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Lecture Slides
THE ENJOYMENT OF MUSIC
ESSENTIAL LISTENING
EDITION
THIRD EDITION
by
Kristine Forney
Andrew Dell’Antonio
Joseph Machlis
Introduction to Fine Arts:Music
Music Belongs to Everyone
Focus of the Course
• To increase your knowledge about music
• To help you use this knowledge when attending
musical events
• To equip you to answer questions and offer
opinions about music
• To encourage your active participation in the arts
• To help you become an intelligent consumer with
a voice in the availability of music in your
community
Music
Rhythm and harmony find their way into the inward places of
the soul…
Plato
Without music, life is a journey through a desert.
Pat Conroy
Without Elvis, none of us could have made it.
Buddy Holly
Country music is three chords and the truth.
Harlan Howard
The history of a people is found in its songs.
George Jellinek
Music Listening & You
2 fundamental facts about Music & Real Life
Music is important to the quality of
human life
People have created different types of
music for different purposes
The Musical Process
CREATION
Musical ideas
Forms (framework)
Musical notation
INTERPRETATION
medium
RESPONSE
Listener-audience
The Musical Process: Composer’s
Ideas
• Influenced by time period in which composer lives
• Carried out through manipulation of music materials-
-rhythm, melody, texture, harmony
• Placed into a structured framework--musical form
• Written down using standard or non-standard
notation
The Musical Process: The
Performer’s Interpretation
• Influenced by
Performer’s
– Knowledge of musical
style
– Technical facility on
instrument
– Personal ideas, likes,
and preferences
The Musical Process: The
Listener’s Response
• Influenced by
– Knowledge of musical
styles
– Personal, preferences
– Previous experiences
with music, including
musical training
Art Music: Composed for
Performance in concert halls &
opera houses
Learning to Listen:
Hearing and Listening are not the same!!
The Musically Aware Listener
• Focuses on the music itself
• Understands and experiences the composer’s
creative choices
Listening for Aspects of Musical Works
• Nature of melodies
& themes
• Texture
• Nature of rhythm &
its patterns
• Changes in dynamics
levels
• Dominant timbres
• Use of forms and
other musical
practices
Develop different modes of listening
• Physical effects it
produces
• Emotional effects
• Music for music’s sake
(absolute music)
• Develop different
expectations about
different types of music
• Improve your musical
memory
• Become more sensitive to
musical sounds
Part I
Materials of Music
Prelude 1: Listening to Music Today
• Typical places and
ways of listening
to music
• Understanding
music requires
active listening
Some Practical Suggestions
• Practice listening to
music
• Knowledge of musical
notation is not
necessary
• Use Listening Guides,
Resource CD, and
Glossary
• Attend live music
performances!
Attending Concerts
• Recordings vs. live
concerts
• Art music vs. popular
music
Different Types of Concerts
• Symphony Orchestra
• Chamber Music
Ensemble
• Chamber Orchestra
• Recital
• Broadway Musical
• Vocal Ensembles—
Secular & Sacred
– Large choirs
– Small groups
• Opera
To Find a Concert, Check Listings
• In the “weekend section” of local newspapers
• In the college newspaper
• On websites of local concert venues and
musical groups
• Be sure to ask for student discounts!
Preparing for A Concert
• Learn About the Music
– Find out what will be
played
– Listen to it ahead of
time--Library, Internet,
Classical Radio
• Learn About Musical
Styles
• Learn About
Composers’ Lives
• Learn About the
Artist(s), Orchestra, or
Choir Performing
What do I Need to Know?
• Arrive early
• Program(pg. 6)
• Keys/Tonality
• Dates
• Catalogue System
• Tempo/Expression
Terms(pg. 30-31)
The Concert Program
Concert Etiquette
• Don’t make noise
• Follow program
• Applause: after complete works
• Performers: concert dress
• Encore: additional piece
Concert Etiquette
• Warm up/Lecture
• Concertmaster
• Tuning
• Entrances/Exits
• When to Applaud
Preparing for the Ballet and Opera
• Ballet
– Learn About the Music
– Read About the
Composer and the
Librettist
– Read the Story
– Learn About the Dancers
and the Company
• Opera
– Read the libretto
– If the libretto is based on
another source, study
the original story
– Learn About the
Composer
– Read about the Soloists
Some Important Information for
Opera Goers
• Supertitles--Text is flashed across a screen over the
stage
• Libretto--the actual text of the opera
• Metropolitan Opera Synopses
source for information about most operas; site
operated by NY Metropolitan Opera
Lecture Slides
THE ENJOYMENT OF MUSIC
ESSENTIAL LISTENING EDITION
http://wwnorton.com/web/enjoyess2
THIRD EDITION
by
Kristine Forney
Andrew Dell’Antonio
Joseph Machlis

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Prelude 1 Listening to Music Today

  • 1. Lecture Slides THE ENJOYMENT OF MUSIC ESSENTIAL LISTENING EDITION THIRD EDITION by Kristine Forney Andrew Dell’Antonio Joseph Machlis
  • 2. Introduction to Fine Arts:Music Music Belongs to Everyone
  • 3. Focus of the Course • To increase your knowledge about music • To help you use this knowledge when attending musical events • To equip you to answer questions and offer opinions about music • To encourage your active participation in the arts • To help you become an intelligent consumer with a voice in the availability of music in your community
  • 4. Music Rhythm and harmony find their way into the inward places of the soul… Plato Without music, life is a journey through a desert. Pat Conroy Without Elvis, none of us could have made it. Buddy Holly Country music is three chords and the truth. Harlan Howard The history of a people is found in its songs. George Jellinek
  • 5. Music Listening & You 2 fundamental facts about Music & Real Life Music is important to the quality of human life People have created different types of music for different purposes
  • 6. The Musical Process CREATION Musical ideas Forms (framework) Musical notation INTERPRETATION medium RESPONSE Listener-audience
  • 7. The Musical Process: Composer’s Ideas • Influenced by time period in which composer lives • Carried out through manipulation of music materials- -rhythm, melody, texture, harmony • Placed into a structured framework--musical form • Written down using standard or non-standard notation
  • 8. The Musical Process: The Performer’s Interpretation • Influenced by Performer’s – Knowledge of musical style – Technical facility on instrument – Personal ideas, likes, and preferences
  • 9. The Musical Process: The Listener’s Response • Influenced by – Knowledge of musical styles – Personal, preferences – Previous experiences with music, including musical training
  • 10. Art Music: Composed for Performance in concert halls & opera houses Learning to Listen: Hearing and Listening are not the same!! The Musically Aware Listener • Focuses on the music itself • Understands and experiences the composer’s creative choices
  • 11. Listening for Aspects of Musical Works • Nature of melodies & themes • Texture • Nature of rhythm & its patterns • Changes in dynamics levels • Dominant timbres • Use of forms and other musical practices
  • 12. Develop different modes of listening • Physical effects it produces • Emotional effects • Music for music’s sake (absolute music) • Develop different expectations about different types of music • Improve your musical memory • Become more sensitive to musical sounds
  • 14. Prelude 1: Listening to Music Today • Typical places and ways of listening to music • Understanding music requires active listening
  • 15. Some Practical Suggestions • Practice listening to music • Knowledge of musical notation is not necessary • Use Listening Guides, Resource CD, and Glossary • Attend live music performances!
  • 16. Attending Concerts • Recordings vs. live concerts • Art music vs. popular music
  • 17. Different Types of Concerts • Symphony Orchestra • Chamber Music Ensemble • Chamber Orchestra • Recital • Broadway Musical • Vocal Ensembles— Secular & Sacred – Large choirs – Small groups • Opera
  • 18. To Find a Concert, Check Listings • In the “weekend section” of local newspapers • In the college newspaper • On websites of local concert venues and musical groups • Be sure to ask for student discounts!
  • 19. Preparing for A Concert • Learn About the Music – Find out what will be played – Listen to it ahead of time--Library, Internet, Classical Radio • Learn About Musical Styles • Learn About Composers’ Lives • Learn About the Artist(s), Orchestra, or Choir Performing
  • 20. What do I Need to Know? • Arrive early • Program(pg. 6) • Keys/Tonality • Dates • Catalogue System • Tempo/Expression Terms(pg. 30-31)
  • 22. Concert Etiquette • Don’t make noise • Follow program • Applause: after complete works • Performers: concert dress • Encore: additional piece
  • 23. Concert Etiquette • Warm up/Lecture • Concertmaster • Tuning • Entrances/Exits • When to Applaud
  • 24. Preparing for the Ballet and Opera • Ballet – Learn About the Music – Read About the Composer and the Librettist – Read the Story – Learn About the Dancers and the Company • Opera – Read the libretto – If the libretto is based on another source, study the original story – Learn About the Composer – Read about the Soloists
  • 25. Some Important Information for Opera Goers • Supertitles--Text is flashed across a screen over the stage • Libretto--the actual text of the opera • Metropolitan Opera Synopses source for information about most operas; site operated by NY Metropolitan Opera
  • 26. Lecture Slides THE ENJOYMENT OF MUSIC ESSENTIAL LISTENING EDITION http://wwnorton.com/web/enjoyess2 THIRD EDITION by Kristine Forney Andrew Dell’Antonio Joseph Machlis