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Outpost
Dystopian Sci-Fi/Horror - Movie Trailer

Level 3 Project Pitch
Concept
• Derelict intelligence base where an unknown incident
has occurred.
• Group of investigators enter remains of outpost and
from clues, piece together events from the past.
• Scene builds to a discovery, encounter with another
life-form.

• Series of shots to build a trailer for a potential feature
film.
Location
Style
• 50’s B-movie?
• 70’s/80’s?
• Contemporary?
MillenniumFX
Characters
Bloody Cuts
• Try to avoid overloading yourself with work/vfx shots, because
you'll really need them all to stand up in terms of quality.
• Better to have 5 amazing VFX shots rather than 10 decent ones
• You shouldn't be afraid of using stock plugins, but try to avoid
making everything look like Video Copilot.
• I'd definitely recommend having some thread to the trailer, so it
hits all the beats that you need from a story.
• That means peaks and troughs, and typically a big finale.
• Sound design is a hugely important part of trailers too, and will
really help you to sell the effects. A trailer sounds like a really
good way to go though, and should form a great showreel of work
for you. Try to keep the shots varied, so you can demonstrate
different styles and levels of detail and technicality.

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Pitch

  • 1. Outpost Dystopian Sci-Fi/Horror - Movie Trailer Level 3 Project Pitch
  • 2. Concept • Derelict intelligence base where an unknown incident has occurred. • Group of investigators enter remains of outpost and from clues, piece together events from the past. • Scene builds to a discovery, encounter with another life-form. • Series of shots to build a trailer for a potential feature film.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 20.
  • 21.
  • 22.
  • 23. Bloody Cuts • Try to avoid overloading yourself with work/vfx shots, because you'll really need them all to stand up in terms of quality. • Better to have 5 amazing VFX shots rather than 10 decent ones • You shouldn't be afraid of using stock plugins, but try to avoid making everything look like Video Copilot. • I'd definitely recommend having some thread to the trailer, so it hits all the beats that you need from a story. • That means peaks and troughs, and typically a big finale. • Sound design is a hugely important part of trailers too, and will really help you to sell the effects. A trailer sounds like a really good way to go though, and should form a great showreel of work for you. Try to keep the shots varied, so you can demonstrate different styles and levels of detail and technicality.