Risk assessment
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This risk assessment document evaluates the hazards of outdoor filming at Piccadilly Circus in November 2010. It identifies risks such as traffic collisions and electrocution from equipment due to weather. Existing controls include following traffic lights, filming only in safe spots, and covering cameras in rain. Additional controls are taking extra care crossing traffic and stopping filming if weather is too heavy.
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Q media-pack 1
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it heavily influences with its trusted opinions on music. The magazine prides itself on providing exclusive access and interviews to break new artists and shape readers' views. It also extends its brand through events like the Q Awards and its website, radio show, and TV presence to engage music fans across multiple platforms. Advertisers are attracted to Q to associate with its credible brand and reach its influential readership.
Market research
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This document summarizes market research on 5 music magazines: Q Magazine, The Fly, Clash, NME, and The Wire. It provides details on the target audience such as gender and age breakdown, price, page count, frequency of release, and whether content is limited only to music or includes other topics for each magazine. The magazines vary in price from free to £4.50, are released monthly with the exception of NME which is weekly, and range from around 100-150 pages generally.
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NME media pack provides information about the magazine's target audience. It shows that most readers are males around age 25 who come from middle-class families and enjoy indie/guitar music. The data also indicates that many readers attend live pop/rock concerts and enjoy reading reviews and listings of upcoming shows. Finally, the majority of readers have internet access and purchase things online, showing an openness to digital content, while some still prefer physical formats like CDs.
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This call sheet provides production details for the "Lets Get Dancing" shoot including contact information for the production office at Oaks Park High School in Essex, England, shoot dates and times at locations in London including the Trocadero, Embankment and Oxford Circus, notes to see the script and risk assessment, a cast list with Leonie Luck and Tim Titus, instructions for public transportation and equipment needs, and emergency contact information for local police and the nearest hospital.
Actor release
- This document gives J&H Productions permission to record, photograph, copyright, broadcast over the internet and use for promotional purposes the likeness, performance and participation of an individual in a video/photography project called "LET'S GET DANCING". It acknowledges that J&H Productions will own all rights to the recordings/photographs in perpetuity. The individual signing confirms they have read and understood the document.
Theory
The document discusses several narrative theories:
1) Aristotle's Unities theory which states a narrative should have unity of time, place, and action.
2) Freytag's Dramatic Structure which divides narratives into five parts: exposition, rising action, climax, falling action, and denouement.
3) Todorov's theory which proposes narratives begin with equilibrium, then a disruption causes disequilibrium followed by a new equilibrium.
4) Propp's theory which identified 8 character types that appear in Russian fairytales.
5) Barthes' Enigma Code where narratives establish and then solve mysteries.
The trailer will draw from Todorov's theory of equilibrium, disequilibrium
Story board
In 3 sentences, the document provides a storyboard for a dance video set in London. It outlines various shots that will be used, including establishing shots of landmarks like Piccadilly Circus and the London Eye to set the location. It then describes a sequence of shots showing characters dancing from different angles and distances, ranging from close-ups to long shots, to capture their movements and a dance competition.
Evaluation q3
The audience feedback received for the film trailer showed that it appealed more to females than males, so more masculine elements should be added. While the editing and music were liked, the storyline was not entirely clear beyond the dance competition aspect. Some feedback suggested improving the blending of the music transitions and showing more of the relationships between characters.
Evaluation q2
The student created ancillary tasks of a poster and magazine cover to promote their main product of a film trailer. They researched conventions of the chosen products and found similarities and differences between them. The ancillary tasks complement the main product well and work together to create an effective promotional package. The student used conventions from dance films and the products themselves to make the ancillary tasks look realistic and clearly related to the main product.
Evaluation
The document discusses the evaluation of various ancillary tasks and a trailer created for a media production project on dance films. Specifically, it summarizes how the poster, magazine cover, and trailer for the project follow conventions of real media products in their genres. The poster includes images from the film, color schemes, and basic information used in other dance film posters. The magazine cover includes the publication name, issue details, consistent style, and film information like real magazines. The trailer uses establishing shots, title cards, approved rating, and production details at the start and end like other film trailers. Some ways the pieces challenge conventions are also noted, such as backgrounds.
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This document analyzes the British music magazine CLASH. It summarizes that CLASH focuses on underground and mainstream musicians while combining sections on film, fashion, news and entertainment. The target audience is primarily men aged 21-30, though the slim difference in male and female readership suggests it appeals to both sexes. Additionally, the target audience has a strong interest in music and are avid tech users located primarily in the UK, with many readers in London and eastern England.
Clash media kit
This document provides information about Clash Music Ltd, a leading UK media brand representing music, fashion, and film. It operates platforms in print (Clash Magazine), digital (ClashMusic.com), outdoor advertising, live events, and creative projects. Clash Magazine has a circulation of over 47,000 and is known for its in-depth features, interviews, and reviews across various music and culture genres. ClashMusic.com attracts over 320,000 unique users and complements the magazine with daily online content. The document outlines Clash's offerings across its various platforms and provides statistics and contact information.
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This document summarizes market research on 5 music magazines: Q Magazine, The Fly, Clash, NME, and The Wire. It provides details on the target audience such as gender and age breakdown, price, page count, frequency of release, and whether content is limited only to music or includes other topics for each magazine. The magazines vary in price from free to £4.50, are released monthly with the exception of NME which is weekly, and range from around 100-150 pages generally.
Clash media pack 1
CLASH is an independent British music magazine launched in 2004 that focuses on both underground and mainstream musicians. It combines sections on film, fashion, news and entertainment. While its target audience is primarily men aged 21-30, the small difference in readership between men and women suggests it appeals to both sexes. The target audience also has a strong interest in music and technology and lives primarily in the UK, especially London and eastern England.
Market research
This document summarizes key details about several music magazines: Q Magazine targets males aged 15-44, is delivered monthly at around 150 pages for £4.50; The Fly is free, targets males aged 18-35 around 100 pages, and discusses music and purchases; Clash targets both genders aged 21-30 around 100 pages for £3.99 about music, fashion, film and technology; and NME targets those aged 16-30, varies from 100-150 pages, is weekly for £2.50 covering music industry news, reviews and events. The Wire targets those aged 20-35 around 100 pages for £3.00 focusing only on lesser known music.
Q media-pack 1
Q magazine is the UK's largest music magazine with a circulation of over 88,000. It has a young, affluent readership that it heavily influences with its trusted opinions on music. The magazine prides itself on providing exclusive access and interviews to break new artists and shape readers' views. It also extends its brand through events like the Q Awards and its website, radio show, and TV presence to engage music fans across multiple platforms. Advertisers are attracted to Q to associate with its credible brand and reach its influential readership.
Market research
This document summarizes the target demographics and key details of several music magazines: Q Magazine targets males aged 15-44, is delivered monthly at around 150 pages for £4.50, and focuses only on music. The Fly is free, targets males aged 18-35, and discusses music and other spending. Clash targets both genders aged 21-30 monthly around 100 pages for £3.99 and covers music, fashion, film and technology. NME targets males aged 16-30, is distributed weekly for £2.50 varying from 100-150 pages, and reports on music industry news. The Wire showcases less known music monthly for £3.00 around 100 pages only covering music-related content.
Market research
This document summarizes market research on 5 music magazines: Q Magazine, The Fly, Clash, NME, and The Wire. It provides details on the target audience such as gender and age breakdown, price, page count, frequency of release, and whether content is limited only to music or includes other topics for each magazine. The magazines vary in price from free to £4.50, are released monthly with the exception of NME which is weekly, and range from around 100-150 pages generally.
Nmemediapack
NME media pack provides information about the magazine's target audience. It shows that most readers are males around age 25 who come from middle-class families and enjoy indie/guitar music. The data also indicates that many readers attend live pop/rock concerts and enjoy reading reviews and listings of upcoming shows. Finally, the majority of readers have internet access and purchase things online, showing an openness to digital content, while some still prefer physical formats like CDs.
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Shot list
The document is a shot list for a dance film or video. It includes 24 shots ranging from establishing shots of London landmarks like Picadilly Circus and the London Eye to medium shots of three dancers - Tim, Leonie, and Duayne - demonstrating different dance moves like footwork and head spins. Title cards are also listed to separate scenes related to getting shoes, having moves, and dancing as well as coming soon and end credits.
Call sheet
This call sheet provides production details for the "Lets Get Dancing" shoot including contact information for the production office at Oaks Park High School in Essex, England, shoot dates and times at locations in London including the Trocadero, Embankment and Oxford Circus, notes to see the script and risk assessment, a cast list with Leonie Luck and Tim Titus, instructions for public transportation and equipment needs, and emergency contact information for local police and the nearest hospital.
Actor release
- This document gives J&H Productions permission to record, photograph, copyright, broadcast over the internet and use for promotional purposes the likeness, performance and participation of an individual in a video/photography project called "LET'S GET DANCING". It acknowledges that J&H Productions will own all rights to the recordings/photographs in perpetuity. The individual signing confirms they have read and understood the document.
Theory
The document discusses several narrative theories:
1) Aristotle's Unities theory which states a narrative should have unity of time, place, and action.
2) Freytag's Dramatic Structure which divides narratives into five parts: exposition, rising action, climax, falling action, and denouement.
3) Todorov's theory which proposes narratives begin with equilibrium, then a disruption causes disequilibrium followed by a new equilibrium.
4) Propp's theory which identified 8 character types that appear in Russian fairytales.
5) Barthes' Enigma Code where narratives establish and then solve mysteries.
The trailer will draw from Todorov's theory of equilibrium, disequilibrium
Story board
In 3 sentences, the document provides a storyboard for a dance video set in London. It outlines various shots that will be used, including establishing shots of landmarks like Piccadilly Circus and the London Eye to set the location. It then describes a sequence of shots showing characters dancing from different angles and distances, ranging from close-ups to long shots, to capture their movements and a dance competition.
Evaluation q3
The audience feedback received for the film trailer showed that it appealed more to females than males, so more masculine elements should be added. While the editing and music were liked, the storyline was not entirely clear beyond the dance competition aspect. Some feedback suggested improving the blending of the music transitions and showing more of the relationships between characters.
Evaluation q2
The student created ancillary tasks of a poster and magazine cover to promote their main product of a film trailer. They researched conventions of the chosen products and found similarities and differences between them. The ancillary tasks complement the main product well and work together to create an effective promotional package. The student used conventions from dance films and the products themselves to make the ancillary tasks look realistic and clearly related to the main product.
Evaluation
The document discusses the evaluation of various ancillary tasks and a trailer created for a media production project on dance films. Specifically, it summarizes how the poster, magazine cover, and trailer for the project follow conventions of real media products in their genres. The poster includes images from the film, color schemes, and basic information used in other dance film posters. The magazine cover includes the publication name, issue details, consistent style, and film information like real magazines. The trailer uses establishing shots, title cards, approved rating, and production details at the start and end like other film trailers. Some ways the pieces challenge conventions are also noted, such as backgrounds.
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Risk assessment
- 1. Risk Assessment<br />Activity Assessed: (Outdoor Filming) Piccadilly Circus <br />Date: November 2010<br />Hazards & HarmRisk & ClassificationExisting Control MeasuresAdditional Control MeasuresEquipmentSafeKeep in eyesight at all timesOnly film in safe spotsTrafficCollision/AccidentTraffic Lights Extra care when crossingWeather conditionsElectrocutionBurn Cover camera in rainIf too heavy stop filmingActors SafetyTripping, Falling etc,Aware of surroundings <br />