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Purple Ribbon
https://www.youtube.com/watch?v=xs8wqd
MZ8xM&themeRefresh=1
SONG
TIME
AUDIO / LYRICS / NARRATION /
MUSIC / FX
VIDEO
CONVERSATION (NO MUSIC)
DIALOGUE
SOUNDBRIDGE - FOOTSTEPS
WALKING
- Faint music playing
- “ Hey, how are you?” - small
talk
Close up on the side of her feet walking up the
stairs -
As the doors opens cut to Eyeline shot from the
back media close up- the door opening to
Stevie and her saying hi to her friend -
Camera tracking her walking around the
house party - pov seeing people at the party
“ hey have you seen *****?”
Camera tracking- her walking up the stairs -
media close up -
Close up of her hand opening the door -
Close up - of her boyfriend ( dont see his face)
being intimate with a girl he brushes her arm
and strokes her face
Whippan to her reaction - wide shot we see
Stevie with her outfit - she's wearing a black
lacy dress, purple ribbons are in her hair.
BLACK OUT -
0:00 - 0:10
ACOUSTIC INSTRUMENTAL
Close up montage of different parts of her room
- segments of her room. She has posters
above her bed and her room is a mess,
there's laundry everywhere and bras on the
floor; her desk also covered in makeup and
by the side a toy box filled with barbies.
Close up - of the top her ex boyfriend gave
her
“ Are you in love with her or do you
miss me?”
Aerial shot - we see our artist on her bed
wearing mismatched socks and a matching
pj set, she has a face mask on and rollers in
her hair as she's laying on her bed kicking
her feet up. in font of her is a journal to which
she's writing the lyrics and by her side is her
guitar. The page is written out messily with
stickers and glitter on the side.
“ don't be in her same vicinity, or
she'll fall apart instantly”
- Close up shot we see her playing w
barbies in front of a dollhouse and
she's sitting on the floor.
- Pov close up of the barbies and we
enter a stop motion animation of the
barbies moving.
- The barbies represent her, her ex and
his new girlfriend and what happened
at the party we saw in the opening
scene.
- as the barbies movies, the use of
mixed media animation will come in
and we see drawn out clothes on top
of the barbies. As the two barbies get
intimate we close up on her barbie as
she looks dishevelled and broken.
“Are you in love with her now?
'Cause we broke up two months
ago
Now all I see
Is she's wearing your clothes”
Montage sequence - of new location in a field
Cuts to wide shot - different location of a field
Close up - to her running through the grass.
brushing our hands through flowers. she is
swaying around
- Slow mo and long exposure shots
“And that shirt you wore to my last
show”
- Medium close up, we Cut back to
bedroom, she picks up the top and
throws it
- as she throws the shirt it transitions to
a waitress walking in front of the
camera and we are in a new location.
What a shame that we're this way
Pick and choose girls like a game
And you still don't have a change
of heart
. media close up - of the waitress putting down
a coffee cut - walking away then the artist is
centre frame and singing to the camera
'Cause your girlfriend sucks
And you don't give a fuck
- As she's singing to the camera she
sees something off in the distance and
she pauses, the camera slowly zooms
into her reaction and then suddenly
whippans to her ex boyfriend and her
girlfriend.
“So I guess I'll just suck it up”
Close up - on the ex boyfriend ( un named )
and new girlfriend holding hands in the
distance she's wearing the top he gave artist
Close up - on the top she's wearing
Are you in love with her now?
'Cause we broke up two months
ago
Cross cut - in her bedroom playing the guitar
and singing the song
Montage jump cuts - Different angles shot
types including close up, canted, wide ,
high/low angle
"now all i see is she's wearing your
clothes"
Cross cut - Caf, she's angry and singing to the
camera
And that shirt you wore to my last
show
- Jumpcut to a flashback of her ex
boyfriend wearing THE shirt ( my
girlfriends a rockstar)
- Eyeline shot of the back of the
boyfriends head, shallow depth of field
and then it focuses on Stevie playing
on the stage.
ACOUSTIC INSTRUMENTAL
Cross cutting to a series of locations :
. Artist performing at a gig with her friends
watching
. Ripping the barbie head off in her room
. Throwing clothes and ripping pictures of her
walls
. Smashing cakes in the field
. Burning pictures of them
. In the caffe head in her hands, angry gestures
You placed a safe bet
You took the easy route
- We are at the very first location ( at the
party) . Stevie is centre frame and
singing at a normal speed to the
camera whilst the others around her
are dancing, drinking and moving in
slow motion.
You made me regret
Letting my guard down
Cross cut back into the field, aerial shot of
her on the grass and she's flirting with
the camera a bit, the camera is
swaying with her.
I tried to forget
That you could play that low
- Cross cut and she is back at the party
and she continues to sing at the
camera
Your purple ribbon
Still tied around my bones
- Cross cut back to the beginning of the
music video and we see stevie and her
ex boyfriend arguing at the party. As
this happens, there is a closeup on
Stevies purple ribbon as this happens.
2ND INSTRUMENTAL
- Montage of stevie arguing with her
boyfriend, the editing is glitchy and the
use of mixed media animation also
reepears, covering the boyfriends face
with crosses and broken hearts.
-
Are you in love with her now?
'Cause we broke up two months
ago
- Medium closeup journal is held up to
the camera with the lyrics.
- cross cutting with her in her room and
she's jumping up and down, she uses
her hairbrush as a mic and she's
making
Now all I see
Is she's wearing your clothes
-
And that shirt you wore to my last
show
(the music is slower)
Are you in love with her now?
- Sitting on steps crying singing to the
camera, holifn red cup,
'Cause we broke up two months
ago
- Field picking flower petals, her makeup
is messy
Now all I see
Is she's wearing your clothes
And that shirt you wore to my last
show
Production Management Made Modern. Create stripboards, shooting schedules, call sheets and
more

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Purple Ribbon av script draft 1 .pdf

  • 1. Purple Ribbon https://www.youtube.com/watch?v=xs8wqd MZ8xM&themeRefresh=1 SONG TIME AUDIO / LYRICS / NARRATION / MUSIC / FX VIDEO CONVERSATION (NO MUSIC) DIALOGUE SOUNDBRIDGE - FOOTSTEPS WALKING - Faint music playing - “ Hey, how are you?” - small talk Close up on the side of her feet walking up the stairs - As the doors opens cut to Eyeline shot from the back media close up- the door opening to Stevie and her saying hi to her friend - Camera tracking her walking around the house party - pov seeing people at the party “ hey have you seen *****?” Camera tracking- her walking up the stairs - media close up - Close up of her hand opening the door - Close up - of her boyfriend ( dont see his face) being intimate with a girl he brushes her arm and strokes her face Whippan to her reaction - wide shot we see Stevie with her outfit - she's wearing a black lacy dress, purple ribbons are in her hair. BLACK OUT - 0:00 - 0:10 ACOUSTIC INSTRUMENTAL Close up montage of different parts of her room - segments of her room. She has posters above her bed and her room is a mess, there's laundry everywhere and bras on the floor; her desk also covered in makeup and by the side a toy box filled with barbies. Close up - of the top her ex boyfriend gave her “ Are you in love with her or do you miss me?” Aerial shot - we see our artist on her bed wearing mismatched socks and a matching pj set, she has a face mask on and rollers in
  • 2. her hair as she's laying on her bed kicking her feet up. in font of her is a journal to which she's writing the lyrics and by her side is her guitar. The page is written out messily with stickers and glitter on the side. “ don't be in her same vicinity, or she'll fall apart instantly” - Close up shot we see her playing w barbies in front of a dollhouse and she's sitting on the floor. - Pov close up of the barbies and we enter a stop motion animation of the barbies moving. - The barbies represent her, her ex and his new girlfriend and what happened at the party we saw in the opening scene. - as the barbies movies, the use of mixed media animation will come in and we see drawn out clothes on top of the barbies. As the two barbies get intimate we close up on her barbie as she looks dishevelled and broken. “Are you in love with her now? 'Cause we broke up two months ago Now all I see Is she's wearing your clothes” Montage sequence - of new location in a field Cuts to wide shot - different location of a field Close up - to her running through the grass. brushing our hands through flowers. she is swaying around - Slow mo and long exposure shots “And that shirt you wore to my last show” - Medium close up, we Cut back to bedroom, she picks up the top and throws it - as she throws the shirt it transitions to a waitress walking in front of the camera and we are in a new location. What a shame that we're this way Pick and choose girls like a game And you still don't have a change of heart . media close up - of the waitress putting down a coffee cut - walking away then the artist is centre frame and singing to the camera
  • 3. 'Cause your girlfriend sucks And you don't give a fuck - As she's singing to the camera she sees something off in the distance and she pauses, the camera slowly zooms into her reaction and then suddenly whippans to her ex boyfriend and her girlfriend. “So I guess I'll just suck it up” Close up - on the ex boyfriend ( un named ) and new girlfriend holding hands in the distance she's wearing the top he gave artist Close up - on the top she's wearing Are you in love with her now? 'Cause we broke up two months ago Cross cut - in her bedroom playing the guitar and singing the song Montage jump cuts - Different angles shot types including close up, canted, wide , high/low angle "now all i see is she's wearing your clothes" Cross cut - Caf, she's angry and singing to the camera And that shirt you wore to my last show - Jumpcut to a flashback of her ex boyfriend wearing THE shirt ( my girlfriends a rockstar) - Eyeline shot of the back of the boyfriends head, shallow depth of field and then it focuses on Stevie playing on the stage. ACOUSTIC INSTRUMENTAL Cross cutting to a series of locations : . Artist performing at a gig with her friends watching . Ripping the barbie head off in her room . Throwing clothes and ripping pictures of her walls . Smashing cakes in the field . Burning pictures of them . In the caffe head in her hands, angry gestures You placed a safe bet You took the easy route - We are at the very first location ( at the party) . Stevie is centre frame and singing at a normal speed to the camera whilst the others around her are dancing, drinking and moving in slow motion. You made me regret Letting my guard down Cross cut back into the field, aerial shot of her on the grass and she's flirting with the camera a bit, the camera is swaying with her.
  • 4. I tried to forget That you could play that low - Cross cut and she is back at the party and she continues to sing at the camera Your purple ribbon Still tied around my bones - Cross cut back to the beginning of the music video and we see stevie and her ex boyfriend arguing at the party. As this happens, there is a closeup on Stevies purple ribbon as this happens. 2ND INSTRUMENTAL - Montage of stevie arguing with her boyfriend, the editing is glitchy and the use of mixed media animation also reepears, covering the boyfriends face with crosses and broken hearts. - Are you in love with her now? 'Cause we broke up two months ago - Medium closeup journal is held up to the camera with the lyrics. - cross cutting with her in her room and she's jumping up and down, she uses her hairbrush as a mic and she's making Now all I see Is she's wearing your clothes - And that shirt you wore to my last show (the music is slower) Are you in love with her now? - Sitting on steps crying singing to the camera, holifn red cup, 'Cause we broke up two months ago - Field picking flower petals, her makeup is messy
  • 5. Now all I see Is she's wearing your clothes And that shirt you wore to my last show Production Management Made Modern. Create stripboards, shooting schedules, call sheets and more