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RK
LAKSHMAN
24 October 1921 – 26 January 2015 An eminent cartoonist, illustrator,
humourist and writer, famously known for
his cartoon strip ‘You said it’ featured in
The Times of India since 1951.
 Inspired by renowned British cartoonist,
Sir David Low he started early, drawing
inspiration from looking at illustrations in
magazines such as Punch and Bystander.
 He has also gave illustrations to his
brother RK Narain’s works like Malgudi
Days and created popular mascot Gattu
for Asian Paints in 1954.
 He is best known for his satirical
representations of political scenario
specially through his popular character –
The Common Man – in his cartoon strip.
 He has also illustrated series of pocket
cartoons.
I drew objects that caught my eye
outside the window of my room – the
dry twigs, leaves and lizard-like
creatures crawling about, the servant
chopping firewood and, of course, and
number of crows in various postures on
the rooftops of the buildings opposite
— R. K. Laxman
LAKSHMAN’s
STYLESatirical approach towards Indian Politics and Political
Leaders
 An ironical representation of politics in
India
 Humoristic approach towards social and
political scenarios
 Confusion, chaos and helplessness
 Minimalistic compositions inspired by day-
to-day events.
 The Common Man character acts as a
passive victim of all happenings
THE COMMON
MAN
General insight into the character
 Is a passive witness to all the political drama
around him.
 Depicted as a old aged man with a mid aged wife
(shown sometimes)
 Indianized look with signature dhoti-kurta and
checked safari coat with Nehru collar.
 Westernized shoes
 Seems interested participant but passive
MAN
GENERALIZATIO
N
 No specific identity
disclosure
 No regional influences
included in the character
 No significant references
of profession or
bureaucratic attachment
 Mirroring mass opinion
on socio-political issues
THECOMMON
MAN
PASSIVITY
 Subject in contexts but
like an object to the
surroundings
 Keen observer (wide
eyes open most of the
times)
 Neglected or taken for
granted
 Omnipresence
 Silent, passive worry,
accepting and helpless
MAN
WITNESSV/S
VICTIM
 Saved or blown away is the question!
THECOMMON
MAN
SILENTREBEL
 Conscious awareness about
the socio-political drama
 Non verbal (body language)
expression and response
 Reflecting the agitation in
the common Indian masses
directly and indirectly
MAN
BACKING
GANDHI
 The dhoti style resembling the
classic style of Mahatma Gandhi
 The old age, bent back and bald
head maybe inspired from
Gandhi’s look
 The iconic Gandhian spectacles
 Passiveness of the common man
may be attributed to Non-violence
and tolerance
 Commonly accepted image can be
none other than Gandhi’s.
SOCIO -CULTURAL INFLUENCE ON
THE COMMON MAN
The cartoon reflected the
common Indian citizens
opinion. It was inspired by the
day to day occurrences in the
society. It brought out notions
of concern in the society in a
humorous way that was
entertaining as well as satirical
SOCIO -CULTURAL INFLUENCE ON
THE COMMON MAN
It was soon seen the revolution of
the common man into a more active
participant. With RK Lakshman’s
common man being a readily
accepted notion in Indian society
many social and political groups
adopted the ‘common man’ to
outreach the general Indian masses
Take 10 to 15 pics and try to analyse it in contexts
Reference needed
Time magazine remarked in a review of a book of his cartoons - Each morning,
Laxman’s frazzled character, known as the Common Man, confronts India’s latest
heartbreak with a kind of wry resignation. Meek, doddering and with a moustache that
bristles like an electrocuted mongoose, he’s a witness to everything: Scheming
politicians, rapacious bureaucrats and gossiping housewives. What’s common about
this character is that like most Indians, he sees his country being forced through
endless indignities by its leaders and yet doesn’t even whimper in protest.

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RK Lakshman's Common Man: Analysis

  • 1.
  • 2. RK LAKSHMAN 24 October 1921 – 26 January 2015 An eminent cartoonist, illustrator, humourist and writer, famously known for his cartoon strip ‘You said it’ featured in The Times of India since 1951.  Inspired by renowned British cartoonist, Sir David Low he started early, drawing inspiration from looking at illustrations in magazines such as Punch and Bystander.  He has also gave illustrations to his brother RK Narain’s works like Malgudi Days and created popular mascot Gattu for Asian Paints in 1954.  He is best known for his satirical representations of political scenario specially through his popular character – The Common Man – in his cartoon strip.  He has also illustrated series of pocket cartoons. I drew objects that caught my eye outside the window of my room – the dry twigs, leaves and lizard-like creatures crawling about, the servant chopping firewood and, of course, and number of crows in various postures on the rooftops of the buildings opposite — R. K. Laxman
  • 3. LAKSHMAN’s STYLESatirical approach towards Indian Politics and Political Leaders  An ironical representation of politics in India  Humoristic approach towards social and political scenarios  Confusion, chaos and helplessness  Minimalistic compositions inspired by day- to-day events.  The Common Man character acts as a passive victim of all happenings
  • 4.
  • 5. THE COMMON MAN General insight into the character  Is a passive witness to all the political drama around him.  Depicted as a old aged man with a mid aged wife (shown sometimes)  Indianized look with signature dhoti-kurta and checked safari coat with Nehru collar.  Westernized shoes  Seems interested participant but passive
  • 6.
  • 7. MAN GENERALIZATIO N  No specific identity disclosure  No regional influences included in the character  No significant references of profession or bureaucratic attachment  Mirroring mass opinion on socio-political issues
  • 8. THECOMMON MAN PASSIVITY  Subject in contexts but like an object to the surroundings  Keen observer (wide eyes open most of the times)  Neglected or taken for granted  Omnipresence  Silent, passive worry, accepting and helpless
  • 9. MAN WITNESSV/S VICTIM  Saved or blown away is the question!
  • 10. THECOMMON MAN SILENTREBEL  Conscious awareness about the socio-political drama  Non verbal (body language) expression and response  Reflecting the agitation in the common Indian masses directly and indirectly
  • 11. MAN BACKING GANDHI  The dhoti style resembling the classic style of Mahatma Gandhi  The old age, bent back and bald head maybe inspired from Gandhi’s look  The iconic Gandhian spectacles  Passiveness of the common man may be attributed to Non-violence and tolerance  Commonly accepted image can be none other than Gandhi’s.
  • 12.
  • 13. SOCIO -CULTURAL INFLUENCE ON THE COMMON MAN The cartoon reflected the common Indian citizens opinion. It was inspired by the day to day occurrences in the society. It brought out notions of concern in the society in a humorous way that was entertaining as well as satirical
  • 14. SOCIO -CULTURAL INFLUENCE ON THE COMMON MAN It was soon seen the revolution of the common man into a more active participant. With RK Lakshman’s common man being a readily accepted notion in Indian society many social and political groups adopted the ‘common man’ to outreach the general Indian masses
  • 15. Take 10 to 15 pics and try to analyse it in contexts Reference needed Time magazine remarked in a review of a book of his cartoons - Each morning, Laxman’s frazzled character, known as the Common Man, confronts India’s latest heartbreak with a kind of wry resignation. Meek, doddering and with a moustache that bristles like an electrocuted mongoose, he’s a witness to everything: Scheming politicians, rapacious bureaucrats and gossiping housewives. What’s common about this character is that like most Indians, he sees his country being forced through endless indignities by its leaders and yet doesn’t even whimper in protest.