BERNARD SHAW
1912

ROSA PASTOR
26 July 1856 – 2 November 1950
Irish playwright
He wrote about the exploitation of the working
class.
Charter member of the Fabian Society
Concerned about the vagaries of English
spelling, Shaw willed a portion of his
wealth to fund the creation of a
new phonemic alphabet for the English
language

ROSA PASTOR
FREDDY
PICKERING

MRS. HIGGINS

HIGGINS
LIZA

DOOLITTLE
Social class differences

ROSA PASTOR
Henry Higgins, a professor of phonetics, makes a bet
with his friend Colonel Pickering that he can turn a
Cockney flower girl, Eliza Doolittle, into a refined
society lady merely by teaching her how to speak with
an upper class accent and training her in etiquette.

ROSA PASTOR
Finalizing details for the presentation of the work
Checking the result
You can change the outside but not inside

Almost a success
ROSA PASTOR
End of the party

Satisfaction with
the success achieved

ROSA PASTOR
“The difference between a lady
and a flower girl is not how she
behaves, but how she is treated”

I will teach phonetics

ROSA PASTOR
“While respectability can be
learned,
self-respect is something more
authentic”

ROSA PASTOR
Is the male artist the absolute and perfect that
has the power to create woman the image of
his desires?
Can there be a relationship between a man and a
woman over sex and romance?
Does it reflect the beauty of virtue?
What the artist loves, his creation or art that led
to the creation exist?
ROSA PASTOR
ROSA PASTOR

Pygmalion

  • 1.
  • 2.
    26 July 1856– 2 November 1950 Irish playwright He wrote about the exploitation of the working class. Charter member of the Fabian Society Concerned about the vagaries of English spelling, Shaw willed a portion of his wealth to fund the creation of a new phonemic alphabet for the English language ROSA PASTOR
  • 3.
  • 4.
  • 5.
    Henry Higgins, aprofessor of phonetics, makes a bet with his friend Colonel Pickering that he can turn a Cockney flower girl, Eliza Doolittle, into a refined society lady merely by teaching her how to speak with an upper class accent and training her in etiquette. ROSA PASTOR
  • 6.
    Finalizing details forthe presentation of the work Checking the result You can change the outside but not inside Almost a success ROSA PASTOR
  • 7.
    End of theparty Satisfaction with the success achieved ROSA PASTOR
  • 8.
    “The difference betweena lady and a flower girl is not how she behaves, but how she is treated” I will teach phonetics ROSA PASTOR
  • 9.
    “While respectability canbe learned, self-respect is something more authentic” ROSA PASTOR
  • 10.
    Is the maleartist the absolute and perfect that has the power to create woman the image of his desires? Can there be a relationship between a man and a woman over sex and romance? Does it reflect the beauty of virtue? What the artist loves, his creation or art that led to the creation exist? ROSA PASTOR
  • 11.

Editor's Notes