The document outlines plans for a devised performance piece about radicalization and extremism. It discusses exploring different performance styles like Artaud's cathartic approach and Brecht's distancing effect. Various types of extremist groups are considered as subject matter, like the IRA, ISIS, Taliban, KKK, and Black Panthers. Scenes are proposed to examine links between extremism and Islam by depicting a press conference, and to portray attacks by the KKK on black people and religious minorities. Staging ideas include a crucifix with skulls, projected religious symbols that crumble and bleed. Costumes, makeup, weapons, and sound effects are listed to create an eerie and disturbing experience for the audience.