapped in the woods. In the present, one girl returns to the woods and finds a memorial but is confronted by the kidnapper.
2) The target audience is 15-35 year olds of both genders. The archetype is flight and pursuit as a man pursues the female protagonist. It will end on a cliffhanger to intrigue audiences.
3) The setting is in a wooded area to create an eerie atmosphere using natural lighting and sounds. Scenes will use black and white or dark tones to
Plague 3
The document discusses the aftermath of the Black Death plague in medieval England. It describes how the plague devastated peasant populations and led to increased wages and freedoms for survivors. Peasants like William Brewer gained more bargaining power due to labor shortages, allowing some to leave manorial lands and live freely. The document prompts the reader to continue and finish the story of William Brewer and other survivors, detailing how their lives improved in the years after the plague. It also provides guidance for strengthening a historical story by ensuring it is firmly grounded in facts about the disease, medieval beliefs, and impacts on peasants and villages.
Mise-en-scene
Mise-en-scene refers to all aspects of the visual components of a film including color, costume, props, set/location, blocking/performance, and lighting. The 6 key areas of mise-en-scene are analyzed in a document which discusses how they are used to convey meaning and influence audience interpretation. Examples are provided of how color, costume, and lighting are employed in different film scenes to represent character traits or set a mood. Props that may be used for a police interrogation or romantic date are suggested along with how actors could be directed to interact with them.
Mise-en-scene
This document discusses the mise-en-scene elements for a scene from a spy/espionage film, including costumes, lighting, actors, makeup, and setting. The costumes would be casual to allow for movement during an escape. Low-key lighting would set the nighttime scene and build intrigue. The actors portraying Li and Rosaline would look exhausted, frightened, and in pain to depict their characters being hunted or tortured. Makeup would emphasize Rosaline's injuries and Li's struggle. The settings include an open field during the escape and a dark, unwelcoming room for interrogation.
Reviews of documentary posters
The document reviews three posters for documentary films: The Summit, Man on Wire, and The Last Man on the Moon. For The Summit poster, the reviewer likes that the foggy mountain landscape leaves the outcome unknown and intrigues viewers. They also appreciate the simple red title placement. For Man on Wire, the poster depicts the daring act of walking a wire between towers and makes the reviewer want to see if the man succeeded. The Last Man on the Moon poster stands out the most for its reflection that provides a poignant flashback, along with the large central title.
Meaning theory pro forma
The document discusses various concepts related to media analysis including denotation and connotation of symbols, poster analysis techniques, soundtrack analysis, stereotypes, iconography in different genres, definitions of linear and non-linear narratives, and techniques used in a Star Wars clip analysis including costume, props, lighting, camerawork, editing, music, and dialogue. Examples are provided for each concept to illustrate their meanings.
Sinsiter powerpoint
The document provides information about the trailer and mise-en-scene of the film "Sinister". Regarding the trailer, it does not reveal the film's name until the end to keep viewers watching. It also uses ominous non-diegetic music and audience reactions to build an unsettling atmosphere. Regarding mise-en-scene, it uses low-key lighting and dark colors to create a sinister and mysterious tone, while costumes distinguish villains from victims. Settings are typically dark alleys or houses meant to contrast normal life and dramatize fear.
Theory meaning pro-forma
The document discusses various concepts related to analyzing media, including:
- Denotation and connotation of words like "snake," "flag," and "gun."
- Elements used in movie posters like color, props, location, and actors.
- Aspects of movie soundtracks like tone and implied meaning.
- How a trailer presents information to suggest a movie's genre like comedy, family, or romance.
- An edited scene that changes the tone and genre of a well-known movie.
- Common stereotypes around gender, social class, age, and more.
- Iconography associated with genres like western, science fiction, and fantasy.
-
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Still analysis
The document analyzes still images from a film to understand the techniques used and what they convey to the audience. Still 1 uses a long shot to show students surrounding the main character, whose bright clothing draws attention. Still 2 uses close-up and low key lighting on the main character's face to emphasize importance and suggest mystery. Still 3 shows the main character changing in low key lighting, suggesting something bad will occur. Still 4 shows a character being dragged in low key lighting and eye-level angle to place the audience in his perspective as he is murdered. Still 5 uses fire and a mid shot to question who is responsible for the fire and show the main character's scared expression. Still 6 shows leaves and trees in low key lighting
Codes and conventions of horror films
This document outlines common codes and conventions of horror films. It discusses themes such as revenge, childhood issues, and the supernatural. It also examines sub-genres and describes how horror films typically use isolated or abandoned locations with low lighting to create tension. Common audio techniques like non-diegetic sounds and nursery rhymes are mentioned. The document also analyzes Propp's character archetypes in horror narratives, such as the villain, hero, and princess.
Genre Research
Thriller films originated in the 1920s with Alfred Hitchcock's films based on crime stories. Over time, thrillers developed narratives involving crime, violence, and action. Now thrillers are one of the most established film genres, with different types including psychological thrillers, conspiracy thrillers, and crime thrillers. Typical characters in thrillers include killers, victims, police, and crime solvers who help build audience anticipation. Iconography like weapons, lighting, locations, and silhouettes are used to create suspense and tension. Popular thrillers often spawn sequels and series due to audience reception.
Masque of the Red Death & Color Symbolism
This document discusses Edgar Allan Poe's short story "The Masque of the Red Death" and analyzes some of its symbolic elements. It explains that in the story, Prince Prospero's house has seven rooms decorated in different colors from east to west - blue, purple, green, orange, white, violet, and black. The document then discusses how different colors can symbolize various ideas and emotions. It suggests the ordering and colors of the rooms may have deeper symbolic meaning. Finally, it notes the story can be read as an allegory with literal plot elements also representing abstract concepts.
Trailer overview horror
The document provides an overview and analysis of 6 horror film trailers, identifying common conventions. Most trailers open at night to establish a dark tone and use dim lighting throughout. Modern costumes are worn to make the characters relatable, but some trailers feature possessed characters in old-fashioned clothing. The trailers take place in urban settings to imply supernatural events could happen anywhere and isolated settings create a sense of vulnerability. Edits start slow but speed up when something goes wrong to build tension. Film titles represent their subgenre and use words with darker meanings to signal the horror content.
Setings in psychological thrillers.
The document discusses how settings are used in psychological thrillers to establish characters and propel the plot. Initial home settings can portray a character's mental state and lifestyle. Pivotal moments often take place in dark or ominous natural settings like forests at night to build tension. Later settings like cities can represent a character's feelings of claustrophobia or isolation as the story progresses. Overall, settings are deliberately chosen in psychological thrillers to subtly convey characters' emotions and foreshadow upcoming events through their connotations.
Key features of noir
This task was to research and write up the elements and conventions that create the noir genre which was essential for our understanding. These features included cinematography, mise-en-scene, editing, sound, themes, characterisation and the narratives.
Conventions of a horror
Horror films traditionally employ certain conventions including visual styles like red colors signifying danger, props like weapons identifying villains, and iconic monsters. Camera techniques like close-ups build suspense, while settings provide isolation. Narratives usually feature a hero battling an undefeatable villain, with stereotypical characters dying in order of weakness. However, modern horrors subvert conventions by omitting villains, having unpredictable outcomes, and featuring unconventional characters and themes.
Horror Genre Conventions
Horror films typically feature isolated settings like abandoned buildings, forests, or cities after dark. Cinematography aims to unsettle the audience with unnatural camera movements, point-of-view shots, and quick editing. Common iconography includes dark colors, low lighting, weapons, and monsters. Narratives usually involve an antagonist threatening the protagonist, with themes exploring good versus evil, religion, childhood trauma, science experiments gone wrong, zombies, insanity, envy, and suicide. Key characters are the victim protagonist, supernatural villain, creepy children, and trustworthy or corrupted police officers.
Genre Research - Thriller
Alfred Hitchcock was one of the first directors to make thriller films in the 1920s and 1930s, establishing conventions like suspense and mystery that defined the genre. In the late 20th century, thrillers became more graphic with films like Seven and The Silence of the Lambs that established the popular crime thriller subgenre. Common character types in thrillers include detectives solving mysteries, terrorists causing chaos, spies as protagonists or antagonists, and psychopaths as villains.
9 frame kidulthood
The establishing shots introduce stereotypical groups of schoolboys, antagonistic young black males in hoods, and social outcasts trying to make friends across groups. A series of shots move from long to close up in the classroom to draw the audience in and focus on the male students, before a POV and voiceover position the audience in the female character's perspective.
Greek and ShakespeareTragedy
This document discusses Greek and Shakespearean tragedy. It defines tragedy as drama about human suffering that induces catharsis in the audience. Both Greek and Shakespearean tragedies typically involve the downfall of a heroic protagonist due to a fatal flaw or error. The document outlines Aristotle's definition of tragedy and his six elements of tragedy. It provides examples of famous Greek and Shakespearean tragedies and notes some similarities and differences between the two traditions, including their portrayal of a protagonist's fall from glory.
Genre
Drama uses realistic characters and situations to portray character development and social interactions which typically evoke strong emotions in audiences. Subgenres like historical drama depict dramatic past events and short films aim to connect with a small number of characters, provide a moral or twist, and tell relatable stories within tight time and budget constraints.
The Great Debaters
The film "The Great Debaters" tells the true story of the first black debate team at Wiley College in Texas in the 1930s. It illustrates the journey of their coach Melvin Tolson to build the confidence of his debaters that the power of words can overcome all obstacles. Though it takes some creative liberties with facts, the film delivers inspiring performances that strike emotional chords in the audience and educate viewers about literature and the social challenges of the time period. While not a completely historically accurate retelling, the buoyant story and performances make it worthwhile viewing.
Elevator pitch
1) The document outlines a 2-minute opening scene for a thriller/horror film that alternates between present and flashback scenes. In the flashback, two girls are kidnapped in the woods. In the present, one girl returns to the woods and finds a memorial but is confronted by the kidnapper.
2) The target audience is 15-35 year olds of both genders. The archetype is flight and pursuit as a man pursues the female protagonist. It will end on a cliffhanger to intrigue audiences.
3) The setting is in a wooded area to create an eerie atmosphere using natural lighting and sounds. Scenes will use black and white or dark tones to
Plague 3
The document discusses the aftermath of the Black Death plague in medieval England. It describes how the plague devastated peasant populations and led to increased wages and freedoms for survivors. Peasants like William Brewer gained more bargaining power due to labor shortages, allowing some to leave manorial lands and live freely. The document prompts the reader to continue and finish the story of William Brewer and other survivors, detailing how their lives improved in the years after the plague. It also provides guidance for strengthening a historical story by ensuring it is firmly grounded in facts about the disease, medieval beliefs, and impacts on peasants and villages.
Mise-en-scene
Mise-en-scene refers to all aspects of the visual components of a film including color, costume, props, set/location, blocking/performance, and lighting. The 6 key areas of mise-en-scene are analyzed in a document which discusses how they are used to convey meaning and influence audience interpretation. Examples are provided of how color, costume, and lighting are employed in different film scenes to represent character traits or set a mood. Props that may be used for a police interrogation or romantic date are suggested along with how actors could be directed to interact with them.
Mise-en-scene
This document discusses the mise-en-scene elements for a scene from a spy/espionage film, including costumes, lighting, actors, makeup, and setting. The costumes would be casual to allow for movement during an escape. Low-key lighting would set the nighttime scene and build intrigue. The actors portraying Li and Rosaline would look exhausted, frightened, and in pain to depict their characters being hunted or tortured. Makeup would emphasize Rosaline's injuries and Li's struggle. The settings include an open field during the escape and a dark, unwelcoming room for interrogation.
Reviews of documentary posters
The document reviews three posters for documentary films: The Summit, Man on Wire, and The Last Man on the Moon. For The Summit poster, the reviewer likes that the foggy mountain landscape leaves the outcome unknown and intrigues viewers. They also appreciate the simple red title placement. For Man on Wire, the poster depicts the daring act of walking a wire between towers and makes the reviewer want to see if the man succeeded. The Last Man on the Moon poster stands out the most for its reflection that provides a poignant flashback, along with the large central title.
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Similar to Scene analysis
Meaning theory pro forma
The document discusses various concepts related to media analysis including denotation and connotation of symbols, poster analysis techniques, soundtrack analysis, stereotypes, iconography in different genres, definitions of linear and non-linear narratives, and techniques used in a Star Wars clip analysis including costume, props, lighting, camerawork, editing, music, and dialogue. Examples are provided for each concept to illustrate their meanings.
Sinsiter powerpoint
The document provides information about the trailer and mise-en-scene of the film "Sinister". Regarding the trailer, it does not reveal the film's name until the end to keep viewers watching. It also uses ominous non-diegetic music and audience reactions to build an unsettling atmosphere. Regarding mise-en-scene, it uses low-key lighting and dark colors to create a sinister and mysterious tone, while costumes distinguish villains from victims. Settings are typically dark alleys or houses meant to contrast normal life and dramatize fear.
Theory meaning pro-forma
The document discusses various concepts related to analyzing media, including:
- Denotation and connotation of words like "snake," "flag," and "gun."
- Elements used in movie posters like color, props, location, and actors.
- Aspects of movie soundtracks like tone and implied meaning.
- How a trailer presents information to suggest a movie's genre like comedy, family, or romance.
- An edited scene that changes the tone and genre of a well-known movie.
- Common stereotypes around gender, social class, age, and more.
- Iconography associated with genres like western, science fiction, and fantasy.
-
Codes and conventions in the horror genre
This document discusses the codes and conventions commonly used in horror films and trailers. It outlines the typical narrative structures, characters, settings, costumes, props, colors, and sounds employed to unsettle audiences and create suspense. Narratives usually follow a pattern of equilibrium, disruption, recognition, attempted repair, and potential return to equilibrium. Settings are often isolated or abandoned locations that heighten tension. Lighting, colors, and sounds are used to generate ominous and frightening atmospheres. Character archetypes include protagonists, antagonists, victims, and unlikely heroes. Together, these elements form the iconography of the horror genre.
Theory meaning pro-forma
This is the meaning pro-forma for unit 2. This PowerPoint discusses connotation and denotation as well as the meaning and symbolism behind films/covers/games etc.
Codes and conventions in the horror genre
This document discusses the codes and conventions commonly used in horror films and trailers. It outlines the key narrative structures, characters, settings, costumes, props, colors, and sounds that define the genre. Narratives typically follow a pattern of equilibrium, disruption, recognition, attempt to repair, and return to equilibrium. Common characters include the protagonist, antagonist, sex appeal victim, and unlikely hero. Settings are often isolated or abandoned locations. Lighting, colors, costumes, and sounds are used to create an eerie atmosphere and build suspense and tension.
Codes and conventions in the horror genre
Horror films use various codes and conventions to frighten audiences, including narrative structures involving disruption and attempts to repair equilibrium, stereotypical characters like protagonists and antagonists, and mise-en-scene elements like isolated settings, dark lighting, costumes signifying hope or evil, and props representing violence. Additionally, the document discusses how colors like red, black, and white are used to convey danger and mystery, and how non-diegetic and synchronous sounds create suspense, scare audiences, and change the mood.
Meaning theory pro forma
The document discusses various film concepts including narrative structure, stereotypes, iconography for different genres, and analyzing film clips. It provides definitions for linear and non-linear narrative and examples of each. It also analyzes how costumes, dialogue, props, lighting, camera work, editing, music, and color are used to distinguish good and bad characters in a clip featuring a duel with lightsabers.
Film noir [autosaved]
Film noir has a distinct style that represented the mood in America after World War II through its use of gloomy grays, blacks, and whites. Visually, film noir used expressionistic lighting, shadows, and skewed camera angles to convey a sense of isolation. One recognizable feature is the use of low-key lighting and shadows to create a sense of disorientation and emphasize the cold nature of characters. Gender roles were also distinctly portrayed, with femmes fatales representing a threat to traditional values and victims portrayed as upholding maternal instincts. The 1941 film I Wake Up Screaming showed how women were limited to careers based on looks and the power dynamics of the time through camera angles that made women appear submissive.
Analysis Of Saw
The document discusses cinematography, lighting, costumes, locations, editing, mise-en-scene, and sound design in a slasher horror film. Mid shots, long shots, and close ups are used to show characters, settings, and facial expressions. Bright, red, and dim lighting are used to convey different meanings. Costumes distinguish victims from the anonymous killer and other bad characters. Locations are claustrophobic and dirty. Fast editing builds tension during action scenes. Sound is mostly silence or heavy breathing except for loud music during action. The film employs conventions of the slasher genre including a masked killer who doesn't speak directly to victims.
Evaluation - Kurtis Hetherington
The document provides an analysis of how the opening of a student horror film uses, develops, and challenges conventions of real horror films. It examines elements like titles, plot, camerawork, mise-en-scene, editing, sound, and representation of social groups. It finds the opening challenges some conventions by showing an independent female protagonist but remains fairly conventional to appeal to mainstream audiences. The analysis suggests the film could be distributed by Momentum Pictures and shown in art houses or multiplexes depending on its success. Through the process, the students learned skills with technologies like blogging, filming with DSLR and additional equipment, and editing with software filters and effects.
Evaluation Question 1
This document analyzes the filmmakers' use of conventions from thriller movies in their short film. It discusses how they incorporated simple opening titles, point-of-view shots, vanishing points, chiaroscuro lighting, isolated exterior locations, confined interior spaces, flashbacks/dream sequences, and binary oppositions between characters and locations. Examples are given of how similar techniques were used effectively in movies like Once Upon a Time in America, The Killing, and No Country For Old Men. The analysis aims to show how borrowing conventions from acclaimed thrillers helped make their short film feel more authentic to the genre.
Horror Genre Conventions
The document outlines several common conventions of the horror genre including setting conventions that often involve isolated or abandoned areas. It also discusses conventional technical codes like camera angles and editing that are used to create fear. Common iconography in horror includes dark visuals, low lighting, religious props, and monster figures. Narratively, horror often follows the disruption and repair of equilibrium or a story of overcoming a monster, and themes typically involve good vs evil, the supernatural, and fear/terror.
Theory meaning pro-forma
This document defines and provides examples of key film analysis terminology. It discusses the denotation and connotation of words like snake, flag, and gun. It also examines techniques used in film trailers like The Shining and Scary Mary to misrepresent the films' true genres. Additionally, it outlines common stereotypes, iconography of different genres, definitions of linear and non-linear narratives, and elements of film analysis like costume, dialogue, and music.
Theory meaning pro-forma
This document defines and provides examples of key film analysis terminology. It discusses the denotation and connotation of words like snake, flag, and gun. It also examines techniques used in film trailers like The Shining and Scary Mary to misrepresent the films' true genres. Additionally, it outlines common stereotypes, iconography of different genres, definitions of linear and non-linear narratives, and elements of film analysis like costume, dialogue, and music.
Genre theory
This document provides an overview of genre theory in film. It discusses how genres have common elements and conventions that allow films to be categorized. Some key points made include:
- Genres have existed since the early days of cinema and also have roots in ancient Greek theatre.
- Genres are defined by common themes, settings, styles, and plots across multiple films.
- Several examples of genres are given like sci-fi, horror, musical, and examples of conventions for each are listed.
- The document analyzes the genre and conventions of the film "Leon" and categorizes it as an action thriller.
Conventions+of+supernatural
This document discusses the supernatural horror sub-genre of possession films. It notes that possession films center around supernatural elements like demons and deal with life's unanswered questions. Common conventions include using dark and mysterious colors like red, black, and white to create tension. The main character is often the one who is possessed and becomes the antagonist, while religious characters try to perform exorcisms. Isolated, historic locations like abandoned houses are also typical settings. Examples are given of possessed characters from films like Insidious and Sinister, as well as common stock locations and color schemes used in posters and DVD covers.
Theory meaning pro-forma v
The document discusses various concepts related to theory including denotation and connotation of symbols like snakes, flags, and guns. It also analyzes color schemes, character expressions, and iconography used in posters and trailers for films and TV shows like Orange is the New Black, American Horror Story: Freak Show, and The Visit. Additionally, it examines stereotypes associated with gender, class, age and lifestyle. Finally, it defines narrative, provides examples of linear and non-linear narratives, and analyzes the use of color in a Star Wars clip to denote good and evil characters.
Theory meaning pro-forma
This document defines and provides examples of key film analysis terminology:
- It defines denotation and connotation for the terms "snake", "flag", and "gun", explaining their literal and implied meanings.
- It defines different film techniques like lighting, props, models, and location used to convey meaning and tone in images.
- It analyzes two movie trailers, explaining how their use of music, footage selection, and other elements aim to misrepresent the films' actual genres.
- It outlines common stereotypes associated with groups like men/women, social classes, and ages.
- It lists iconic visuals and settings often seen in Western, sci-fi, and fantasy genres.
Genre Research
Horror films use certain themes, props, settings, and character archetypes to invoke fear and thrill audiences. Common themes include hauntings, religion, good vs. evil, and monsters. Props like knives and masks are often used to denote the genre. Settings tend to be graveyards, abandoned buildings, cabins, and haunted houses at night to create tension. Character archetypes include the final girl protagonist, the unlikely hero, the antagonist villain, and the sex appeal character who is often the first to die.
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Production management stage 2 2015
This document provides a proposal and pitch for a short science fiction film about a man who gets trapped inside his computer while trying to stop a virus he created. It includes an outline, description of characters and their motivations, intended locations, resources needed, budget, schedule, and pitch addressing why the filmmaker is well-suited to tell this story. The proposal demonstrates planning around production, marketing to the target sci-fi audience of males under 50, and utilizing available resources and facilities.
Production management stage 1
The document outlines the stage 1 production process for an idea about a computer virus. It includes initial mind maps and research on the idea. The target audience is identified as generally male aged 16-19 based on surveys and research on similar films. Appropriate production techniques like CGI and a 12 rating are identified. Resources, constraints, and management considerations are discussed. The idea is modified to have the technician use termination software instead of defeating the virus directly, and to set up a potential sequel by infecting the protagonist.
Production management evaluation 2015
This document provides questions for evaluating a final film project. It asks the student to explain their pre-production, production, and post-production processes, addressing what went well and could be improved. It also asks about scheduling, individual and team performance, problems encountered and how they were resolved, use of resources, production techniques learned, project monitoring, and early versions of the film including feedback received.
Work in progress
The document describes the process of creating virtual sets and animating a CGI virus in 3D animation software. Some key steps include:
- Building virtual sets from simple blocks, adjusting dimensions, copying and rearranging pieces to create walls and corridors.
- Constructing the virus model from basic blocks and polygons, adding detail to the face through modeling, and texturing the body.
- Animating the virus by moving and rotating individual body parts around pivots, and placing reference blocks under feet.
- Adding background textures like changing binary code to virtual set walls, and rendering transition graphics like a spinning tunnel to connect shots.
Prod management production template stage 3 2015 2
This document provides an outline for the organizational planning of a film production. It includes details about the production team members and their roles. It also describes the filming locations, including both physical and virtual sets. A risk assessment and contingency plan are suggested to mitigate potential issues. A production schedule is included showing the planned filming and post-production work over several weeks. Call sheets, clearance forms, footage and editing logs are also referenced as parts of the planning process.
Prod management production template stage 3 2015
This document provides guidance and templates for planning the visual elements of a short film production. It includes sections for pre-visualization and concept boards, a structural breakdown of the story into scenes and shots, storyboarding, master frames, and a shot list. The document instructs the filmmaker to complete these sections to plan the look, feel, and sequencing of shots for the visuals and filming of the short film.
Production management stage 2 2015
This document provides a proposal and pitch for a short science fiction film about a man who creates a computer virus. The proposal includes an outline of the story, descriptions of the characters and their motivations, proposed shooting locations, required resources and equipment, casting requirements, a proposed budget and schedule, and pitches the filmmaker as the best person to tell this story. Key details include that the main character gets sucked into his computer while confronting the virus he created, and must escape the virus inside the computer system. The film is targeted towards a generally male science fiction audience aged 27-39.
Production management stage 1
The document provides details of the planning and research conducted for a student film production project. It includes initial ideas, target audience research through surveys and secondary sources, appropriate content considerations, production technique research analyzing similar works, available resources, and constraints. The student has chosen to create an animated short film about an internet bot technician who must defeat a virus spreading within a computer. Effects will be created using CGI and green screen. Managing the virtual sets and virus animation will require the most time.
Production management stage 2 2015
This proposal is for a short science fiction film about an internet bot and virus technician who gets sucked into his computer while trying to destroy a virus he created. The film will have a mostly male target audience under 50. Shooting locations will include classrooms to represent offices and exterior shots requiring permission. Resources needed include 3D and video editing software. The filmmaker believes they are well-suited to tell this story and combine live action with CGI due to their experience with animation software.
Production management stage 1
The document outlines the stage 1 production process for an idea about a computer animation film featuring a lead character who is an internet bot technician. Research was conducted including surveys of the target audience, who are identified as generally male aged 16-19. Appropriate production techniques like CGI and chroma key effects were considered, as were constraints like limited time and the need to create virtual sets and animate a CGI virus. The production will require balancing the longer visual effects work with the live action filming. Modifications may be needed based on this research and planning.
[Pro forma] corporate - live project evaluation
The document discusses the production process for a corporate video. It describes file management including storing production files in a clearly labeled folder and keeping backup copies. It discusses receiving positive feedback from peers on the graphics, branding, and animation. The client provided feedback requesting some minor graphic improvements which were implemented. Time management was an issue as there was no production schedule. Technical limitations included working alone and not having all desired software at home. While not perfectly professional quality, the final video met the client's needs and reflected the information researched about the client's business.
[Pro forma] corporate - live project2
The document describes the process of creating various digital graphics for a client. Key steps included importing a client's logo, separating graphic elements into layers, making adjustments to layers, and putting them together in a frame animation. Graphics were further refined in After Effects, including adding 3D effects and motion. Live photos were also manipulated to create graphics depicting a phone screen crack repair. The overall process involved precise tracing, masking, compositing and animating of graphic elements in Photoshop and After Effects to create cohesive motion graphics for video production.
[Pro forma] corporate - live project
The document outlines the pre-production process for creating a corporate video for a client called Gamer-Tech, including initial research on the client, developing ideas, creating a proposal, and planning the resources, schedule, and risks for the animation-focused video project which will be completed independently without a live-action shoot.
Assignment 3 pro forma
The document analyzes the marketing strategies used in the poster and trailer for Star Wars: The Force Awakens. The poster prominently features the main protagonist and antagonist in battle-ready poses against a black background using blue and red colors. It establishes a serious tone to appeal to older fans of the original series. The trailer builds excitement through a climactic sequence of action scenes and establishes the science fiction genre. It relies on the Star Wars franchise name to attract audiences rather than explicitly listing stars. The interview on ABC News' Nightline program discusses the new characters and production details in a way that balances appealing to nostalgic and new audiences.
[Pro forma] wtab theory lo1(1)
The document discusses different types of briefs that can be given to production companies for media projects. It describes contractual briefs, formal briefs, informal briefs, cooperative briefs, negotiated briefs, tender briefs, and competition briefs. For each type it provides the definition, advantages, and disadvantages. The key aspects are that contractual briefs have strict binding agreements, formal briefs allow for some negotiation of terms, and informal briefs involve verbal agreements with freedom of production but no set payment. Cooperative and negotiated briefs involve multiple production companies collaborating or negotiating on a project.
[Pro forma] corporate lo1-lo2
The document provides information on producing corporate and promotional videos, including codes, conventions, styles, techniques and purposes. It discusses topics such as video and audio transitions, language/scripts, shooting techniques, voiceovers, logos, titles, unique selling points, cutaways, interviews, music, graphics, and current practices. The document also includes details on two example corporate videos - one by Digital Harbor focusing on their work in fraud prevention, and one by Apple featuring optical illusions to attract viewers. Both videos aim to encourage people to join the companies and make use of filming equipment, with Apple's single take video shot on a HD card in a specially constructed set.
Production Log
The document describes the production process for creating CGI environments and assets. It involves using 3DS Max to model walls, floors, lights, and other elements. Photoshop is used to texture map surfaces and create lighting effects. Live action footage is filmed and composited into the virtual scenes using After Effects and masking techniques. Sound effects and original music are also produced to accompany the final video project. A variety of software tools and file formats are leveraged at different stages of the workflow to create and composite realistic CGI environments.
Song of the sea analysis
Song of the Sea was an international co-production involving five countries that received funding from multiple national film boards and funds. It uses a unique digital hand-drawn animation style to tell the story of Irish folklore and mythology, focusing on a brother and sister's journey. While addressing some non-mainstream topics like death and disability, the film also features common narrative elements and character arcs. It received acclaim for its animation, art direction, and handling of its more serious subject matter.
Shaun the sheep analysis
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Scene analysis
- 2. Sherlock (Crime drama, UK, 2010-) • In one scene of this crime drama, a woman confronts Sherlock in her parlour while nude to grab the detective’s attention in an overpowering manner. After instructing her to be clothed, they discuss a recent murder. • The set and arrangement of this scene has been carefully arranged in such a way to draw the viewers to the characters as they discuss a crime scene. All three characters are wearing black or dark colours, which set up the seriousness of the scenario as black is considered a very negative colour in European culture. • This is clashed against a brightly coloured set with whites and creams for the walls and furnishings and crystal lights and lamps. All this is with intention of drawing attention to the characters while they are in discussion. Because white and earthy tones are considered positive colours in European culture, this contrasts strongly against the serious scenario being portrayed. • The female character also wears red lipstick to give a sense of danger to her appearance, as red often used in western culture to signify danger. This sense of danger also enhances her empowering nature over Sherlock and creates a slightly antagonistic presence and probable foreshadowing.
- 3. Star Wars Rebels (Sci-fi/animated, USA, 2014-) • In this scene, a group of rebels is escaping an enemy fortress. After finding their spaceship, they are confronted by Darth Vader and an army of Stormtroopers. • The location is moderately lit and is darker than what the viewer is most use to in the real world. This sets off an unsettling feeling towards the viewer, especially since it is within an enemy fortress. The docking bay in which the scene takes place also has numerous physical dangers, emphasised by the cluttered environment. As it is a docking bay, there is also a small portion that leads out of the fortress, showing the potential for freedom. • Colour orientation plays an important role in this scene, as is the case with most ‘Star Wars’ media. The heroes are in a variety of colours. While standing out against the dim background, it also sends a positive message to the viewer and even has a pro-diversity message, which is very suitable for this contemporary age. • Darker, monochrome colours are used for villains, which blends into the background effectively and creates unease for the viewer. With this in mind, black for the central antagonist stands out effectively among all else, especially since black is considered negative in Western and European culture. • There is also the use of polar opposition. The use of blue for the heroes and red for the villains is a common method, but it works effectively. Blue is a cool colour, which is relaxing and creates a sense of security, whereas red is a warm colour, which excites and creates a sense of danger.