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Semantic and Syntactic

           By
      Jonny Ainsley
Semantics of Horror Genre
             Typical semantics of horror films include:
             Characters:
             The Whore
             The Athlete
             The Scholar
             The Fool
             The Virgin

             Props:
             Knives
             Guns
             Fake Blood
             Masks
             Weapons of some form

             Locations:
             People’s houses
             Abandoned shacks/forests

             Music is often dischordant, very dark, and dynamic shifts
             are sudden and unexpected, to coincide with what is going
             on in the narrative.

             Shooting style often involves large numbers of close ups,
             and very stereotypical shots whereby the antagonist
             appears without the protagonist, or the audience knowing.
Syntactic
• Typically within the horror
  genre, there are usually a group
  of friends, or people otherwise
  related, who get detached from
  society – either by choice or by
  intervention from the
  antagonist.
• This is then punctuated by the
  introduction of the antagonist,
  and the basic outline of the
  narrative.
• Within the trailer for a horror,
  you usually expect several
  minor scares and possibly one
  major one at the end
• Often the pace is dictated and
  utilised to make the audience
  feel uneasy. The pace is often
  brought up then back down
  before being brought back up
  after the final scare.

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Presentation1

  • 1. Semantic and Syntactic By Jonny Ainsley
  • 2. Semantics of Horror Genre Typical semantics of horror films include: Characters: The Whore The Athlete The Scholar The Fool The Virgin Props: Knives Guns Fake Blood Masks Weapons of some form Locations: People’s houses Abandoned shacks/forests Music is often dischordant, very dark, and dynamic shifts are sudden and unexpected, to coincide with what is going on in the narrative. Shooting style often involves large numbers of close ups, and very stereotypical shots whereby the antagonist appears without the protagonist, or the audience knowing.
  • 3. Syntactic • Typically within the horror genre, there are usually a group of friends, or people otherwise related, who get detached from society – either by choice or by intervention from the antagonist. • This is then punctuated by the introduction of the antagonist, and the basic outline of the narrative. • Within the trailer for a horror, you usually expect several minor scares and possibly one major one at the end • Often the pace is dictated and utilised to make the audience feel uneasy. The pace is often brought up then back down before being brought back up after the final scare.