Rising sons: the radical photography of postwar Japan in pictures
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An exhibition entitled The Look of Things: Japanese Photography around ‘Provoke’ spotlights artists who participated in the Vivo cooperative from 1959 to 1961, including Ikkō Narahara, Shōmei Tōmatsu, Eikoh Hosoe, Akira Satō and Kikuji Kawada. PhotoEspaña festival runs until 31 October Photograph: Collection Per Amor a l’Art
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The document provides a history of photography from its origins in the 1820s to modern digital photography. Some of the key points covered include:
- The first permanent photograph was taken by Joseph Nicéphore Niépce in 1826 using a camera obscura and bitumen of Judea.
- Louis Daguerre's photograph from 1838 was the first of a human.
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- Iconic photographs like "Afghan Girl" captured the human experience, while digital tools now allow advanced manipulation.
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3) Photography is now commonly used to record historical events and provide evidence, such as documenting family occasions starting in 1850, propaganda during World Wars, and modern events like the Olympics.
History of photography
Photography began in the 1820s when Nicéphore Niépce captured the first photograph, though the process took 8 hours. Louis Daguerre later invented the daguerreotype, which sharply reduced the exposure time to around 30 minutes. In the mid-1800s, formats like the calotype and collodion process improved reproducibility and image quality. By the late 1800s, cameras became more portable and accessible to amateurs with the invention of celluloid film and Kodak's Brownie camera, popularizing snapshots. Photography has since transitioned to digital formats, allowing images to be easily captured, edited and shared on devices like phones.
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The historical development of photography and photographic purposes
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Tadanori Yokoo: Clash of Reality & Ideals
1) Tadanori Yokoo was born in 1936 in Japan and grew up during a period of significant cultural transformation as the country shifted away from traditional ways following World War II.
2) He showed an early interest and talent in art and began his career designing posters and illustrations. One of his earliest major works was a 1965 self-titled poster that shocked viewers with its themes of death and confronted Yokoo with his own fears.
3) Yokoo was heavily influenced by travels to the West in the 1960s, where he experienced cultures in America and Europe firsthand. This led him to question his Japanese identity and to develop a style that blended Western and traditional Japanese influences.
Woodblock printing
Woodblock printing originated in China as a method of printing on textiles, but was later adapted in Japan during the Edo period to print on paper. It involves carving an image or design onto a woodblock which is then inked and pressed onto paper or fabric. The most common themes in Japanese woodblock prints, known as ukiyo-e, depict scenes of everyday life and nature. Ukiyo-e art became popular among both the upper and common classes in Japan. The document provides instructions for making one's own woodblock print using simple materials like Styrofoam, paint, and paper.
Exploring the 'Floating World'_ Understanding Edo Period Japan (1).pptx
This presentation offers a concise look at Japan during the Edo period, focusing on its vibrant entertainment district and cultural dynamics. It covers art, literature, theater, and daily life, highlighting the emergence of ukiyo-e prints and societal influences.
Yanagi yukinori (sykes)
Yanagi Yukinori is a Japanese artist born in 1959 in Fukuoka, Japan. He received his BFA and MFA in painting from Musashino Art University in 1983 and 1985. In 1990, he earned an MFA in sculpture from Yale University. Yanagi is currently an Associate Professor at Hiroshima City University. His early works critiqued postwar Japanese society and politics, and he is known for ant farm sculptures that examine boundaries and identity on national and global scales.
Europe, 1850-1900 & Japan
1. The document discusses Realism in art from the mid-19th century, focusing on works by Courbet, Millet, Homer, and Manet that depicted everyday subjects and working classes in a realistic style.
2. It then covers Impressionism from the 1870s-1890s, examining paintings by Monet, Degas, Cassatt, and others that captured fleeting effects of light and focused on leisure activities in urban settings.
3. Post-Impressionism is discussed from the 1890s-1905, with works by Seurat, Van Gogh, Gauguin, and Toulouse-Lautrec exploring individual styles and rejecting illusionism in favor of expressive uses of
Abstraction
The document discusses abstraction in photography from the early 20th century onward. It explores how photographers began experimenting with unusual angles, framing, lighting, and camera techniques to abstract the visual elements in a scene and find new ways of seeing the world. Many photographers were influenced by abstract expressionist painting and explored abstraction through long exposures, photograms, manipulation of focus, and more.
HIS20670JHearneJapanFrance
This document provides background information on ukiyo-e prints from Edo Japan and compares their depictions of women to works by French artists Manet and Courbet from the 18th-19th centuries. Ukiyo-e prints often featured courtesans and geisha and became popular among common citizens due to affordable printing techniques. While European art stressed realism, Japanese art focused more on symbolic meaning. Both cultures produced artwork depicting nude women that sometimes shocked contemporary audiences.
Price239 wordassignment
The document provides an overview of Japanese art focusing on printmaking and textile work. It discusses the early printmaker Suzuki Harunobu and one of his prints called "Fashionable Seven Komachi Transformed". It also discusses the later printmaker Ogata Gekko and one of his prints called "From Temple Balcony". Finally, it mentions the textile artist Sonoko Sasaki and her dedication to traditional Japanese textiles. The document aims to give readers a sense of the style, social values, and historical importance of art in Japan.
4.3 gutai
The Japanese Gutai group formed in 1954 under the leadership of Jiro Yoshihara and was influenced by American abstract expressionists like Jackson Pollock. They focused on an action-oriented and interactive approach to art making using materials directly without disguising them. Notable works included Murakami's paper screen performance and Shiraga's mud body painting. Their innovative outdoor exhibitions in 1955-1956 featured temporary participatory works that were destroyed afterward, anticipating later performance art genres.
Circles and curves power point
Josef Sudek was a Czech photographer known for his black-and-white images of Prague and landscapes. Many of his most memorable photos were taken from his studio window, documenting the changing light and weather in his courtyard. Although he lost his right arm in WWI, Sudek began studying photography and became an influential figure in the medium.
Vivian Maier was an American street photographer who worked as a nanny in Chicago. She pursued photography in her spare time and lived in obscurity, with her photos almost disappearing after her death until they were rediscovered in 2009.
Yayoi Kusama is a Japanese artist whose career has spanned nine decades and locations from rural Japan to
The sky power point
Stephen Shore is an American photographer known for his pioneering use of color photography and images taken on road trips across the US in the 1970s. He has published over 25 books of his work and was the first living photographer to have a solo exhibition at the Met since Alfred Stieglitz. Edward Steichen was a pioneering American photographer and director of photography at MoMA who experimented with color techniques and was frequently published in Camera Work. Masahisa Fukase was a celebrated Japanese photographer known for intimate images of his family life and visits to his parents' photo studio, as well as his acclaimed book Karasu.
Shihoko Iida
Shihoko Iida speaks at the Museum and Gallery Services Qld / University of Queensland Art Museum Seminar, Models of Exchange, Residencies and Collaborations with Asia on 25 November 2010
ProtoModernPhotographyYatesNewhall
During the early decades of the 20th century, Modern photography emerged through the experimentation of photographers and their questioning of the camera's functions. Photographers began redefining photography's role among the arts and exploring new visions that broke from tradition and convention. This led to photography's revitalization and recognition as an independent art form with its own characteristics. Key figures like Alfred Stieglitz helped establish Modernist principles and ideals for photography through galleries and publications, influencing other artists and critics. Modern photography developed from many sources and individuals, not as a single movement, helping transform it into a major art form of the century.
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Rising sons: the radical photography of postwar Japan in pictures
- 1. Rising sons: the radical photography of postwar Japan in pictures Between 1957 and 1972, Japanese photography was revolutionised ... twice! These images spotlight the Vivo artists and the magazine Provoke, with its motto: rough, blurred, out of focus Main image: Ordeal by Roses by Eikoh Hosoe, 1961. Photograph: Eikoh Hosoe/Collection Per Amor al´Art Wed 9 Sep 2020 07.00 BST The Trip by Shōmei Tōmatsu, 1959 An exhibition entitled The Look of Things: Japanese Photography around ‘Provoke’ spotlights artists who participated in the Vivo cooperative from 1959 to 1961, including Ikkō Narahara, Shōmei Tōmatsu, Eikoh Hosoe, Akira Satō and Kikuji Kawada. PhotoEspaña festival runs until 31 October Photograph: Collection Per Amor a l’Art Domains by Ikkō Narahara, 1956-1958 The Vivo group was inspired by the Magnum Photos agency and had the shared goal of forging a critical vein of photography, in contrast to established conventions, by exploring more subjective ways of understanding the medium of photography
- 2. Photograph: Collection Per Amor a l’Art Lucky Strike, The Map by Kikiuji Kawada, 1959-65 What the photographer saw through the lens was now an abstract and concrete space open to experimentation as the artist’s subjective expression Photograph: Collection Per Amor a l’Art
- 3. Cyclopean Eye by Akira Sato, c.1960 Sato experimented with exploring psychology using the techniques of fashion photography Photograph: Collection Per Amor a l’Art
- 4. Dancing Oroku by Toyoko Tokiwa, 1954-1956 The Vivo group aimed to reflect on the relations between language and photography, and between art and political resistance, viewing photography as an alternative language Photograph: Museum of Yokohoma Urban History