Research into music labels
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This document summarizes different types of music labels and their key roles. Major labels like Universal and Sony have the largest distribution networks and market share, while independent labels lack major distribution but can vary in size. Sub labels and imprints are separate companies owned by major labels. Specialty labels focus on distributing non-mainstream artists. All labels handle talent development, marketing, promotions, sales, distribution, and legal responsibilities for their artists.
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Independents
This document discusses the differences and similarities between major music labels like Universal Music Group, Sony Music Entertainment, and Warner Music Group, and independent music labels. It provides examples of successful independent labels like Beggars, Rough Trade, and Domino Records. While independents are seen as more authentic and artistic, the realities are more complex. Both majors and independents can produce mainstream hits, and independents have also found success promoting formulaic music. The internet has helped independents distribute music more widely. Overall, the perceptions of major and independent labels are often myths, and the lines between them have blurred.
Record label company roles
The document outlines various roles within a record label company. The president oversees many aspects of the label including artist and repertoire (A&R), contracts, management, publishing, production, manufacturing, marketing, distribution, copyright, and touring. Vice presidents lead departments like business affairs, legal, art, A&R, publicity, marketing, and sales. Other roles include accountants, lawyers, A&R staff who find and develop new artists, artist development teams who plan artist careers, marketing teams who promote through street teams and design, online and social media staff, the art department which creates album artwork and displays, publicists who obtain media coverage, and sales teams in charge of merchandise and distribution deals.
Structure and breakdown of Record Labels
The document discusses the structure and types of record labels. It outlines the key activities of record labels which include talent development, artist marketing, legal services, sales/distribution, and promotions. There are major labels that dominate the market and independent labels that lack major distribution. Major labels control 70% of the music market and 80-90% of the US market. They have significant financing but independent labels have more creative freedom.
Record label company roles
The document outlines various roles within a record label company. The president oversees many aspects of the label including artist and repertoire (A&R), contracts, management, publishing, production, manufacturing, marketing, distribution, copyright, and touring. Vice presidents lead departments like business affairs, legal, art, A&R, publicity, marketing, and sales. Other roles include accountants, lawyers, A&R staff who find and develop new artists, artist development teams who plan artist careers, marketing and social media teams who promote artists, an art department that creates album artwork and displays, publicists who obtain media coverage, and sales teams who distribute artist merchandise and recordings.
Record Labels Research
There are four major record labels that operate on a global scale: Sony Music, Warner Music Group, and Universal Music Group. Independent or indie record labels operate without funding from major labels, working with smaller companies through short or long-term partnerships. Major labels have significant funding for marketing, distribution, and tours, but artists have less creative control and the label owns their music rights, while indie labels provide artists more creative freedom and ownership of their music, but with less financial support for promotion.
Media pp
Record companies exist to market and distribute music recordings and videos for a profit. They scout and develop new artists, manage their careers, produce and distribute their music, and protect copyrights. Major record labels are large international companies that own 75% of the music market. They have more resources than independent labels but also exert more control over artists. Independent labels have limited staff and release non-mainstream music. The four largest record labels that control the mainstream market are Sony BMG, Universal Music Group, Warner Music Group, and their subsidiary labels.
Structure Of A Major Record Label
Major record labels have various departments that work together to promote and manage artists. The A&R department discovers and works directly with artists, while marketing develops promotion plans. Other departments handle legal issues, sales to retailers, public relations, and ensuring the artist's music is heard on the radio and television. As the music industry has changed, some labels have renamed departments or reduced their focus on long-term artist career development.
Structure of a major record label
The document outlines the major departments within a typical large record label and provides a brief description of each department's responsibilities. Key departments include A&R which discovers and works with artists, marketing which creates promotion plans, sales which works with retailers, and publicity which arranges media coverage of artists. The structure and departments of record labels can vary between companies and may change as larger companies acquire smaller labels.
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Independents
This document discusses the differences and similarities between major music labels like Universal Music Group, Sony Music Entertainment, and Warner Music Group, and independent music labels. It provides examples of successful independent labels like Beggars, Rough Trade, and Domino Records. While independents are seen as more authentic and artistic, the realities are more complex. Both majors and independents can produce mainstream hits, and independents have also found success promoting formulaic music. The internet has helped independents distribute music more widely. Overall, the perceptions of major and independent labels are often myths, and the lines between them have blurred.
Record label company roles
The document outlines various roles within a record label company. The president oversees many aspects of the label including artist and repertoire (A&R), contracts, management, publishing, production, manufacturing, marketing, distribution, copyright, and touring. Vice presidents lead departments like business affairs, legal, art, A&R, publicity, marketing, and sales. Other roles include accountants, lawyers, A&R staff who find and develop new artists, artist development teams who plan artist careers, marketing teams who promote through street teams and design, online and social media staff, the art department which creates album artwork and displays, publicists who obtain media coverage, and sales teams in charge of merchandise and distribution deals.
Structure and breakdown of Record Labels
The document discusses the structure and types of record labels. It outlines the key activities of record labels which include talent development, artist marketing, legal services, sales/distribution, and promotions. There are major labels that dominate the market and independent labels that lack major distribution. Major labels control 70% of the music market and 80-90% of the US market. They have significant financing but independent labels have more creative freedom.
Record label company roles
The document outlines various roles within a record label company. The president oversees many aspects of the label including artist and repertoire (A&R), contracts, management, publishing, production, manufacturing, marketing, distribution, copyright, and touring. Vice presidents lead departments like business affairs, legal, art, A&R, publicity, marketing, and sales. Other roles include accountants, lawyers, A&R staff who find and develop new artists, artist development teams who plan artist careers, marketing and social media teams who promote artists, an art department that creates album artwork and displays, publicists who obtain media coverage, and sales teams who distribute artist merchandise and recordings.
Record Labels Research
There are four major record labels that operate on a global scale: Sony Music, Warner Music Group, and Universal Music Group. Independent or indie record labels operate without funding from major labels, working with smaller companies through short or long-term partnerships. Major labels have significant funding for marketing, distribution, and tours, but artists have less creative control and the label owns their music rights, while indie labels provide artists more creative freedom and ownership of their music, but with less financial support for promotion.
Media pp
Record companies exist to market and distribute music recordings and videos for a profit. They scout and develop new artists, manage their careers, produce and distribute their music, and protect copyrights. Major record labels are large international companies that own 75% of the music market. They have more resources than independent labels but also exert more control over artists. Independent labels have limited staff and release non-mainstream music. The four largest record labels that control the mainstream market are Sony BMG, Universal Music Group, Warner Music Group, and their subsidiary labels.
Structure Of A Major Record Label
Major record labels have various departments that work together to promote and manage artists. The A&R department discovers and works directly with artists, while marketing develops promotion plans. Other departments handle legal issues, sales to retailers, public relations, and ensuring the artist's music is heard on the radio and television. As the music industry has changed, some labels have renamed departments or reduced their focus on long-term artist career development.
Structure of a major record label
The document outlines the major departments within a typical large record label and provides a brief description of each department's responsibilities. Key departments include A&R which discovers and works with artists, marketing which creates promotion plans, sales which works with retailers, and publicity which arranges media coverage of artists. The structure and departments of record labels can vary between companies and may change as larger companies acquire smaller labels.
Record label structure
The A&R department is responsible for finding new talent and working closely with artists on choosing music and recording. The art department designs album artwork and advertisements. The artist development department previously planned long-term artist careers but now focuses on initial promotion due to industry changes. The label liaison coordinates with delivery services and schedules album releases. The legal department handles contracts and addresses any legal issues. The marketing department creates marketing plans incorporating promotion, sales, and publicity. The new media department produces and promotes music videos and manages artists' online presence.
Existing music labels
Record labels are brands that market music recordings and videos. Major labels include Warner Music Group, Sony Music Entertainment (Columbia Records), and Universal Music Group. Warner Music Group is a global company founded in New York that provides distribution, marketing, and other services. Columbia Records was founded in 1888 and was the first to produce pre-recorded records instead of blank cylinders. Independent labels are not controlled by the major three but can still be large corporations, while indie labels promote non-mainstream music. Boy Better Know is an independent label founded in 2005 that promotes grime and rap music.
Existing music labels
The document discusses record labels and provides examples of major and independent labels. Major labels include Warner Music Group, Columbia Records, and Sony Music Entertainment. Warner Music Group is one of the big four record companies based in New York City. Columbia Records was founded in 1888 and was the first company to produce pre-recorded records. Independent labels are not controlled by the big three major labels and examples given are any label not mainstream as well as Boy Better Know, a UK collective founded in 2005.
Recording industry analysis
The document provides an overview of the recording industry and analyzes its structure and key activities. It discusses the major changes in the industry from vinyl to digital formats and the impact of the internet. It describes the different types of record labels and identifies the three major labels that currently dominate the industry - Universal Music Group, Sony Music Entertainment, and Warner Music Group. It analyzes the advantages and disadvantages of major labels compared to independent labels and outlines the key functions and departments within a record label.
Record label
This document discusses record labels and their role in the music industry. It provides details about major record labels like Sony, EMI, WEA and Universal. It discusses how Tupac was signed to Interscope Records, which specialized in hip hop. After becoming famous through Death Row Records, Tupac created his own label called Makaveli before he was killed in 1996. Interscope was founded in 1989 by Jimmy Iovine and Ted Field through a joint venture with Atlantic Records. The document also covers copyright and ensuring proper attribution and permissions when using other artists' music.
Music Industry
The music industry is split into four main parts - recording music, songwriting and publishing, live music, and artist management. Recording involves finding a record label, recording original or cover songs, and duplicating the finished product. Songwriting involves splitting publishing revenues 50/50 between the songwriter and music publisher according to agreements. The live music sector has become a primary income source for artists due to illegal downloading, involving promoters, booking agents, venues, and road crews.
Record labels
A record label manages brands and trademarks associated with music production and promotion, coordinates the production, distribution and marketing of music recordings, and protects the copyright of sound recordings. Major record labels are large multinational companies that have over 5% of music industry sales, while independent labels are not affiliated with major labels. Recording contracts define the legal agreement where an artist records exclusively for a label in exchange for the label's promotion and sales efforts.
Research music task
The document provides background information on Giggs, a grime artist from England who gained recognition through mixtapes and YouTube videos before being signed to record labels. It also summarizes the history and current artists of the British record label XL Recordings. Finally, it outlines several key job roles at a record label such as A&R, marketing, legal, and sales.
Research music task
Giggs is a grime artist from England whose real name is Nathaniel Thomson. He is 34 years old and gained recognition through numerous mixtapes he released independently, selling over 10,000 units. This helped him get signed to record labels SN1 and Island. His target audience is mainly 14-30 year olds from England.
XL Recordings is a British independent record label founded in 1989 that has signed a variety of artists across different genres, including Adele, Frank Ocean, and Radiohead. It originally focused on dance music but now releases around 6 albums per year.
The main job roles at a record label include CEO, A&R, marketing, legal, artist development, sales, and
Job roles of a record label
This document summarizes the key job roles within a typical record label. The CEO oversees the overall direction and strategy of the label. The Vice President implements the CEO's strategy by managing department heads and negotiating deals. Other roles include accounting, legal affairs, A&R to find and sign new artists, artist development, marketing, online promotion, art design, publicity, promotions, and sales distribution. Each department works together to develop, promote and manage the careers of the label's recording artists.
History of Music Packaging
The document discusses the history of music packaging and marketing. It notes that vinyl records provided a large space for advertising that was sometimes used for specific promotions but often left to artists. Some artists developed definitive styles and logos that helped branding. As formats changed to cassettes and CDs, packaging considerations had to adapt while still including necessary information. Record labels had in-house art directors and freelancers who worked with artists on imagery. Southern rap labels effectively used consistent album art designs. Marketing decisions varied based on the artist's status and sales strength. Packaging had to balance artistic expression and commercial appeal.
Record Company Function & Terminology
Major record companies sign artists, pay for production and distribution, and are responsible for advertising, promotion and marketing. Independent labels perform similar functions but don't directly distribute, instead negotiating distribution deals. Record labels have various departments that handle tasks like A&R, promotion, marketing, finance, and international operations. The music industry uses terminology around contracts, sales levels, royalties, advances, funds, and more. Demo deals can help artists create professional recordings to shop their music.
Music business plan template
This document provides a business plan for a recorded music company. It outlines the company's mission to generate revenue through single sales, music licensing, concerts, merchandise, and endorsements. It describes the necessary platforms, including copyright registration and online presence. Financial projections estimate $36,000 in revenue the first year, growing to $280 million in year 5. Expenses include production, software, contractors, and advertising. The company will operate out of a shared office in Brooklyn, sourcing suppliers for booking, production and more.
Music Business Threats & Opportunities
The document discusses opportunities and threats in the changing music industry. Major record labels are struggling as physical music sales decline sharply. However, the overall music business is thriving through growing areas like live concerts, merchandising, and licensing. For the music business to succeed, a new model is needed that focuses on full artist brand management and exploitation across all income streams. It must also diversify revenue sources beyond recordings and align the interests of artists and labels. Emerging markets like China and India also provide major growth opportunities if infrastructure and legal issues are addressed.
Introduction to music industry
This document provides an overview of the music industry. It discusses how music shapes identity and is a global industry. It also summarizes the major players in the industry like Universal, Sony BMG, and Warner Bros. It notes that major labels are larger but independent labels appeal to niche audiences. The music industry is fueled by both major and independent labels. Record labels focus on areas like A&R, legal, finance, and promotions. Other media like radio, print, TV, and film are also linked to the music industry. Music videos are made to promote artists and their image while reinforcing the song's meaning. They help audiences understand the artist and song. The major threats to the industry are user-generated content
The music industry
The document discusses the music industry and the roles of record labels and companies. It explains that record labels scout for new artists, finance recordings, package/distribute music, and market/promote artists. Major record companies like Universal Music, Sony/BMG, EMI, and Warner Music control global production and distribution. Independent labels rely on distribution deals with majors. Record labels use various marketing strategies like radio, television, music press, and the internet to promote artists. Synergy, or collaborations between media organizations, is also used to reach wider audiences. Case studies of Fifty Cent and Bob Dylan show artists promoting themselves through different media institutions.
Job roles within record labels
The document outlines various job roles within record labels. The CEO manages the overall direction of the label including marketing, distribution, and finances. Vice presidents oversee different departments like business affairs, legal, and A&R. Accountants handle finances and royalties. The legal department drafts artist contracts and handles lawsuits. A&R scouts and develops artists. Artist development focuses on building an artist's skills and profile early on. Marketing develops strategies to promote albums. Publicists obtain media coverage of new releases and tours. Salespeople establish distribution channels for album sales.
Music industry research marketing
This document outlines a marketing plan for an EP release by an artist. The plan includes promoting the EP before and after its release through various online platforms. It also describes promoting a live show to coincide with the EP release through local media, fliers, and merchandise sales. The merchandise will include physical copies of the EP, band merchandise, and download vouchers to be sold at the live show.
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This document contains references and URLs for various articles on topics related to music, including listening to mobile music at home, how music stimulates emotions in the brain, creating marketing plans, and building partnerships. It also lists sections that would be included in an executive summary or business plan such as mission statements, goals, strengths, customers, competitors, challenges, solutions, operations, strategy, finances, and conclusions.
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Record label structure
The A&R department is responsible for finding new talent and working closely with artists on choosing music and recording. The art department designs album artwork and advertisements. The artist development department previously planned long-term artist careers but now focuses on initial promotion due to industry changes. The label liaison coordinates with delivery services and schedules album releases. The legal department handles contracts and addresses any legal issues. The marketing department creates marketing plans incorporating promotion, sales, and publicity. The new media department produces and promotes music videos and manages artists' online presence.
Existing music labels
Record labels are brands that market music recordings and videos. Major labels include Warner Music Group, Sony Music Entertainment (Columbia Records), and Universal Music Group. Warner Music Group is a global company founded in New York that provides distribution, marketing, and other services. Columbia Records was founded in 1888 and was the first to produce pre-recorded records instead of blank cylinders. Independent labels are not controlled by the major three but can still be large corporations, while indie labels promote non-mainstream music. Boy Better Know is an independent label founded in 2005 that promotes grime and rap music.
Existing music labels
The document discusses record labels and provides examples of major and independent labels. Major labels include Warner Music Group, Columbia Records, and Sony Music Entertainment. Warner Music Group is one of the big four record companies based in New York City. Columbia Records was founded in 1888 and was the first company to produce pre-recorded records. Independent labels are not controlled by the big three major labels and examples given are any label not mainstream as well as Boy Better Know, a UK collective founded in 2005.
Recording industry analysis
The document provides an overview of the recording industry and analyzes its structure and key activities. It discusses the major changes in the industry from vinyl to digital formats and the impact of the internet. It describes the different types of record labels and identifies the three major labels that currently dominate the industry - Universal Music Group, Sony Music Entertainment, and Warner Music Group. It analyzes the advantages and disadvantages of major labels compared to independent labels and outlines the key functions and departments within a record label.
Record label
This document discusses record labels and their role in the music industry. It provides details about major record labels like Sony, EMI, WEA and Universal. It discusses how Tupac was signed to Interscope Records, which specialized in hip hop. After becoming famous through Death Row Records, Tupac created his own label called Makaveli before he was killed in 1996. Interscope was founded in 1989 by Jimmy Iovine and Ted Field through a joint venture with Atlantic Records. The document also covers copyright and ensuring proper attribution and permissions when using other artists' music.
Music Industry
The music industry is split into four main parts - recording music, songwriting and publishing, live music, and artist management. Recording involves finding a record label, recording original or cover songs, and duplicating the finished product. Songwriting involves splitting publishing revenues 50/50 between the songwriter and music publisher according to agreements. The live music sector has become a primary income source for artists due to illegal downloading, involving promoters, booking agents, venues, and road crews.
Record labels
A record label manages brands and trademarks associated with music production and promotion, coordinates the production, distribution and marketing of music recordings, and protects the copyright of sound recordings. Major record labels are large multinational companies that have over 5% of music industry sales, while independent labels are not affiliated with major labels. Recording contracts define the legal agreement where an artist records exclusively for a label in exchange for the label's promotion and sales efforts.
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The document provides background information on Giggs, a grime artist from England who gained recognition through mixtapes and YouTube videos before being signed to record labels. It also summarizes the history and current artists of the British record label XL Recordings. Finally, it outlines several key job roles at a record label such as A&R, marketing, legal, and sales.
Research music task
Giggs is a grime artist from England whose real name is Nathaniel Thomson. He is 34 years old and gained recognition through numerous mixtapes he released independently, selling over 10,000 units. This helped him get signed to record labels SN1 and Island. His target audience is mainly 14-30 year olds from England.
XL Recordings is a British independent record label founded in 1989 that has signed a variety of artists across different genres, including Adele, Frank Ocean, and Radiohead. It originally focused on dance music but now releases around 6 albums per year.
The main job roles at a record label include CEO, A&R, marketing, legal, artist development, sales, and
Job roles of a record label
This document summarizes the key job roles within a typical record label. The CEO oversees the overall direction and strategy of the label. The Vice President implements the CEO's strategy by managing department heads and negotiating deals. Other roles include accounting, legal affairs, A&R to find and sign new artists, artist development, marketing, online promotion, art design, publicity, promotions, and sales distribution. Each department works together to develop, promote and manage the careers of the label's recording artists.
History of Music Packaging
The document discusses the history of music packaging and marketing. It notes that vinyl records provided a large space for advertising that was sometimes used for specific promotions but often left to artists. Some artists developed definitive styles and logos that helped branding. As formats changed to cassettes and CDs, packaging considerations had to adapt while still including necessary information. Record labels had in-house art directors and freelancers who worked with artists on imagery. Southern rap labels effectively used consistent album art designs. Marketing decisions varied based on the artist's status and sales strength. Packaging had to balance artistic expression and commercial appeal.
Record Company Function & Terminology
Major record companies sign artists, pay for production and distribution, and are responsible for advertising, promotion and marketing. Independent labels perform similar functions but don't directly distribute, instead negotiating distribution deals. Record labels have various departments that handle tasks like A&R, promotion, marketing, finance, and international operations. The music industry uses terminology around contracts, sales levels, royalties, advances, funds, and more. Demo deals can help artists create professional recordings to shop their music.
Music business plan template
This document provides a business plan for a recorded music company. It outlines the company's mission to generate revenue through single sales, music licensing, concerts, merchandise, and endorsements. It describes the necessary platforms, including copyright registration and online presence. Financial projections estimate $36,000 in revenue the first year, growing to $280 million in year 5. Expenses include production, software, contractors, and advertising. The company will operate out of a shared office in Brooklyn, sourcing suppliers for booking, production and more.
Music Business Threats & Opportunities
The document discusses opportunities and threats in the changing music industry. Major record labels are struggling as physical music sales decline sharply. However, the overall music business is thriving through growing areas like live concerts, merchandising, and licensing. For the music business to succeed, a new model is needed that focuses on full artist brand management and exploitation across all income streams. It must also diversify revenue sources beyond recordings and align the interests of artists and labels. Emerging markets like China and India also provide major growth opportunities if infrastructure and legal issues are addressed.
Introduction to music industry
This document provides an overview of the music industry. It discusses how music shapes identity and is a global industry. It also summarizes the major players in the industry like Universal, Sony BMG, and Warner Bros. It notes that major labels are larger but independent labels appeal to niche audiences. The music industry is fueled by both major and independent labels. Record labels focus on areas like A&R, legal, finance, and promotions. Other media like radio, print, TV, and film are also linked to the music industry. Music videos are made to promote artists and their image while reinforcing the song's meaning. They help audiences understand the artist and song. The major threats to the industry are user-generated content
The music industry
The document discusses the music industry and the roles of record labels and companies. It explains that record labels scout for new artists, finance recordings, package/distribute music, and market/promote artists. Major record companies like Universal Music, Sony/BMG, EMI, and Warner Music control global production and distribution. Independent labels rely on distribution deals with majors. Record labels use various marketing strategies like radio, television, music press, and the internet to promote artists. Synergy, or collaborations between media organizations, is also used to reach wider audiences. Case studies of Fifty Cent and Bob Dylan show artists promoting themselves through different media institutions.
Job roles within record labels
The document outlines various job roles within record labels. The CEO manages the overall direction of the label including marketing, distribution, and finances. Vice presidents oversee different departments like business affairs, legal, and A&R. Accountants handle finances and royalties. The legal department drafts artist contracts and handles lawsuits. A&R scouts and develops artists. Artist development focuses on building an artist's skills and profile early on. Marketing develops strategies to promote albums. Publicists obtain media coverage of new releases and tours. Salespeople establish distribution channels for album sales.
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This document contains references and URLs for various articles on topics related to music, including listening to mobile music at home, how music stimulates emotions in the brain, creating marketing plans, and building partnerships. It also lists sections that would be included in an executive summary or business plan such as mission statements, goals, strengths, customers, competitors, challenges, solutions, operations, strategy, finances, and conclusions.
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Bandsintown Billboard Touring Presentation
Bandsintown is the number 1 concert discovery app. It aggregates tour and ticket data for over 100,000 artists and reaches 20 million unique fans on Facebook. Half of the top 40 Billboard artists use its artist platform. Bandsintown sends over 2 million fans to ticket sites each month and is the top source of traffic to artists' Facebook pages, driving more traffic than Google Search. It has launched new social and e-commerce features to help artists better connect with fans and promote presales, VIP packages, and merchandise.
Bandsintown RSViP Program - Connecting Artists & Fans
Bandsintown creates one-of-a-kind RSViP experiences that connect Fans, Artists and Venues.
Each month, we select one show to feature as a Bandsintown RSViP event, where we give 10 lucky fans and their friends an exclusive RSViP package including a meet-and-greet with the artist, a fast pass to jump the line, an RSViP t-shirt, a concert poster and most importantly an unforgettable night of music and partying!
We promote the event through targeted messages, dedicated emails, mobile push notifications and RSVP reminders. When fans RSVP to a show in Bandsintown, the artist is then able to send a direct message to those fans through Bandsintown Manager, establishing a direct line of communication and deeper engagement.
Learn more by contacting us at biz@bandsintown.com
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Materi Diskusi Ada Apa di Balik Sentimen Anti Cina - Sejuk
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Final album advert
The Arctic Monkeys have released a new album called "I Want It All" on April 5th, 2016, which is available on iTunes, SoundCloud, and CD and features their latest single "Arabella."
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The document discusses the conventions used in media products like music videos, as well as how the author's products both follow and challenge some of these conventions. Specifically:
- The author's music video includes performance elements and lip syncing to connect to the song, but challenges conventions by showing both the male protagonist and a female lip syncing to represent the song's perspective.
- Elements like costumes, fonts, and imagery are carried over across the music video, album packaging, and advertisement to create cohesion and a recognizable brand.
- The author aimed to both utilize standard conventions like promotional information but also add their own style and narrative, such as setting the products in a 1950s era, to make their
Digipack final
This document provides credits for an album by the Arctic Monkeys. It lists the composers, lyricists, arrangers, and those involved in recording, production, artwork, and manufacturing. It also includes track listings and information for contacting the record label.
Storyboard first verse
The storyboard outlines shots for the first verse of a music video, including close-up shots of an artist lip syncing from different angles, both inside and outside of a car moving at varying speeds, as well as shots of the artist's legs, eyes, and them walking outside.
Editing process
The document discusses editing processes and changes made to footage. It includes 4 sections that each describe edits made to a different piece of footage. These include converting to black and white, adjusting lighting and levels, adding grain and noise, reversing and speeding up footage, and the usual edits of color, contrast and noise to mimic an older look. Stabilization and speed/duration tools were used to steady footage and adjust clip speed. The edits were made to manipulate the visuals and achieve different artistic effects.
Rushes log
The document is a rushes log for the production "Arabella" by Arctic Monkeys, produced by Casey Bennett. It contains details of 14 video files recording a performance of an actor lip syncing to a song from inside a car in various mid shots and closeups between 23 seconds and 3 minutes 29 seconds long. All of the video files will need to be manipulated and only cuts of the footage will be used.
Chosen locations
This location provides an ideal dark and grainy look when manipulated into black and white, allowing the smoke to stand out crisply against the minimal lighting. However, the darkness results in lower image quality and the confined space of the car makes it difficult to steady the camera and get the perfect shot.
Brand guidelines
The brand guidelines outline rules for consistently representing the Arctic Monkeys brand globally, including only using the master artwork logo, specifying allowed colors and typefaces, and stating the guidelines apply to all promoters of Arctic Monkeys content.
Personnel details
Harvey Kemish will play the main protagonist in the production and George Smith will play another minor character role. Fraser Stanton will assist with camera work and also play a minor character, while Jack Baber will act if needed and provide any voice over work. Sam Corker will be the female figure in the music video and Alan Underdown will help position props for the production.
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This risk assessment document from Haydon Media identifies potential risks for their production of the Arctic Monkeys music video 'Arabella'. The key risks include tripping over wiring on the floor, electrical fires from overheating lights, equipment damage from misuse, and medical issues from crew members' health conditions. The document outlines ways to minimize each risk, such as taping wires down, turning lights off when not in use, regularly checking equipment, and ensuring crew have necessary medications. The producer Casey Bennett is responsible for overseeing the risk mitigation strategies.
Call sheet
This call sheet is for a music video shoot for the Arctic Monkeys song "Arabella" taking place on July 11th from 7:30-9:30 PM at a ghost town location. It requires 2 camera operators, 1 jib operator, 1 communicator, 1 technical director, and lists the cast and crew. The shoot will include close-up theatrical shots like clocks ticking and cigarettes being smoked to set the scene, and then main performance shots of the singer walking and singing with focus pulls and group shots. Costumes will have a 1950s greaser style to match the era being represented.
Location mise en-scene
The document discusses elements of mise-en-scene that the author finds appealing in the music video for "Sweater Weather" by The Neighbourhood. These include a greyscale color palette with grainy texture, as well as specific props like a record player, shadows, a water fountain, and close-up shots of hands, faces, and other details. The author aims to incorporate a similar aesthetic and random, cinematic shots loosely related to the music into their own music video.
Location contract
This film location release contract confirms an agreement between film producers Casey Bennett and Steven Bennett to film at Steven's property, 68 Sandalwood Close, from October 15, 2015 to February 28, 2016 for the film "Arabella". The contract allows filming of specified scenes at the property and use of resulting photographs and recordings in the film. It also stipulates that no structural alterations will be made and the property will be treated with respect.
Location recce
This document provides location details for three potential filming locations for an Arabella music video:
1) An abandoned "Ghost Town" street in Hillingdon with empty houses and no pedestrians, allowing interference-free shots but requiring permission as it is not a public area. Filming may be limited to nighttime.
2) Fields and woods in Hillingdon with open backdrops and specific areas like a bridge, tunnel, and hills that could work for shots but has no lighting so would require daytime or artificial lighting. It is a public place so others could interfere.
3) The filmmaker's home in Hillingdon/Ruislip which provides control over placement but is not as iconic and must
Equipment list
This equipment list details the gear needed for an Arabella music video shoot, including a Canon camera with 50mm lens, LED lighting with key, rear and fill lights, regular and sliding tripods, options for a Sony 4K camera for slow motion or steady cam shots, and wide angle, zoom and micro lenses. Additional studio lighting and a steady cam may also be used.
Actor release
The actor release form grants Casey Bennett permission to photograph, record, and use Harvey Kemish's likeness for the student film "Arabella". Harvey Kemish agrees to adhere to the agreed upon schedule and make himself available for potential reshoots if needed. Harvey Kemish signs to certify he understands the release form and the permission it grants regarding his involvement in the student film.
Equipment research
The document describes various equipment available for filming, including a Canon camera with manual controls for aperture, shutter speed, and ISO, as well as manual focus. It also lists LED lighting that can be adjusted, tripods, and a sliding accessory that allows smooth camera movement along adjustable angles. An alternative camera can shoot higher frame rates for slow motion video but requires more light.
Song ideas & inspiration
This document provides initial ideas and inspiration for song choices and visual elements for a music video. It analyzes the lyrics of Arctic Monkeys' "Fluorescent Adolescent" and discusses how the song captures growing older. It also briefly summarizes the theme of passion in Arctic Monkeys' "Arabella." Examples of inspiring video elements are given from videos for "Sweater Weather" and the film "The Nowhere Boy," including theatrical shots, narrative elements, and performance shots.
Initial ideas
The document provides initial ideas for a student's music video project, including:
- Song choices of "Arabella" by Arctic Monkeys, "Naive" by The Kooks, or "Fire" by Kasabian for their indie/alternative rock style and narrative potential.
- The music video will include elements of performance (lip syncing and guitar playing), narrative (revolving around the protagonist's feelings for an unseen woman), and theatrical shots for visual interest.
- Example theatrical shot ideas incorporate slow motion, long exposures of headlights, and close-ups playing with focus and shutter speed on clocks, cigarettes, and fire.
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Introduction to objective, scope and outcome the subject
Chapter 2
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Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
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Chapter 5
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Chapter 6
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