1) The Narmer Palette is one of the most important artifacts from early Egyptian civilization, dating back to the unification of Upper and Lower Egypt under King Narmer. 2) Discovered in a ritual burial deposit within a temple, the palette depicts King Narmer wearing the crowns of Upper and Lower Egypt, as well as scenes that may represent the unification of Egypt or relate to Egyptian religious concepts. 3) The palette provides insight into early Egyptian royal regalia, artistic conventions, and religious beliefs that would influence Egyptian culture for millennia.
The Philosophical Demotion of the Sacred Feminine Form in Classical Art Atyeb Atum RE
This presentation is an exploration of how the Greek classical arts and its mythology appropriated the feminine intuitive abilities from the sacred universal Mother Goddess and her daughters, both in the heavens and here on Earth. It charts how the patriarchal system became an institution that still plagues Humanity today with its Male Dominated ideologies adopted from many Greek philosophers and how they viewed women.
Egyptian religion had ancient origins and lasted for at least 3,500 years. The Egyptians saw divinity in everything — in river, desert, and vegetation; in the sun, moon, and stars; in animals and kings; in birth and death. They created a vast and confusing multitude of gods.
The Philosophical Demotion of the Sacred Feminine Form in Classical Art Atyeb Atum RE
This presentation is an exploration of how the Greek classical arts and its mythology appropriated the feminine intuitive abilities from the sacred universal Mother Goddess and her daughters, both in the heavens and here on Earth. It charts how the patriarchal system became an institution that still plagues Humanity today with its Male Dominated ideologies adopted from many Greek philosophers and how they viewed women.
Egyptian religion had ancient origins and lasted for at least 3,500 years. The Egyptians saw divinity in everything — in river, desert, and vegetation; in the sun, moon, and stars; in animals and kings; in birth and death. They created a vast and confusing multitude of gods.
The Treasure of Tutankhamun is the greatest treasure ever found in anywhere in the world and possible of all times. In the year 1922 Howard Carter astonished the world by the discovery of the tomb of Tutankhamun and the rich treasure which it contained. Tutankhamun, in spite of the almost incredible wealth of material objects discovered in his tomb, was still relatively unknown to the world. He was on the throne for 9 years. Tutankhamun reversed many of his father’s Akhenaten unpopular policies. People were allowed to worship the oid gods again and damaged temples were re[aired He moved the Egyptian capital back to Thebes.
INTRODUCING THE WESTERN AND CLASSICAL ART TRADITIONS Grade-9-LLM-2-ARTS.pptSaint Joseph College
INTRODUCING THE WESTERN AND CLASSICAL ART TRADITIONS
Content Standards:
• The learner uses art elements and processes by synthesizing and applying prior knowledge and skills
• The learner understands arts as integral to the development of organizations, spiritual belief, historical events, scientific discoveries, natural disasters/ occurrences
Performance Standards:
• The learner perform / participate competently in a presentation of a creative impression (verbal/nonverbal) of a particular artistic period
• The learner recognize the difference and uniqueness of the art styles of the different periods (techniques, process, elements, and principles of art)
Ancient Egypt1The Civilization of the Nile River V.docxdurantheseldine
Ancient Egypt
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The Civilization of the Nile River Valley: Egypt
Geography – Isolated by deserts on both sides.
The Nile’s periodic flooding made civilized life possible in Egypt. During drought or famine, Egypt was the place to go because Egypt always has water (cf. the story of Joseph and his brothers in Genesis).
The kingdom was divided into two parts: Lower Egypt and Upper Egypt (Upper Egypt is in the south), with Lower Egypt being a bit more cosmopolitan than Upper Egypt.
Unlike Mesopotamia, stone was plentiful.
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Pre-Dynastic Egypt: There is some evidence that very early on (3400-3200 BC), Egypt was influenced by Mesopotamia (corresponds to Jemnet Nasr period at Uruk). The evidence includes:
the use of rectangular sun-dried mud-brick in building,
the use of cylinder seals only during this time (Egypt usually used stamp-seals before and after this period),
pictographic writing (the “idea” comes from Mesopotamia),
the idea of kingship, social stratification and specialization,
certain kinds of painted pottery,
and pictures of twisted animals and battling with animals.
This contact may explain Egypt’s sudden explosion into a complex, advanced civilization with writing. The use of mud-brick is peculiar, noting the abundance of stone. There is evidence, however, that the development begins in Upper Egypt (i.e., the south). Two distinct cultures, the Upper, with social stratification and royal artistic expression, etc., and the Lower, with contacts in Palestine, etc.
Egypt seems to go from the Neolithic to a complex civilization overnight. Linear development is not apparent. Agriculture appears to be introduced from outside.
The Pharaoh (the king) is somehow responsible for the yearly success of the Nile. His throne was Isis, the wife of Osiris and the mother of Horus. The king is identified with Horus.
Egypt seeks to portray changeless continuity over thousands of years. This is somewhat true, but not entirely accurate. Ancient Egypt went through a few periods of relative chaos or lack of centralized power. Egypt, however, as is well known, chose not to usually record such periods for posterity.
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Map of Egypt
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Egyptian history begins with King Narmer
Narmer united Upper and Lower Egypt
He is likely the same person as Menes
Mizraim is often the Hebrew name for Egypt
The combination of the two crowns appears.
This is the beginning of the First Dynasty, and of Egyptian history
He established his capital at the new city of Memphis (= neutral ground)
It was a new city, said to have arisen out of the ground when Narmer diverted the Nile.
The royal burial grounds of Saqqara and Giza are located nearby.
The uniting of Egypt is commemorated on the Palette of King Narmer (fig. 2.3)
Egyptian artistic canon for relief figures is manifested:
head and feet in profile, with one foot forward, but eye and shoulders shown frontally (cf. fig. 2.2)
This is the beginning of Egypt’s Bronze Age
It is also the beginning of Egy.
Theirs SpeciFic Myths Type Data : its Submitted Due to Some *Big King Qualities & Another * King Different Qualities related My Imagination chances for above Data Symbol .
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Empowering the Data Analytics Ecosystem: A Laser Focus on Value
The data analytics ecosystem thrives when every component functions at its peak, unlocking the true potential of data. Here's a laser focus on key areas for an empowered ecosystem:
1. Democratize Access, Not Data:
Granular Access Controls: Provide users with self-service tools tailored to their specific needs, preventing data overload and misuse.
Data Catalogs: Implement robust data catalogs for easy discovery and understanding of available data sources.
2. Foster Collaboration with Clear Roles:
Data Mesh Architecture: Break down data silos by creating a distributed data ownership model with clear ownership and responsibilities.
Collaborative Workspaces: Utilize interactive platforms where data scientists, analysts, and domain experts can work seamlessly together.
3. Leverage Advanced Analytics Strategically:
AI-powered Automation: Automate repetitive tasks like data cleaning and feature engineering, freeing up data talent for higher-level analysis.
Right-Tool Selection: Strategically choose the most effective advanced analytics techniques (e.g., AI, ML) based on specific business problems.
4. Prioritize Data Quality with Automation:
Automated Data Validation: Implement automated data quality checks to identify and rectify errors at the source, minimizing downstream issues.
Data Lineage Tracking: Track the flow of data throughout the ecosystem, ensuring transparency and facilitating root cause analysis for errors.
5. Cultivate a Data-Driven Mindset:
Metrics-Driven Performance Management: Align KPIs and performance metrics with data-driven insights to ensure actionable decision making.
Data Storytelling Workshops: Equip stakeholders with the skills to translate complex data findings into compelling narratives that drive action.
Benefits of a Precise Ecosystem:
Sharpened Focus: Precise access and clear roles ensure everyone works with the most relevant data, maximizing efficiency.
Actionable Insights: Strategic analytics and automated quality checks lead to more reliable and actionable data insights.
Continuous Improvement: Data-driven performance management fosters a culture of learning and continuous improvement.
Sustainable Growth: Empowered by data, organizations can make informed decisions to drive sustainable growth and innovation.
By focusing on these precise actions, organizations can create an empowered data analytics ecosystem that delivers real value by driving data-driven decisions and maximizing the return on their data investment.
Techniques to optimize the pagerank algorithm usually fall in two categories. One is to try reducing the work per iteration, and the other is to try reducing the number of iterations. These goals are often at odds with one another. Skipping computation on vertices which have already converged has the potential to save iteration time. Skipping in-identical vertices, with the same in-links, helps reduce duplicate computations and thus could help reduce iteration time. Road networks often have chains which can be short-circuited before pagerank computation to improve performance. Final ranks of chain nodes can be easily calculated. This could reduce both the iteration time, and the number of iterations. If a graph has no dangling nodes, pagerank of each strongly connected component can be computed in topological order. This could help reduce the iteration time, no. of iterations, and also enable multi-iteration concurrency in pagerank computation. The combination of all of the above methods is the STICD algorithm. [sticd] For dynamic graphs, unchanged components whose ranks are unaffected can be skipped altogether.
Chatty Kathy - UNC Bootcamp Final Project Presentation - Final Version - 5.23...John Andrews
SlideShare Description for "Chatty Kathy - UNC Bootcamp Final Project Presentation"
Title: Chatty Kathy: Enhancing Physical Activity Among Older Adults
Description:
Discover how Chatty Kathy, an innovative project developed at the UNC Bootcamp, aims to tackle the challenge of low physical activity among older adults. Our AI-driven solution uses peer interaction to boost and sustain exercise levels, significantly improving health outcomes. This presentation covers our problem statement, the rationale behind Chatty Kathy, synthetic data and persona creation, model performance metrics, a visual demonstration of the project, and potential future developments. Join us for an insightful Q&A session to explore the potential of this groundbreaking project.
Project Team: Jay Requarth, Jana Avery, John Andrews, Dr. Dick Davis II, Nee Buntoum, Nam Yeongjin & Mat Nicholas
Explore our comprehensive data analysis project presentation on predicting product ad campaign performance. Learn how data-driven insights can optimize your marketing strategies and enhance campaign effectiveness. Perfect for professionals and students looking to understand the power of data analysis in advertising. for more details visit: https://bostoninstituteofanalytics.org/data-science-and-artificial-intelligence/
As Europe's leading economic powerhouse and the fourth-largest hashtag#economy globally, Germany stands at the forefront of innovation and industrial might. Renowned for its precision engineering and high-tech sectors, Germany's economic structure is heavily supported by a robust service industry, accounting for approximately 68% of its GDP. This economic clout and strategic geopolitical stance position Germany as a focal point in the global cyber threat landscape.
In the face of escalating global tensions, particularly those emanating from geopolitical disputes with nations like hashtag#Russia and hashtag#China, hashtag#Germany has witnessed a significant uptick in targeted cyber operations. Our analysis indicates a marked increase in hashtag#cyberattack sophistication aimed at critical infrastructure and key industrial sectors. These attacks range from ransomware campaigns to hashtag#AdvancedPersistentThreats (hashtag#APTs), threatening national security and business integrity.
🔑 Key findings include:
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Our comprehensive report delves into these challenges, using a blend of open-source and proprietary data collection techniques. By monitoring activity on critical networks and analyzing attack patterns, our team provides a detailed overview of the threats facing German entities.
This report aims to equip stakeholders across public and private sectors with the knowledge to enhance their defensive strategies, reduce exposure to cyber risks, and reinforce Germany's resilience against cyber threats.
2. Some artifacts are of such vital importance to our understanding
of ancient cultures that they are truly unique and utterly
irreplaceable. The gold mask of Tutankhamun was allowed to
leave Egypt for display overseas; the Narmer Palette, on the other
hand, is so valuable that it has never been permitted to leave the
country.
Discovered among a group of sacred implements ritually buried in a
deposit within an early temple of the falcon god Horus at the site of
Hierakonpolis (the capital of Egypt during the pre-dynastic period), this
large ceremonial object is one of the most important artifacts from the
dawn of Egyptian civilization. The beautifully carved palette, 63.5 cm
(more than 2 feet) in height and made of smooth greyish-green
siltstone, is decorated on both faces with detailed low relief. These
scenes show a king, identified by name as Narmer, and a series of
ambiguous scenes that have been difficult to interpret and have resulted
in a number of theories regarding their meaning.
The high quality of the workmanship, its original function as a ritual
object dedicated to a god, and the complexity of the imagery clearly
indicate that this was a significant object, but a satisfactory
interpretation of the scenes has been elusive.
The object itself is a monumental version of a type of daily use
item commonly found in the predynastic period—palettes were
generally flat, minimally decorated stone objects used for
grinding and mixing minerals for cosmetics. Dark eyeliner was an
3. essential aspect of life in the sun-drenched region; like the dark
streaks placed under the eyes of modern athletes, black
cosmetic around the eyes served to reduce glare. Basic
cosmetic palettes were among the typical grave goods found
during this early era.
In addition to these simple, purely functional, palettes however,
there were also a number of larger, far more elaborate palettes
created in this period. These objects still served the function of
being a ground for grinding and mixing cosmetics, but they were
also carefully carved with relief sculpture. Many of the earlier
palettes display animals —some real, some fantastic—while later
examples, like the Narmer palette, focus on human actions.
Research suggests that these decorated palettes were used in
temple ceremonies, perhaps to grind or mix makeup to be ritually
applied to the image of the god. Later temple ritual included
elaborate daily ceremonies involving the anointing and dressing
of divine images; these palettes likely indicate an early
incarnation of this process.
A ceremonial object, ritually buried
The Palette of Narmer was discovered in 1898 by James Quibell
and Frederick Green. It was found with a collection of other
objects that had been used for ceremonial purposes and then
ritually buried within the temple at Hierakonpolis.
Temple caches of this type are not uncommon. There was a
great deal of focus on ritual and votive objects (offerings to the
4. God) in temples. Every ruler, elite individual, and anyone else
who could afford it, donated items to the temple to show their
piety and increase their connection to the deity. After a period of
time, the temple would be full of these objects and space would
need to be cleared for new votive donations. However, since
they had been dedicated to a temple and sanctified, the old
items that needed to be cleared out could not simply be thrown
away or sold. Instead, the general practice was to bury them in a
pit under the temple floor. Often, these caches include objects
from a range of dates and a mix of types, from royal statuary to
furniture.
5. Two Dogs Palette, Hierakonpolis,
Egypt c.3100 B.C.E. (Ashmolean Museum, University of Oxford) The "Main Deposit"
at Hierakonpolis, where the Narmer Palette was discovered, contained
many hundreds of objects, including a number of large relief-covered
ceremonial mace-heads, ivory statuettes, carved knife handles,
figurines of scorpions and other animals, stone vessels, and a second
elaborately decorated palette (now in the Ashmolean Museum at
Oxford) known as the Two Dogs Palette.
6. Conventions that remain the same for thousands of
years
There are several reasons the Narmer Palette is considered to be
of such importance. First, it is one of very few such palettes
discovered in a controlled excavation. Second, there are a
number of formal and iconographic characteristics appearing on
the Narmer palette that remain conventional in Egyptian two-
dimensional art for the following three millennia. These include
the way the figures are represented, the scenes being organized
in regular horizontal zones known as registers, and the use of
hierarchical scale to indicate relative importance of the
individuals. In addition, much of the regalia worn by the king,
such as the crowns, kilts, royal beard, and bull tail, as well as
other visual elements, such as the pose Narmer takes on one of
the faces where he grasps an enemy by the hair and prepares to
smash his skull with a mace, continue to be utilized from this
time all the way through the Roman era.
8. The king is represented twice in human form, once on each face,
followed by his sandal-bearer. He may also be represented as a
powerful bull, destroying a walled city with his massive horns, in
In addition to the primary scenes, the palette includes a pair of
fantastic creatures, known as serpopards—leopards with long,
snaky necks—who are collared and controlled by a pair of
attendants. Their necks entwine and define the recess where the
makeup preparation took place. The lowest register on both
sides include images of dead foes, while both uppermost
registers display hybrid human-bull heads and the name of the
king. The frontal bull heads are likely connected to a sky
goddess known as Bat and are related to heaven and the
horizon. The name of the king, written hieroglyphically as a
catfish and a chisel, is contained within a squared element that
represents a palace facade.
9.
10. As mentioned above, there have been a number of theories
related to the scenes carved on this palette. Some have
interpreted the battle scenes as a historical narrative record of
the initial unification of Egypt under one ruler, supported by the
general timing (as this is the period of the unification) and the
fact that Narmer sports the crown connected to Upper Egypt on
one face of the palette and the crown of Lower Egypt on the
other—this is the first preserved example where both crowns are
used by the same ruler. Other theories suggest that, rather than
an actual historical representation, these scenes were purely
ceremonial and related to the concept of unification in general.
11. More recent research on the decorative program has connected
the imagery to the careful balance of order and chaos (known as
ma’at and isfet) that was a fundamental element of the Egyptian
idea of the cosmos. It may also be related to the daily journey of
12. the sun god that becomes a central aspect in the Egyptian
religion in the subsequent centuries.
Palette of Narmer (detail)
The scene showing Narmer wearing the Lower Egyptian Red
Crown (with its distinctive curl)* depicts him processing towards
the decapitated bodies of his foes. The two rows of prone bodies
are placed below an image of a high-prowed boat preparing to
13. pass through an open gate. This may be an early reference to
the journey of the sun god in his boat. In later texts, the Red
Crown is connected with bloody battles fought by the sun god
just before the rosy-fingered dawn on his daily journey and this
scene may well be related to this. It is interesting to note that the
foes are shown as not only executed, but rendered completely
impotent—their castrated penises have been placed atop their
severed heads.
On the other face, Narmer wears the Upper Egyptian White
Crown* (which looks rather like a bowling pin) as he grasps an
inert foe by the hair and prepares to crush his skull. The White
Crown is related to the dazzling brilliance of the full midday sun
at its zenith as well as the luminous nocturnal light of the stars
and moon. By wearing both crowns, Narmer may not only be
ceremonially expressing his dominance over the unified Egypt,
but also the early importance of the solar cycle and the king’s
role in this daily process.
This fascinating object is an incredible example of early Egyptian art.
The imagery preserved on this palette provides a peek ahead to the
richness of both the visual aspects and religious concepts that develop
in the ensuing periods. It is a vitally important artifact of extreme
significance for our understanding of the development of Egyptian
culture on multiple levels.
*The Red Crown of Lower Egypt and the White Crown of Upper
Egypt were the earliest crowns worn by the king and are closely
connected with the unification of the country that sparks full-
14. blown Egyptian civilization. The earliest representation of them
worn by the same ruler is on the Narmer Palette, signifying that
the king was ruling over both areas of the country. Soon after the
unification, the fifth ruler of the First Dynasty is shown wearing
the two crowns simultaneously, combined into one. This crown,
often referred to as the Double Crown, remains a primary crown
worn by pharaoh throughout Egyptian history. The separate Red
and White crowns, however, continue to be worn as well and
retain their geographic connections. There are a number of
Egyptian words used for these crowns (nine for the White and 11
for the Red), but the most common—deshret and hedjet—refer
to the colors red and white, respectively. It is from these
identifying terms that we take their modern name. Early texts
make it clear that these crowns were believed to be imbued with
divine power and were personified as goddesses.
Essay by Dr. Amy Calvert