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MUSIC 7/8
Agenda Time
1. Gather Materials 3 min
2. Most Important Question,
Attendance
2 min
3. Creating Counterpoint 25 min
4. Work Time 20 min
WHAT ARE WE LEARNING TODAY?
 By the end of today’s class, you will know how to
create counterpoint for your two-part invention.
 Benchmarks: 6.1.1.3.1, 6.1.2.3.1, 6.2.1.3.1
CREATING COUNTERPOINT
 The easiest thing you can do to create counterpoint
is to emphasize consonance
 Consonances: unisons, 3rds, 4ths, 5ths, 6ths, and
octaves
 Use fewer dissonances
 2nds and 7ths
 Utilize different rhythms in the non-theme/variation
measures
 Half notes work great (and are easy)
 Eighth notes provide a lot of interest
CREATING COUNTERPOINT
 Creating counterpoint requires knowing all of our
intervals
 Let’s review them:
 Count the steps from one note to the other
 The starting note counts as 1—don’t forget!

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Quarter 4 Week 5 PowerPoint

  • 1. MUSIC 7/8 Agenda Time 1. Gather Materials 3 min 2. Most Important Question, Attendance 2 min 3. Creating Counterpoint 25 min 4. Work Time 20 min
  • 2. WHAT ARE WE LEARNING TODAY?  By the end of today’s class, you will know how to create counterpoint for your two-part invention.  Benchmarks: 6.1.1.3.1, 6.1.2.3.1, 6.2.1.3.1
  • 3. CREATING COUNTERPOINT  The easiest thing you can do to create counterpoint is to emphasize consonance  Consonances: unisons, 3rds, 4ths, 5ths, 6ths, and octaves  Use fewer dissonances  2nds and 7ths  Utilize different rhythms in the non-theme/variation measures  Half notes work great (and are easy)  Eighth notes provide a lot of interest
  • 4. CREATING COUNTERPOINT  Creating counterpoint requires knowing all of our intervals  Let’s review them:  Count the steps from one note to the other  The starting note counts as 1—don’t forget!