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Pop music pedagogy
“The digitization of music is essentially a story
of values, not inventions” - Paul Théberge
For example: Jamaica had no
music copyright laws until 1995
What is popular music? Is it necessarily
electronic, or dance-oriented, or popular?
Song: a musical idea
in conceptual or
notated form
Arrangement: a
realization of a song in
full instrumentation,
on paper or in
performance
Track: a realization of
a song/arrangement
as a recording
Listening like
a producer:
hearing the
potential for a
track within a
song, or
helping a
song emerge
from a
collection of
recorded
tracks
Music has
entered a “post-
performance age”
- Matt Thibeault
The Beatles’
decision to stop
touring was a
turning point,
since their
albums no longer
had to be
performable
Digital music creativities collapse the boundaries between
the formerly distinct disciplines of composition, production,
sound design, and performance - Leah Kardos
We should broaden our concept of musicianship
from instrumental virtuosity to include “playing
the studio” - Brian Eno
“The idea of creating an illusion of reality
on recordings was joined, and to some
extent supplanted by, the reality of the
illusions themselves” - Virgil Moorefield
“In electronic music, there’s a lot of ways to create something
that runs… Take a drum computer: you turn it on and it plays
a pattern… the action of the person who is playing the drum
computer is changing the pattern” - Robert Henke
What-
er,
ev-
let's
just
have
fun.
It's
hip-
hop,
man,
This
hip-
hop
is
New visualization schemes can change
and expand our musical understanding
Thanks for listening!
ethanhein.com
@ethanhein

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Pop music pedagogy

  • 2. “The digitization of music is essentially a story of values, not inventions” - Paul Théberge For example: Jamaica had no music copyright laws until 1995
  • 3. What is popular music? Is it necessarily electronic, or dance-oriented, or popular?
  • 4. Song: a musical idea in conceptual or notated form Arrangement: a realization of a song in full instrumentation, on paper or in performance Track: a realization of a song/arrangement as a recording
  • 5. Listening like a producer: hearing the potential for a track within a song, or helping a song emerge from a collection of recorded tracks
  • 6. Music has entered a “post- performance age” - Matt Thibeault The Beatles’ decision to stop touring was a turning point, since their albums no longer had to be performable
  • 7. Digital music creativities collapse the boundaries between the formerly distinct disciplines of composition, production, sound design, and performance - Leah Kardos We should broaden our concept of musicianship from instrumental virtuosity to include “playing the studio” - Brian Eno
  • 8. “The idea of creating an illusion of reality on recordings was joined, and to some extent supplanted by, the reality of the illusions themselves” - Virgil Moorefield
  • 9. “In electronic music, there’s a lot of ways to create something that runs… Take a drum computer: you turn it on and it plays a pattern… the action of the person who is playing the drum computer is changing the pattern” - Robert Henke