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By RSG
Guy Debord
“The cinema seems to me
      to be over”
Michael Curtiz (director). The Charge of the Light Brigade, 1936. Film still.
Strategic and Historical Games
The Game of War (1978).
Source: Becker-Ho & Debord, A Game of War (London: Atlas Press, 2007).
(reissue edition) Gallimard, 2006 (first English translation) Atlas Press, 2007
Kriegspiel. Source: Debord & Becker-Ho, Le jeu de la guerre.
1st Shift


•   Chess - Medieval Warfare
•   Game of War - Napoleonic Warfare
Guy and Alice Debord playing the Game of War (photograph: Jeanne Cornet)
2nd Shift

•   Napoleonic Warfare
•   Modern Warfare / World Wars
•   Post-Modern Warfare / Urban conflict /
    Counter-Insurgency / Unclear combatant
    identity
3rd Shift

•   Network-centric warfare
•   Soldiers are reorganized into flexible,
    interconnected pods
•   Networks as weapons
Why go back to the
1800’s?
•   Tried to establish simulation (and gaming) as
    a theoretical practice
•   Necessary in this development to proceed
    historically, step by step
•   So after Chess (ver 1.0) The Game of War
    would be the next logical step (ver 2.0)
"...the [game] exactly
  reproduces the totality of
 factors that deal with war,
     and more generally
the dialectic of all conflicts."
http://r-s-g.org/kriegspiel
RSG production team for "Kriegspiel":

Alexander R. Galloway, producer and programming

Carolyn Kane, research

Adam Parrish, programming

Daniel Perlin, sound

DJ /rupture and Matt Shadetek, music

Mushon Zer-Aviv, design

Presentation based on text by Alexander R. Galloway and Mushon Zer-Aviv.
Simulation

•   Top-down
•   Modeling the global rules of the system
•   Abstraction
•   Generalization
•   Construction of algorithms
Simulation

•   The game designer
•   the strategist
•   the army general
•   the law-maker
•   the ruler
Representation

•   Bottom-up practice
•   Writing
•   Image making
•   Game play
•   Participation of normal users, artists,
    storytellers and activists
Playing both sides

•   On one hand - Create simulation
•   On the other - find the exploits
•   Lay the rules...
•   ...and then learn how to excel within them
Board vs. Software
•   The game designer is the legislator
•   In board games rules are enforced by the
    players
•   The same players who try to break them
    (cheat)
•   Computer algorithms embed both rules and
    enforcement
•   Debord’s book had several errors
Challenging Boundaries

•   What are the boundaries of simulation?
•   Are they defined by game rules?
•   Are they defined by software?
•   Can the rule-breaker (hacker) becoming the
    rule maker (game designer)?
Guy and Alice Debord playing the Game of War (photograph: Jeanne Cornet)
Ceased & Deceased letter "take all necessary technical
      from Alice Debord measures to prohibit internet
          (April 1st, 08): access to this game"
RSG's Kriegspiel presentation
RSG's Kriegspiel presentation
RSG's Kriegspiel presentation
RSG's Kriegspiel presentation
RSG's Kriegspiel presentation
RSG's Kriegspiel presentation

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RSG's Kriegspiel presentation

  • 3.
  • 4. “The cinema seems to me to be over”
  • 5. Michael Curtiz (director). The Charge of the Light Brigade, 1936. Film still.
  • 7. The Game of War (1978). Source: Becker-Ho & Debord, A Game of War (London: Atlas Press, 2007).
  • 8. (reissue edition) Gallimard, 2006 (first English translation) Atlas Press, 2007
  • 9. Kriegspiel. Source: Debord & Becker-Ho, Le jeu de la guerre.
  • 10.
  • 11.
  • 12. 1st Shift • Chess - Medieval Warfare • Game of War - Napoleonic Warfare
  • 13.
  • 14. Guy and Alice Debord playing the Game of War (photograph: Jeanne Cornet)
  • 15. 2nd Shift • Napoleonic Warfare • Modern Warfare / World Wars • Post-Modern Warfare / Urban conflict / Counter-Insurgency / Unclear combatant identity
  • 16.
  • 17.
  • 18.
  • 19. 3rd Shift • Network-centric warfare • Soldiers are reorganized into flexible, interconnected pods • Networks as weapons
  • 20. Why go back to the 1800’s? • Tried to establish simulation (and gaming) as a theoretical practice • Necessary in this development to proceed historically, step by step • So after Chess (ver 1.0) The Game of War would be the next logical step (ver 2.0)
  • 21. "...the [game] exactly reproduces the totality of factors that deal with war, and more generally the dialectic of all conflicts."
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27. http://r-s-g.org/kriegspiel RSG production team for "Kriegspiel": Alexander R. Galloway, producer and programming Carolyn Kane, research Adam Parrish, programming Daniel Perlin, sound DJ /rupture and Matt Shadetek, music Mushon Zer-Aviv, design Presentation based on text by Alexander R. Galloway and Mushon Zer-Aviv.
  • 28. Simulation • Top-down • Modeling the global rules of the system • Abstraction • Generalization • Construction of algorithms
  • 29. Simulation • The game designer • the strategist • the army general • the law-maker • the ruler
  • 30. Representation • Bottom-up practice • Writing • Image making • Game play • Participation of normal users, artists, storytellers and activists
  • 31. Playing both sides • On one hand - Create simulation • On the other - find the exploits • Lay the rules... • ...and then learn how to excel within them
  • 32. Board vs. Software • The game designer is the legislator • In board games rules are enforced by the players • The same players who try to break them (cheat) • Computer algorithms embed both rules and enforcement • Debord’s book had several errors
  • 33. Challenging Boundaries • What are the boundaries of simulation? • Are they defined by game rules? • Are they defined by software? • Can the rule-breaker (hacker) becoming the rule maker (game designer)?
  • 34. Guy and Alice Debord playing the Game of War (photograph: Jeanne Cornet)
  • 35. Ceased & Deceased letter "take all necessary technical from Alice Debord measures to prohibit internet (April 1st, 08): access to this game"

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