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The Baroque style of art flourished between 1600-1800, particularly in Italy, Germany, South America, France and Flanders as a way for the Catholic Church to reinforce faith during the Counter-Reformation through dramatic and emotionally intense religious imagery using techniques like chiaroscuro, movement, and elaborate settings. Baroque art sought to draw viewers deeply into intense scenes of conversions, martyrdom, and mystical experiences through the use of light, shadow, overlapping figures and dramatic color contrasts. Elements of the ornate Baroque style can be seen in the architecture and art of countries across Europe, such as the ceiling paintings in Versailles.
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Baroque art flourished between 1600-1800, particularly in Italy, Germany, South America, France and Flanders as a way for the Catholic Church to reinforce its message through dramatic and emotionally intense religious imagery during the Counter-Reformation against the rise of Protestantism. Baroque art used elaborate settings, strong contrasts between light and dark, overlapping figures, and intense light/shadows to draw viewers deeply into dramatic scenes of conversions, martyrdom, and intense psychological moments from religious stories. Elements of the ornate and dramatic Baroque style spread throughout Europe and integrated with local styles, as seen in the irregular church shapes in Italy and the combination of
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Baroque art flourished between 1600-1800, particularly in Italy, Germany, South America, France and Flanders as a way for the Catholic Church to reinforce its message through dramatic and emotionally intense religious imagery during the Counter-Reformation against the rise of Protestantism. Baroque art used elaborate settings, strong contrasts between light and dark, overlapping figures, and intense light/shadows to draw viewers deeply into dramatic scenes of conversions, martyrdom, and intense psychological moments from religious stories. Elements of the ornate and dramatic Baroque style spread throughout Europe and integrated with local styles, as seen in the irregular church shapes in Italy and the combination of
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Art GalleryVilma C. PenaColumbia Southern UniversityJuly 3.docx
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Columbia Southern University
July 3, 2017
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Introduction –religious art works support moral message of religion. The art works purport to illustrate in context any set of human beliefs that they regard sacred, spiritual and divine.
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Art and religion theme
Introduction -Brief explanations of the theme and its elements using supporting facts.
Close to a third of paintings in the national gallery of western European art are of religious subjects. The theme reflects that after classical antiquity religion became unanimous. The images made to inspire and strengthen faith through private and public devotion.
Religious themes use elements of symbolism, narrative, ritual, iconoclasm, calligraphy and authorship in expressing tenets of beliefs through out history.
Religion and spirituality has been a theme of art for many areas. Religious arts make use of motifs.
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In India Buddhist art flourished, while Tibetan Buddhist was created as a meditation practice. An example of the meditation art is the sand mandala made and used by monks.
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Last supper
Leonardo da Vinci
1495-1498
painting
Artwork image
(Goldscheider, 1959)
Include citation
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The last supper
Visual Elements:
The angles and lighting draws attention to the centre of the composition
The picture measures 15 feet by 29 feet
The painting is a wet Fresco painting
The painting provides for a linear perspective
uses gesture
Jesus is given a triangular shape
illusions to the number three
immaculate detail of still life
Time and motion is included
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Art and religion theme
Introduction –religious art works support moral message of religion. The art works purport to illustrate in context any set of human beliefs that they regard sacred, spiritual and divine.
Religious art date as back as the Renaissance period. Religious themes were often commissioned by well to do patron including the pope. Religious artworks were among the best Renaissance art work.
2
Art and religion theme
Introduction -Brief explanations of the theme and its elements using supporting facts.
Close to a third of paintings in the national gallery of western European art are of religious subjects. The theme reflects that after classical antiquity religion became unanimous. The images made to inspire and strengthen faith through private and public devotion.
Religious themes use elements of symbolism, narrative, ritual, iconoclasm, calligraphy and authorship in expressing tenets of beliefs through out history.
Religion and spirituality has been a theme of art for many areas. Religious arts make use of motifs.
Christianity for example illustrates various principles and narratives of religion. Christianity make use of elaborate iconographic systems, whereby each saint is associated with a particular object or animal. Example is saint peter with keys and depicted with a shamrock for audiences to covey the narrative.
In India Buddhist art flourished, while Tibetan Buddhist was created as a meditation practice. An example of the meditation art is the sand mandala made and used by monks.
Islamic art, on the other hand, prohibits representational images of religious art. The artworks comprise of calligraphic decorations and repetitive geometric patterns. Geographic patterns make up of non-figurative types of decorations in Islamic art.
3
Last supper
Leonardo da Vinci
1495-1498
painting
Artwork image
(Goldscheider, 1959)
Include citation
4
Visual Elements
The angles and lighting draws attention to the centre of the composition
The picture measures 15 feet by 29 feet
The painting is a wet Fresco painting
The painting provides for a linear perspective
uses gesture
Jesus is given a triangular shape
illusions to the number three
immaculate detail of still life
Time and motion is included
The picture depicts reaction of each of the disciples to the news declared by Jesus that one of them will betray him. The picture has a straightforward biblical interpretation. It is the first real example of high renaissance aesthetic.
The angles and lighting draws attention to the centre of the composition. Position of Jesus at the vanishing point where all perspective lines meet.
Artwork is heavy on the front with emphasis on the characters reaction to what was revealed by Jesus.
The silhouettes have been delineated until an integral composite scheme was obtained.
Double circular incisions used to delimit the outline of the wreaths
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1) Landscape sets the tone and reinforces the meaning and symbolism of paintings by vividly depicting the mood and emotion of the scenery.
2) Landscapes from different eras articulate crucial moments and allow artistic expression, such as religious art during the Reformation emphasizing landscapes of mourning, or Rococo interiors reflecting elegance.
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Prado Museum
The Prado Museum in Madrid, Spain has opened a new gallery focused on mythology and religion. The gallery features 12 artworks from around the world displayed in a circular room with ceilings painted with astrological designs. Each artwork is summarized, identifying key elements like medium, date, mythology depicted, use of lines and shapes, lighting, and symbolism. The pieces range from sculptures like "Orestes & Pylades" to paintings such as "Jacob's Dream", "Descent from the Cross", and "The Nude", showcasing various mythological and biblical stories from Greek, Roman, and Christian traditions.
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Romanticism was an artistic movement that emerged in the late 18th century in response to Enlightenment rationalism and restraint. Key characteristics of Romanticism art included a focus on evoking intense emotions, individual expression, and dramatic subject matter often depicting nature. Artists employed techniques like expressive brushwork, vivid colors, and symbolic compositions to convey themes of passion, awe of nature, and the sublime. Notable Romantic artists featured styles emphasizing movement, atmosphere, and emotion through color, texture, and dramatic scenes from literature and history.
Art GalleryVilma C. PenaColumbia Southern UniversityJuly 3.docx
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Art and religion theme
Introduction –religious art works support moral message of religion. The art works purport to illustrate in context any set of human beliefs that they regard sacred, spiritual and divine.
Religious art date as back as the Renaissance period. Religious themes were often commissioned by well to do patron including the pope. Religious artworks were among the best Renaissance art work.
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Art and religion theme
Introduction -Brief explanations of the theme and its elements using supporting facts.
Close to a third of paintings in the national gallery of western European art are of religious subjects. The theme reflects that after classical antiquity religion became unanimous. The images made to inspire and strengthen faith through private and public devotion.
Religious themes use elements of symbolism, narrative, ritual, iconoclasm, calligraphy and authorship in expressing tenets of beliefs through out history.
Religion and spirituality has been a theme of art for many areas. Religious arts make use of motifs.
Christianity for example illustrates various principles and narratives of religion. Christianity make use of elaborate iconographic systems, whereby each saint is associated with a particular object or animal. Example is saint peter with keys and depicted with a shamrock for audiences to covey the narrative.
In India Buddhist art flourished, while Tibetan Buddhist was created as a meditation practice. An example of the meditation art is the sand mandala made and used by monks.
Islamic art, on the other hand, prohibits representational images of religious art. The artworks comprise of calligraphic decorations and repetitive geometric patterns. Geographic patterns make up of non-figurative types of decorations in Islamic art.
3
Last supper
Leonardo da Vinci
1495-1498
painting
Artwork image
(Goldscheider, 1959)
Include citation
4
The last supper
Visual Elements:
The angles and lighting draws attention to the centre of the composition
The picture measures 15 feet by 29 feet
The painting is a wet Fresco painting
The painting provides for a linear perspective
uses gesture
Jesus is given a triangular shape
illusions to the number three
immaculate detail of still life
Time and motion is included
The picture depicts reaction of each of the disciples to the news declared by Jesus that one of them will betray him. The picture has a straightforward biblical interpretation. It is the first real example of high renaissance aesthetic.
The angles and lighting draws attention to the centre of the composition. Position of Jesus at the vanishing point where all perspective lines meet.
The picture measures 15 feet by 29 feet occupying end wall of the dinning hall at the covert of Santa Maria delle Grazie in Milan.
Time and motion as the scene takes place at night with charcters placed in motion
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The document discusses the characteristics of Baroque art and prominent Baroque artists. It summarizes the styles and techniques of major figures like Caravaggio, Bernini, Rubens, Velasquez, Rembrandt, Frans Hals, Vermeer, and others. Their works are described as using swirling lines, chiaroscuro, and dramatic lighting to convey emotion and movement. Artists like Caravaggio and Rembrandt were known for their use of tenebrism and realistic depictions of subjects. Bernini's sculptures also conveyed passion and motion. The document analyzes the hallmarks of each artist's compositions and techniques.
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Vilma C. Pena
Columbia Southern University
July 21, 2017
Art and religion theme
Introduction –religious art works support moral message of religion. The art works purport to illustrate in context any set of human beliefs that they regard sacred, spiritual and divine.
Religious art date as back as the Renaissance period. Religious themes were often commissioned by well to do patron including the pope. Religious artworks were among the best Renaissance art work.
2
Art and religion theme
Introduction -Brief explanations of the theme and its elements using supporting facts.
Close to a third of paintings in the national gallery of western European art are of religious subjects. The theme reflects that after classical antiquity religion became unanimous. The images made to inspire and strengthen faith through private and public devotion.
Religious themes use elements of symbolism, narrative, ritual, iconoclasm, calligraphy and authorship in expressing tenets of beliefs through out history.
Religion and spirituality has been a theme of art for many areas. Religious arts make use of motifs.
Christianity for example illustrates various principles and narratives of religion. Christianity make use of elaborate iconographic systems, whereby each saint is associated with a particular object or animal. Example is saint peter with keys and depicted with a shamrock for audiences to covey the narrative.
In India Buddhist art flourished, while Tibetan Buddhist was created as a meditation practice. An example of the meditation art is the sand mandala made and used by monks.
Islamic art, on the other hand, prohibits representational images of religious art. The artworks comprise of calligraphic decorations and repetitive geometric patterns. Geographic patterns make up of non-figurative types of decorations in Islamic art.
3
Last supper
Leonardo da Vinci
1495-1498
painting
Artwork image
(Goldscheider, 1959)
Include citation
4
Visual Elements
The angles and lighting draws attention to the centre of the composition
The picture measures 15 feet by 29 feet
The painting is a wet Fresco painting
The painting provides for a linear perspective
uses gesture
Jesus is given a triangular shape
illusions to the number three
immaculate detail of still life
Time and motion is included
The picture depicts reaction of each of the disciples to the news declared by Jesus that one of them will betray him. The picture has a straightforward biblical interpretation. It is the first real example of high renaissance aesthetic.
The angles and lighting draws attention to the centre of the composition. Position of Jesus at the vanishing point where all perspective lines meet.
Artwork is heavy on the front with emphasis on the characters reaction to what was revealed by Jesus.
The silhouettes have been delineated until an integral composite scheme was obtained.
Double circular incisions used to delimit the outline of the wreaths
Upper part of ...
Art History Presentation
The document discusses Symbolism and Synthetism, two late 19th century art styles that rejected Realism and Impressionism. It profiles three key artists - Gustave Moreau, who used rich colors and symbols in biblical works; Odilon Redon, whose early dark works gave way to bright mythological scenes; and Paul Gauguin, who introduced Synthetism using areas of pure color and strong lines to create emotional experiences.
Psychedelic Art
The document discusses the origins and history of psychedelic art. It provides context on how psychiatrists in the 1960s conducted early experiments with LSD and studied its effects on artists. Key figures who influenced the psychedelic era include Albert Hofmann who discovered LSD, and artists such as Rick Griffin, Robert Venosa, and Abdul Mati Klarwein known for their psychedelic poster art. The era saw the rise of psychedelic styles depicting bright colors, abstract shapes, and complex surreal imagery meant to replicate psychedelic experiences.
Week 7.the baroque age.overview.master
The document discusses how different groups advocated for different things to govern society during the Baroque era: emotion, observation, and reason. It provides historical context and examples of how different artists answered this question through their works, either emphasizing emotion, observational virtuosity, or a combination of both. Some key figures mentioned are Bernini, Caravaggio, Rembrandt, Vermeer, and scientists like Galileo and Kepler who advanced observation through developments like the telescope and microscope.
Romanesque Painting
Romanesque wall paintings in churches had a didactic purpose and featured predominantly religious themes and iconography. Common images included the Pantocrator or Christ as judge at the center, surrounded by other figures like the Virgin Mary, angels, and saints. Stylistically, the paintings had flat colors, thick outlines, and lacked realistic proportions or shading. Specific conventions were used to depict figures and symbolism around religious scenes. Wall paintings could cover vaults and arches in addition to apses and were not confined to any single location within the church.
Colour Study Part 2
This document discusses colour appearances and the challenges of faithfully reproducing colours. It explores colour as a psycho-physiological phenomenon influenced by factors like juxtaposition, contrast, viewing distance and texture. Examples from artists like Van Gogh, Seurat and Monet are provided to show how they scientifically studied colour effects. The document also discusses how substrate colour impacts the contrast and appearance of colours in an image. Overall, the document examines colour from artistic, scientific and technological perspectives to better understand colour phenomena and the difficulties of colour management.
Mr final art project
The document discusses several artworks from different periods that depict the theme of a mother's nurturing love for her child. A Cypro-Archaic terra cotta sculpture shows a seated mother holding a baby, while maintaining balance and proportion. An Albrecht Altdorfer woodcut uses chiaroscuro to give depth to the Virgin Mary and child. An Auguste Mestral salted paper print captures the diagonal balance of a Notre Dame sculpture of Mary amid ruins. Edward Steichen's carbon print evokes warm maternal feelings between Mary and her mother through contrast. A John Vanderlyn painting uses scaling and values to portray a protective mother-son relationship. Pablo Picasso's pastel drawing emphasizes the overwhelmed yet
Gauguin postimpressionism 3
Gauguin reacted against Impressionism in the 1880s and pursued a career as a full-time painter. He was influenced by the Pont-Aven school in Brittany and developed a Synthetist style featuring flat colors, thick contours, and the coexistence of real and imagined scenes to stimulate the imagination. Gauguin further developed this style after moving to Tahiti in 1891, blending Polynesian and Christian iconography in works like La Orana Maria to symbolize a spiritual communion with the primitive world.
Camparision between renaissance and mannerism
The document compares and contrasts the Renaissance and Mannerism periods of art and architecture. The Renaissance saw a rebirth of classical Greco-Roman styles and ideals like realism, order, and harmony. Famous Renaissance artists included Leonardo da Vinci. Mannerism emerged later as a more stylized and complex reaction against Renaissance ideals, featuring elongated proportions, complex compositions, and dramatic lighting. Key differences included Renaissance art's stability versus Mannerism's instability, and Renaissance's adherence to classical standards versus Mannerism's experimentation. Examples are given comparing works by Renaissance masters like Raphael to Mannerist artists like Pontormo and Parmigianino.
How do Van Gogh's and Manet's respective uses of color create a sense of mood...
The document discusses the use of color in Vincent van Gogh's "The Starry Night" and Édouard Manet's "Luncheon on the Grass". It analyzes how the vibrant colors in "The Starry Night" convey van Gogh's solitude and turbulent mental state during his time in the asylum. The contrasting dark and light colors in "Luncheon on the Grass" emphasize the nude female figures and create a mood of protest against social conventions of the time. Both paintings use color in unconventional ways to express deeper meanings and emotions beyond a literal representation.
Kenneth courtenay jr art 102 final
This exhibition explores how landscape conveys emotion in artworks from different historical periods. Three key points:
1) Landscape sets the tone and reinforces the meaning and symbolism of paintings by vividly depicting the mood and emotion of the scenery.
2) Landscapes from different eras articulate crucial moments and allow artistic expression, such as religious art during the Reformation emphasizing landscapes of mourning, or Rococo interiors reflecting elegance.
3) During the Romantic period, landscapes merged with mood to inspire artists and depict nature's intensity, as seen in Friedrich's melancholy night scene and Cole's contrast of calm sunlight amid storm clouds.
Mannerism.pdfhhhghggfffgggffffcfvbvgvvvv
This document provides an overview of the Mannerism art movement including its key characteristics and two prominent artists, Parmigianino and Jacopo Tintoretto. Mannerism arose in the 16th century as a transition between Renaissance elegance and Baroque theatricality. It is characterized by elongated figures, artificial poses, and ornate decoration. Parmigianino was renowned for his sensual and elongated figures as seen in works like Madonna with Long Neck. Tintoretto blended Mannerist styles with dramatic lighting effects, as in his Last Supper which contrasts spiritual and earthly realms.
Art GalleryNameSchoolInstructorDate dueAssumption .docx
Art Gallery
Name
School
Instructor
Date due
Assumption Of Mary need information
This art work was painted by Tintoretto who is a great artist.
Historians consider him a very qualified artist who is very good in adept for color.
The art work is among the best works in the museums
It is a reflection of a roman goddess and the angels.
It shows a reflection of the humanist interest in the classical world.
The crucifixion need information
The art work was done by Alberechi Durer in 1504.
The art work is an illustration on a past event that happened years ago based on the biblical explanation of sin and death.
The art work can be explained by formal theory that is used to relate the art work to a traditional event.
The art work may not be meaningful without biblical information of Adam and Eve.
Art work gallery
Name
School
Instructor
Date due
Assumption Of Mary Need Information
The art work has various elements and colors which brings variety.
The figures brings unity.
The painting is well balanced by fitting figures from right to left of the page.
The figure located at the center is the focal point.
Arms from the art work appears to reach upwards.
The art figures are different and not in cooperation.
Figures are repeated to create rhyme.
The human figures are enlarged.
Adam and Eve art work need information
Unity is created by the background colors and the people’s colors
Variety is created by the figures and the table
Balance is created by the Christ figure is in a perfect shape that is equal on both sides
The art work puts emphasizes on the Christ’s figure
Directional forces are created by instability in the figures
There is a high contrast on the shadows of background features
The art work uses a good proportion of figures and scale
The crucifixion need information
Unity is created by facial features of the baby and that of the mother.
Variety is enhanced by use of different elements in the art work like clothing and shapes.
Balance is created by the mother figure which is symmetrical
Contrast is enhanced by the dark background against light skin color of the faces.
Emphasis is put on the focal point which is the baby
Directional forces are created by the line of vision between the mother and the child.
Repetition is created by long curly hair of the virgin.
References
Snyder, J. (2005). Northern Renaissance art: painting, sculpture, the graphic arts from 1350 to 1575. Prentice Hall.
.
Creative Project Presentation Example by Student
This document contains summaries of multiple artworks including:
- "Joseph the Carpenter" a 1645 oil painting by Georges de La Tour that depicts Jesus as the focal point and foreshadows his crucifixion.
- "From Darkness into Light" and "Curling Flame" photographs by Joshua Sension from January 2012 that utilize techniques like tenebrism, analogous colors and implied motion.
- Discussion of themes around salvation in "From Darkness into Light" and influence of Georges de La Tour's tenebrism technique.
- Details on Georges de La Tour's Baroque style and common techniques of the time period along with comparisons to Sension's works.
art-appreciation principle-G2-1-1-1.pptx
This document discusses different types of subject matter that can be depicted in art. It describes representational art as depicting real-world objects or events through figurative images, while non-representational art does not make references to the real world and focuses more on visual elements like shapes and colors. Some common sources of subject matter discussed include nature, history, Greek and Roman mythology, and Judeo-Christian traditions. Specific artworks are cited as examples. A variety of subjects are also outlined, such as still life, animals, figures, landscapes, and cityscapes.
2122451_How do Van Gogh's and Manet's respective uses of color create a sense...
Van Gogh's Starry Night uses vibrant colors like blue and yellow to depict the artist's mental state and feelings of solitude while living in an asylum. The dark village contrasts with the bright window, representing comfort amid turbulence. Long cypress trees symbolize death and the journey of life. Manet's Luncheon on the Grass uses bright colors for the nude women to break conventions and push boundaries, mocking social rules. It depicts a primitive setting to emphasize the theme and provoke viewers. Both works use color in unconventional ways to convey deeper meanings and the artists' perspectives.
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Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
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Presentation1
- 1. By: Ms. W
- 2. 1600- 1800 (most popular during the 1700’s because of the counter-reformation) - Italy, German, South America, France and Flanders - Wasn’t popular in Holland or England. Religious Reformation - used art to re-infuse the Catholic faith - new faiths ( Protestant and Calvinists) - used art instead of scriptures
- 3. Images are direct, obvious, and dramatic. Draws viewer into the scene. Depictions are physically and psychologically real. Emotionally Intense. Extravagant settings Dramatic use of color and contrasts between light and dark (shadows) Overlapping of figures and elements Intense light
- 4. Grandiose visions Conversions Martyrdom and death Intense psychological moments.
- 5. In Italy, the Baroque style is reflected dramatic churches with irregular shapes and extravagant ornamentation. In France, the highly ornamented Baroque style combines with Classical restraint. This can be found in Versailles Elements of the Baroque style are found throughout Europe. Ceiling in Versailles in France.
- 6. Miraculous Moment: Divine met the earthly, the sacred intruded upon the profane. St. Teresa was a mystic nun who recorded an experience in which an angel came down and pierced her innards with the flaming arrow of divine love. The pain was great yet sweet and brought her into ecstasy with God. Use of shadows to create drama with the setting of the lights and use of wooden panels to represent heavenly rays. The Ecstasy of St. Teresa, by Giovanni Bernini, 1652.
- 7. Religious Themes: Rembrandt mostly known for his portraits. He was also a master Baroque painter of landscapes and religious themes. In all his paintings and etchings he strove for “the greatest and most natural movement.” Good contrast in this painting and use of light to intensive the drama in this painting. Descent from the Cross. by Rembrandt. 1634
- 8. Shadows- a dark figure or image cast on the ground or some surface by a body or object intercepting light. Comparative darkness, as in an area. Contrast- opposition of different forms, lines or colors in a work of art to intensify each element’s properties which produces a more dynamic expressiveness. Conversions – spiritual change from sinfulness to righteousness. Movement-
- 9. Pick a theme that is relevant to what is happening in our society today. Portray contrast in your pictures, use black and white to accomplish this effect. Or Create a dramatic picture with the use of shadows. Or Use movement to portray the emotions of the theme you choose.