THIS LECTUREWAS PRESENTED AT THE RECEPTION OF THE BEST YOUNG CHILEAN ARCHITECT AWARD 2006, IN THE CONTEXT OF THE 64th ARCHITECTS ASSOCIATION ANNIVERSARY. SANTIAGO DE CHILE, AUGUST 04TH, 2006.
This document provides an overview of art and architecture trends in the Modern Era. It discusses the rise of abstract expressionism in America led by Pollock and de Kooning. It also describes other art movements like pop art popularized by Andy Warhol, op art focusing on optical illusions, minimalism reducing elements down to basic forms, and conceptual art questioning what constitutes a work of art. For architecture, it outlines the modern movement seeking functionalism over decoration and the international style drawing inspiration from machines. Organic architecture pioneered by Frank Lloyd Wright is also summarized.
This document discusses postmodern architecture and its relationship to modernism. It provides background on the emergence of postmodernism in the 1960s as a reaction against modern architecture. Postmodernism incorporated historical details and ornamentation rather than strict modernist styles. The document also discusses debates around postmodernism and how its philosophy was applied in different contexts and time periods. It examines questions around defining and distinguishing modern, postmodern and contemporary architectural styles.
Art in the 19th century went through several major movements that reflected the social and political changes of the time. Romanticism emphasized emotion and individualism as a reaction to Neoclassicism. Realism emerged in response to the failures of 1848 and problems of industrialization, aiming to accurately depict reality. Impressionism focused on light and color, using short brushstrokes. Post-Impressionism and Symbolism explored new techniques. Modernism broke from tradition incorporating nature and technology. New materials like iron and glass influenced architecture.
Six Cleveland architects, designers, and planners took the stage on February 27th, 2014 to share their work for the first Design Diversity public event.
More info at www.designdiversity.org
This document contains Isabel Parra's resume, highlighting her education and work experience in architecture. She has a high school degree from Venezuela and an architecture degree from a university in Maracaibo, Venezuela. Her work experience includes internships at architecture firms in Venezuela as well as staff positions at conferences and events in Venezuela and London. The resume also outlines several of her architecture projects from university, including sustainable housing, an aquarium/museum, and urban design proposals.
My works includes my comprehensive approach towards my skills in architecture and its associated disciplines. since 13 years my academic and professional practice together has strengthen my abilities to become a creative professional in the realm of architecture and urban design.
Minimalism began in post-World War II Western art, especially American visual arts in the 1960s-1970s. Minimalist architecture strips down designs to their most fundamental features, achieving simplicity by removing anything further to improve the design. Minimalist design has been influenced by Japanese traditions and the work of De Stijl artists, aiming to reduce subjects to their necessary elements through architectural control and not being disempowered.
Minimalism focuses on reducing design to only necessary elements through simple geometric forms and eradication of authorship from artworks. During the 1960s, key artists like Donald Judd, Frank Stella, and Carl Andre created minimalist works that emphasized surface descriptions over metaphorical meanings. Their simplified styles reacted against abstract expressionism and influenced modern artists.
This document provides an overview of art and architecture trends in the Modern Era. It discusses the rise of abstract expressionism in America led by Pollock and de Kooning. It also describes other art movements like pop art popularized by Andy Warhol, op art focusing on optical illusions, minimalism reducing elements down to basic forms, and conceptual art questioning what constitutes a work of art. For architecture, it outlines the modern movement seeking functionalism over decoration and the international style drawing inspiration from machines. Organic architecture pioneered by Frank Lloyd Wright is also summarized.
This document discusses postmodern architecture and its relationship to modernism. It provides background on the emergence of postmodernism in the 1960s as a reaction against modern architecture. Postmodernism incorporated historical details and ornamentation rather than strict modernist styles. The document also discusses debates around postmodernism and how its philosophy was applied in different contexts and time periods. It examines questions around defining and distinguishing modern, postmodern and contemporary architectural styles.
Art in the 19th century went through several major movements that reflected the social and political changes of the time. Romanticism emphasized emotion and individualism as a reaction to Neoclassicism. Realism emerged in response to the failures of 1848 and problems of industrialization, aiming to accurately depict reality. Impressionism focused on light and color, using short brushstrokes. Post-Impressionism and Symbolism explored new techniques. Modernism broke from tradition incorporating nature and technology. New materials like iron and glass influenced architecture.
Six Cleveland architects, designers, and planners took the stage on February 27th, 2014 to share their work for the first Design Diversity public event.
More info at www.designdiversity.org
This document contains Isabel Parra's resume, highlighting her education and work experience in architecture. She has a high school degree from Venezuela and an architecture degree from a university in Maracaibo, Venezuela. Her work experience includes internships at architecture firms in Venezuela as well as staff positions at conferences and events in Venezuela and London. The resume also outlines several of her architecture projects from university, including sustainable housing, an aquarium/museum, and urban design proposals.
My works includes my comprehensive approach towards my skills in architecture and its associated disciplines. since 13 years my academic and professional practice together has strengthen my abilities to become a creative professional in the realm of architecture and urban design.
Minimalism began in post-World War II Western art, especially American visual arts in the 1960s-1970s. Minimalist architecture strips down designs to their most fundamental features, achieving simplicity by removing anything further to improve the design. Minimalist design has been influenced by Japanese traditions and the work of De Stijl artists, aiming to reduce subjects to their necessary elements through architectural control and not being disempowered.
Minimalism focuses on reducing design to only necessary elements through simple geometric forms and eradication of authorship from artworks. During the 1960s, key artists like Donald Judd, Frank Stella, and Carl Andre created minimalist works that emphasized surface descriptions over metaphorical meanings. Their simplified styles reacted against abstract expressionism and influenced modern artists.
Minimalism emerged in the 1960s as a reaction against abstract expressionism. Minimalist artists aimed to eliminate composition from their work and create purely visual, non-representational pieces. Key minimalist artists included Frank Stella, Sol LeWitt, Donald Judd, and Dan Flavin. They used industrial materials and geometric forms to create ordered and simplistic sculptures and installations. Their goal was for the works to be seen as literal objects rather than symbolic representations.
This document discusses the benefits of minimalism, which include peace, focus, contentment, and more time for important things. It provides steps to achieve minimalism, such as decluttering your home and digital life, sorting out finances, and setting and sticking to standards. The first step suggested is to get rid of everything that is not useful, beautiful, necessary, or appealing. Items should be sorted into boxes for giving away, throwing away, keeping, or relocating. Additional blogs on creative decluttering and de-owning are recommended for further inspiration.
"MINIMALISM" is an art movement started in 1960's and early 70's post world war-2.
the art form derived from reductive aspects of "post modernism" and is subjected to reduce to necessary elements only.
shows the trend in design, architecture and art during the movement and work of the various artist related to the movement.
Minimalism originated in the 1960s as a reaction to abstract expressionism. It emphasizes simplicity, absence of emotion and ornamentation. Key artists include Donald Judd, Frank Stella and Agnes Martin. Minimalist architecture by designers like Tadao Ando focuses on essential materials and relationships with nature. Minimalist design applies clean lines, neutral colors and open spaces to interiors, furniture and products. Photography strives for simplicity while retaining significance, and minimalist music uses repetition and gradual transformation.
So trendy, so hot topic. Pity many misunderstand minimalist design basics, don't get the core of the subject. I tried to show the roots and influences, shed the light by decomposing minimalist design principles one by one
Minimalism describes art movements that strip works down to their most fundamental forms. Minimalist art from the 1960s-1970s uses simple geometric shapes, industrial materials, and is purged of metaphor. Key minimalist artists include Donald Judd, Agnes Martin, Frank Stella, Carl Andre, and Robert Morris, who were influenced by composers John Cage and LaMonte Young. Donald Judd's sculptures used simple cubes and planes to explore space, while Agnes Martin's grid paintings combined spirituality and minimalism.
Minimalism emerged in the 1960s as a reaction to Abstract Expressionism. Minimalist artists aimed to eliminate emotion, allusion, and meaning from their work by creating simple geometric objects and structures. Key minimalist artists included Frank Stella, Donald Judd, Carl Andre, Sol LeWitt, Robert Morris, and Dan Flavin. Their work used basic forms and industrial materials to focus attention on the objects themselves rather than on symbolism or expression.
1. Minimalism was a reaction to abstract expressionism that arose in the 1960s, characterized by simple geometric forms and clean lines.
2. It aimed to reduce art to its most basic and essential forms, removing emotion and extra meanings.
3. In architecture, minimalism focused on stripping down designs to their fundamental elements, using simple planes and shapes influenced by Japanese design. Pioneers like Mies van der Rohe adopted the motto "less is more".
Architectural drawings are technical drawings used by architects to develop and communicate building design ideas. They include various standard views like floor plans, sections, elevations, and site plans. Floor plans show the arrangement of a building level and include furniture and fixtures. Site plans show the building footprint and surrounding context. Elevations display the front or sides of a building. Sections cut through a building to reveal interior details. Architectural drawings are scaled and use conventions for accurate representation and understanding of designs.
The document discusses the history and development of artificial intelligence over the past 70 years, from early research into neural networks in the 1940s to modern deep learning techniques. While AI has made tremendous progress, fully human-level AI remains challenging to achieve and raises complex issues around safety, ethics, and its impact on society that require careful consideration and oversight. Overall progress in AI has occurred in steps by incorporating more data and modeling increasingly complex phenomena, but fully general human intelligence remains a long-term goal that will require ongoing research.
The document provides symbols and definitions used in architectural and engineering drawings. It includes symbols for architectural plans, structural elements, plumbing, HVAC, fire protection, materials, landscape, and drawing conventions. Key symbols defined are for walls, sections, fixtures, piping systems, materials, windows, doors, dimensions and references. The document is a comprehensive guide to the standardized symbols and abbreviations used in construction documents.
Abbreviated rowe and koetter presentationpoligonale
COLLAGE CITY; Rowe and Koetter 1978. A summary of the five chapters intended for presentation to an Architecture and Urbanism MA group. Manchester 26 November 2013.
Alois Riegl Art History And The Beginning Of Late Antique Studies As A Disci...Lisa Riley
This document discusses the cultural context surrounding the emergence of Late Antiquity as a discipline in the late 19th century. It notes that traditionally, Late Antique art was seen in a negative light within Protestant traditions as the decline of classical ideals and the adulteration of early Christianity. Three contexts helped rehabilitate the study of Late Antique art: Catholic scholarship in Rome aiming to assert papal authority; art history in Vienna seeking to establish itself as a discipline; and Russian scholars exploring Christian origins. Alois Riegl's work was pivotal in establishing Late Antiquity as a field of rigorous study based on empirical evidence rather than preconceived notions of decline.
Lowbrow art emerged in 1970s Los Angeles, inspired by surf culture, punk music, comics, and cartoons. It aimed to create art for mainstream culture. Lowbrow art is typically created by self-taught artists and features a humorous or sarcastic approach that doesn't follow conventions. The movement has grown since the 1970s and includes different styles between artists represented through their imagery.
The document discusses the intersection of contemporary art and globalization. It explores how globalization has impacted the production, circulation, and consumption of visual art through increased travel by artists, expanded trade networks, and the spread of ideas worldwide. While globalization has led to more cross-cultural exchange, there remains a legacy of European imperialism that defined Western art as "civilized" and non-Western arts as "primitive." Large-scale international exhibitions like the Venice Biennale have also contributed to the effects of globalization on the art world.
Archigram was an experimental architecture group formed in the 1960s in London. The group is known for producing conceptual designs for walking cities, instant cities, and plug-in cities that incorporated emerging technologies and drew inspiration from pop culture and science fiction. Their designs represented a rejection of the austerity and formality of postwar modernist architecture in favor of mobile, flexible cities that celebrated technology and consumerism. Their conceptual projects were published in Archigram, an avant-garde magazine they founded, helping them gain prominence and influence architectural thought in the 1960s and beyond.
Carlos proposes creating an urban gallery in a neighborhood to engage the local community. Artists, both local and international, would work with the community to choose themes and create art addressing issues about the neighborhood. The goal is to enhance quality of life and bring the community and artists together while promoting the neighborhood. The gallery would be financed by the local government. Digital maps would show the locations and themes of artworks across the city.
The document discusses several topics related to arts funding and support in Ireland, including:
1) One member of an Arts Council declined to support a project because it was located too far away from other galleries they supported in Dublin.
2) The arts community in Ireland feels a sense of "peripheral status" and fears how discretionary state funding decisions may impact them.
3) There is an ongoing debate around the role of the state in facilitating the arts through a paternalistic system versus a more democratic model that embraces controversy.
1) Barcelona is located on Spain's northern Mediterranean coast, bounded naturally by rivers, the sea, and mountains. Over centuries it grew from a Roman settlement into a medieval walled city and then expanded on a grid plan in the 19th century.
2) In the 1980s, Barcelona faced urban decay but used the 1992 Olympics as catalyst for urban renewal, rebuilding neglected areas and connecting the city to its waterfront with new beaches, parks, and infrastructure.
3) Planner Oriol Bohigas led the transformation, using the Olympics to fund over 200 new public projects that inserted amenities into formerly derelict, high-crime neighborhoods.
Week 7 Introduction to Postmodernism: Globalisation and Art DeborahJ
This document discusses several topics related to globalization and art:
- Globalization refers to the worldwide diffusion of practices and expansion of relations across continents on a global scale.
- Postmodernism sees the world as socially constructed with no universal truth, in contrast to modernism which is based on rational knowledge.
- Artists have explored themes of global networks, cultural identity, and the effects of advanced capitalism through works examining transnational mobility and global flows.
- Biennales have helped disseminate contemporary art globally but also serve existing mechanisms of centralization, with some critics arguing they flatten cultural diversity.
A series of arguments about the possibility (and convenience) to approach architecture theory as a form of storytelling, and as a consequence, architecture as a collection of narratives.
The document discusses the impact of European architects who emigrated to the United States in the 1930s and 1940s due to World War II, known as the "diaspora". It argues that while they were seen as revolutionizing American architecture with new ideas like the Bauhaus style, in reality they were concluding earlier anti-academic movements from Europe. Their "functionalism" was more of an ideology than a real focus on technology and economics. Additionally, their designs in the U.S. were often poor imitations of their earlier European work. While their ideas influenced architectural education, they had less impact on actual building design than initially thought.
Minimalism emerged in the 1960s as a reaction against abstract expressionism. Minimalist artists aimed to eliminate composition from their work and create purely visual, non-representational pieces. Key minimalist artists included Frank Stella, Sol LeWitt, Donald Judd, and Dan Flavin. They used industrial materials and geometric forms to create ordered and simplistic sculptures and installations. Their goal was for the works to be seen as literal objects rather than symbolic representations.
This document discusses the benefits of minimalism, which include peace, focus, contentment, and more time for important things. It provides steps to achieve minimalism, such as decluttering your home and digital life, sorting out finances, and setting and sticking to standards. The first step suggested is to get rid of everything that is not useful, beautiful, necessary, or appealing. Items should be sorted into boxes for giving away, throwing away, keeping, or relocating. Additional blogs on creative decluttering and de-owning are recommended for further inspiration.
"MINIMALISM" is an art movement started in 1960's and early 70's post world war-2.
the art form derived from reductive aspects of "post modernism" and is subjected to reduce to necessary elements only.
shows the trend in design, architecture and art during the movement and work of the various artist related to the movement.
Minimalism originated in the 1960s as a reaction to abstract expressionism. It emphasizes simplicity, absence of emotion and ornamentation. Key artists include Donald Judd, Frank Stella and Agnes Martin. Minimalist architecture by designers like Tadao Ando focuses on essential materials and relationships with nature. Minimalist design applies clean lines, neutral colors and open spaces to interiors, furniture and products. Photography strives for simplicity while retaining significance, and minimalist music uses repetition and gradual transformation.
So trendy, so hot topic. Pity many misunderstand minimalist design basics, don't get the core of the subject. I tried to show the roots and influences, shed the light by decomposing minimalist design principles one by one
Minimalism describes art movements that strip works down to their most fundamental forms. Minimalist art from the 1960s-1970s uses simple geometric shapes, industrial materials, and is purged of metaphor. Key minimalist artists include Donald Judd, Agnes Martin, Frank Stella, Carl Andre, and Robert Morris, who were influenced by composers John Cage and LaMonte Young. Donald Judd's sculptures used simple cubes and planes to explore space, while Agnes Martin's grid paintings combined spirituality and minimalism.
Minimalism emerged in the 1960s as a reaction to Abstract Expressionism. Minimalist artists aimed to eliminate emotion, allusion, and meaning from their work by creating simple geometric objects and structures. Key minimalist artists included Frank Stella, Donald Judd, Carl Andre, Sol LeWitt, Robert Morris, and Dan Flavin. Their work used basic forms and industrial materials to focus attention on the objects themselves rather than on symbolism or expression.
1. Minimalism was a reaction to abstract expressionism that arose in the 1960s, characterized by simple geometric forms and clean lines.
2. It aimed to reduce art to its most basic and essential forms, removing emotion and extra meanings.
3. In architecture, minimalism focused on stripping down designs to their fundamental elements, using simple planes and shapes influenced by Japanese design. Pioneers like Mies van der Rohe adopted the motto "less is more".
Architectural drawings are technical drawings used by architects to develop and communicate building design ideas. They include various standard views like floor plans, sections, elevations, and site plans. Floor plans show the arrangement of a building level and include furniture and fixtures. Site plans show the building footprint and surrounding context. Elevations display the front or sides of a building. Sections cut through a building to reveal interior details. Architectural drawings are scaled and use conventions for accurate representation and understanding of designs.
The document discusses the history and development of artificial intelligence over the past 70 years, from early research into neural networks in the 1940s to modern deep learning techniques. While AI has made tremendous progress, fully human-level AI remains challenging to achieve and raises complex issues around safety, ethics, and its impact on society that require careful consideration and oversight. Overall progress in AI has occurred in steps by incorporating more data and modeling increasingly complex phenomena, but fully general human intelligence remains a long-term goal that will require ongoing research.
The document provides symbols and definitions used in architectural and engineering drawings. It includes symbols for architectural plans, structural elements, plumbing, HVAC, fire protection, materials, landscape, and drawing conventions. Key symbols defined are for walls, sections, fixtures, piping systems, materials, windows, doors, dimensions and references. The document is a comprehensive guide to the standardized symbols and abbreviations used in construction documents.
Abbreviated rowe and koetter presentationpoligonale
COLLAGE CITY; Rowe and Koetter 1978. A summary of the five chapters intended for presentation to an Architecture and Urbanism MA group. Manchester 26 November 2013.
Alois Riegl Art History And The Beginning Of Late Antique Studies As A Disci...Lisa Riley
This document discusses the cultural context surrounding the emergence of Late Antiquity as a discipline in the late 19th century. It notes that traditionally, Late Antique art was seen in a negative light within Protestant traditions as the decline of classical ideals and the adulteration of early Christianity. Three contexts helped rehabilitate the study of Late Antique art: Catholic scholarship in Rome aiming to assert papal authority; art history in Vienna seeking to establish itself as a discipline; and Russian scholars exploring Christian origins. Alois Riegl's work was pivotal in establishing Late Antiquity as a field of rigorous study based on empirical evidence rather than preconceived notions of decline.
Lowbrow art emerged in 1970s Los Angeles, inspired by surf culture, punk music, comics, and cartoons. It aimed to create art for mainstream culture. Lowbrow art is typically created by self-taught artists and features a humorous or sarcastic approach that doesn't follow conventions. The movement has grown since the 1970s and includes different styles between artists represented through their imagery.
The document discusses the intersection of contemporary art and globalization. It explores how globalization has impacted the production, circulation, and consumption of visual art through increased travel by artists, expanded trade networks, and the spread of ideas worldwide. While globalization has led to more cross-cultural exchange, there remains a legacy of European imperialism that defined Western art as "civilized" and non-Western arts as "primitive." Large-scale international exhibitions like the Venice Biennale have also contributed to the effects of globalization on the art world.
Archigram was an experimental architecture group formed in the 1960s in London. The group is known for producing conceptual designs for walking cities, instant cities, and plug-in cities that incorporated emerging technologies and drew inspiration from pop culture and science fiction. Their designs represented a rejection of the austerity and formality of postwar modernist architecture in favor of mobile, flexible cities that celebrated technology and consumerism. Their conceptual projects were published in Archigram, an avant-garde magazine they founded, helping them gain prominence and influence architectural thought in the 1960s and beyond.
Carlos proposes creating an urban gallery in a neighborhood to engage the local community. Artists, both local and international, would work with the community to choose themes and create art addressing issues about the neighborhood. The goal is to enhance quality of life and bring the community and artists together while promoting the neighborhood. The gallery would be financed by the local government. Digital maps would show the locations and themes of artworks across the city.
The document discusses several topics related to arts funding and support in Ireland, including:
1) One member of an Arts Council declined to support a project because it was located too far away from other galleries they supported in Dublin.
2) The arts community in Ireland feels a sense of "peripheral status" and fears how discretionary state funding decisions may impact them.
3) There is an ongoing debate around the role of the state in facilitating the arts through a paternalistic system versus a more democratic model that embraces controversy.
1) Barcelona is located on Spain's northern Mediterranean coast, bounded naturally by rivers, the sea, and mountains. Over centuries it grew from a Roman settlement into a medieval walled city and then expanded on a grid plan in the 19th century.
2) In the 1980s, Barcelona faced urban decay but used the 1992 Olympics as catalyst for urban renewal, rebuilding neglected areas and connecting the city to its waterfront with new beaches, parks, and infrastructure.
3) Planner Oriol Bohigas led the transformation, using the Olympics to fund over 200 new public projects that inserted amenities into formerly derelict, high-crime neighborhoods.
Week 7 Introduction to Postmodernism: Globalisation and Art DeborahJ
This document discusses several topics related to globalization and art:
- Globalization refers to the worldwide diffusion of practices and expansion of relations across continents on a global scale.
- Postmodernism sees the world as socially constructed with no universal truth, in contrast to modernism which is based on rational knowledge.
- Artists have explored themes of global networks, cultural identity, and the effects of advanced capitalism through works examining transnational mobility and global flows.
- Biennales have helped disseminate contemporary art globally but also serve existing mechanisms of centralization, with some critics arguing they flatten cultural diversity.
A series of arguments about the possibility (and convenience) to approach architecture theory as a form of storytelling, and as a consequence, architecture as a collection of narratives.
The document discusses the impact of European architects who emigrated to the United States in the 1930s and 1940s due to World War II, known as the "diaspora". It argues that while they were seen as revolutionizing American architecture with new ideas like the Bauhaus style, in reality they were concluding earlier anti-academic movements from Europe. Their "functionalism" was more of an ideology than a real focus on technology and economics. Additionally, their designs in the U.S. were often poor imitations of their earlier European work. While their ideas influenced architectural education, they had less impact on actual building design than initially thought.
The document discusses postmodernism in art, specifically focusing on pop art and its relationship to consumer culture. It introduces Andy Warhol's Brillo Box from 1969 and discusses how pop art challenged previous definitions of art by appropriating images and objects from popular culture and mass media. The emergence of pop art coincided with the increasing commercialization of the art world. Theorists like Arthur Danto and Jean Baudrillard explored how pop art blurred the lines between art and everyday objects through the use of symbols and simulations.
Angela Chen Baltimore Murals Woodrow Wilson 5-8-06Angela Chen
This document provides background information on the Baltimore Mural Program (BMP). It discusses the history and tradition of murals, notable Baltimore artists, BMP operations, funding sources, and compares BMP to other mural programs. The BMP began in 1975 and is now coordinated by the Baltimore Office of Promotion and Arts. It employs local artists to create murals that beautify neighborhoods and engage community members. However, budget cuts have limited the program, completing around 120 murals since 1974 compared to Philadelphia's 2,500.
The document discusses the history and key concepts of postmodernism. It provides examples of how postmodernism influenced fashion design, particularly the works of designer Hussein Chalayan. Chalayan's collections from 1993 to 2000 demonstrated postmodernist themes through experimental uses of materials and questioning of social norms. His "Burka" collection from 1998 subverted expectations of modesty in Muslim dress, while "Before Minus Now" in 2000 incorporated new technologies into innovative garment shapes and forms. In summarizing Chalayan's works, the document examines how postmodernist fashion design embraces pluralism and individuality through non-traditional approaches.
801.a crash course in the 20th century art a guide to understanding and enjoy...ivanov1566334322
This document appears to be an instruction manual or guidebook about modern art movements in the 20th century. It covers several major art movements in chronological order, including Impressionism, Fauvism, Cubism, Futurism, Expressionism, Abstract Art, Dada, Surrealism, Op Art and Pop Art. Each section provides background on the movement, examples of key artists, and exercises or activities for understanding and interacting with works from that movement. The document aims to give readers a crash course in modern art to help them better understand and engage with modern and contemporary art.
The soft power of the artmarket - a new East European fresh look at the art s...Oana Nasui
”The Soft Power of the Art Market” is a new East European fresh look at the systems that are now in charge of producing contemporary art in a globalized world. It reveals the challenges of the contemporary art as a soft power, defined by its geopolitical strategies and defined as an extension of the powerful global markets. The contemporary art between media and power is changing the equilibrium between the cultural capital and economic capital.
The idea of the New Folklore is introduced in terms of the new aesthetics for the XXI century. The new aesthetics of production and consumption (under the sign of the paradigms launched by Duchamp and Warhol) is nowadays generating a very large amount of cultural artistic products lost, in a very accelerated manner. This speed and this amount lead to an unexpectedly anonymity, thus generating not individual specific creation but general, collective types of artistic work – actually a new type of folklore.
Modernism emerged in the late 19th century as a rejection of traditional forms of art, literature, and social organization that were viewed as outdated in the new industrialized world. It grew out of earlier movements like Romanticism, Realism, and Aestheticism that emphasized individualism and subjective experience over established rules and conventions. Modernist artists and thinkers believed the modern industrial environment should inspire new forms of creative expression. While Modernism was originally a European phenomenon, it gained widespread prominence and was heavily promoted internationally by the United States in the mid-20th century.
The document discusses Karl Lagerfeld and his revisiting of the classic "little black jacket" designed by Coco Chanel in the 1950s. It provides background on how Lagerfeld came to work for Chanel and helped modernize the brand. Specifically, in 2012 Lagerfeld published a book accompanied by an exhibition and video documenting his process for updating the signature Chanel jacket while maintaining its recognizable style. The document examines Lagerfeld's career and influence across major fashion brands in bringing a modern sensibility to classic designs.
The document discusses the relationship between architecture, media, and perception from the early 20th century to today. It summarizes key ideas from thinkers like Walter Benjamin, Marshall McLuhan, Guy Debord, Jean Baudrillard, Beatriz Colomina, and others on how new media technologies have transformed human perception and the role of images in architecture. Examples of modernist architecture and media from the 1920s-1970s are provided alongside more recent discussions of digital media, the internet, and concepts like the post-internet society.
What's New in the Surreal World - Surrealism isn’t dead - Its dreaming. By Te...bienvenidobonesbanez1
This document discusses the ongoing and diverse state of surrealism as an artistic movement. It argues that surrealism never died, as some assume, but has evolved and diversified into many related styles including visionary art, fantastic art, and others that all derive from André Breton's original definition of surrealism. It provides examples of leading contemporary surrealist artists from around the world working in different mediums. The essay also discusses how surrealism has influenced other creative fields like comics, animation, and mass media like manga, and how new genres like "pop surrealism" and "massurrealism" have emerged as artists incorporate pop culture imagery. In concluding, it asserts that surrealism will
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Assessing the Influence of Transportation on the Tourism Industry in Nigeriagsochially
This research dissertation investigates the complex interplay between transportation and the tourism industry in Nigeria, aiming to unravel critical insights that contribute to the enhancement of the overall tourist experience. The study employs a multi-faceted approach, literature review establishes a robust theoretical framework, incorporating The Service Quality and Satisfaction Theory to guide the research questions and hypotheses.
The methodology involves the distribution of a structured questionnaire, ensuring a representative sample and facilitating a comprehensive analysis of the gathered data.
Key findings include the nuanced perceptions of transportation infrastructure adequacy, safety and security concerns, financial influences on travel decisions, and the cultural and ecological impacts of transportation choices. These findings culminate in a comprehensive set of recommendations for policymakers and practitioners in the Nigerian tourism industry. The findings contribute to the existing literature by providing actionable insights for policymakers, stakeholders, and researchers in the Nigerian tourism sector.
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Best Places to Stay in New Brunswick, Canada.Mahogany Manor
New Brunswick, a picturesque province in eastern Canada, offers a plethora of unique and charming places to stay for every kind of traveler. From the historic allure of Fredericton and the vibrant culture of Saint John to the natural beauty of Fundy National Park and the serene coastal towns like St. Andrews by-the-Sea, there's something for everyone. Whether you prefer luxury resorts, cozy inns, rustic lodges, or budget-friendly options, the best places to stay in New Brunswick ensure a memorable stay, allowing you to fully immerse yourself in the province's rich history, stunning landscapes, and warm hospitality.
https://www.mmanor.ca/blog/best-5-bed-and-breakfast-new-brunswick-canada
You can easily change/correct a name on your flight ticket under the American Airlines name change policy. The airline provides multiple online and offline modes to place a name change request. To learn more about how to change a name on American Airlines ticket, you can directly approach the airline’s customer support. Moreover, you can connect with a flight expert at +1-866-738-0741 for quick assistance.
How To Change Your Name On American Airlines Aadvantage.pptxedqour001namechange
American Airlines permits passengers to change/correct names on their AAdvantage account. Also, you can request a name change both online via a web portal and offline over the phone. For further information on how to change your name on American Airlines Advantage, get in touch with the airline’s customer service. Also, you can reach out to a consolidation desk at +1-866-738-0741 for quick assistance.
Discovering Egypt A Step-by-Step Guide to Planning Your Trip.pptImperial Egypt
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How do I plan a Kilimanjaro Climb?
Planning to climb Mount Kilimanjaro is an exciting yet detailed process. Here’s a step-by-step guide to help you prepare for this incredible adventure.
2. THE FACT THAT TWO IMPORTANT PUBLISHERS SPECIALIZED IN INTERNATIONAL ARCHITECTURE HAVE GONE OUT OF THEIR WAY TO EDIT A MONOGRAPHIC ISSUE ON CHILEAN PRODUCTION, MUST NOT BE A MERE COINCIDENCE.
4. ON ONE SIDE, CHILE; FOLK INFERNO. ON THE OTHER: CHILE DEEP SOUTH. TWO CLEAR STATEMENTS; TWO DIRECT, SCHEMATIC BUT CONTINGENT WAYS OF LOOKING AT CHILEAN ARCHITECTURE. OR, AT LEAST, OF SEEING WHAT INTERNATIONAL CRITICS WANT TO SEE (AGAIN AND AGAIN) IN CHILEAN (AND LATINOAMERICAN) ARCHITECTURE.
6. WAR ARCHITECTS … THE FIRST PRIZE OF A NATIONAL COMPETITON REQUESTED BY THE CHILEAN GOVERNMENT; A HUGE MULTIPURPOSE ROOF MADE BY SMALL VARIATIONS OF REGULAR FRAMES …
7. A EXPERIMENTAL CONSTRUCTION OF A PREFABRICATED WOODEN HOUSE. ALSO, NEAR THE SEA. URO1.ORG … ANOTHER EXPERIMENTAL CONSTRUCTION: PLYWOOD PANELS CUT SPECIFICALLY FOR A PROTOTYPE OF MASSIVE PREFAB HOMES (HERE PRE-TESTED IN LOW DENSITY AND TOURISTIC CONTEXT) …
8. URO 1.ORG … A WELL KNOWN ART PROJECT; NAUTILUS. RELEVANT NOT ONLY BECAUSE OF THE IDEA (AND ACTION) OF PUTTING INTIMATE ACTIVITIES IN FRONT OF THE PUBLIC DOMAIN BUT BECAUSE OF THE SCANDALOUS REACTION OF THE (STILL) CONSERVATIVE LOCAL MEDIA …
9. ANOTHER EXPERIMENTAL CONSTRUCTION OF A PREFABRICATED SHELTER FOR EXTREME CONDITIONS. PAUL TAYLOR … A RADICAL EXPERIMENT OF SURVIVAL IN EXTREME ZONES; MAYBE A COINCIDENCE OF TECHNOLOGY AND THE HUMAN APPETITE FOR DISCOVERING HIDDEN LANDS …
10. ALEJANDRO ARAVENA, ELEMENTAL A SOCIAL HOUSING PROJECT IN THE NORTH OF CHILE … SOCIAL HOUSING HANDELED WITH CARE; WITHOUT RETHORIC AND IN THE LIMIT OF (GOOD) BUSINESSES …
11. TIDY ARCHITECTS … ANOTHER NATIONAL COMPETITION, THE SECOND PRIZE, IN A HUGE RESPONSE TO THE MEGALOMANIAC AND POPULISTIC DESIRES OF THE AUTHORITIES IN CHARGE …
12. JOSEFINA GILISATTI … A SUTTLE SERIES OF PHOTOGRAPHS THAT FIX MEMORIES IN ABSTRACT AND ISOLATED ENVIROMENTS …
13. MANUEL CORDOVA … A VISUAL STUDIO OF POPULAR SIGNS, LETTERS AND COLORS: LECTURES ON MARKET AND LOCAL CULTURE …
14. EL CINE VINO, JACOB … A PROJECT WITHOUT LOCATION, OR WITH MANY POSSIBLE LOCATIONS; THE IDEA OF A MOBILE CINEMA TRAVELING ALONG CHILEAN TERRITORY …
15. PABLO RIVERA … THE PHOTOGRAPHS OF AN ARTIST OBSESSED WITH SECURITY AND SPACIAL CONTROL …
16. JORGE CHRISTIE … A MASTERS THESIS THAT CRITICIZES ONE OF THE ICONIC BUILDINGS OF THE AUTHORITARIAN POWER; IT´S DESTRUCTION, EMPTIED AND REPROGRAMED (FOR CULTURAL ACTIVITIES) …
17. SUPERSUDACA … AN INVESTIGATION ABOUT THE IMPACT OF MASSIVE TOURISM. A STUDY MADE BY FOREIGNERS (NOT CHILEANS) ABOUT THE CARIBEAN AREA (FAR AWAY FROM CHILE) …
18. PEZO VON ELLRICHSHAUSEN … ONE OF OUR PROJECTS. ONE HUNDRED AND TWENTY DOORS DISTRIBUTED IN FIVE REGULAR PERIMETERS; AN EXPLORATION ON SPATIAL DEFINITIONS RELATED WITH THE PUBLIC FIELD …
19. PEZO VON ELLRICHSHAUSEN … ONOTHER PROJECT OF OUR STUDIO. AN INSTITUTIONAL CONSTRUCTION; HALF HOUSE AND HALF A CULTURAL CENTRE …
20. CECILIA PUGA … FROM THE OTHER SIDE … A WEEKEND HOUSE NEAR THE SEA …
33. Chile: folk_inferno Chile: Deep South THESE ARE THE TWO STATEMENTS: FOLK (BECAUSE OF FOLCKLORE) AND SOUTH (BECAUSE OF LOCATION). THE CULTURAL APROACH (WITH IT´S SOCIAL, POLITICAL, ECONOMICAL PROBLEMS) AND THE LANSCAPE APROACH (WITH VERY FINE CONSTRUCTIONS SURROUNDED BY WONDERFUL NATURAL SETTINGS) … THE FOLLOWING ARE THE FACTS …
34. ONLY 5 OF THE 17 PROJECTS PUBLISHED IN ARHITECTURA ARE ACTUALLY BUILT. IN A+U ALL THE PROJECTS ARE BUILT (ARE REAL AND SOLID AND NOT MERE IDEAS ON PAPER OR SCREEN).
35. THE LOCATIONS OF THESE CONSTRUCTIONS (IN THIS CASE, EITHER CONSTRUCTIONS AS IDEAS OR MATERIAL THINGS) ARE REMARKABLY DIFFERENT ...
36. IN THE RUMANIAN PUBLICATION WE CAN SEE 4 PROJECTS IN SANTIAGO; 8 PROJECTS OUT OF THE CAPITAL; 4 THAT ARE ACTUALLY THOUGHT AS PROTOTIPES (THAT IS, WITHOUT LOCATION) AND EVEN 1 RESEARCH PROJECT THAT WAS FOCUSED OUT OF CHILE. IN THE JAPANESE PUBLICATION 2/3 ARE IN NATURAL SETTINGS (FAR FROM SANTIAGO) AN 1/3 IN SANTIAGO BUT IN THE LESS URBAN SANTIAGO (AGAIN, THE IDEA OF A NATURAL SETTING).
37. IF WE FOCUS ON THE PROGRAMS OF THE PROJECTS THE DIFFERENCE IS EVEN MORE RADICAL …
38. 3 … FROM RUMANIA THE SELECTION IS A CROSS PRODUCTION; FROM PHOTOGRAPHY, ART INSTALATIONS AND RESEARCH TO SOCIAL HOUSING AND CULTURAL INFRASTRUCTURE. FROM JAPAN THE SELECTION ARE 9 HOUSES, 1 OFFICE BUILDING, 1 PAVILION, 1 CHAPEL AND 1 HOTEL. THIS IS: DOMESTIC PROGRAM AND PROGRAMS (AND ENVELOPES) THAT HOLD TRADITIONAL INSTITUTIONS.
39. NOW IT COULD BE INTERESTING TO MAKE A RESUME OF THE AUTHORS OF THESE SELECTED WORKS …
40. APPART FROM THE NAMES (APPART FROM OUR EGOS, BECAUSE THAT IS A GLOBAL ARCHITECTS ISSUE AND NOT ONLY CHILEAN) THE RELEVANT FACT IS THIS: ARHITECTURA PUBLISHED 10 AUTHORS WHO HAVE THEIR STUDIOS LOCATED IN THE CHILEAN CAPITAL AND ONLY 3 LOCATED OUT THE BIG CITY (1 IN VALPARAISO, 1 IN TALCA, AND 1 IN CONCEPCION). IN A+U 9 OF 10 ARE LOCATED IN SANTIAGO (WE ARE THE ONLY DISLOCATED ONES) …
41. THE NEXT ONE IS ALMOST A POLITICAL ISSUE: WHERE DID THOSE TALENTED AUTHORS STUDY?. IN ARHITECTURA THERE ARE 6 FROM THE CATHOLIC UNIVERSITY (ONE OF THE TWO BIGGEST AND MOST TRADITIONAL); 4 FROM THE UNIVERSITY OF CHILE (THE OTHER BIG AND TRADITIONAL ONE, BUT PUBLIC); AND 3 EXCEPTIONS: UK, SWITZERLAND AND OUR BICEPHALUS TEAM WITH A COMPONENT FROM UBA (BIG, BIG, FROM ARGENTINA) AND A COMPONENT FROM UBB (SMALL, SMALL, FROM CONCEPCION). IN A+U THERE ARE EVEN MORE ARCHITECTS FROM THE CATHOLIC SCHOOL …
42. CLEARLY, ANOTHER RELEVANT FACT IS THAT BOTH EDITORIALS COINCIDE THEIR SIGHT FOR MAKING A SELECTION OF WORKS MADE BY YOUNG ARCHITECTS OR ARTISTS. EVERYONE IS UNDER 45. NOBODY LOCALLY KNOWN AS BIG FIRMS. JUST NEW BLOOD. THE ONLY EXCEPTION (THAT CONFIRMS THE RULE) IS GERMAN DEL SOL (OUR RECENT NATIONAL PRIZE AWARDED BY THE CHILEAN ARCHITECTS ASSOCIATION)…
43. ARHITECTURA nº 41, Bucarest (Rumania), feb. 2006 A+U nº 430, Tokio (Japón), julio 2006 BUT LET`S GO BACK TO THE ISSUES, TO THE TWO PUBLICATIONS AS VISUAL OBJECTS. THESE ARE THEIR FRONT COVERS. ON THE RIGHT SIDE, A VERY GOOD PIECE OF ARCHITECTURE; A VERY GOOD PICTURE OF RADIC`S COOPER HOUSE 2 TAKEN IN A CLOUDY MORNING BY THE PHOTOGRAPHER CRISTOBAL PALMA. ON THE LEFT SIDE, A GRAFFITI PAINTING ON A WALL OF AN ANONIMOUS PIECE OF ARCHITECTURE …
44. … IN ONE SIDE AND ISOLATED OBJECT … ON THE OTHER AN IDEA: “TO CAPITALISM: GIVE IT HARD UNTIL IT`S IN PAIN”. THE DISTORTION OF A STATEMENT TAKEN FROM A POPULAR FRASE IN CHILE (“GIVIT HARD UNTIL IT`S IN PAIN” IS THE FIGHT STATEMENT OF ONE OF THE PRINCIPALS ACTORS IN THE CATHOLIC CRUZADE FOR OVERCOMING POVERTY). IN ANY CASE, IS THIS ECONOMIC AND SOCIAL POLARITY A MERE COINCIDENCE?…
45. Carl Andre, Objeto de madera, 1964 Andy Warhol, Campbell`s Soup, 1962 … IF WE GO BACK TO OUR MENTORS, THE IMAGES HELP US TO UNDERSTAND THE (ALMOST) PHiLOSOPHICAL RUTES THAT COULD BE BEHIND THESE PRODUCTIONS. POPULAR, COMUNICATIVE, LITERALITY, OPEN SOURCE, MEDIA CULTURE AND MASS PRODUCTION VERSUS ABSTRACTION, HIGH CULTURE, HAND MADE, CONCEPTUAL AND EVOCATIVE, …
46. Rem Koolhaas, Content, 2004 John Pawson, Minimun, 2004 … TWO PARALELL ROUTES THAT HAS BEEN RECENTLY CLARIFIED IN ARCHITECTURAL MANIFESTOS: THOSE WORKS THAT INTEND TO BE LINKED WITH SOCIAL AND ECONOMIC PROBLEMS (USING METHODS BEYOND THE TRADITIONALLY USED IN ARCHITECTURE: STADISTICS, MAPPINGS, MARKETING, ETC) AND THOSE WORKS THAT ARE CONCENTRATING IN THEIR OWN FORMAL AND MATERIAL INTEGRITY (STILL TALKING ABOUT BEAUTY OF LIGHT, SPACE, PROPORTION, ETC) …
47. … AT THIS POINT, I THINK THAT THE GOOD INTENTIONS OF EACH EDITORIALS ARE VERY CLEAR: CHILEAN ARCHITECTURE IS A GOOD EXAMPLE OF SOCIAL WORK (SPECIALY BECAUSE OF OUR RECENT DICTATORSHIP PERIOD AND RETURN TO DEMOCRACY) … CHILEAN ARCHITECTURE IS A GOOD EXAMPLE OF NATURAL WORK (BECAUSE OF OUR CRAZY GEOGRAPHY) …
48. Arquitectura Viva nº 85, Madrid (España), jul. 2002 … CURIOUSLY, THIS LATTER IDEA OF CHILE IS NOT SO DISTANT FROM THE IMAGE GIVEN IN THE PREVIOUS MONOGRAPHIC PUBLICATION ON CHILEAN ARCHITECTURE … IN THAT CASE, THE COVER HAS A SUPERB PICTURE OF THE ONLY “NOT YOUNG” ARCHITECT PUBLISHED FOUR YEARS LATER … BUT THE SPIRIT IS STILL THE SAME: A VERY GOOD PIECE, WITH A STRONG SENSIBILITY TO NATURAL MATERIALS AND TO THE LANDSCAPE …
49. … IN A WAY, IT IS A VERY GOOD STRATEGY FOR SHOWING A EXOTIC COUNTRY …
50. … IN THE END, I BELIVE THAT IT`S A FACT THAT THE PRESENCE OF CHILEAN ARCHITECTURE IN INTERNATIONAL MEDIA IS NOT A MERE ACCIDENT … FAR FROM THAT, I THINK THAT THE USEFUL MESSAGE IN THIS CRITICAL VIEW ON OUR PRODUCTION HAS (AT LEAST) TWO COMPONENTS:
51. … ON ONE SIDE, ARHITECTURA IS NOT SHOWING THE REAL AND ACTUAL PRODUCTION IN CHILE. IT´S SHOWING THEORETICAL EXPLORATIONS, CROSS DISIPLINARITY, IDEAS, THESIS, VERY GOOD INTENTIONS, VERY GOOD POSSIBILITIES, BUT NOT THE BIG PICTURE OF OUR MOMENT …
52. … ON THE OTHER SIDE, A+U SHOWS A VERY PRECISE SELECTION OF WHAT IS REALLY HAPPENING IN CHILE, AT LEAST OF WHAT IS REALLY GOING ON WITH THE “NON COMERCIAL” AND “MORE ACADEMIC” CIRCUIT …
53. Charles Jenks, Architectural Movements, 1980 … I LIKE THIS IMAGE (IT´S LIKE A BIG PICTURE WITHOUT AUTHORS: A MIXURE OF JENCKS AND SONTAG): THE FLOWING, LIQUID, VOLATILE PRODUCTION RELATED TO PERIODS OF TIME. IT´S IN MY BELIFS THAT THE TWO APROXIMATIONS ARE CLEAR (BOTH PROBLEMATICAL AND COMPLEMENTARY)…
54. I SEE THAT A+U SHOWS OUR CURRENT REALITY BUT A REALITY THAT IS HARDLY SUSTAINABLE (A COUNTRY DOESN`T GROW ON THE BASIS OF PRIVATE HOUSES). ARHITECTURA DOESN´T SHOW OUR PRESENT REALITY BUT (I WANT TO BELIVE) IT`S A PERFECT IDEA OF WHAT SHOULD BE THE EVOLUTION OF CHILEAN ARCHITECTURE …
55. THE PUBLICATIONS COINCIDE IN RECOGNICING THAT A GOOD WORK OF ARCHITECTURE IS THAT CRITICAL INSTRUMENT, A POLITICAL OBJECT, THAT OPERATES AS A BAROMETRIC DEVICE OF OUR OWN REALITY. AS BAUMAN SAID: “TO HOLD THE SHAPE OF FLUIDS DEMANDS A LOT OF ATENTION, CONSTANT AWARENES AND A PERPETUAL EFFORT”. BECAUSE OF THAT, THE SUCCES OF OUR PRODUCTIONS IS NOT EVEN PREDICTABLE. Elias Adasme, To Chile, corporal intervention of an intimate geography, 1979.
56. PRODUCTIVE FLUCTUATIONS BY MAURICIO PEZO THIS LECTUREWAS PRESENTED AT THE RECEPTION OF THE BEST YOUNG CHILEAN ARCHITECT AWARD 2006 , IN THE CONTEXT OF THE 64th ARCHITECTS ASSOCIATION ANNIVERSARY. SANTIAGO DE CHILE, AUGUST 04TH, 2006.