The intervention consists of constructing a temporary camp in Mosul, Iraq to manage the post-war emergency situation. This camp will later be converted into a new main mosque to replace the Al-Nuri Mosque destroyed during the battle with ISIS. The project is located on land near the Medici Chapels in Florence, inspired by Michelangelo's unfinished works. It features a connecting wall of Krion material. The third project redevelops a residential area in Florence, demolishing and restructuring some buildings for new housing to make the district safer and more active.

2. The intervention is based on the construction
inside the historical city of Mosul, wounded
by the conflict against the ISIS, of a postwar
camp that guarantees the management of the
emergency situation. Subsequently, it is expected
that the project will be transformed into the new
main mosque of the city, replacing the Great
Mosque of al-Nuri, which will be destroyed after
the surrender of ISIS.
Mosul Postwar Camp
01

3. Abstract illustration of the metaphysical component

4. Identification of the project area

5. Regular grid
Module subdivision
Sovereign coverage

6. DirettricePrincipale
dellaCittàVecchia
(AlShazani)

8. Neighboring green areas
Divine suspension
Restoration of the minaret

9. Axonometric exploded view

12. External view of the prayer hall
View inside the first floor terrace

13. Inside view of the prayer hall
View of the minrab and the minbar

14. Bird’s eye view of the postwar camp

15. Bird’s eye view of the mosque

16. The intervention is located in a portion of land
bordering the Medici Chapels, located in the
city of Florence near Piazza San Lorenzo. The
project takes its inspiration from Michelangelo’s
sculptural works, starting from the concept of
“unfinished” he exploited for his works. The
architectural symbol is identified in a wall in
Krion that connects the basement built in rough
concrete with the outside area in bronze.
Medici Chapels
02

17. Representation of Michelangelo’s Centauromachia

18. a
a
a
a
a
Shape Connection Rhythm

19. Bird’s eye view of the new exit of the Meicee chapels

20. >
Krion Marble
>
Concrete Stone
>
Glass Light
>
Bronze I Bronzi

21. “Light, is the giver of all presences. Material is derived from
light, it is spent light. Material is that which casts a shadow, and
the shadow belongs to light. (Louis Kahn)

22. Night view of the museum exit

23. Inside view of the bookshop

24. The project was born in a suburban residential
area of the city of Florence with prevalence of
houses of the ‘70s -’ 80s. The intervention is
based on the demolition and restructuring of
some volumes that will be destined to innovative
residences. The redevelopment project has set
itself the goal of making the whole district more
frequented and safe so as to bring visitors closer
to this new urban space.
Rocca Tedalda Housing
03

25. Axonometric study of the walkway type

26. Identification of buildings to be demolished
Reconstruction of the “front” street
Design of new volumes with related accesses

27. New public areas and vegetation
New roads and parking design
“Grafts” volumes bordering the new park

30. View of the residences on the side of the main road
View from the park on the back side of the buildings

31. View of the new volumes designed in the central side of the square

32. View of the children’s playground built between the buildings
View of the relaxation area between the buildings

34. +3.00
+6.00
+9.00
+12.00
0.00
+3.00
+6.00
+9.00
+12.00
0.00

35. View from the inside of the bay where the residences are facing
View from the roof on the “hole” where the residences overlook

36. The project area covers an entire uninhabited
block in the historic center of Florence, once a
monastery with a church inside. Given the great
expansion of culinary disciplines in the city, this
space will be used for cooking school and culinary
arts. The architectural process will be managed
respecting the historically linked buildings and
will be provided with a roof that will cover the
main courtyards.
Sant’Orsola Culinary Center
04

37. Design concept related to the relationship between cuisine and chemistry
RULELINK UNION
CUISINE = CHEMISTRY

38. blema del centro
gno nella storia di
ado dell’intera zona.
de Dogana
un’intesa per lo
quisizione di
olungamento del
e della Dogana di
impantana.
di Europei
a giunta provin-
a deciso di
nvocato
ndividere nuove
nziamenti,
i europei, per
el complesso di
stralci funzionali.
Università
ione fino
ura Tabacchi
n seguito ospitò
i sfollati e poi
iversità di
Gioconda
fu certamente
Giocondo,prob-
nda dipinta da
eva vissuto gli
icino alla figlia
monaca a
ella Gherardini è
della prima
11-2012, anche
i non ha trovato
uto al cambio
ad ogni tipo di
ire nel
creare un vuoto urbano
Creare zone di interesse cu-
Alleggerire l’edificio del
Construction of the new covered entrance
blema del centro
no nella storia di
do dell’intera zona.
e Dogana
un’intesa per lo
uisizione di
lungamento del
della Dogana di
mpantana.
di Europei
giunta provin-
deciso di
nvocato
ndividere nuove
ziamenti,
europei, per
el complesso di
stralci funzionali.
Università
one fino
a Tabacchi
n seguito ospitò
sfollati e poi
versità di
Gioconda
u certamente
Giocondo,prob-
da dipinta da
va vissuto gli
cino alla figlia
monaca a
a Gherardini è
della prima
-2012, anche
non ha trovato
to al cambio
ad ogni tipo di
e nel
creare un vuoto urbano
Creare zone di interesse cu-
Alleggerire l’edificio del
Porosità urbana
Identification of the main public spaces
blema del centro
no nella storia di
do dell’intera zona.
e Dogana
un’intesa per lo
uisizione di
lungamento del
della Dogana di
mpantana.
di Europei
giunta provin-
deciso di
nvocato
ndividere nuove
ziamenti,
europei, per
el complesso di
stralci funzionali.
Università
one fino
a Tabacchi
seguito ospitò
sfollati e poi
versità di
Gioconda
u certamente
Giocondo,prob-
da dipinta da
va vissuto gli
cino alla figlia
monaca a
a Gherardini è
della prima
-2012, anche
non ha trovato
to al cambio
d ogni tipo di
e nel
creare un vuoto urbano
Creare zone di interesse cu-
Alleggerire l’edificio del
Porosità urbana
Removing the last floor

39. 3
6
Porosità urbana
Far riaffiorare la struttura mura-
trasformare le corti in
ri Relatore: Ulisse Tramonti Correlatore: Paolo Di Nardo
Creating a spatial interaction between the courts
3
6
Porosità urbana
Far riaffiorare la struttura mura-
trasformare le corti in
ri Relatore: Ulisse Tramonti Correlatore: Paolo Di Nardo
Let the masonry live again under the wall
3
6
Porosità urbana
Far riaffiorare la struttura mura-
trasformare le corti in
ri Relatore: Ulisse Tramonti Correlatore: Paolo Di Nardo
Connect the entire project with a hexagonal roof

40. View from inside the first court
View from inside the exhibition hall

41. 0.23
0.27
0.30
0.05
-0.14
0.08
0.08
0.32
0.62
0.22
0.25
0.42
0.22
0.28
0.080.34
0.26
0.24
0.36
0.27
0.02
0.03
-2.66
-0.89
0.00
H= 4.93
H= 4.76
H= 4.76
H= 4.68
H= 4.67
H= 4.47
H= 4.75
H= 4.92
H= 10.51
H= 4.72
H= 4.72
H= 5.92
H= 5.92
H= 5.09
H= 4.91
H= 5.06
H= 4.89
H= 7.30
H= 8.20
8.00%
8.00 %
7.80 %
B
B
C
C
A
A
N
Laboratorio_Panificio
Laboratorio_Pasticceria
Scale che conducono al
piano interrato soggetto al
vincolo archeologico
Shop_Expo prodotti
Ristorante_Smoke area
Enoteca_Degustazione
Auditorium_Exibition
Book shop_Sala lettura
97 mq
123 mq
311 mq
389 mq
304 mq
159 mq
256 mq
Pianta PianoTerra scala 1:200
1
2
Ground floor plan

42. 0.00
5.40
8.62
10.18
15.91
-5.70
-2.66
CULINARY ART ACADEMY

43. 5.41
8.84
-10.20
-4.20
Sezione BB scala 1:200
Ex parcheggio interrato G.F.
Ampliamento G.F. Edificio storico esistente
1- View from the road junction towards the main entrancere
2- View of the second courtre
3- View from inside the entrance hallre

44. The project is located in the area of Scandicci,
Tuscany, in a peripheral area rich in agricultural
crops left uncultivated. It aims to rebuild an
inner piece of city with new urban rules that
differ from existing ones. The approach follows
a regular grid that determines the shape of the
blocks, in the central part the existing space of
the barracks was used for a square overlooked by
commercial activities.
Scandicci, Urban Utopia
05

45. Concept based on the redundancy of an element

46. Post-project situation
Project grid
Volumes created by the grid

47. Introduction of road links
New cycle and vehicular traffic
Introduction of the “towers of light”

50. Courts of existing buildings
Bird’s eye view of the whole project

51. Courts of new buildings

52. The complex of Santa Maria Novella is one
of the most famous districts in the world, the
Florentine administration wants to elevate its
prestige by opening the central courtyard inside,
so that tourists can admire the cycle of restored
frescoes. In the restoration project the analysis of
the current degradation situation of the internal
buildings was made, and a proposal was made for
a temporary overnight installation.
Santa Maria Novella Complex
06

53. Moodboard

57. macchiacolaturaabrasionecorrosionedeposito
superficiale
bruciatura tinta
a calce
decoesionerigonfiamentofronte di risalitaassenza
manutenzione
cavilaturadistacco
rappezzo
incongruo
dilavamento
macchiacolaturaabrasionecorrosionedeposito
superficiale
bruciatura tinta
a calce
decoesionerigonfiamentofronte di risalitaassenza
manutenzione
cavilaturadistacco
rappezzo
incongruo
dilavamento
Analysis of the deterioration of internal elevations

58. Reconstruction of an ancient vase through photogrammetry. Photographic composition phase
Reconstruction of an ancient vase through photogrammetry. Texture generation

59. Reconstruction of an ancient vase through photogrammetry. Return of the 3D model

60. Planimatry of lighting devices

61. View from the terrace to the internal courtyard
View from inside the court

62. The aim of the project was to build a pavilion
that belonged to Saudi Arabia for the 2015
Expo in Milan, along the route built in the Rho
district. The architectural forms were obtained
from a parametric generation process using the
Autodesk Maya software, starting from perfectly
symmetrical circles that are used as fields for
crops in the Arab deserts.
Expo Saudi Arabian Pavilion
07

63. Aerial view of the circle crops

64. Design of parametric generation using Ncloth

65. Choice of the best formal composition

67. Side view of the pavilion
View of the perforated coating

68. View from the main hall of the pavilion
View of the conference room

69. View of the restaurant hall
View of suspended tree exposures

70. The intervention is located in the historic center
of the city of Florence, and is part of a workshop
called “Architectonic Virus” organized by the
architect Milani. The goal is to revive the square
of Rebubblica covering it with a roof. The
proposal was addressed using the existing forms
of the Turin arches that overlook the square,
so as to create a “cloth” supported by pillars in
corten.
Florence, Architectonic Virus
08

71. Extrusion and subtraction concept

72. Bird’s eye view of the square

73. Front elevation

74. The object of the design refers to the
reconstruction of the old industrial port of the
city of Piombino. The goal is to, inspired by the
chimneys in the area, build a skyscraper that
can accommodate apartments of various sizes.
The concept used for the project is based on
the contrast between nature and industry that
is obtained through the creation of a building
covered with vegetation.
Industrial Redevelopment
09

75. Photo of Piombino when the chimneys were in operation

76. Masterplan of the lot

77. View of the skyscraper from the covered path that connects it to the commercial
Night view of outdoor lighting

78. The project is located in the city of San
Donnino, a few steps from Florence. It is an
urban regeneration that aims to connect the
new tramway line with a university scientific
center, which is the most important element of
the project. Architecture is placed at the service
of biology, through a central “green” axis from
which greenhouses, used as study laboratories.
extend.
San Donnino, Agricultural Center
10

79. Photographic inspiration for the concept

80. Positioning of tram stops
Elevated pedestrian crossing
Identification of the main item

81. Positioning of volumes with relative public spaces
Sketches of the main section
Perspective of the new agricultural university center

86. View of the bridge structure
Diagram of the deformations of the bridge

88. Technological planimetry of the ground floor of a greenhouse

89. View of the main “green” axis

90. View inside the main “green” axis

91. View of the exterior of a greenhouse

92. The following project represents the construction
of an art district including residences for
students and laboratories where production
activities are carried out. The idea starts from
the identification of a cubic volume, from
which a third of the surface must be subtracted.
The challenge was faced by creating a central
courtyard (exhibition area) from which towers,
where the residences are located, stand out.
Florence Art Center
11

93. Gendandis as atametur? Fero comnien iminctempor maximinus non re

94. Creating a terrace
Emptying the vulume to create the court

95. Placement of the main entrance
Identifications of residential towers

96. Main section

97. Functional analysis of activities
Axonometry of the central ramp

98. View of the entrance to the art district
Bird’s eye view of the terrace

99. View of the internal court
View of an internal laboratory