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P R O D U C T I O N
D I A R Y
B 2 – S U N D E R L A N D D O C U M E N T A R Y
D E S I G N I N G T H E S E T
• The set I used to film my monologue sequence of the
documentary was built by my dad in his studio, he
constructed the walls and mounted the TV. I dressed
the set for my documentary however, it was important
to me that the backdrop was themed to suit the theme
of my documentary, so I chose to decorated with all my
Sunderland AFC memorabilia. I draped the flag and
scarves over the shelf, securing the scarf with tape and
kept the scarfs secure with a Styrofoam mannequin
head that I also dressed in a Sunderland themed
bucket hat. I also utilised the TV by streaming a picture
of the documentary’s thumbnail to it, I am pleased with
the way it looked and think it does a great job of
creating an environment for the video.
F I L M I N G T H E
M O N O L O G U E
• To film my monologue, I used my dad’s studio and camera set
up as well as his boom mic, which was positioned just out of
frame in this photo. This set up was helpful as it is exactly
how I pictured the set and cameras looking when I wrote the
script. I read the script from a teleprompter that was
positioned just underneath the camera, so I didn’t have to look
away to read the script. Filming my monologue was difficult as
I had to adjust to using a teleprompter for the first time; filming
the whole script took approximately 3 hours including brakes
and set-up. During filming, we had no technical issues
however physical exhaustion was certainly a problem to
overcome so to combat this I took regular breaks between
different sections of the script.

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production diary.pptxiughiuhiuiuhiuhiuhui

  • 1. P R O D U C T I O N D I A R Y B 2 – S U N D E R L A N D D O C U M E N T A R Y
  • 2. D E S I G N I N G T H E S E T • The set I used to film my monologue sequence of the documentary was built by my dad in his studio, he constructed the walls and mounted the TV. I dressed the set for my documentary however, it was important to me that the backdrop was themed to suit the theme of my documentary, so I chose to decorated with all my Sunderland AFC memorabilia. I draped the flag and scarves over the shelf, securing the scarf with tape and kept the scarfs secure with a Styrofoam mannequin head that I also dressed in a Sunderland themed bucket hat. I also utilised the TV by streaming a picture of the documentary’s thumbnail to it, I am pleased with the way it looked and think it does a great job of creating an environment for the video.
  • 3. F I L M I N G T H E M O N O L O G U E • To film my monologue, I used my dad’s studio and camera set up as well as his boom mic, which was positioned just out of frame in this photo. This set up was helpful as it is exactly how I pictured the set and cameras looking when I wrote the script. I read the script from a teleprompter that was positioned just underneath the camera, so I didn’t have to look away to read the script. Filming my monologue was difficult as I had to adjust to using a teleprompter for the first time; filming the whole script took approximately 3 hours including brakes and set-up. During filming, we had no technical issues however physical exhaustion was certainly a problem to overcome so to combat this I took regular breaks between different sections of the script.