Sashar Zarif Dance Theatre is a Toronto-based dance company founded in 1994 that specializes in Central and Western Asian dance. The company is committed to research, education, and creative exploration to bring awareness to life through dance. Through works like "Choreographies of Migration" and performances with musician Alim Qasimov, the company examines ideas of identity, home, and the connection between past and future. The founder, Sashar Zarif, is a dancer, educator, and researcher who creates works based on his background and interest in traditional and contemporary dance from Near Eastern and Central Asian regions.
Sashar Zarif Dance Theatre provides workshops, residencies, and performances exploring relationships between traditional and contemporary dance. Their work introduces audiences to the art of Mugham music and dance from Azerbaijan, Iran, Afghanistan and Central Asia. Workshops offer rich cultural experiences through investigating poetry, music, calligraphy and dance. SZDT's education focuses on embracing unity of mind, body and spirit through cultural identity and history.
The document provides an overview of dances in Singapore and India. It discusses several traditional dances of Singapore including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. For India, it highlights classical dances such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Sattriya. It notes that Singapore dance reflects its cultural diversity and struggle between western and traditional influences. Indian dance traditions have influenced other countries in South and Southeast Asia.
This document discusses various folk media art forms across India. It describes popular forms like Tamasha from Maharashtra, Pawada ballads, Keertana storytelling, Yakshagana drama from Karnataka, Nautanki and Dashavatara drama. Other forms mentioned are Ramlila, Jatra, Bhavai from Gujarat, Therukothu street theater in Tamil Nadu, and puppetry styles. The document outlines characteristics of each form like musical instruments used, themes, roles of performers, and origins. It notes that folk media is used for entertainment as well as conveying social and political messages to both literate and illiterate audiences.
Riyaaz Qawwali is a Qawwali group based in Houston, Texas. With conservative growth and heightened attention to quality, Riyaaz Qawwali has performed across the continental U.S., as well as internationally in Panama and Holland.
Yakshagana is a classical folk theater art form from coastal Karnataka involving dance, music, costumes and makeup. It originated in the 11th-16th centuries from the Vaishnavism bhakti movement. By around 1500, it had taken shape as performances depicted stories from Hindu epics using narrators, musicians and actors. Traditional performances involved enacting roles from dusk to dawn with actors wearing ornate costumes and makeup. The art form has evolved over time and spread to neighboring regions while maintaining traditional elements.
This Paper Includes History Of Kuchipudi And the key points of kuchipudi followed by instruments used in it. it can be useful for the people searching for a good presentation on Kuchipudi dance
Line dancing may have probably existed for many centuries and like other dances, it has evolved to fit in with modern music. It makes everyone move simultaneously to a certain kind of music hence making the act as fun and free-flowing as possible.
Sashar Zarif Dance Theatre provides workshops, residencies, and performances exploring relationships between traditional and contemporary dance. Their work introduces audiences to the art of Mugham music and dance from Azerbaijan, Iran, Afghanistan and Central Asia. Workshops offer rich cultural experiences through investigating poetry, music, calligraphy and dance. SZDT's education focuses on embracing unity of mind, body and spirit through cultural identity and history.
The document provides an overview of dances in Singapore and India. It discusses several traditional dances of Singapore including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. For India, it highlights classical dances such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Sattriya. It notes that Singapore dance reflects its cultural diversity and struggle between western and traditional influences. Indian dance traditions have influenced other countries in South and Southeast Asia.
This document discusses various folk media art forms across India. It describes popular forms like Tamasha from Maharashtra, Pawada ballads, Keertana storytelling, Yakshagana drama from Karnataka, Nautanki and Dashavatara drama. Other forms mentioned are Ramlila, Jatra, Bhavai from Gujarat, Therukothu street theater in Tamil Nadu, and puppetry styles. The document outlines characteristics of each form like musical instruments used, themes, roles of performers, and origins. It notes that folk media is used for entertainment as well as conveying social and political messages to both literate and illiterate audiences.
Riyaaz Qawwali is a Qawwali group based in Houston, Texas. With conservative growth and heightened attention to quality, Riyaaz Qawwali has performed across the continental U.S., as well as internationally in Panama and Holland.
Yakshagana is a classical folk theater art form from coastal Karnataka involving dance, music, costumes and makeup. It originated in the 11th-16th centuries from the Vaishnavism bhakti movement. By around 1500, it had taken shape as performances depicted stories from Hindu epics using narrators, musicians and actors. Traditional performances involved enacting roles from dusk to dawn with actors wearing ornate costumes and makeup. The art form has evolved over time and spread to neighboring regions while maintaining traditional elements.
This Paper Includes History Of Kuchipudi And the key points of kuchipudi followed by instruments used in it. it can be useful for the people searching for a good presentation on Kuchipudi dance
Line dancing may have probably existed for many centuries and like other dances, it has evolved to fit in with modern music. It makes everyone move simultaneously to a certain kind of music hence making the act as fun and free-flowing as possible.
Religious dance, especially Judeo-Christian dance, has strict rules regarding modesty and the purpose of praising God. Judeo-Christian dance originated from Miriam's dance celebrating freedom from Egypt with women dancing in separate circles from men. While the specific dance moves are not described in religious texts, over time Jewish dance adapted motions from neighboring cultures. Christians also adopted dances like ballet but developed modest versions restricting alluring moves in line with traditional Jewish dance laws.
Classical Dance Classes In Bangalore - SSCDsreejaya123
Bharatnatyam is one of the popular Classical and Traditional Dances Of India.Bharatnatyam is dance form which use combinations of Bhava,Raga,Tala and Natya. Here is the great Opportunity to Learn Bharatnatyam.SSCD Provides you Best Bharatnatyam Dance Classes In Bangalore
Dance is a form of art that uses bodily movement, often accompanied by music. It can tell a story, set a mood, or express emotion. The most important elements of dance are the dancer, choreographer, design/pattern of movements, subject/message, and techniques/styles of movement. Dance takes different forms for different purposes, such as folk/ethnic dances, social/ballroom dances, and theatrical/spectacular dances intended for performance. The history of dance spans from prehistoric rituals to the development of ballet and modern social dances.
Kuchipudi is a classical Indian dance that originated in the Krishna district of Andhra Pradesh, tracing back to the village of Kuchipudi, and involves storytelling through hand gestures and facial expressions that depict emotions and themes from Hindu scriptures like the Ramayana and Mahabharata. Key elements of Kuchipudi include elegant dance movements, costumes featuring sarees and jewelry, traditional music instruments, and themes centered around devotion to deities like Krishna through dance dramas once performed only by men but now commonly by women as well.
Maximum India - Cultural Festiveal in Washington DC, USAThe Other Home
Maximum India, a 20-day cultural extravaganza of Indian soft power, kicks off here on March 1 with scores of artistes set to enthrall a capital where India is now looked on more favourably than ever before.
Hope this will strengthen Brand India in USA and lots of new tourist will visit India to explore the country.
The document discusses dance as an art form that takes many forms and serves various purposes such as recreation, entertainment, education, therapy, and religion. It focuses primarily on the aesthetic or entertaining experience rather than athletics. Throughout history, dance has provided a variety of functions due to its multidimensionality, though cultural differences exist. People still dance today for four main reasons: to please gods, others, themselves, or build community. The document also outlines key elements of dance including space, time, energies, bodily shapes, and group shapes.
Bharat Natyam is the most widely known classical dance form of India, originating from Tamil Nadu. It was developed in the 1930s by combining elements from older styles. Kathak originated in Uttar Pradesh and is accompanied by Hindustani classical music. It evolved from temple dances but took on a more entertaining style under Mughal rule. Kathakali is a classical dance drama form from Kerala featuring elaborate costumes and makeup portraying stories from epics and scriptures.
Kuchipudi is a classical Indian dance that originated in the village of Kuchipudi in Andhra Pradesh. It was developed and codified in the 13th century by Siddhendra Yogi, who established it as an art form performed primarily by male Brahmin dancers. Traditional Kuchipudi involved dance dramas with multiple characters portrayed through hand gestures, facial expressions, and occasionally dialog. While it is now often performed as a solo piece, the themes are still drawn from Hindu scriptures and mythology. Key elements of Kuchipudi include intricate footwork, sculpted body movements, and expression of the nine emotions or rasas through performance.
This document provides an overview of music and dance from around the world. It discusses the elements and types of music, including folk, jazz, and classical. It also explores different dance forms like ethnic, court, ballroom, and theatrical dances. The document then focuses on traditional Philippine folk and dances, describing dances from various regions of the Philippines like Maranao, Kalinga, Bilaan, Kumintang, Negros Oriental dances, and Pangdanggo Dumaguetino. It provides background information on the origins and significance of these important cultural dances.
The document provides information on folk dances from various regions in India, including Punjab, Goa, Haryana, and Rajasthan. Some of the dances mentioned from Punjab include Bhangra, Jaggo, Sammi, and Kikli. Goa's traditional dances reflect its rich history and culture, such as Dashavatara and Kumbi. Haryana dances showcase the vibrant lifestyle of its people and have influences from Punjab and Rajasthan, like Ras Lela, Phag, Dhamal, and Loor. The traditional dances of Rajasthan are colorful and signify importance, for example Ghoomar, Sapera, Drum, Kathputli, Terah Talli,
The document provides an overview of the history and elements of dance, describing different dance forms and periods from prehistoric times to modern day. It discusses dance as an art form that can convey stories, moods, and emotions through rhythmic body movements, and notes the physical, mental, social, and cultural benefits of dance. The final sections provide characteristics of good dances and guidelines for analyzing and evaluating dance performances.
Odissi is a classical Indian dance form that originated in the temples of Odisha on the eastern coast of India. It is one of the oldest dance forms with roots tracing back to ancient Sanskrit texts like the Natya Shastra. Traditionally, Odissi was performed by female dancers to convey religious stories and spiritual ideas through dance, but it later diversified to include martial art elements performed by male dancers as well. The dance form declined under British rule but saw a revival in the early 20th century led by researchers seeking to preserve Indian culture. Key elements of Odissi include facial expressions, hand gestures, and poses like the tribhanga stance to convey emotions.
This document provides an overview of two audio CDs produced by Guwahati Refinery that document the rich musical heritage of Assam across 11 waves or sections. The CDs feature over 150 artists and rare recordings collected during extensive fieldwork across Assam. They present a variety of traditional musical forms and instruments from different regions, ethnic groups, and historical periods. The document highlights some of the unique genres featured on the CDs, such as Ojapali, Bihu songs, tea garden worker songs, and discusses the influences and current state of different musical traditions in Assam. It aims to preserve Assam's diverse and threatened cultural heritage through this recorded collection.
Kuchipudi is a classical dance form that originated in the village of Kuchipudi in India. It was further developed and codified in the 13th century by Siddhendra Yogi. Kuchipudi involves fast footwork, sculpted body movements, and hand gestures to convey emotions. Performances can be solo or group dances telling stories from Hindu scriptures through movement, music, and costume. An important element is the expression of the nine rasas or emotional flavors. Today Kuchipudi has evolved to focus more on individual performances instead of its original form as a dance drama with multiple performers.
Dance can be traced back to early cave paintings and has evolved over history. It involves moving the body rhythmically to music and can be used for artistic expression, recreation, storytelling, and communicating emotions. There are many reasons why people dance, including restoring health, finding companionship, entertainment, giving beauty to others, and bringing magic or victory. Different types of dance include ethnological dances that are specific to cultures, social dances typically done in pairs, and theatrical dances meant for performance and entertainment. Elements of dance incorporate themes, designs, movements, techniques, music, costumes, choreography, and scenery.
Kathakali is the classical dance-drama of Kerala, South India, dating back to the 17th century and rooted in Hindu mythology. It has a unique combination of literature, music, painting, acting and dance. Costumes and makeup in Kathakali are intricate art forms utilizing wood carving and crude materials like sulfur and rice paste. While dance is an element, the focus is more on dramatic acting through hand gestures (mudras) and facial expressions to portray stories and characters from Hindu epics and mythology. Training can take 8-10 years and draws from techniques of Kalaripayattu martial arts.
This document provides an introduction to dance, including a brief history and overview of its purposes. It discusses that dance originated as a way to please gods, entertain others, express oneself, and build community. The document then outlines some of the origins and history of dance in ancient Egypt, Greece, and Rome. It describes how dance was used for religious expression, education, entertainment, and military training. The document also lists several physical, mental/emotional, and social benefits of dance. It concludes with proposing two introductory dance activities - creating an original Tik Tok dance and analyzing the purpose/message of a dance performance.
This document discusses the transformation of dance theatre from how people physically move to using movement to express deeper ideas and emotions. It explores how political and cultural influences from the left have shaped dance, the expressive potential of realistic dance over illusionistic ballet, and the use of free association of themes rather than linear narratives to create new perspectives. The document also notes that such transformed dance cannot have a single set interpretation.
Netherlands Dance Theater is a contemporary dance company founded in 1959 in the Netherlands. It was established to break from the restraints of traditional Dutch ballet and explore new forms and ideas through movement experimentation. Contemporary dance developed in the early 20th century from ballet, modern dance, and post-modern dance. It focuses on alignment, breathing, emotion and opposing movements. Notable pioneers include Isadora Duncan, Doris Humphrey, and Martha Graham. Netherlands Dance Theater combines classical and American modern dance techniques in their performances. One of their works, "Whereabouts Unknown/Bella Figura" by Jiri Kylian, explores human existence through relationships and sensuality set with contrasting costumes and props. The
Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance. we have share history of ballet dance and the greatest ballerinas.
El documento habla sobre el ballet clásico. Explica que el ballet es una forma de danza más clásica y delicada que otros estilos, y que se originó en Europa. También describe algunas de las posiciones y pasos básicos del ballet como el pas de deux, así como el proceso de calentamiento y el uso de zapatillas de puntas.
This document provides an introduction to various visual art forms including drawing, painting, printmaking, photography, sculpture, music, theatre, cinema, dance, architecture, and literature. It discusses key elements of composition such as line, form, color, mass, and principles such as repetition, balance, unity, and perspective. Specific artworks by artists like Picasso, Géricault, and da Vinci are referenced as examples. Key terms related to techniques and concepts in the visual arts are defined.
Religious dance, especially Judeo-Christian dance, has strict rules regarding modesty and the purpose of praising God. Judeo-Christian dance originated from Miriam's dance celebrating freedom from Egypt with women dancing in separate circles from men. While the specific dance moves are not described in religious texts, over time Jewish dance adapted motions from neighboring cultures. Christians also adopted dances like ballet but developed modest versions restricting alluring moves in line with traditional Jewish dance laws.
Classical Dance Classes In Bangalore - SSCDsreejaya123
Bharatnatyam is one of the popular Classical and Traditional Dances Of India.Bharatnatyam is dance form which use combinations of Bhava,Raga,Tala and Natya. Here is the great Opportunity to Learn Bharatnatyam.SSCD Provides you Best Bharatnatyam Dance Classes In Bangalore
Dance is a form of art that uses bodily movement, often accompanied by music. It can tell a story, set a mood, or express emotion. The most important elements of dance are the dancer, choreographer, design/pattern of movements, subject/message, and techniques/styles of movement. Dance takes different forms for different purposes, such as folk/ethnic dances, social/ballroom dances, and theatrical/spectacular dances intended for performance. The history of dance spans from prehistoric rituals to the development of ballet and modern social dances.
Kuchipudi is a classical Indian dance that originated in the Krishna district of Andhra Pradesh, tracing back to the village of Kuchipudi, and involves storytelling through hand gestures and facial expressions that depict emotions and themes from Hindu scriptures like the Ramayana and Mahabharata. Key elements of Kuchipudi include elegant dance movements, costumes featuring sarees and jewelry, traditional music instruments, and themes centered around devotion to deities like Krishna through dance dramas once performed only by men but now commonly by women as well.
Maximum India - Cultural Festiveal in Washington DC, USAThe Other Home
Maximum India, a 20-day cultural extravaganza of Indian soft power, kicks off here on March 1 with scores of artistes set to enthrall a capital where India is now looked on more favourably than ever before.
Hope this will strengthen Brand India in USA and lots of new tourist will visit India to explore the country.
The document discusses dance as an art form that takes many forms and serves various purposes such as recreation, entertainment, education, therapy, and religion. It focuses primarily on the aesthetic or entertaining experience rather than athletics. Throughout history, dance has provided a variety of functions due to its multidimensionality, though cultural differences exist. People still dance today for four main reasons: to please gods, others, themselves, or build community. The document also outlines key elements of dance including space, time, energies, bodily shapes, and group shapes.
Bharat Natyam is the most widely known classical dance form of India, originating from Tamil Nadu. It was developed in the 1930s by combining elements from older styles. Kathak originated in Uttar Pradesh and is accompanied by Hindustani classical music. It evolved from temple dances but took on a more entertaining style under Mughal rule. Kathakali is a classical dance drama form from Kerala featuring elaborate costumes and makeup portraying stories from epics and scriptures.
Kuchipudi is a classical Indian dance that originated in the village of Kuchipudi in Andhra Pradesh. It was developed and codified in the 13th century by Siddhendra Yogi, who established it as an art form performed primarily by male Brahmin dancers. Traditional Kuchipudi involved dance dramas with multiple characters portrayed through hand gestures, facial expressions, and occasionally dialog. While it is now often performed as a solo piece, the themes are still drawn from Hindu scriptures and mythology. Key elements of Kuchipudi include intricate footwork, sculpted body movements, and expression of the nine emotions or rasas through performance.
This document provides an overview of music and dance from around the world. It discusses the elements and types of music, including folk, jazz, and classical. It also explores different dance forms like ethnic, court, ballroom, and theatrical dances. The document then focuses on traditional Philippine folk and dances, describing dances from various regions of the Philippines like Maranao, Kalinga, Bilaan, Kumintang, Negros Oriental dances, and Pangdanggo Dumaguetino. It provides background information on the origins and significance of these important cultural dances.
The document provides information on folk dances from various regions in India, including Punjab, Goa, Haryana, and Rajasthan. Some of the dances mentioned from Punjab include Bhangra, Jaggo, Sammi, and Kikli. Goa's traditional dances reflect its rich history and culture, such as Dashavatara and Kumbi. Haryana dances showcase the vibrant lifestyle of its people and have influences from Punjab and Rajasthan, like Ras Lela, Phag, Dhamal, and Loor. The traditional dances of Rajasthan are colorful and signify importance, for example Ghoomar, Sapera, Drum, Kathputli, Terah Talli,
The document provides an overview of the history and elements of dance, describing different dance forms and periods from prehistoric times to modern day. It discusses dance as an art form that can convey stories, moods, and emotions through rhythmic body movements, and notes the physical, mental, social, and cultural benefits of dance. The final sections provide characteristics of good dances and guidelines for analyzing and evaluating dance performances.
Odissi is a classical Indian dance form that originated in the temples of Odisha on the eastern coast of India. It is one of the oldest dance forms with roots tracing back to ancient Sanskrit texts like the Natya Shastra. Traditionally, Odissi was performed by female dancers to convey religious stories and spiritual ideas through dance, but it later diversified to include martial art elements performed by male dancers as well. The dance form declined under British rule but saw a revival in the early 20th century led by researchers seeking to preserve Indian culture. Key elements of Odissi include facial expressions, hand gestures, and poses like the tribhanga stance to convey emotions.
This document provides an overview of two audio CDs produced by Guwahati Refinery that document the rich musical heritage of Assam across 11 waves or sections. The CDs feature over 150 artists and rare recordings collected during extensive fieldwork across Assam. They present a variety of traditional musical forms and instruments from different regions, ethnic groups, and historical periods. The document highlights some of the unique genres featured on the CDs, such as Ojapali, Bihu songs, tea garden worker songs, and discusses the influences and current state of different musical traditions in Assam. It aims to preserve Assam's diverse and threatened cultural heritage through this recorded collection.
Kuchipudi is a classical dance form that originated in the village of Kuchipudi in India. It was further developed and codified in the 13th century by Siddhendra Yogi. Kuchipudi involves fast footwork, sculpted body movements, and hand gestures to convey emotions. Performances can be solo or group dances telling stories from Hindu scriptures through movement, music, and costume. An important element is the expression of the nine rasas or emotional flavors. Today Kuchipudi has evolved to focus more on individual performances instead of its original form as a dance drama with multiple performers.
Dance can be traced back to early cave paintings and has evolved over history. It involves moving the body rhythmically to music and can be used for artistic expression, recreation, storytelling, and communicating emotions. There are many reasons why people dance, including restoring health, finding companionship, entertainment, giving beauty to others, and bringing magic or victory. Different types of dance include ethnological dances that are specific to cultures, social dances typically done in pairs, and theatrical dances meant for performance and entertainment. Elements of dance incorporate themes, designs, movements, techniques, music, costumes, choreography, and scenery.
Kathakali is the classical dance-drama of Kerala, South India, dating back to the 17th century and rooted in Hindu mythology. It has a unique combination of literature, music, painting, acting and dance. Costumes and makeup in Kathakali are intricate art forms utilizing wood carving and crude materials like sulfur and rice paste. While dance is an element, the focus is more on dramatic acting through hand gestures (mudras) and facial expressions to portray stories and characters from Hindu epics and mythology. Training can take 8-10 years and draws from techniques of Kalaripayattu martial arts.
This document provides an introduction to dance, including a brief history and overview of its purposes. It discusses that dance originated as a way to please gods, entertain others, express oneself, and build community. The document then outlines some of the origins and history of dance in ancient Egypt, Greece, and Rome. It describes how dance was used for religious expression, education, entertainment, and military training. The document also lists several physical, mental/emotional, and social benefits of dance. It concludes with proposing two introductory dance activities - creating an original Tik Tok dance and analyzing the purpose/message of a dance performance.
This document discusses the transformation of dance theatre from how people physically move to using movement to express deeper ideas and emotions. It explores how political and cultural influences from the left have shaped dance, the expressive potential of realistic dance over illusionistic ballet, and the use of free association of themes rather than linear narratives to create new perspectives. The document also notes that such transformed dance cannot have a single set interpretation.
Netherlands Dance Theater is a contemporary dance company founded in 1959 in the Netherlands. It was established to break from the restraints of traditional Dutch ballet and explore new forms and ideas through movement experimentation. Contemporary dance developed in the early 20th century from ballet, modern dance, and post-modern dance. It focuses on alignment, breathing, emotion and opposing movements. Notable pioneers include Isadora Duncan, Doris Humphrey, and Martha Graham. Netherlands Dance Theater combines classical and American modern dance techniques in their performances. One of their works, "Whereabouts Unknown/Bella Figura" by Jiri Kylian, explores human existence through relationships and sensuality set with contrasting costumes and props. The
Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance. we have share history of ballet dance and the greatest ballerinas.
El documento habla sobre el ballet clásico. Explica que el ballet es una forma de danza más clásica y delicada que otros estilos, y que se originó en Europa. También describe algunas de las posiciones y pasos básicos del ballet como el pas de deux, así como el proceso de calentamiento y el uso de zapatillas de puntas.
This document provides an introduction to various visual art forms including drawing, painting, printmaking, photography, sculpture, music, theatre, cinema, dance, architecture, and literature. It discusses key elements of composition such as line, form, color, mass, and principles such as repetition, balance, unity, and perspective. Specific artworks by artists like Picasso, Géricault, and da Vinci are referenced as examples. Key terms related to techniques and concepts in the visual arts are defined.
O documento resume a história do balé, desde suas origens na Itália renascentista até seu desenvolvimento na França sob o patrocínio da corte real. O balé evoluiu para a forma conhecida hoje sob o reinado de Luís XIV da França, que estabeleceu a Académie Royale de Danse para sistematizar a arte. Grandes compositores como Tchaikovsky e Stravinsky contribuíram para tornar o balé popular na Europa e no mundo.
The history of theatre spans over 2500 years, originating in ancient Greece in the 6th century BC with competitions for tragedies. Some of the earliest and most influential playwrights include Euripides, Aristophanes, and William Shakespeare. Theatre evolved through various cultures, with traditions developing in Rome, China, Japan, and across Europe. Significant milestones include the first stone theatre built in Athens around 300 BC, the emergence of mystery play cycles in Europe in the 1300s, the first public theatre opening in England in 1567, and the construction of The Globe theatre in London where many of Shakespeare's plays premiered in 1598. Theatre continued advancing with innovations like gas lighting in 1817, electric lights in 1881, and
The document provides an overview of different roles in theater management, including general managers, managing directors, and producing directors. It then discusses Broadway, explaining that there are 40 theaters located between 40th and 54th Streets in Manhattan. The document uses the musical In the Heights as a case study to illustrate how a Broadway show is produced, funded, and marketed. It also outlines the economics and future of Broadway, regional theater, and performing arts presenting.
Theatre is a collaborative art form that involves live performers presenting an experience to an audience. Some key elements of theatre include the performers, the audience, a director, the theatre space, and a text or script. Theatre has developed over thousands of years, originating from Greek festivals and continuing to evolve with Roman, medieval, and modern forms and traditions.
A brief history of ballet shoes (part one)Cameron Kippen
Ballet has evolved significantly from its origins in 15th century Italy. Early ballet was performed in courts and accompanied operas and other theatrical productions. Over centuries, ballet incorporated new techniques and styles from influential dancers and choreographers. This led to the emergence of ballet as a distinct artistic form centered around telling stories through precise movements and expressions. Innovations like pointe shoes and lighter costumes allowed for greater technical skill and artistic expression among dancers.
El documento describe el ballet como una forma de danza académica con una historia que se remonta a rituales antiguos. Explica los métodos básicos del ballet como las posiciones de los pies y el uso de la barra y las puntas. También menciona algunos ballets famosos como La Cenicienta, Don Quijote y El lago de los cisnes. Finalmente, resume los principales movimientos del ballet como el demi-plié, la pirueta y el ronde de jambe.
The document provides information about various aspects of theater, including definitions of key terms like theater, elements of theater, purposes of theater, and personnel involved in theater like producers, directors, performers, designers, and others. It also provides brief definitions and background on dance, cinema/motion pictures. Theater is described as a place for plays to be performed and also as an art form involving actors performing for an audience. Key elements include the actor, audience, written or improvised text, costumes, scenery, lights, sound, and props. Theater can entertain, instruct, motivate and more, depending on the interaction with the audience.
The document discusses the art of dance, describing it as a rhythmic and expressive movement of the body that is usually accompanied by music. Dance has been part of human culture for millennia, used to express emotions and celebrate important occasions. There are many types of dance, including ethnic dances native to particular cultures, social dances performed for pleasure, and spectacular or theatrical dances intended for audiences. The document outlines key elements and features of dance, including music, movement, theme, techniques, design, and costumes. It also provides examples of specific dances like ballet, modern dance, and several traditional Philippine folk dances.
Dance is a form of communication that uses elements like time, space, and force to convey meaning. There are different choreographic forms including theme and variations and rondo that structure dance. Styles of dance like ballet, tap, jazz, and modern each have their own characteristics in terms of movement, music, costumes, and terminology.
The document discusses the history and development of opera, musical plays, and ballet in the Philippines. It outlines important Filipino composers and productions that have incorporated local folktales, epics, and novels into these art forms. Examples provided include operas based on novels by Jose Rizal, as well as ballets and musicals that feature folk characters like Lola Basyang and adapt Indian epics like the Ramayana to the Philippine context.
Dance is a form of communication that is used in all societies to express both personal and cultural meanings. There are three main categories of dance: artistic, ceremonial, and recreational. The document then provides details on four specific dance styles - ballet, tap, jazz, and modern - describing their origins, characteristic movements, terminology, and costumes. Famous dancers and common dance attire are also mentioned.
Ballet originated in 15th century Italian Renaissance courts, where dancing and music were featured in lavish events. It was introduced to the French court in the 16th century by Catherine de Medici. The first ballet was created in 1581. Ballet flourished in the 17th century under Louis XIV, who opened the first ballet school. In the 18th-19th centuries, ballet evolved further with the creation of pointe shoes and tutus, and the rise of prominent choreographers and ballet companies in France and Russia. Modern ballet has spread globally and incorporates both classical and contemporary styles.
The document provides an overview of various topics in humanities including definitions of key terms, purposes and aims of studying humanities, related fields, definitions of art and its importance, classifications and elements of art including color, line, shape, medium, and principles of art such as emphasis, balance, harmony, variety, movement, and rhythm. It discusses the etymology and definitions of terms like humanities, art, painting, sculpture, music, cinema, photography, and dance.
The document provides an overview of dances in Singapore and India. It begins with an acknowledgement and introduction. It then provides glimpses into some of the most popular dances in Singapore, including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. Next it shares glimpses of classical Indian dances like Bharatnatyam, Kathakali, Kathak, Kuchipudi, and Sattriya. It concludes by noting Singapore's rich multicultural dance heritage stemming from its diverse population and roots in other countries, while also gaining popularity for Indian and Chinese dances.
Classical dance and music under ISA by the students of SBGJ, Guwahatisbgjbritishcouncil
The document provides an overview of dances in Singapore and India. It discusses several traditional dances in Singapore like the Chinese Lion Dance, Bangsawan, and Saman. It also examines popular dances in India such as Bharatanatyam, Kathak, and Kuchipudi. The conclusion compares the multi-cultural dance heritage of Singapore, which stems from its diverse ethnic groups, to the rich traditional dance forms that have developed in different regions of India over centuries.
The document provides an overview of various dances found in Singapore and India. It discusses several traditional dances that originated in different parts of Singapore and India such as Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, Bharatanatyam, Kathakali, Kathak, Kuchipudi, and Sattriya. It also provides brief descriptions of the history and characteristics of these dances. The document aims to give readers a glimpse into the diverse dancing traditions found in Singapore and India reflecting their cultural diversity.
The document provides an overview of dances in Singapore and India. It discusses several traditional dances of Singapore including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. For India, it highlights classical dances such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Sattriya. It notes that Singapore dance reflects its cultural diversity and struggle between western and traditional influences. Indian dance traditions have influenced other countries in South and Southeast Asia.
The document provides an overview of dances in Singapore and India. It discusses several traditional dances of Singapore including Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, and Bharatnatyam. For India, it highlights classical dances such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Sattriya. It notes that Singapore dance reflects its cultural diversity and struggle between western and traditional influences. Indian dance traditions have influenced other countries in South and Southeast Asia.
The document provides an overview of various dances found in Singapore and India. It discusses several traditional dances that originated in different parts of Singapore and India such as Chinese Lion Dance, Ballet, Bangsawan, Saman, Tap, Bharatanatyam, Kathakali, Kathak, Kuchipudi, and Sattriya. It also provides brief descriptions of the history and characteristics of these dances. The document aims to give readers a glimpse into the diverse dancing traditions found in Singapore and India reflecting their cultural diversity.
The document discusses a dance competition held by Queen's Valley School on Global Dancing Sensation. It summarizes different dance forms performed by the students, including hula from Hawaii, flamenco from Spain, Russian folk dance, belly dancing from the Middle East, and Afro-jazz dance. The performances showcased the school's focus on multicultural growth and allowed the students to learn about different cultures through dance. The audience was left spellbound by the mesmerizing dances representing various parts of the world.
The, Performed By Sydney Dance Company, Choreographed By...Katie Gulley
The Mason Gross School of the Arts hosted their annual Dance Plus Fall 2015 show, which featured
5 choreographed performances by the dance faculty including "City of Rain" choreographed by
Camille Brown. The performances displayed different stories through fluid and emotional dance
movements. Camille Brown is an acclaimed choreographer and dance educator who began her
career with Ronald K. Brown's Evidence dance company.
Isadora Duncan was an early pioneer of modern dance in the early 20th century. She believed dance should be a natural expression of the soul through movement, rejecting rigid ballet styles. Marija Magazinovic was influenced by Duncan's philosophies after taking her dance classes, and went on to establish modern dance in Serbia. She developed a philosophy that movement should express the harmony of the individual through pure, abstract forms inspired by Greek styles. Both Duncan and Magazinovic viewed dance as a means of liberating and empowering women through spontaneity and freedom of expression.
VOA has been performing for 25 years across North America and internationally. It started as a children's ensemble and has grown into a collective of African artists from the diaspora representing various cultural traditions through dance, song, and percussion. Their performances feature traditional West African instruments and bring audiences to their feet with uplifting music spanning the African diaspora.
This document provides information on various performances and events at the 2010 New Zealand International Arts Festival, including:
- Sutra, a dance performance featuring choreography by Sidi Larbi Cherkaoui and visual design by Antony Gormley, bringing together Cherkaoui and Buddhist monks from China's Shaolin Temple.
- Good Morning, Mr. Gershwin, a dance performance by Compagnie Montalvo-Hervieu paying tribute to American composer George Gershwin through a fusion of hip-hop, tap, ballet and contemporary dance set to Gershwin's music.
- t.e.o.r.e.m.a.t., a theatre adaptation
Linguacultural Aspects of Uzbek National Subject DancesYogeshIJTSRD
The dance has a national color, which is embedded in the socio cultural life of the Uzbek people and reflects the character and way of life of the people. It is extremely important to study the dialectical principles of the art of dance, which gives a person aesthetic pleasure, pleasure and peace of mind, romantic inspiration, in connection with the national character and centuries old traditions, spiritual values of the people. It is well known that social realities, including the art of dance, develop in sync with the times. Hulkar Hamroeva "Linguacultural Aspects of Uzbek National Subject Dances" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Special Issue | International Research Development and Scientific Excellence in Academic Life , March 2021, URL: https://www.ijtsrd.com/papers/ijtsrd38675.pdf Paper Url: https://www.ijtsrd.com/humanities-and-the-arts/dance/38675/linguacultural-aspects-of-uzbek-national-subject-dances/hulkar-hamroeva
This document provides an overview of music and dance traditions in the Muslim world, including Africa, Asia, and the Middle East. It discusses the diversity of musical and dance styles across regions, with roots in both traditional folk cultures as well as contemporary popular music. Specific genres mentioned include Qawwali, Ghazal, and Gamelan music from South Asia and Indonesia. The document also profiles influential artists from different Muslim-majority cultures and regions.
The dance includes shimmies, shivers, and vibrations, and most importantly, percussion. Belly Dance is alive and movement is its avenue. There is only one true way to experience the power of Belly dancing… and it is to dance it! So, come join Belly Dance Classes at Dancer’s Gallery today.
Zulaika has extensive experience in Arab music and dance, having studied with master teachers in Egypt, Lebanon, and Morocco. She was a founding member of a dance company, taught classes, and now provides engaging presentations as a teaching artist. Her presentations on Arab culture explore music, dance, and language through activities and help audiences gain a broader understanding of misunderstood peoples. Teachers and librarians praise her passion and ability to engage students in new perspectives on Middle Eastern culture.
The document provides a summary of the history and origins of jazz dance. It discusses how jazz dance originated from African dance traditions brought over by slaves and was influenced by social dances and popular music styles. It describes how jazz dance evolved into a professional dance form in the 1940s as it blended ballet, modern, and other techniques. Key figures like Jack Cole and Gene Kelly helped establish jazz dance as a style in Hollywood musicals during this time period.
Cultural dances are an important way for communities to share traditions and tell stories through movement. Women play a central role in many cultural dances, preserving and passing on cultural heritage through the generations. The document provides examples of various cultural dances from around the world, describing their origins, significance, costumes, movements and roles of women. These include samba from Brazil, flamenco from Spain, dragon dance from China, Viennese waltz from Austria, hopak from Ukraine, adumu from Kenya and Tanzania, zaouli mask dance from Ivory Coast, haka from New Zealand, otea from Tahiti, and bharata natyam from Southern India.
The document provides an overview of creative dance, including its history and perceived benefits. When included in physical education curriculums, creative dance lessons typically focus on motor skill development with little emphasis on aesthetic potential. In arts education, the primary focus is on creative dance's expression and aesthetic qualities. The creative arts are believed to help students gain confidence, learn cooperation and problem solving skills, and develop creativity and physical abilities. Combining dance technique with expression gives students tools to communicate feelings through movement.
This document discusses the dance style known as lyrical dance and questions whether it should be considered a valid dance form. It provides background on the origins of lyrical dance, tracing influences from ancient Egyptian dance to its development out of jazz dance in the 20th century. While lyrical dance borrows elements from ballet, jazz, and modern dance, it struggles for validation due to its recent development and association with competition dance. The document concludes that lyrical dance is better classified as a style within jazz dance rather than a separate dance form, and that its legitimacy continues to be debated within the dance world.
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The way we consume television has evolved dramatically over the past decade. Internet Protocol Television (IPTV) has emerged as a popular alternative to traditional cable and satellite TV, offering a wide range of channels and on-demand content via the internet. In Ireland, IPTV is rapidly gaining traction, with Xtreame HDTV being one of the prominent providers in the market. This comprehensive guide will delve into everything you need to know about IPTV Ireland, focusing on Xtreame HDTV, its features, benefits, and how it is revolutionizing TV viewing for Irish audiences.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Top IPTV UK Providers of A Comprehensive Review.pdfXtreame HDTV
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
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Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
240529_Teleprotection Global Market Report 2024.pdf
SZDT - Press Kit
1. SASHAR ZARIF DANCE THEATRE
20 Years of Moving Memories...
creation. education. research.
Photo Credit: Shahrokh Saeedi
2. THE COMPANY
Sashar Zarif Dance Theatre is committed to the integrity of
fine arts by bringing attention and awareness to life through
research, education, and creative exploration.
Sashar Zarif Dance Theatre works in multi-dimensions of
time and space through dance, and is committed to
connecting the past to the future through a contemporary
examination of the notion of place/home.
Sashar Zarif Dance Theatre specializes in the investigation of
identity (the way human relates to the environment around
them) focusing on Central and Western Asian Cultures,
performing arts of Sufi and/or Shamanic cultures, crosscultural collaborations, and identity.
Founded in 1994, Sashar Zarif Dance Theatre (SZDT) is a
professional Toronto based dance company with both
traditional and contemporary repertoire. SZDT produces an
annual performance series, tours internationally and offers
residencies, lecture-demonstrations, and classes in Near
Eastern and Central Asian dance character, technique and
choreography. Based in eclectic repertoire, the company as
enjoyed intensive touring across the Near East, Europe and
North America.
Photo Credit: Michelle Maria Kemble & Sashar Zarif
3. “Zarif’s expressive and
charismatic dancing...
was as moving as it was
provocative...”
-Globe & Mail
“Zarif managed to take even
those inexpert in his cultural
heritage on a journey of
discovery; spiritual and
transcendent.”
-Michael Crabb,
Dance International
Photo Credit: Lucie Galcanova & Sashar Zarif
SASHAR ZARIF - BIO
Sashar Zarif is a multi-disciplinary performing artist, educator, and researcher whose artistic practice invites a convergence of creative and cultural
perspectives. His interests are identity, globalization, and cross-cultural collaborations. His practice is steeped in the artistry and history of traditional,
ritualistic, and contemporary dance and music of the Near Eastern and Central Asian regions. He has toured across Americas, Europe, North Africa,
Central and Western Asia, and Middle East, promoting cultural dialogue through intensive fieldworks, residencies, performances, and creative
collaborations. He is the recipient of numerous national and international awards for his collaborations with outstanding Canadian artists along with
international icons such as Alim Quasimov (a collaborator on Yo-Yo MA’s Silk Road Project), and universities and arts institutions across continents.
Zarif is a research associate at York Centre for Asian Studies and on the board of directors of Dance Ontario and World Dance Alliance – Americas.
He was also nominated for a Dora Mavor Moore Award for outstanding performance in 2008. In 2011, he received the honorary titles of Master of
Dance from Uzbekistan State Institute of Choreography in Tashkent as well as Honorary Faculty Member at this institute for his work and contribution
to dance in Uzbekistan in the second half of 2011. In 2012, Sashar Zarif was awarded a Queen Elizabeth II Diamond Jubilee Medal.
4. PRODUCTIONS ON TOUR
CHOREOGRAPHIES OF
MIGRATION
A beautiful collection of distinct, yet interconnected moments from the past in search
of the future...
Through this quartet of works, Zarif presents
a very personal vernacular. From a pastiche
of languages, cultures and movement, he
creates a unique contemporary style and a
fresh way of communicating using traditional
Central Asian, Near Eastern and Western
dance forms. Zarif's sense of displacement
underlies Choreographies of Migration. Born
into an immigrant family in Tehran, moving
through India, Turkey, and other countries
before arriving in Canada, he compels us to
examine the various and often complicated
relationships that inform ideas of home,
identity and self. Each piece represents a
different period of awareness and growth in
his journey from Iran to Canada; each
borrows from different stops in his physical
and spiritual odyssey that saw him survive
revolution, war and refugee camps.
IN THE LETTERS OF MY
NAME...
In The Letters of My Name was originally
commissioned by Dance Ontario and was the
winner of the 2006 Paula Citron Award at the
Toronto International Dance Festival (formerly
fFIDA), when she described; “The wellspring of
the piece is the 38 letters of Zarif’s full name
which constitutes six different names in three
different languages – Arabic, Persian and his
native Azerbaijani. In impulses of movement and
text, we get impressionistic glimpses of a life
turned upside down, of a young boy who
survived revolution, war, and a refugee camp.
Horrors are intimated, but never explained. The
choreography, much of it based on real life
physicality, swings between graphic emotion
and whimsical surrealism. The dancer is
rendered completely vulnerable, whether
executing tiny baby steps, absurd in a grown
man, or crying out in passionate outbursts that
are almost embarrassing in their anguish. This is
a work which opens up the guts of an artist and
exposes the raw soul. It is dance storytelling at
its best, because it raises more questions than it
answers...
SAMA-E RAST
An unprecedented, multi-layered evening of
dance and music connected to the mystic
traditions of Azerbaijan, Iran, the Middle East
and Central Asia... The Dance of Mugham is the
Sufi-Shamanic art of spirit that exists in and out
of the physical realm.
Sama-e Rast represents a mystical journey of
man's spiritual ascent through mind and love to
self-discovery in the dance style of Mugham.
Centuries ago, Mugham was an integrated
practice that brought poetry, music, and dance
together to represent seven unique
psychological moods. Over the years, the
connection between the poetry and music
disappeared and the dance element
deteriorated such that only traces of it exist
today. In Sama-e Rast, walking on the
vulnerable edge of emotions, Sashar Zarif, in an
extraordinary collaboration with internationally
acclaimed Alim Qasimov and his Ensemble. The
piece passionately reintegrates dance back into
the art form, the result of eight years of
collaboration between these unparalleled artists
to reincarnate this lost artistic practice. Program
includes presentation of 20 minute documentary
film.
MEETING WITH SAGHI
Meeting with Saghi, has grown out of years of
ethnographic fieldwork in Central Asia, Iran and
Azerbaijan. This work reveals Zarif’s journey to
connect his worldly experience to his spiritual
existence. In Meeting with Saghi he weaves
together contemporized Persian Sufi music,
poetry (Rumi, Hafiz, Omar Khayyam), and
calligraphy (inspiring movement lines and flow)
in this intuitive exploration of the lost mystical
dance of Saghi, the adored wine-bearer. Saghi
is the provider of inspiration, the bearer of
enlightenment who offers the symbolic imbibing
of wine, the elixir that brings mystical love and
divine intoxication. The evocative tapestry
created by Zarif and his dancers in Meeting
with Saghi connects the threads of ancient
mysticism to the present day in a multi-layered
dance performance, with original sound score,
to reveal an expression of earthly love, beauty
and the Divine. This bringing forward of the
past may be a tonic for our sullen era as we
open our eyes and let the experience wash
over us. When the uncommon becomes
familiar we find we are all connected by what
we feel in our hearts.
5. Photo Credit: Mahla Ghasempour
COMMUNITY OUTREACH & RESIDENCIES
Lecture Demonstrations
Lecture demonstrations investigate poetry, music,
dance and visual arts with dialogue about their
historical and cultural relevance. Participants are
given an opportunity to read poetry, sing, try
dance, and draw as part of the demonstrations
Audience Participation
SZDT promotes community outreach and
engagement opportunities and welcomes using
local participants to perform in larger group
productions - a magical experience to perform
and interact with the dances and art form.
Workshops
Workshops provide a rich artistic and cultural
experience. All workshops are designed to
introduce an integrated arts experience through
investigating middle east and central asian poetry,
music, calligraphy and dance.
Performance Q & A
After performances, the company offers Q & A
sessions to allow audiences to ask questions and
to provide honest feedback and inquiry in to the
dance, art and culture being presented.
School Programs
All school programs are designed to captivate
youth, and provide an artistic investigation of
concepts such as identity and migration. All
sessions support educational curriculum themes.
Academic Lectures / Residencies
Research and investigation are integral parts of
the company operations and creative evolution.
Lectures, masterclasses, and seminars are
available in formal or informal settings.
“My creation is a reflection of the process of embracing the unity of mind, body, emotion, and spiritual being. Working in the tradition of dance, my work
has been an attempt to share with others the ideas, experiences, and emotions I have witnessed within my own cultural identity and history.” -Sashar Zarif
6. The 2006 Paula Citron Tidf Award
In recognizing the magnificent solo In the Letters of My Name, the award plays
tribute to several important aspects of dance. First and foremost, the piece
represents the new Canadian dance hybrid, unique to the country’s multicultural
cities. This collaboration could only have happened in a vibrant cultural mosaic
like Toronto where the traditional arts of immigrants new to the country merge
with Euro-American dance influences to create a whole new art form. Secondly,
the award honours two senior artists, as well as the experienced masters of
their creative team who helped to fashion the dance. Only wisdom and
knowledge of life could have produced this powerful work. While dance is
predominantly an art form of the young, we must not forget the generation who
has gone before, and continues to give us their artistic riches.
Take a superbly expressive and charismatic dancer (Zarif), and an intellectual
and seasoned choreographer (Small), and the result is a haunting portrayal of
the horrors of war in the old country and the struggles of the immigrant
experience in the new. This piece, with its cunning mix of text, movement and
evocative soundscore by acclaimed composer John Oswald is as profoundly
moving as it is provocative. Kudos also to director Soheil Parsa as dramaturge
and Katherine Duncanson as voice coach. Together this quintet of artists
embrace countless years of artistic integrity and daring. We must also not forget
Dance Ontario who commissioned the work for its annual Dance Weekend, and
so continues to enrich the repertoire of dance.
The wellspring of the piece is the 38 letters of Zarif’s full name which constitutes
six different names in three different languages – Arabic, Persian and his native
Azerbaijani. In impulses of movement and text, we get impressionistic glimpses
of a life turned upside down, of a young boy who survived revolution, war, and a
refugee camp. Horrors are intimated, but never explained. The choreography,
much of it based on real life physicality, swings between graphic emotion and
whimsical surrealism. The dancer is rendered completely vulnerable, whether
executing tiny baby steps, absurd in a grown man, or crying out in passionate
outbursts that are almost embarrassing in their naked anguish. This is a work
which opens up the guts of an artist and exposes the raw soul. It is dance
storytelling at its best, because it raises more questions than it answers.
-Paul Citron, 2006
Photo Credit: Mchelle Maria Kemble
7. Notebook - Dance International Review
. . . The other performance that shook me to the bone marrow also came from
beyond my area of comfortable familiarity.
Sashar Zarif, 43, is a man in apparent quest of
his identity, understandably when one considers
his past. Zarif suffered horribly in the aftermath
of the 1979 Iranian revolution. Even his escape
to Turkey left him a stateless refugee.
Separated from his family able to settle in
Canada in 1988, but while adapting to a new environment he remained drawn to
his ancestral past and its rich, mystic cultural heritage. He has since become
recognized as an expert on dance forms of the region once broadly embraced by
the ancient Persian empire.
A few days before Christmas, Zarif drew an appreciative audience to the 1,000seat George Weston Recital Hall, toward Toronto’s northern extremity, for a joint
performance with Azerbaijani music icon Alim Qasimov.
Qasimov is distinguished among other things for his championing of mugham, a
musical mode with several variant branches. At one time, dance was an inclusive
part of the mugham traditiona’s mix of song, music and poetry, but has been
neglected in more recent times.
Zarif, after years of research, sought to right that imbalance not so much through
an act of reconstruction as a re-imagining, based partly on traditional sources but
equally driven by his instincts as a contemporary performer.
. . . Zarif can also move with great precision and speed, as he did in Sama-e Rast,
the December performance... Through his almost introspective concentration and
intensity, Zarif managed to take even those inexpert in his cultural heritage on a
journey of discovery; spiritual and transcendent. One was left wondering if it was
really quite appropriate to applaud. But, of course, we did.
Sadly, there’s precious little dance around anymore that can connect us to life’s
most imponderable mysteries nor the dancers with the humility to put themselves
totally at its disposal.
-Michael Crabb, 2013
Photo Credit: Lucia Galcanova