This is an overview from the Pacific Music Business Camp kickoff class that introduced students to some of the fundamental players, concepts and conventions within the music business.
FanLP is a loyalty point platform that aims to strengthen the relationship between musicians and fans. It allows fans to earn points for supporting artists through activities like attending concerts, buying merchandise, and donating for free music downloads. Fans can then redeem these points for prizes from the artists. Artists benefit through valuable fan data and incentives for early fan support. The platform also offers fans potential equity in artist growth. FanLP seeks $500,000 to fund initial development and marketing in order to on-board artists and fans, iterate based on feedback, and eventually scale up operations.
Synthetic artists focus on marketing and image to attract a wide audience and maximize revenue through sales of singles. They try to appeal to younger demographics and dress accordingly. Organic artists pursue authenticity through their talent and ordinary image to attract mature audiences who appreciate good music. Some artists have aspects of both, like The Beatles - John Lennon had a synthetic "bad boy" image while Paul McCartney was seen as more organic and musically talented. Synthetic artists may also launch branded products to promote their name through entrepreneurship. Some organic artists can transform into synthetic artists as they gain fame and see opportunities to make more money through a crafted public image.
Pac West Festival 2015 Music Industry SlidesKeith Hatschek
A presentation given on the music industry as part of the 2015 University of the Pacific Conservatory's Pacific Western Festival of Bands. Presented by Professor Keith Hatschek, program director for Music Industry Studies at Pacific.
The document discusses Richard Dyer's star theory, which identifies three main features of stars:
1) Stars are constructed by record labels through advertising and promotion to create a unique selling point.
2) Stars are commodities that are "sold" to audiences by tailoring them to meet audience demands.
3) Stars represent certain ideologies that audiences can relate to.
The theory holds that stars are modified from real people into constructs to be idolized by fans, and that they influence audiences through the ideologies they portray. Certain elements like youth, rebellion, and disregard for social norms are seen as necessary for stars to succeed according to Dyer's theory.
J.P. Cullen & Sons is one of the oldest construction companies in the U.S., founded in 1892. It is a family-run business now in its third generation of leadership. The company prides itself on its heritage and commitment to excellence in workmanship. It offers a full range of construction services and has completed many high-quality projects across various sectors over its long history. J.P. Cullen & Sons aims to fully understand its clients' needs and goals to successfully deliver projects on time and on budget.
The document discusses certification levels for album sales in the US music industry. It achieves gold status at 500,000 units sold, platinum at 1 million units. Royalty rates typically range from 13-20% of wholesale price, depending on the artist's level. Royalties are calculated based on wholesale price minus free goods and recoupable costs like recording and promotion. For a new artist with a gold album selling 500,000 units at a 14% royalty rate, they would earn around $170,000, though labels typically hold back a portion of royalties.
FanLP is a loyalty point platform that aims to strengthen the relationship between musicians and fans. It allows fans to earn points for supporting artists through activities like attending concerts, buying merchandise, and donating for free music downloads. Fans can then redeem these points for prizes from the artists. Artists benefit through valuable fan data and incentives for early fan support. The platform also offers fans potential equity in artist growth. FanLP seeks $500,000 to fund initial development and marketing in order to on-board artists and fans, iterate based on feedback, and eventually scale up operations.
Synthetic artists focus on marketing and image to attract a wide audience and maximize revenue through sales of singles. They try to appeal to younger demographics and dress accordingly. Organic artists pursue authenticity through their talent and ordinary image to attract mature audiences who appreciate good music. Some artists have aspects of both, like The Beatles - John Lennon had a synthetic "bad boy" image while Paul McCartney was seen as more organic and musically talented. Synthetic artists may also launch branded products to promote their name through entrepreneurship. Some organic artists can transform into synthetic artists as they gain fame and see opportunities to make more money through a crafted public image.
Pac West Festival 2015 Music Industry SlidesKeith Hatschek
A presentation given on the music industry as part of the 2015 University of the Pacific Conservatory's Pacific Western Festival of Bands. Presented by Professor Keith Hatschek, program director for Music Industry Studies at Pacific.
The document discusses Richard Dyer's star theory, which identifies three main features of stars:
1) Stars are constructed by record labels through advertising and promotion to create a unique selling point.
2) Stars are commodities that are "sold" to audiences by tailoring them to meet audience demands.
3) Stars represent certain ideologies that audiences can relate to.
The theory holds that stars are modified from real people into constructs to be idolized by fans, and that they influence audiences through the ideologies they portray. Certain elements like youth, rebellion, and disregard for social norms are seen as necessary for stars to succeed according to Dyer's theory.
J.P. Cullen & Sons is one of the oldest construction companies in the U.S., founded in 1892. It is a family-run business now in its third generation of leadership. The company prides itself on its heritage and commitment to excellence in workmanship. It offers a full range of construction services and has completed many high-quality projects across various sectors over its long history. J.P. Cullen & Sons aims to fully understand its clients' needs and goals to successfully deliver projects on time and on budget.
The document discusses certification levels for album sales in the US music industry. It achieves gold status at 500,000 units sold, platinum at 1 million units. Royalty rates typically range from 13-20% of wholesale price, depending on the artist's level. Royalties are calculated based on wholesale price minus free goods and recoupable costs like recording and promotion. For a new artist with a gold album selling 500,000 units at a 14% royalty rate, they would earn around $170,000, though labels typically hold back a portion of royalties.
The music industry diy v.s independent label v.s majorTeyland
This document discusses different models for artists in the music industry: DIY (do-it-yourself), independent labels, and major labels. It outlines the pros and cons of each model. A key point made is that major labels were once necessary for marketing and promotion, but with new technologies like social media, artists now have more options to self-promote as a DIY artist or sign with an independent label instead of a major label. Major labels take the largest cut of profits but provide large budgets, while independent labels and DIY provide more artistic control and financial benefits to the artist.
A short overview of the music industry and its elements, as part of our A2 coursework research and production in media studies done by group 3. May be revisited for more detail.
Michael St. James provides a summary of the new music business model for independent artists. The model emphasizes:
1) Releasing 2-3 high quality singles every 2-3 months to build a catalog and fanbase.
2) Using video and social media to connect with fans and promote music.
3) Earning income from various digital platforms like YouTube, streaming services, and selling merchandise and music bundles directly to fans.
The music industry is dominated by three major record labels - Warner Music Group, Universal Music Group, and Sony Music Entertainment. Independent artists and labels operate outside of the major labels. Record deals assign copyright of an artist's music to the label and do not allow artists to record for other labels without permission. Labels are responsible for promoting and branding artists, using a variety of techniques from social media and interviews to music videos and advertising. The production process for music videos involves approval, storyboarding, casting, filming, editing and distribution formats. Neurologic music therapy and music press coverage also play roles in artist promotion.
The music industry is dominated by major record labels that control around 75% of the global music market. These major labels include Universal, Sony, and Warner Music Group. There are also thousands of independent labels that play a smaller role in the market. The future of the industry is uncertain as technology and streaming continue to change how music is consumed and monetized.
The music recording industry has undergone significant changes since the 1850s with the development of recording technologies. By the early 20th century, the industry was dominated by a few major companies like Edison, Columbia, and Victor. Rock music in the 1950s brought more competition. Today, the global industry is worth $40 billion annually and is controlled by just a few major corporations like Universal Music Group, Sony/BMG, Warner Music, and EMI, which control the majority of charted albums and global market share. Top earning artists of all time include Elvis Presley, The Beatles, Michael Jackson, Abba, and Queen.
Travis Scott is a hip hop artist born in 1992 in Houston, Texas. He signed his first major record label deal with Epic Records in 2012. Some of his notable achievements include being nominated for a Best Mixtape award in 2015 and winning a People's Champ Award in 2016.
Epic Records is one of the largest record labels in the world, founded in 1953 focusing initially on classical and jazz but now including genres like pop, rock, R&B and hip hop. Successful artists signed to Epic include DJ Khaled, Travis Scott, and 21 Savage.
Key roles at a record label include the CEO who oversees the general direction, Vice Presidents who manage different departments, an accounting department
This document discusses the codes and conventions of music magazine advertisements. It explains that the primary purpose of music magazine ads is to promote a new song, album, EP, or artist. To appeal to the target audience, the ad needs to be eye-catching and stand out. Different artists may have different target demographics, like young adults for Catfish and the Bottlemen versus young girls for One Direction. The main conventions included in music magazine ads are the artist name, song/album title, image, and release date. Other common conventions are details on where to purchase the item, quotes from the artist, the record label logo, reviews, social media links, and tour dates if applicable. Ads also usually have consistent
Apresentação Start Music Latin Moot Coptiagobritto
1. The document discusses Start Music, a proposed online platform that aims to help musicians and producers share and promote their music more easily.
2. It outlines how Start Music works, including allowing users to upload songs, have them rated by other users, and get them promoted on social networks. Musicians and producers can also register songs for copyright protection.
3. Financial projections estimate that Start Music could become profitable within 2 years and generate over $5 million in annual revenue within 5 years through advertising, song registrations, and affiliate programs.
Kick Ass on Kickstarter - SF Musictech 11-11-14freshbreakfast
Kick Ass on Kickstarer: Thriving Under the New Patronage Model
The slideshow for SF Musictech Summit, 11-11-14. See you in the Kyoto room at 2 pm!
Bryan Kim for Think Steady Inc.
Follow me @freshbreakfast on twitter.
Travis Scott is a hip hop artist who signed with Epic Records in 2012. Some of his notable achievements include being nominated for Best Mixtape in 2015 and winning People's Champ Award at the 2016 BET Hip Hop Awards. Epic Records was founded in 1953 focusing on classical and jazz but now includes genres like pop, rock, R&B and hip hop. It is one of the largest record labels in the world and is a subsidiary of Sony Music Entertainment. Key jobs at a record label include CEO, vice presidents for different departments, accounting, legal, A&R, artist development, marketing, publicity, promotion and sales.
The document provides an overview of how the record business operates. It discusses how most artists sign with major record labels that fund recordings and distribute the albums. It then describes the various divisions within major labels that are responsible for areas like A&R, sales, marketing, promotion, and finance. It also discusses the roles of major distributors, independent labels and distributors, retailers, and how royalties are calculated.
The document discusses various ways for musicians to make money from their music, including performing, exploiting intellectual property rights, and building relationships with fans. It notes that pursuing a career in music will require significant time and money to pay for costs like touring, recording, and promotional activities. Various music industry roles are outlined that can help artists, such as managers, agents, record labels, and publishers, but musicians need to consider deals carefully to avoid losing control over their copyrights or revenues.
The document discusses changing definitions of "selling out" and working with brands and labels in the modern music industry. It provides context about the history of the music business and both sides of the argument around compromising artistic integrity. The author argues that the goal should be using money from brands or labels to achieve artistic goals, rather than avoiding compromise. Working with brands can provide funding for music production and distribution, but may not align with an artist's long-term vision. The key is staying true to one's mission while leaving room to partner with brands if other revenue options are limited.
The document discusses the music industry, including record labels and their control over the market. It notes there are over 3000 labels in the US, releasing 30,000 new titles per year. It then describes the major record labels - Universal, Sony, Warner, and the now dissolved EMI - which control around 75% of the global music market. The document outlines some prominent artists signed to each major label. It also discusses independent labels and provides some examples of influential indie labels in both the UK and US. Finally, it considers some of the issues in the modern music industry like high CD costs and how much money goes to artists versus marketing.
The document discusses the current state of the music industry and opportunities for careers in music entrepreneurship, noting that while the industry is changing with new technologies, the demand for music globally remains strong. It provides advice for becoming a successful music entrepreneur, emphasizing the importance of having musical talent and business skills, a desire to work hard, and spending at least 10,000 hours mastering one's craft. The opportunity exists for those willing to take risks and start their own music ventures.
This document discusses new paradigms for documentary production and distribution. It outlines some of the challenges with the traditional model, which involves playing festivals, selling to distributors for an advance and percentage of revenues. However, this model provides little money up front and filmmakers see little return. The document discusses how new technologies and platforms allow for more direct engagement with audiences and new funding models like crowdfunding. It advocates for embracing multiple platforms and business models to better reach audiences and monetize projects.
The document discusses opportunities and threats in the changing music industry. Major record labels are struggling as physical music sales decline sharply. However, the overall music business is thriving through growing areas like live concerts, merchandising, and licensing. For the music business to succeed, a new model is needed that focuses on full artist brand management and exploitation across all income streams. It must also diversify revenue sources beyond recordings and align the interests of artists and labels. Emerging markets like China and India also provide major growth opportunities if infrastructure and legal issues are addressed.
Inside the Arts & Entertainment Concentration at UOPKeith Hatschek
A quick look at the A&E concentration at the Eberhardt School of Business at University of the Pacific, Stockton, CA. Prepared by Professor Keith Hatschek, Music Management Program Director, UOP.
A presentation given on July 11, 2017 at the Pacific Summer Institute at University of the Pacific on the shifts in media distribution and usage. These changes are causing companies and artists to move toward a more direct connection with consumers, cutting out many of the layers of middlemen that existed in the previous model.
The music industry diy v.s independent label v.s majorTeyland
This document discusses different models for artists in the music industry: DIY (do-it-yourself), independent labels, and major labels. It outlines the pros and cons of each model. A key point made is that major labels were once necessary for marketing and promotion, but with new technologies like social media, artists now have more options to self-promote as a DIY artist or sign with an independent label instead of a major label. Major labels take the largest cut of profits but provide large budgets, while independent labels and DIY provide more artistic control and financial benefits to the artist.
A short overview of the music industry and its elements, as part of our A2 coursework research and production in media studies done by group 3. May be revisited for more detail.
Michael St. James provides a summary of the new music business model for independent artists. The model emphasizes:
1) Releasing 2-3 high quality singles every 2-3 months to build a catalog and fanbase.
2) Using video and social media to connect with fans and promote music.
3) Earning income from various digital platforms like YouTube, streaming services, and selling merchandise and music bundles directly to fans.
The music industry is dominated by three major record labels - Warner Music Group, Universal Music Group, and Sony Music Entertainment. Independent artists and labels operate outside of the major labels. Record deals assign copyright of an artist's music to the label and do not allow artists to record for other labels without permission. Labels are responsible for promoting and branding artists, using a variety of techniques from social media and interviews to music videos and advertising. The production process for music videos involves approval, storyboarding, casting, filming, editing and distribution formats. Neurologic music therapy and music press coverage also play roles in artist promotion.
The music industry is dominated by major record labels that control around 75% of the global music market. These major labels include Universal, Sony, and Warner Music Group. There are also thousands of independent labels that play a smaller role in the market. The future of the industry is uncertain as technology and streaming continue to change how music is consumed and monetized.
The music recording industry has undergone significant changes since the 1850s with the development of recording technologies. By the early 20th century, the industry was dominated by a few major companies like Edison, Columbia, and Victor. Rock music in the 1950s brought more competition. Today, the global industry is worth $40 billion annually and is controlled by just a few major corporations like Universal Music Group, Sony/BMG, Warner Music, and EMI, which control the majority of charted albums and global market share. Top earning artists of all time include Elvis Presley, The Beatles, Michael Jackson, Abba, and Queen.
Travis Scott is a hip hop artist born in 1992 in Houston, Texas. He signed his first major record label deal with Epic Records in 2012. Some of his notable achievements include being nominated for a Best Mixtape award in 2015 and winning a People's Champ Award in 2016.
Epic Records is one of the largest record labels in the world, founded in 1953 focusing initially on classical and jazz but now including genres like pop, rock, R&B and hip hop. Successful artists signed to Epic include DJ Khaled, Travis Scott, and 21 Savage.
Key roles at a record label include the CEO who oversees the general direction, Vice Presidents who manage different departments, an accounting department
This document discusses the codes and conventions of music magazine advertisements. It explains that the primary purpose of music magazine ads is to promote a new song, album, EP, or artist. To appeal to the target audience, the ad needs to be eye-catching and stand out. Different artists may have different target demographics, like young adults for Catfish and the Bottlemen versus young girls for One Direction. The main conventions included in music magazine ads are the artist name, song/album title, image, and release date. Other common conventions are details on where to purchase the item, quotes from the artist, the record label logo, reviews, social media links, and tour dates if applicable. Ads also usually have consistent
Apresentação Start Music Latin Moot Coptiagobritto
1. The document discusses Start Music, a proposed online platform that aims to help musicians and producers share and promote their music more easily.
2. It outlines how Start Music works, including allowing users to upload songs, have them rated by other users, and get them promoted on social networks. Musicians and producers can also register songs for copyright protection.
3. Financial projections estimate that Start Music could become profitable within 2 years and generate over $5 million in annual revenue within 5 years through advertising, song registrations, and affiliate programs.
Kick Ass on Kickstarter - SF Musictech 11-11-14freshbreakfast
Kick Ass on Kickstarer: Thriving Under the New Patronage Model
The slideshow for SF Musictech Summit, 11-11-14. See you in the Kyoto room at 2 pm!
Bryan Kim for Think Steady Inc.
Follow me @freshbreakfast on twitter.
Travis Scott is a hip hop artist who signed with Epic Records in 2012. Some of his notable achievements include being nominated for Best Mixtape in 2015 and winning People's Champ Award at the 2016 BET Hip Hop Awards. Epic Records was founded in 1953 focusing on classical and jazz but now includes genres like pop, rock, R&B and hip hop. It is one of the largest record labels in the world and is a subsidiary of Sony Music Entertainment. Key jobs at a record label include CEO, vice presidents for different departments, accounting, legal, A&R, artist development, marketing, publicity, promotion and sales.
The document provides an overview of how the record business operates. It discusses how most artists sign with major record labels that fund recordings and distribute the albums. It then describes the various divisions within major labels that are responsible for areas like A&R, sales, marketing, promotion, and finance. It also discusses the roles of major distributors, independent labels and distributors, retailers, and how royalties are calculated.
The document discusses various ways for musicians to make money from their music, including performing, exploiting intellectual property rights, and building relationships with fans. It notes that pursuing a career in music will require significant time and money to pay for costs like touring, recording, and promotional activities. Various music industry roles are outlined that can help artists, such as managers, agents, record labels, and publishers, but musicians need to consider deals carefully to avoid losing control over their copyrights or revenues.
The document discusses changing definitions of "selling out" and working with brands and labels in the modern music industry. It provides context about the history of the music business and both sides of the argument around compromising artistic integrity. The author argues that the goal should be using money from brands or labels to achieve artistic goals, rather than avoiding compromise. Working with brands can provide funding for music production and distribution, but may not align with an artist's long-term vision. The key is staying true to one's mission while leaving room to partner with brands if other revenue options are limited.
The document discusses the music industry, including record labels and their control over the market. It notes there are over 3000 labels in the US, releasing 30,000 new titles per year. It then describes the major record labels - Universal, Sony, Warner, and the now dissolved EMI - which control around 75% of the global music market. The document outlines some prominent artists signed to each major label. It also discusses independent labels and provides some examples of influential indie labels in both the UK and US. Finally, it considers some of the issues in the modern music industry like high CD costs and how much money goes to artists versus marketing.
The document discusses the current state of the music industry and opportunities for careers in music entrepreneurship, noting that while the industry is changing with new technologies, the demand for music globally remains strong. It provides advice for becoming a successful music entrepreneur, emphasizing the importance of having musical talent and business skills, a desire to work hard, and spending at least 10,000 hours mastering one's craft. The opportunity exists for those willing to take risks and start their own music ventures.
This document discusses new paradigms for documentary production and distribution. It outlines some of the challenges with the traditional model, which involves playing festivals, selling to distributors for an advance and percentage of revenues. However, this model provides little money up front and filmmakers see little return. The document discusses how new technologies and platforms allow for more direct engagement with audiences and new funding models like crowdfunding. It advocates for embracing multiple platforms and business models to better reach audiences and monetize projects.
The document discusses opportunities and threats in the changing music industry. Major record labels are struggling as physical music sales decline sharply. However, the overall music business is thriving through growing areas like live concerts, merchandising, and licensing. For the music business to succeed, a new model is needed that focuses on full artist brand management and exploitation across all income streams. It must also diversify revenue sources beyond recordings and align the interests of artists and labels. Emerging markets like China and India also provide major growth opportunities if infrastructure and legal issues are addressed.
Inside the Arts & Entertainment Concentration at UOPKeith Hatschek
A quick look at the A&E concentration at the Eberhardt School of Business at University of the Pacific, Stockton, CA. Prepared by Professor Keith Hatschek, Music Management Program Director, UOP.
A presentation given on July 11, 2017 at the Pacific Summer Institute at University of the Pacific on the shifts in media distribution and usage. These changes are causing companies and artists to move toward a more direct connection with consumers, cutting out many of the layers of middlemen that existed in the previous model.
Teaching preparation for portfolio musiciansKeith Hatschek
This slide show supported a presentation at the CMS International Conference 2016 in Santa Fe, NM. It is image-heavy without some of the underlying concepts which were orally presented. Please feel free to contact either presenter via email addresses on the final slide.
Music industry veteran, Keith Hatschek, gives an overview of the world of music licensing including some examples of typical fees paid to use music in a variety of media. Presented Fall 2015 to McGeorge Law School students in Sacramento, CA.
An introduction to the concept of portfolio careers in music, which allow a musician to develop multiple projects and income streams to support his or her life in music. Presented at the Mission College Digital Music Summit in November 2014 by Keith Hatschek, author of "How to Get a Job in the Music Industry"
A presentation given by Keith Hatschek during the 2013 Pacific Music Business Camp that gives an overview of the entire record production process and concludes with sharing five notable tracks that show some of the key attributes of a well produced popular music recording.
A short overview of some of the basic strategies for bands and artists to use in leveraging social media to build community. Includes reference to current bands including Macklemore & Ryan Lewis. Presented by Dana Myers at Pacific Music Business Camp 2013.
This presentation accompanied a class given by Keith Hatschek and Dana Myers addressing the importance of defining a market niche for every artist to maximize the opportunities to connect with the most likely group of fans that will support an artist.
This document discusses how songwriters can earn money from their original music through music licensing and acquisition. It outlines four key themes: ground rules regarding copyright; value as perceived by the music market; the various buyers and licensees of music; and the importance of making connections within the music industry. The document provides examples of how music is licensed for different uses and the potential revenue amounts. It emphasizes the need to understand copyright, valuation factors, target buyers' needs, and building relationships with music publishers and performing rights organizations.
The talking points from the Demo Secrets session at the Band Business Crash Course at the Plea for Peace Center, Nov. 3, 2012. Presented by the Pacific Music Management Club, faculty and alumni.
The talking points on Music Licensing from the Band Business Crash Course held at the Plea for Peace Center on Nov. 3, 2012. Presented by the Pacific Music Management Club, faculty and alumni.
Talking points on Copyright basics presented at the Plea for Peace Center's Band Business Crash Course, Nov. 3, 2012. Presented by the Pacific Music Management Club, faculty and alumni.
The Branding session talking points from the Band Business Crash Course held at the Plea for Peace Center, Nov. 3, 2012. Presented by the Pacific Music Management Club, faculty and alumni.
Networking talking points from the Plea for Peace Band Business Crash Course, Nov. 3, 2012. Presented by Pacific Music Management Club, faculty and alumni.
NAMM You Are the CEO: The Entrepreneurial MusicianKeith Hatschek
Slide show in support of a keynote lecture given at the 2012 NAMM Conference in Anaheim, CA by Keith Hatschek, Director of Music Management at University of the Pacific.
The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...greendigital
Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
Unveiling Paul Haggis Shaping Cinema Through Diversity. .pdfkenid14983
Paul Haggis is undoubtedly a visionary filmmaker whose work has not only shaped cinema but has also pushed boundaries when it comes to diversity and representation within the industry. From his thought-provoking scripts to his engaging directorial style, Haggis has become a prominent figure in the world of film.
Barbie Movie Review - The Astras.pdffffftheastras43
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
Top IPTV UK Providers of A Comprehensive Review.pdfXtreame HDTV
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Everything You Need to Know About IPTV Ireland.pdfXtreame HDTV
The way we consume television has evolved dramatically over the past decade. Internet Protocol Television (IPTV) has emerged as a popular alternative to traditional cable and satellite TV, offering a wide range of channels and on-demand content via the internet. In Ireland, IPTV is rapidly gaining traction, with Xtreame HDTV being one of the prominent providers in the market. This comprehensive guide will delve into everything you need to know about IPTV Ireland, focusing on Xtreame HDTV, its features, benefits, and how it is revolutionizing TV viewing for Irish audiences.
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Sagagreendigital
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspirationgreendigital
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
The Ultimate Guide to Setting Up Eternal IPTV on Your Devices.docx
PMBC Making Money Making Music
1.
2. Who’s Who?
Dana Myers – entertainment lawyer and criminal
attorney, music manager, Pacific alumni
Keith Hatschek – program
director, author, producer, engineer, musician
4. Out with the Old, In with
the New
Traditional record sales are only a small part of
overall MUSIC industry today
Some artists, songwriters, managers, concert
promoters are all still making money – how?
Success no longer requires major corporate backing
But it can be a useful add-on if done strategically
(Examples: Macklemore & Death Cab)
5. Why Clout Matters
What is clout?
Who has it?
Who doesn’t
How to get it
What it will allow you to do
7. Sources of Income
Live shows
Have a Billboard – BoxScore data
Recorded music
Merch
Other
8. Where Does the $$ Go?
Solo artist, house concert, no band, use your parent’s car – you
keep 100%
That is not the norm!
Expense areas
Manager
Venue share
Agent
Attorney
Sound & Lights
Roadies
Food, instruments, insurance, marketing, promotion, videos, et
c.
What else can you think of?
9. Gross vs. Net
Total revenue from a gig, album, tour, or other event
is called the “gross” earnings
What the artist puts in her/his pocket after all
expenses have been paid is the “net”
Many artists have earned millions and been forced
into bankruptcy due to poor management, under
what conditions artists are eventually paid
Never be afraid to ask, “What do you expect I will
net from this opportunity?”
11. CD Sales Split – Traditional
retail
J. Cole Born Sinner - #1 on Billboard 200 this week
SRLP $16.98 (consumer pays)
Published Price to Dealers $12.05 (Target pays)
Price paid by Distributor $8.45 (UMGD pays)
Label pays out
$1.25 to artist
$1.00 to songwriters
Rest goes to pay off album’s cost
to produce and market
(aka “recoupment”)
12. Merch Madness
Survey of class – how much does stuff cost?
$__ is a great price on a concert tee!
Revenue split
Sales tax withheld
Venue share (for allowing you to sell it)
Merch share (for bankrolling your inventory)
Artist share – what you get to keep (minus your merch
table staff payroll)
13. Forbes 2012 Top Earners
Dr. Dre $110MM
Roger Waters $88MM
Elton John $80MM
U2 $78MM
Take That $61MM
Bon Jovi $60MM
Britney Spears $58MM
Paul McCartney $57MM
Taylor Swift $57MM
Justin Bieber $55MM
Toby Keith $55MM
What does this mean to
You?
14. DIY Artist Model
Do-It-Yourself (DIY) Artists take control of their
own careers
This means:
Creative control
Learning the business aspects
Building relationships
Learning by doing! (Make that CD, book a show, hand
paint your t-shirts, make your EPK, etc.)
15. DIY Benefits
You’re the boss!
You learn what works and why
What doesn’t work and how to improve
You keep any earnings (but need to reinvest)
Fun, rewarding, empowering
16. Music Biz Camp Goals
This week you will study and learn:
Production techniques
Concert production and marketing
Social Media for artists
PR and Marketing
Copyrights and “Wrongs” – protect your music
Live Sound
Careers in the Music Industry
. . . And make new friends while having fun!